It takes all of two seconds to slip out of my body. It happens so fast, I donât even get a chance to feel the weight of the momentâthe way my dad is looking at me and somehow not looking at me, the way Porter scowls at me, his face drawn tight, his mouth a perfect little sphincter in the middle of his face.
But Iâm above it now. Floating somewhere near the ceiling, watching the play unfold beneath me.
Camera pans toward Porter, his mouth shaped like a butthole.
PORTER Blah, blah, (Looking disappointed. Looking tired. Looking resigned.)
I donât know what to say.
PORTER What do you have to say, Lily?
DISAPPOINTING DAUGHTER (Who is not really Lily because Lily is not here right now. Lily has left the body. Please leave a message at the beep.)
We didnât do it.
PORTER Let me remind you that I have personally reviewed the security tapes, and while we canât identify last nightâs spray-painters, we can clearly identify you trespassing several weeks ago. Stealing art supplies. Vandalizing the lobby.
DISAPPOINTING DAUGHTER No. No. We used paper.
The schoolâs paper.
(Gifford and Friedman enter.)
FRIEDMAN Theyâre artists. They took a risk.
GIFFORD Blame us, not them.
PORTER (Butthole mouth pinching tighter.)
You persuaded me once, but itâs gone too far. Just like I said it would. Someone has to be punished, or who knows where it will stop.
DISAPPOINTING DAUGHTER We. Didnât. Do. The. Spray-paint.
DAD Lily. Just stop.
PORTER Personal responsibilityâ¦blah, blah, blahâ¦good academic recordâ¦shame to see one mistake knock you off trackâ¦two-day suspension.
(Looking/not looking at Disappointing Daughter.)
I can assure you this wonât happen again.
PORTER I should hope not.
(Wags finger.)
You should consider yourself lucky, young lady. Your partner in crime didnât get off so easy.
I slam back into my body.
âWait, what? What did you do to Micah?â
â
didnât do anything to Micah,â Porter says. âHe did this to himself. Told us how all of this was his idea.â
âNo, no, thatâs not true,â I say as panic wells in my throat. Moisture pricks my eyes. âI had the idea first. I was theââ
Porter holds up his hand, dismissing me.
âNo need to be heroic, Ms. Larkin. Micah has told us everything, and weâve turned it over to the police.â
âThe police?â
âTrespassing is a misdemeanor.â
âBut thatâs not fairâ
âLily,â Dad says, a warning in his voice. âDonât push it.â
âListen to your father,â Porter says. âYou your sister should consider yourselves lucky that he has convinced us to chalk all this up to a youthful indiscretion.â
âBut Micahââ
âMr. Mendez,â Porter says, cutting me off, âhas a pattern of behavior. This isnât the first trouble heâs been in, and it wonât be the last. He will be far better off somewhere more equipped to deal with his needs.â
Porter dismisses us with a wave of his hand. Dad thanks him.
I focus all my energy on not crawling across Porterâs desk and socking him right in his butthole lips.
In the hall, Micah walks toward his locker, the school security officer escorting him, a crowd of students gathered round, watching, gawking. Damonâs got his cell phone up, filming every second. I start toward Micah, but Dad grabs my arm.
âNo.â
I yank my arm free and run toward him anyway.
âTell them the truth, Micah.â My voice is strangled and strange. âTell them I was the one who wanted to do it.â
âTheyâve made up their minds.â He wonât look at me. âAbout this. About me.â
He shrugs, and the gesture is so defeated, so un-Micah, that I want to shake him, make him stop this. But before I can, he reaches his locker, where someone has taped a picture of a man with the same black bushy hair and gentle expression from the photo in Micahâs kitchen. And a headline:Â cliff closed after man jumps to his death.
Below, in magnetic poetry letters:
My throat pinches almost shut. The man on the cliff. Micahâs obsession with going there. I put my hand on his shoulder.
âMicahââ
He shrugs me off, rips the paper down, crumples it in his fist, and, without a secondâs hesitation, turns on his heel, his arm smashing forward into Damonâs smirking face. Damonâs hand flies to his jaw, and then heâs barreling toward Micah and theyâre pushing against each other until Micah has Damon up against the locker, and heâs hitting him, hitting him, hitting him, and a girl screams and the security guard is yelling at everyone to âStep back, right now!â and heâs grappling for Micahâs hands and clicking handcuffs into place.
Damon sucker punches Micah in the face before the officer yanks Micah away. Micahâs nose is bleeding as the security guard walks him down the hall, and our classmates point and laugh and hold up phones as witnesses.
My dad pulls me away from the blood on the floor, and the officer pulls Micah away away away.
And Sam is there, staring with the rest of them, like she has no idea who I am anymore, and a janitor is plucking the magnetic poetry off the lockers as we walk out. He plinks them, word by word, into a trash can.
â
Dad drives me home in unbearable silence. I wish heâd yell. Say something. Anything. Give me a chance to defend myself. After the longest drive in the history of driving, he pulls into the garage, shuts off the engine, and leans back against the headrest.
âI expect this from Alice. Not from you.â
He takes off his glasses and pinches the bridge of his nose. Iâm not supposed to make his eyes squint like that, make his forehead wrinkle up as he tries to rub out all the stress.
âBecause you expect me to be perfect.â
âI never asked you to be perfect, Lily.â
âYou didnât have to ask!â Iâm embarrassed by the waver in my voice, by the emotions bubbling to the surface. âIâm the good girl. Because you need me to be. But Iâm not perfect. Iâmââ
âWhat? Youâre what?â he says.
âIâm tired.â
âIâm tired, too,â he says, closing his eyes with a massive sigh, as if he can blow all this away. Maybe me, too, while heâs getting rid of stuff. âAnd the fact that you dragged Alice into this with you. When you itâs the last thing she needs.â
I donât tell him that breaking into the school was Aliceâs idea. Alice, with her wild eyes and wilder ideas. He doesnât want to hear my excuses.
âItâs just not like you, Lily. Keeping secrets from me,â he says. âObviously, you wonât be seeing that boy anymore.â
âThis wasnât his fault.â
He shakes his head. âYouâve worked too hard to throw everything away for someone like that.â
âSomeone like ? You mean with black hair? Brown eyes?â My voice fills the car. âOr do you mean someone who went to Fairview, because in that case, your daughter is too.â
âYour sister and that boy are the same,â he says, his voice loud in the car now.
âBut what if they are? And what if Iâm like them, too? Are you going to send me away? Isnât that your solutionâship off the problem and hope it comes back fixed so you donât have to deal with it?â
Iâve gone too far. I know it the millisecond the words leave my lips. I wish I could stuff them back in, but I canât, just like I canât wipe off the look of shock/disappointment/hurt on Dadâs face. He opens his car door and gets out, but leans in before he leaves.
âWho you right now?â
âI guess thatâs the million-dollar question!â I yell, but he doesnât hear me before he slams the door, leaving me alone with a lifetime of words left unsaid.
He doesnât really want the answer.
And I guess, deep down, neither do I.