When Mrs. Park and I got back to the mansion, we found Iset, Igor, and Conrad still in the kitchen, talking about how to prepare for an unknown amount of time without water, gas, and electricity. They were surprised to see us back so soon, and it wasnât the happy kind of surprise either.
Things didnât get any happier as I told them about the barrier. Or the line of magic Iâd found.
âIt was coming up from the ground?â Iset said.
I nodded.
That was why it had looked muffled. It was coming up through the dirt, grass, and leaves to reach me. Real light never wouldâve made it, but no matter how similar they looked to me, magic didnât behave like light.
âAnd you say it was moving?â Iset prompted.
The rate was slow but steady. At a distance, it was hard to notice, but when I got up close, I could watch it creep from one grass blade to the next at an unvarying pace.
âIs that possible?â I asked.
It was a stupid question, really. Maybe I was hoping sheâd tell me it was a weird new strain of bioluminescent glow worm that only I could see, and not an ominous blue line of magic creeping toward the mansion like a tightening noose.
She didnât bother answering my question.
âConrad, Emerra,â she said, âgo out and learn as much as you can before it gets too dark.â
âIset, the sun is already down,â Mrs. Park pointed out.
âThereâs some light left,â Conrad said as he grabbed his boots.
âAnd Conrad has pretty good night vision,â I assured her.
âBut you donât,â Iset said.
There was an unusual firmness to her voice that made me pause.
She went on, âThereâs no point in staying out if you canât see. Learn whatever you can, come back when it gets too dark.â
The problem with the phrase âtoo dark,â is that itâs so subjective. While Conrad and I were out inspecting the magic line behind the mansion, we got into a spirited debate over what qualified as âtoo dark.â
âIset wants us back,â he insisted.
He must have noticed how firm Isetâs voice had been too.
âThe line is plenty bright,â I said.
âIf I canât see it, it doesnât count.â
âIf we wait a few more minutes, there might be enough starlightââ
âDo I have to carry you?â
âWhat? Like, princess style? In your arms?â My eyes narrowed, and I tapped my lips a few times. âI think piggy-back would be easier.â
âOver my shoulder. Like a sack of potatoes.â
That sounded uncomfortable enough that I decided to put off the rest of the investigation until the next day.
When we got back to the mansion, we found Iset in the library. Her desk was littered with books. Three of them were open in front of her. There were two battery-powered camping lanterns, one on each side of her desk.
âDid you learn anything?â she asked.
I collapsed into the nearby armchair. There was no road to where Conrad and I had wanted to go, so we had to go there on foot. Since we were short of daylight, I had run as much as my injured foot would allow. I was tired, and the cuts were a chorus of throbbing pain.
Maybe I shouldâve had the wolfman carry me.
âNot much,â I said. âThe barrier and the magic line are behind the mansion, like we thought they would be. We can check tomorrow, but at this point Iâd be surprised if there were any gaps.â
âDo you think the magic was moving in from the barrier?â
âWe think so,â Conrad said. âAt least the line of magic followed the shape of the barrier.â
âThe shape?â Iset said. âI thought the barrier was a circle.â
âThatâs its general shape, but it isnât a perfect one.â
âItâs more of a circle-esque blob,â I said. I tried to picture the sections that Iâd seen as if Iâd been viewing them from above. âLike a circle drawn by someone with a shaky hand.â
Iset sat back in her chair. She seemed to be staring at the nothing past my shoulder.
âIset?â I said.
âI thought it would have been a circle,â she muttered.
âWhy?â
âBecause thatâs the easiest shape for magic to take. Circles and spheres. If it isnât a perfect circle, itâs because someone went through a lot of trouble to change the shape.â
When I donât know whatâs going on, I tend to look at other people to gauge what kind of an emotional reaction I should be having. I glanced at Conrad. He was frowning, his ears were out to the side, and his brows were low over his eyes. Whoever had gone to the trouble of shaping the magic had managed to annoy a lycanthrope.
âTomorrow Iâll have to ask you to go out again,â Iset said. âWe need to know how big the barrier is, its exact shape, how fast the magic circle is shrinking, and, if possible, what both of them are centered on.â
âWeâll need the topographical maps of the area,â Conrad said.
âOf course.â
Iset stood, picked up one of the lanterns, and disappeared into the bookshelves. Conrad and I followed her over to the antique flat file at the edge of the room. It looked like a large square dresser with sixteen drawers. Most of the drawers were only two or three inches deep. On a boring March afternoon, Iâd snooped through it. That was where Iset kept all the maps, prints, and bizarrely oversized books.
Big Jacky owned a bound series of Audubonâs Birds of America, Double Elephant Folio size, from 1838. The only reason I didnât spend hours a day admiring them was because I was afraid the friction from my eyes moving over the pages might ruin them.
This content has been misappropriated from Royal Road; report any instances of this story if found elsewhere.
âDo we have any maps or plans of the mansion?â Conrad asked.
âYes, but those Iâll have to search for,â Iset said as she pulled out a map and laid it on top of the flat file.
âWhere are they supposed to be?â I asked.
âTheyâre supposed to be here,â Iset said, âbut I suspect theyâre lost in Big Jackyâs study somewhere.â
My stomach let out a growl that would have been comically loud if it hadnât been so tragic.
Conrad looked at me.
âSorry.â I put a hand over my belly. âIgorâs spoiled me. My stomach thinks it has rights to dinner every night. â
Iset finished shutting the drawer of the flat file. âNeither of you have eaten yet.â
âWeâve been distracted,â Conrad said.
âDo you think Igor made anything to eat?â I asked.
The wolfman nudged my arm. âYou go check on that.â To Iset he said, âIâll start searching Big Jackyâs study for the plans.â
Since the electricity was out, the antique brass wall sconces had been brought out of retirement. I walked down the main hall, through the gentle glow of a dozen taper candles. The tall brass backs of the sconces reflected their flickering light.
Igor was in the kitchen, surrounded by more burning candles. He had pulled one of the stools around to âhisâ side of the kitchen island. He was sitting on it while writing at the counter. When I asked him if there was any dinner, he said that heâd prepared some cold food for us. I could make sandwiches or eat it as a charcuterie selection.
âTry to open the fridge as little as possible. The power is out,â he reminded meâas if I was likely to forget.
He bent back over the paper and grumbled as he worked.
His grumbling lacked its normal energy, but I couldnât tell if he was tired or despondent. I decided to give him some space. That meant that I wasnât going to ask him what he was writing or what a charcuterie was.
I did, however, peek over his shoulder at the paper when I walked by him to grab a plate.
It was no good. Igor wrote in a delicate, flowing cursive that fit the deftness of his hands and nothing else about him. It wouldâve taken me a full minute of staring to decipher it.
He noticed me leaning over him.
âItâs a list,â he explained. âSince thereâs no way of knowing how long weâll be stuck here, Iâm taking stock of the food and how we might be able to prepare it.â
âOh.â I stopped leaning.
âDonât worry. You wonât starve.â He added in a much darker grumble, âAt least not for the first three weeks.â
âThank you, Igor.â
The sincerity in my voice was too obvious to hide. When Igor heard it, he scowled at the paper and let out a loud humph, which was the closest the man ever got to âyouâre welcome.â
âKappa will be the problem,â he said. âAlmost everything he eats requires refrigeration to stay fresh.â
A shot of panic lit up my brain, but with everything else going on, my head already resembled the Las Vegas strip. What was one more light among so many?
âWill he be okay?â I asked.
âWe donât know,â Igor said.
For some reason, I found Igorâs standard bluntness comforting. He would never tell me what I wanted to hear, but I never had to worry about him lying to me or trying to sugarcoat an unpleasant truth.
He went on, âIâve already moved most of Kappaâs food to the freezer. With luck, itâll take longer to thaw. We can supplement with tuna, but we have to be careful about the salt.â
He dropped the pen and used both hands to rub his forehead.
A new wash of nervousness rose through my body, drowning out all my other vague fears, and leaving me cold.
An invisible cage, a magic noose, the threat of starvationâyes, it was scary, but all of it had felt far off and somehow surreal. The threat was out there. Nothing immediate. Nothing I could really sink my anxiety into.
And Igor had always seemed so unflappable. I had unconsciously assumed that there would never be a situation so dire that our master chef couldnât gripe, grumble, and complain his way through it.
But in that moment of weakness, Igor hadnât made a sound.
Heâs tired, I told myself. Thatâs all.
I didnât believe me.
I forced myself to sound casual: âWhere is Kappa, anyway? Did he already go to bed?â
Igor picked up his pen. âI havenât seen him.â
âYou mean he hasnât come in for dinner?â
âNot yet.â
I looked at the clock, then I looked out the window at the darkness which, at that moment, definitely struck me as being âtoo dark.â Not that Kappa would care. The only person with better night vision than him was Count Darius Vasil, the vampire.
I still didnât like it.
âI think Iâm going to go find him,â I said.
As I walked over to the French doors, Igor said, âWatch yourself.â
I nodded without bothering to ask what I was supposed to be watching for. It was that kind of an atmosphere.
I stepped off the deck and into the yard while calling Kappaâs name and listening for a response.
The moon hadnât risen yet, but there were plenty of disjointed stars to cast their silver light over the scene. The highlights of the trees and plants looked blue and teal while the things in the shadows were navy, gray, or black. Here, away from the city lights, being outside at night always made me feel like I was living in a painting from Picassoâs blue period. There was something somber and beautiful about it.
I wandered past the short stone wall that marked the edge between the cultivated yard and what Conrad called âthe wild yard.â The manicured grass tapered off, and the natural forest floor took over. Through the years, various groundskeepers had made some changes to the wild yard, but not many, and each one was carefully constructed to blend in with what was already there.
One of the changes had been to add a koi pond. Kappa claimed it was his. He had no real right of ownership, but no one had challenged him, so it had become (at least in my mind) Kappaâs koi pond.
He wasnât there.
I followed the footpath back to the opening in the stone wall but turned away from the mansion toward Conradâs bench.
That was another unofficial ownership. Conrad hadnât installed the bench, but he was the one who used it the most. It was off the footpath, at the edge of a small clearing. When you were sitting down, you could look up and see the sky. Cold weather didnât bother a guy who wore a permanent fur coat, so I would find Conrad out there even on winter nights, relaxing in the silenceâwhich my arrival promptly ruined.
I was born noisy, and I would probably die noisy.
The bench was empty, but I stopped beside it and called Kappaâs name again. Then I shut my mouth and listened hard.
Further out, I thought I heard the soft, whiny mewing of Kappa in distress.
I ran toward it.
As I got closer, the sound grew louder. He was bawling. It was a sound of sadness, and the only time it stopped was when he had to breathe in. His blue-green-brown skin blended into the night, making it hard to spot him, but when I honed in on the crying, I could make out his shape.
Kappa was beyond the last trees in the wild yard, where the woods dropped away for a space, leaving an open area that sloped toward town, giving us a wide, beautiful view down the mountain. He was sitting on his butt with his webbed hands on the ground between his legs. All of the fins on his head drooped, and as I caught sight of him, he opened his mouth wide to let out another heart-breaking cry.
I was already shooshing him when I ran up to his side. âNo, no, Kappa. Buddyâbabyâwhatâs wrong?â
He heard me and turned with a gulp. When he raised his arms, I scooped him up and held him to my chest. He wiped his slimy face on my shirt and tried to stifle his crying. It made him hiccup.
âCome on,â I cooed. âIâve got you. Are you hurt?â
He shook his head, wiping yet more slime into my shirt.
âAre you hungry?â I asked.
He paused with his face still tucked against my chest, then nodded.
I laughed. There was, maybe, a smidgen of relief in it. I had found him, and he wasnât hurt.
I stroked one of the fins on the side of his head. âI get it, buddy. Thatâs how I feel when I havenât had dinner. Letâs go in and get you some food.â
He mumbled into my shirt. If the night hadnât been so quiet, I wouldâve missed what he said.
âIâm lost.â
My breathing stopped. When it resumed a moment later, my heart was beating faster than normal, and my breathing was shallow.
Bog-monsters didnât get lost. Bog-monsters had a bunch of senses that gave them a natural GPS that human technology could only be jealous of. The world was not a mere half-inch crooked; if Kappa had lost his sense of placeâin his own territoryâthen something was very wrong.
As I struggled to think of anything I could say to comfort him, my eyes drifted over the area where the open space met the scattered woods further down the mountain.
There was something there. Moving.
My eyes narrowed.
It was a line of somethings. Dark shapes crept out of the shadows. At first I guessed there were a dozen of them, but more kept emerging from the trees as I watched. I couldnât keep count. Manyâthat was the best I could do.
And the way they moved was weird. I wouldâve called it a shamble, but it was too fast for that. The upright figures lurched forward by a series of clumsy jerks that moved each leg in turn. Their arms moved too, out of rhythm from their legs. It was a wonder that they could stay upright, let alone walkâ
But they werenât walking. They were running. They were still a ways off, but I could tell by how rapidly they grew in my field of vision that they were covering the distance faster than I could at my best sprint. They were coming toward me and Kappa, and everything about them screamed âdanger.â
Now, that was an immediate threat that I could really sink my anxiety into.
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