My mom wakes up early the next evening in a room thatâs dimly lit. It used to be a dormitory for soldiers who lived in these tunnels a long time ago.
âOnly a few of the old beds are still intact when sheâs there. Sheâs lying on a rusty metal cot, covered with Sanoskeâs sleeping bag and a couple of jackets.
âShe makes her way back to the big room with the windows. Itâs dark again, and the moonlight is shining brightly through the dirty glass. She can see the ocean, the waves moving slowly, tilting, and crashing.
âThe room used to be a lookout station. The Kagegun turned it into a kitchen.
âThey stocked up on supplies before leaving Resistance. My mom goes through the bags filled with dried oats, rice, dried seaweed, salted meat, barley, limes and a lot more.
âThere are also a couple of large containers with water and a small measuring cup, used to ration food and water.
âThe men are cooking oatmeal, and sheâs quickly handed a bowl by Kazuya, who sits her down next to him to eat. Sanoske is nowhere to be found.
âWhile she eats, Kazuya explains theyâll be staying for at least a week and that theyâre expecting contact from Europe.
âThe thought scares my mom more than she expected. Sheâs used to the Kagegun, their faces, their dark hair and almond eyes.
âSheâs grown used to the Resistant faces, their different-shaped mouths, their coarse hair, and different-colored skin.
âShe has no idea what the people from mainland Europe will look like. And she doesnât feel very inclined to find out.
âSanoske shows up shortly after breakfast and quickly starts assigning jobs to his men. They scatter quickly.
âMy mom is assigned to weapon verifications and cleaning, something she doesnât mind doing. She accepts her task and gets to work quickly with the rest of them.
âThe Kagegun picked up fifteen Resistance soldiers, some of whom she recognizes from their training sessions. They tell her they donât like the way the mayor is leading.
âThey knew Len and Harry and didnât like the way they were treated. They were at the front line during the Perfect attack and now all they want is revenge.
âThe Kagegun doesnât mind having them around, but the two groups stay slightly apart, though they take their orders from Sanoske.
âThey stay for about a week in the old tunnels. Itâs much needed for my mom, who sleeps a lot, eats a lot, and spends her time polishing, checking pieces, and repairing the menâs weapons.
âShe feels a slight difference in her relationship with the Kagegun men. They talk and theyâre glad for each otherâs company, but they stay more distant.
âSanoske often disappears with Kayuza and Saito, and they often come back covered in ash and frowning.
âThe first night, my mom borrows a needle and thread from Kazuya and starts fitting her Perfect uniform. She shortens the pants, takes in the waistband, wraps a large black belt around her waist and tightens it.
âShe keeps the gray shirt knotted at her back and fills her boots with two layers of socks and extra strips of cotton so she can wear them correctly. She washes her hair and keeps it in a long braid tied with a ribbon.
âShe spends days exploring the empty tunnels, the many chambers full of rotten junk. Most things she doesnât recognize. She overturns frayed plastic furniture, heavy plastic boxes bursting with broken wires and shattered screens.
âShe finds papers that turn to dust when she touches them. In one chamber, she looks up at the one thing she recognizes: a flag that hangs half-torn, half-rotten from the ceiling. The Union Jack.
âSheâs only seen it in Resistance before. She spends a long time staring at it, the faded colors, wondering who made it, what it means, who carried it, and who was buried in it.
âBelow it, she finds a picture frame. Itâs fallen to the ground, the nail holding it completely rusted. When she picks it up, she dusts the glass and looks at the image.
âTheyâre soldiers, five of them. But theyâre not wearing Perfect uniforms, theyâre wearing dark cotton clothing and carrying heavy-looking guns, with rounded helmets. She stares at her ancestors for a long time.
âOn the third evening, she wanders into what used to be an armory and is perhaps the best-kept chamber in the tunnels. The walls are lined with rotten hooks, shattered empty shelves, and large rusted iron trunks.
âShe pulls at what looks like a tarp to find an iron chest, still locked. She drags it out into the middle of the room and scratches at the rusted top. With a heavy stomp, she breaks through the rust easily.
âIn the trunk, she finds fifty black semiautomatic handguns and, below them, thirty boxes of bullets. She shows her finding to the Kagegun men, who pour over the antiques with glee.
âShe chooses one, itâs not too heavy. She loads it, then sticks it into her waistband.
âDawn is her favorite time, when the men gather in the main room to eat. Sanoske often shows up, wraps his arms around her waist, and holds her against him as they eat.
âDuring the day, she sleeps in her cot, with only a handful of others in the same chamber.
âSanoske always takes the first and longest watch, coming to wrap himself around her every day in the afternoon and disappearing again before she wakes.â
***
Haruhiko sits next to me while I count the bullets for the revolvers. Weâre alone in the grand room, facing the windows and the dark waves.
He hums softly, every so often scratching his spiky hair and healing cuts on his scalp. He smiles at me as I hand him another dozen bullets, which he puts in a small box and piles on top of another.
âCan I tell you a secret?â he asks me, leaning back against the corrugated wall.
I glance at him, arching a brow. âA secret isnât meant to be told, Haruhiko,â I answer with a small smile. He nods solemnly in agreement.
âThis one concerns you,â he replies.
I purse my lips and put the bullets I was counting down. My fingers are slightly tainted with gunpowder.
âOkay, tell me.â
âYou kneeling before that Master didnât sit well with me,â he admits, his voice soft. I nod, stealing a glance at him. Heâs not meeting my eyes. âItâs like youâre one of them.â
I stay silent for a moment, then reach out to take his hand. He looks at me, surprised.
âI get it, Haruhiko. I think you all feel that way about me now. But I am one of them. Iâm a Perfect.â I pause, âWell, officially a Traitor now.â
âWhen Sanoske sent Saito and Kazuya to get you from the cell, I didnât know if I could trust you. I didnât even know if I wanted to see you again.â
He frowns. âBut when I saw you, all those doubts vanished. Now, I know who you are.â
He grins at me. âYouâre Alex. And Iâm Haruhiko. We donât need to be anyone else.â His smile grows. âIâll protect you with my life, Alex. Because I care about you a lot.â
âI care about you a lot too, Haruhiko,â I tell him, smiling and trying to hold back the tears welling up in my eyes.
Haruhiko grins at me. He reaches out and tucks a loose strand of my hair behind my ear, his fingers lightly brushing my cheek. His smile fades a bit.
âI wish you werenât Sanoskeâs girl. I would have liked to make you mine. Weâre closer in age,â he says softly.
I smile at him, gently pushing his hand away.
âI wouldnât be a good match for you, Haruhiko. You deserve someone who loves life as much as you do.â
I smile at him, but I can tell it doesnât reach my eyes. He gives me a tight-lipped look.
âIf you were my girl, I wouldââ
âBut sheâs not your girl, sheâs mine.â
Haruhiko and I both jump at the sound of Sanoskeâs voice. Heâs leaning casually against the doorframe, watching us with an odd expression. Then, he grins at me. I canât help but grin back.
Haruhiko lets out a dramatic sigh and jumps to his feet. He darts out of the room before Sanoske can catch him.
âHow are you feeling today?â Sanoske asks me, sitting down next to me, his sword resting at his side.
âBetter,â I reply.
Iâve been feeling better each day. Eating well, sleeping without having to dig holes, and wearing clean clothes have made a world of difference. I feel strong again. I watch Sanoske as he looks at the boxes of bullets.
âThatâs good,â he says. âWe might be moving out tomorrow, I think. Iâm not sure.â He makes a face, then turns to me. âCome with me.â
He stands up quickly and extends his hand. I take it and let him pull me to my feet. I brush the gunpowder off my lap and let him lead me, hand in hand, into the dark tunnels.
He brings me to the armory and shuts the door behind us. The room is empty of people, though the Kagegun have started using it to store all their weapons.
Sanoske lets go of my hand for a moment and walks over to the wall of daggers. He turns to face me, a dagger spinning in his hand. His face is serious.
âI know you have a gun. But target practice would be too complicated down here,â he says.
My eyes widen, and I canât help the smile spreading across my face. âYouâre going to teach me to fight?â I ask him. He frowns.
âNo. Iâm going to teach you how to defend yourself,â he corrects, pacing slowly in front of me. I watch him. âDefense is your best option. Your goal is to run away. As far and fast as you can. Survive. Got it?â
âGot it.â
He looks at me. âThe Perfect soldiers start their training at fifteen. They specialize by seventeen and by nineteen theyâre off to battle, but not before visiting at least one establishment.â
âI know how the system works, Sanoske,â I remind him.
He nods solemnly. âKagegun is a highly specialized stealth team. Most of us have been training since we were kids, mostly in the old martial arts.
âI think the Resistance soldiers start their training at sixteen. You start today. No matter who it isâfriend or enemyâeveryone will have more experience, more training, and better instincts than you.
âYour job is to defend yourself and run. You have to be smart.â Sanoskeâs face is hard, serious, the same look he gets when heâs training his men.
I nod. âI understand, Sanoske,â I reply.
He presses his lips together.
âI canât be worried about you. I canât be thinking about you when Iâm on the field, Alex. I need you to be safe.â
He steps toward me, gently stroking my cheek. I look up at him, my heart pounding erratically in my chest.
âI need you to survive, Alex.â
âI need you to survive too,â I say.
He gives the smallest smile. âI always do,â he replies, then steps back from me, spinning the blade in his hand. âTraining starts now. Get ready.â
âHow do I get ready?â I ask.
He smiles. âTake off the jacket. You need to be able to move freely,â he says.
I nod quickly and take off my jacket and jumper. I adjust the knot on my shirt so itâs tied tightly around my waist.
I look up at Sanoske when Iâm ready. His eyes are wide, and he quickly clears his throat and spins the blade.
âWhen you attack, aim for the soft spots. Avoid the chest and back. Thereâs a lot of muscle and bone there, you have to be strong to get the blade in.â
He circles close to me. Slowly, he lifts the dagger and places it on my throat, at the hollow between my collarbones.
âJust push down,â he instructs, guiding the blade from my chest to my stomach. âIf you canât reach the throat, aim for the stomach.â
He pulls back, leaving a trail of tingles where the blade had been.
âSoldiersâusually menârely on their momentum in a fight. Youâre small and not as strong, so you need to be smart to escape.â
âIâm not weak.â
âYou are in comparison. You need to use their strength against them.â
âHow?â
âThatâs what Iâm showing you. Now, try to attack me.â
He hands me the blade. I take it, careful not to cut myself.
âI donât want to hurt you.â
A playful smile dances on his lips. âYou wonât.â
I shift in my boots, then, gripping the knife, I lunge at him. Sanoske steps back, giving me room, then grabs my wrist and guides it to the ground.
Suddenly, he twists my wrist up and against my chest, pulling me into him. I gasp at the sudden pain. The dagger slips from my fingers, and he plucks it up.
His breath tickles my ear. His arm wraps around my waist. âYour turn,â he whispers, releasing me.
I stumble back, rubbing my sore wrist, and face him. He lunges at me, aiming the dagger at my heart. I barely dodge in time.
He spins and grabs my arm, pulling me against him. I look up at him.
âYou forgot to grab my wrist,â he points out. âTry again.â
He releases me and lunges again. My heart pounds as I reach for his wrist and guide it to the ground, just like he showed me.
He goes along with it. I try to twist his wrist up, but he resists. His other hand appears over mine and pries my fingers from his wrist. He pulls me against him again.
His heavy breathing matches the intensity of his gaze.
âTry again. Find the tipping point, where Iâm about to fall. Thatâs when you have the advantage. Donât twist too early, or I can overpower you,â he instructs, pushing me away.
He lunges again. I step back and grab his wrist, guiding his hand to the ground. When I feel his balance shift, I twist his wrist up against his chest and pull him into me.
His body collides with mine. He opens his hand, and I take the dagger.
I spin away, grinning. âI did it!â
His dark hair falls into his eyes, and his expression hardens. He looks dangerous.
âAgain,â he commands.
He lunges at me over and over. Most times, I donât get the blade. Sometimes, I do.
Sanoske and I move around each other. Each time I fail, he pulls me against him, tracing the blade slowly over my skin, showing me where he could kill me.
We repeat the dance, round after round, until the movements become familiar and sweat coats my body.
I guide him down and twist his wrist up. Too soon. He regains control and spins me around. His arm wraps around my waist, pulling me against him.
My chest heaves with exertion. I can feel his hard, warm body against mine.
âAlex,â he growls in my ear.
Suddenly, he spins me around. The dagger clatters to the ground. One arm wraps around my waist, the other slips behind my neck, pulling me into him.
His lips meet mine, soft, warm, and urgent. In one swift move, he pushes me against the wall. One hand tangles in my hair, the other presses me to him.
My heart races, and my skin burns where he touches me. I pull him closer, clutching his shirt and pulling him toward me.
The world fades away, leaving only Sanoske, his movements, his strong hands, his hot breath, and his soft lips.
He breaks the kiss with a groan and trails hot kisses down my throat. My head falls back, and I gasp for breath.
His hands slide down my body, hooking under my thighs. He lifts me up, and I wrap my legs around his waist. My arms around his neck pull him closer, wanting to feel him everywhere, wanting him to consume me.
When he pulls back, his expression is wild, and his dark eyes dart from one side of my face to the other. He holds me, pinned between the wall and him.
My chest heaves, my breath is short, and all I want is for him to kiss me again.
âIâve been wanting to do that all evening,â he confesses softly.