New York City, New York Five Families CATALINA We are on our way home and I relax on the leather backseat of the family Mercedes S-Class sedan. Itâs luxurious and comfortable, but not armored like my fatherâs personal SUV with a 3rd row of seating for additional guards.
Carlotta is still talking about everything she learned from the chef and sous chefs.
âYou should ask Don De Luca for cooking classes. I am sure he wonât object.â
Carlottaâs eyes fill with hope and then they dim. âEven if he wouldnât, I donât think I could ask him for anything. He scares me.â
âHeâs going to be your husband. You do not need to fear him.â
âYou donât think so?â Carlotta shivers. âHeâs ruthless. I bet he tortures men for breakfast.â
âDonât be dramatic.â
âIâm still a teenager,â she sasses. âIâm allowed.â
âYouâll soon be married. Teenager, or not.â
Carlotta frowns, but then her expression lightens. âYou could bring cooking school up to Aria. Sheâll suggest it to her son if you tell her you think itâs a good idea for me.â
Not sure how we went from cooking classes to cooking school, I say, âAria is going to be your mother-in-law, not mine.â
âBut you two get along so well.â
âShe wants to help you, Carlotta. Let her.â
My sisterâs mouth twists in a grimace. âI suppose.â
âTo tell you the truth, Iâm a little jealous,â I admit.
âYou are?â Carlotta asks, like there could not possibly be anything in her current situation to be jealous of.
âMost women would be jealous of you marrying the don.â
âYouâre not though. I know you.â
She doesnât know how I react to Don De Luca. No, Iâm not jealous of her being a donâs wife, but being his wife? Iâm ashamed to admit, even to myself, that I am.
I say what doesnât shame me though. âI miss having a mom so much and now you are going to have a really kind and caring mother-in-law.â
âIâve never needed a mom,â Carlotta says dismissively. âI had Zia Lora and I had you. I donât want a mother-in-law.â
Carlotta was only four when Mamma died. She doesnât remember our momâs gentleness, her loving nature, her sweetness despite being married to a man who never accepted her for herself. Mamma had never let it make her bitter.
âIâm sorry you donât want a mother-in-law.â I donât tell her she needs to get over it. There are enough people in Carlottaâs life ignoring her feelings right now. Iâm not going to be another one of them. âI know this is hard for you. I wish I could make it easier.â
âYou are.â
I wish that were true. âYour light has dimmed since the engagement was announced.â
âCan you blame me?â Carlottaâs eyes fill with tears. âAll anyone sees or talks about is how beautiful I am, like Iâm nothing more than my face and body. Like Iâm some kind of prize. But I am a woman with thoughts and feelings. Iâm not just a broodmare who will make pretty children. Oh, God, soru, Iâm terrified of my wedding night. I canât stand the thought of him touching me.â
I pull my sister into my arms and hug her tight, my own eyes burning. I canât stop this wedding, and neither can she. I canât make my sister be attracted to the don any more than I can rid myself of my own inexplicable desire for him. If I could give it to her, I would. For so many reasons.
The window behind us explodes, glass shattering over our heads. Carlotta screams, but she quickly undoes her seatbelt and drops to the floor of the car, curling up into a ball. I do the same.
Weâve been trained since we could walk in how to respond in situations like this. Not that either of us has ever been in one before.
âWhatâs happening?â Carlotta screams the question.
âStay down,â one of the bodyguard orders.
My sisterâs terror suppresses my own. I have to take care of her. I have to protect her. I know where the extra guns are kept in the cars.
Zio Giovi showed me. He also taught me how to shoot. My father would be furious if he knew, but both Zio and I are good at keeping secrets.
I press the lever that allows me access to the hidden compartment under the backseat and pull out a gun. Itâs a Glock. Good. Iâve used one of these before. I check that it is loaded. It is.
A loud thump sounds and then the car swerves, a kathunk, kathunk telling me that whoever is after us has shot out one of the tires. The car fishtails wildly but it keeps moving forward. Toward the safety of our home.
Suddenly the kathunk gives way to the sound of metal scraping on asphalt. I donât know how long the driver can keep the car going, driving on the rim.
Seconds later, I learn the answer to my question as the driver brings the car to a stop.
âStay in the car with the doors locked,â he says before he and the other bodyguard jump out, slamming doors behind them.
Why donât they use the doors as shields? The car is already compromised with the missing back window. Itâs not armored, so if our pursuers get past the bodyguards, all they have to do is shoot through the windows.
Unless they donât want to kill us. Kidnapping is a bigger worry for my sister and me. Regardless, this car is no refuge.
âItâs going to be okay, stellina,â I say, using my dadâs endearment for my sister. âWeâre going to be alright.â
Shaking with fear, Carlotta doesnât answer.
Gunshots sound from behind the car, but I donât raise my head to see whatâs happening. I wait. There is a cacophony of shots and the thump of a body falling. Was it one of the pursuers, or one of the bodyguards?
Iâm scared, but I have to know.
I lift my head just high enough to peek through the missing back window. Our bodyguards have taken a stance behind trees to the side of the road, drawing the fire of our pursuers away from the car.
There is a masked man lying in a pool of blood on the road. There are three additional masked men still standing. They are using their SUV as a shield. One starts running toward our car while his associates lay down covering fire toward my fatherâs men.
Regardless of the bullets hitting the trees all around them, our driver comes out enough to shoot the man headed toward us. He falls and remains unmoving. Then our driver takes a shot in the shoulder. My throat tightens with dread as I see the blood and the way his body is thrown backward.
He gets up again almost immediately though, keeping up a steady barrage of gunfire toward the remaining pursuers. Seconds later, heâs shot again and this time, he doesnât get up.
The second bodyguard manages to hit another one of the masked men and that one falls to the side of the SUV. He tries to get back up, but can only pull himself into a sitting position against the SUV. The last masked man standing runs toward the back of their SUV and pops around it out of sight.
I want to scream a warning to our bodyguard, but we are trained not to do anything that could compromise the focus of the men trying to protect us. The bodyguard is scanning the area to both the front and the back of the SUV, like he knows the masked man could come at him from either direction.
Just as I decide the warning is worth it and shout, âAt the back!â as loud as I can, more gunfire erupts.
The bodyguard is shooting in the right direction, but the other manâs aim must be better because he goes down.
It feels like an hour has passed, but itâs probably less than five minutes. Both of our bodyguards are either dead or incapacitated. If we try to make a run for it, weâre as likely to get shot as not. I donât think itâs worth it.
Thereâs only one of them left. I see that heâs moving toward the car, his stride confident. He thinks weâre sitting ducks in an unarmored vehicle. He doesnât know about me though, that I have a gun and I know how to use it.
Iâve never shot at a person before, but I will do whatever I have to in order to protect my little sister.
âDo not move,â I tell her in a harsh whisper. âNo matter what. Stay still.â
She doesnât reply, but I have to trust Carlotta will do as I say and not bump me at an inopportune moment. I take the Glock in both hands, like Zio Giovi taught me. Iâll need to raise my head and shoulders above the backseat to take aim through the glassless window.
I have only seconds before the gunman reaches us and I know I will only get one chance. If I miss, the man will have a chance to shoot me and then there will be no one left to protect either of us.
Hoping my mom is watching over us, I rise up and take aim as I breathe in and fire the gun as I expel that breath. Not once, but over and over until I see the man fall backward with a shocked expression on his face.
I watch, but he doesnât move. Nobody moves outside the car. Even the man propped up against the SUV appears passed out. Or dead.
Iâm sure the bodyguards would have sent an emergency call to my father, but I still say, âCarlotta, call Papà .â
She doesnât move or reply.
âCarlotta,â I say with more forcefulness, never taking my eyes of the men lying on the street.
Itâs like my fingers are frozen on the gun, my gaze locked irrevocably on the scene of carnage outside.
âWhat?â she finally asks in a shaky voice.
âCall Papà . I think I got the last one, but there might be more coming.â Theyâd made their move on a stretch of road with trees on both sides and no houses.
That doesnât mean no one heard the gunshots. The cops might have been called. Thatâs not my problem. Keeping my sister safe is. And thereâs no way of knowing if the masked men have reinforcements on the way.
âYou shot one of them?â Carlotta asks, sounding dazed.
âYes. Are you dialing Papà ?â
âI am.â
Then I hear the ring and realize my sister has her phone on speaker.
âWeâre on our way.â My father says rather than answering. âDonât worry, stellina, weâll keep you safe.â
âCatalina already did,â Carlotta says.
âCatalina?â Thatâs not my fatherâs voice. Itâs Don De Luca.
My father must have his phone on speaker as well.
I donât know if the don is asking what Carlotta meant or for me to speak.
âI think all of the gunmen are dead, but they might just be passed out,â I say, deciding to answer. My voice sounds weird to my own ears. âThe bodyguards are down, but I donât know if theyâre dead.â
Carlotta starts to cry. âSoru shot one of them.â
âShe shot one of our bodyguards?â my father demands, his tone filled with anger.
âNo,â my sister wails. âShe shot one of the bad guys. She kept me safe. Why donât I know how to shoot a gun?â
Carlotta is sobbing now and itâs hard to understand her, but my fatherâs reply proves that he does. âBecause ladies donât handle guns,â he says with stark judgment toward me.
Itâs such bullpuckey. There are women all over the world that compete in shooting tournaments, even actual ladies of the nobility. I know because I watch the competitions online. Theyâre fascinating. No one dies when those guns are fired. There is no blood.
I wish I could join them. Iâm a very good shot.
I look at the man lying in the road that proves that and my heart skips a beat. What if I killed him?
âIt is a good thing one of your daughters knows how to handle a gun,â Don De Luca says. âOr they both might be dead right now.â
My father doesnât answer. I hear a vehicle speeding towards us from the direction of our home. I donât want to turn away from the men in the street, but have to make sure itâs our father coming toward us. Only I canât move.
âWe see you,â my father says, for once diminishing my stress, rather than adding to it. âWe are almost there.â
The sound of the approaching vehicle grows louder. Then the call drops and I hear not one, but multiple cars come to a stop, one after the other, their engines still running.
I hear doors open and soon after, men swarm past the car, checking on the fallen shooters. âThis oneâs alive,â a man shouts after checking the pulse on the man leaning against the SUV.
âTake him to the box,â Don De Luca barks, the low gravel of his voice inciting a feeling of safety I do not examine.
Someone knocks gently on the window nearest Carlotta. âStellina, open the door,â my father calls coaxingly.
Still sobbing, Carlotta shakes her head. âWhat if there are more?â
âI will take you home where you will be safe.â
âIâll never be safe,â Carlotta says.
âMadonna Carlotta, open this door,â my father says in a voice he never uses with my sister.
The door opens. âPapà ,â Carlotta cries.
âCome here, princess, Papà has you.â Our father pulls Carlotta out of the car. I donât see it, but I feel the movement behind me. âCatalina put that damn gun down before you shoot someone.â
I canât let go of the gun. I canât move at all.
Because I already shot someone, didnât I? I donât know if heâs dead. Iâm waiting for someone to check his pulse. No one does.
âFor Godâs sake. Bring her back to the house,â my father orders someone.
âYes, sir,â Marco, one of my fatherâs men, says. âMiss Jilani, come with me.â After a couple of seconds, he adds. âPlease.â
I hear a car pull away, tires rumbling over the gravel on the side of the road.
I donât move.
âMiss Jilani,â Marco says, his tone strange.
âYou have to check,â I say.
âCheck what?â Marco asks.
âHis pulse. You have to see if heâs dead.â
âWho?â Marco asks. âYour fatherâs men? They are both headed toward the hospital.â
He doesnât mean a regular hospital. Thatâs not how it works. The mafia has a private clinic here on Long Island and a fully functional hospital in the city. I wonder which one he means, but I donât ask.
âHim,â I say, jerking the gun like a pointer toward the man I shot.
âMove,â I hear. Then the sound of shuffling.
âYou did well, Catalina.â Thatâs not Papà âs voice. It is a voice that should not affect me, but it does.
Tension bleeds from my body and suddenly Iâm able to turn my head.
Don De Luca crouches beside the open door, his expression unreadable. âYou can let go of the gun now. You and your sister are safe.â
âIs he dead?â I ask.
He knows who I mean. I can see it in the donâs expression. Don De Lucaâs lips thin, like he doesnât want to answer, but he says, âYes.â
âI didnât mean to kill him,â I admit. âI had to stop him though.â
Will the don think I am weak? His men would not have hesitated to kill the masked man. But I am not a made man.
âYou did well,â he says again.
âI did?â
âYou did.â
My fingers, curled so tightly around the gun, relax.
âThatâs good, Catalina.â
The approval in his tone allows me to release my frozen hold on the gun. It falls, thunking against a large piece of glass that rests on the carpeted area behind the headrests.
A big warm hand curls around my upper arm. âCome here, Catalina.â
That touch breaks through the last of my paralysis and I turn to surge toward the don. He guides me out of the car. âAre you alright?â he asks.
I stare up at him, unable to make my dry mouth form words, but I nod.
âYou have glass in your hair, can I brush it out?â
I nod again.
He does it with gentle movements. âWe have to go. We donât want to be here when the cops arrive.â
I force a word out, âCarlotta?â
âYour father is taking care of her.â Thereâs a strange quality to the donâs tone. I donât know what it means.
âWe canât leave, can we? I shot someone. The police will want my statement.â
âThere will be no statements.â
I look around and realize that the bodies are either gone or being carried toward the SUVs that arrived with my father and the don. The mafia Soldiers are efficient and fast. I realize that if the cops do come, there will be nothing for them to find.
I follow the don toward a black Porsche Cayenne with tinted windows. I know the make because my father was angry when the don bought it because it cost more than his Mercedes Maybach. Itâs armored and has bullet proof tires. Papà insisted on getting them on his own SUV as soon as he learned the don had gotten them on his Cayenne.
My father is both competitive and vain. I notice his SUV is nowhere to be seen. He and Carlotta are already gone. He left me. Itâs not unexpected, but it sucks. Even when my life has been threatened, my father canât find a modicum of concern for his oldest daughter. Well, I guess he did tell Marcus to bring me back to the house.
I find myself sitting next to the don in the back of his SUV, his driver and a guard are in the front.
âWhereâs Marcus?â
âIn the SUV in front of us.â
I recognize it. Itâs one of my fatherâs. Another SUV pulls out behind us.
Itâs weird, the way the don is taking care of me. Does he feel responsible for me because I am his fiancéeâs sister or because Iâm his consigliereâs daughter? I know itâs not personal. It canât be. Iâm nothing to him.
âDonât you have to stay, to take care of all that?â I wave my hand toward the back, not turning to look at the receding scene behind us.
âAldo will handle it,â he says.
âWhose Aldo?â I ask.
âOne of my men.â
âOh. You must trust him.â
âI do.â
âThatâs good.â
âWho taught you to shoot?â he asks when I donât say anything else.
âMy zio.â
âHeâs a smart man.â
I nod.
âBut he didnât teach your sister to use a gun?â
âHe and Papà donât always see eye to eye.â Is that an explanation? I donât know, but it is the truth.
âI am glad in this instance that your uncle did not listen to my consigliere.â
Because Carlotta is okay. That makes sense. The approval in the donâs tone warms my insides, dissipating the chill of shock.
âWill you teach your daughters to shoot?â I ask, curious.
âSì. I will also make sure they always travel in an armored car as you and your sister will do going forward.â
Iâm sure my father will not be happy about that. The only armored vehicle he has in his fleet is his personal SUV.
âI will provide the car and bodyguards,â Don De Luca says, like he knows what Iâm thinking. âIt is my prerogative as your sisterâs fiancé.â
That isnât going to make it any easier for my father to swallow. I donât look forward to navigating his temper for the next couple of months.