Michael and Charlotte are both watching me, laughter in his eyes, joy in hers.
âThat was intenseâ¦.â I say.
Michael slaps me a high-five. âLetâs share a glass,â he says.
âExcellent idea.â
He vanishes off to the kitchen while I release my emerald-eyed beauty. She perches on the edge of the bed, still breathing a little quickly. I kiss her and wipe her face clean with a towel. âYou look beautiful.â
The click of the door and the clink of glass. Michael enters with a tray bearing three flutes and a bottle of cava, dewy with chill.
Yes, this is a celebrationâ¦.
The wine bubbles and froths as he pours. âA toast I think,â he says.
He pauses for a moment then raises his glass. âTo my future Wife, and my Best Man.â
What better toast?
I raise my own glass. âTo my Best Friend and my Wife-de-Facto.â
And my Jade clinks her glass against ours. âTo my Master and my Husband-To-Be.â
*****
Two Years Ago âAre you ready, Charlotte?â
Her stomach clutching at the thought of what she is about to do, a young woman, twenty-two years old, red-haired, green-eyed, scans the auditorium. Demurely dressed in blouse and skirt, the leather collar at her throat is a biting reminder of the reality.
The hall is full, men of all ages, races, colours; perhaps two hundred or so. They have only two things in commonâ¦.
They are richâ¦.
â¦. and they want to fuck a virgin.
She resists the rising panic.
One weekâ¦.
Itâs only for one weekâ¦.
If she can keep her nerve, if does this right, she will be free.
âCharlotte, theyâre waiting.â
Taking a deep breath, Jenny lifts her chinâ¦.
â¦. and Charlotte steps up to the podium.
*****
Klempner The cell is plain. A narrow bed with a thin hard mattress, a steel lavatory and basin, a small locker with no lock. The door stands ajarâ¦.
Only the free have privacy.
He sits on the bed, a book, well foxed, lying open on his lap; The Count of Monte Cristo.
A guard steps inside. âJust doing my rounds, Mr Klempner.â
âOf course, Mr Sutcliffe.â
Sutcliffe steps back for a moment, glances down the corridor then back in again. His voice lowers.
âAnything you need, sir?â
âYes, there is. You can pass a message to Baxter for me. Those visitors I had. I'd like an eye kept on them.â
âJust an eye, sir?â
âJust an eye, yes.â
âI'll pass the message along.â There is the click of footsteps down the corridor and his tone changes, becoming louder. âCâmon Larry. Itâs lights out soon.â He nods and leaves, closing the door behind him.
The sound of turning keys echoes from bare walls.
Klempner purses his lips, thinking perhaps, then picks up his book. Almost immediately, the lights flick down low, too low for reading. He looks up and sighs, closes the book, and puts it to one side.
There is a click and a small, slatted viewing port on the door slides open. A guard, Hartland, peers through, grunts, then snaps it shut again.
The half-light is uncomfortable, difficult for sleep. And with the long hours of inactivity, sleep is already problematic.
Never true darknessâ¦.
True darkness also, is only for the freeâ¦.
There are two photographs on the small locker; one is old and worn, tiny, of a young woman, red-
haired, green-eyed, smiling; her arm hooked around the waist of a man much younger than the one lying on the hard mattress.
The other image, more modern, brighter, crisper, recent, is of a young woman, red-haired, green-eyed and smiling.
In the gloom his eyes flick between the two pictures, then, head dropping back onto his pillow, they close.
*****
About the Author Although Simone Leigh is English, she spends much of her time in Spain.
Here, she divides her time between working on her tan, renovating her beautiful villa, swimming naked in her swimming pool and writing erotica, including the Award Winning âTargetâ.
She was recently informed by an internet troll that she is âbeyond redemptionâ.
Visit Simone Leighâs Website simone-leigh.com