Nora shrugs again and I think I hear her say, âItâs okay.â
âAre you mad at me or something?â my mouth says for me.
Mad at me?Am I five, asking Carter if heâs mad that my mom accidentally ran over his toy in the driveway?
Before I can stumble further and make things even more awkward between the two of us, Nora turns around to face me. The curve of her throat seems to be pulsing, her chest rising and falling in a slow throb. My own chest is on fire, a hollow feeling that doesnât belong here, not because of someone whoâs practically a stranger.
âMad at you? For what?â Thereâs sincerity in her eyes when she speaks to me; her lips are pouty and sheâs waiting for an answer thatâs somehow harder for me to give than it should be.
I rub my hand over the back of my neck, thinking, thinking, thinking, always thinking.
âEverything? The Dakota thing, the kiss, theââ
When Nora opens her mouth to speak, I stop midsentence to let her. She leans her elbow against the counter and her eyes focus on me. Sheâs staring hard, and in this moment I wish I knew her well enough to know what sheâs thinking, how sheâs feeling. I canât read her, no matter how badly I want to.
Iâm usually good at figuring out people and their behaviors. I can usually tell when someone is feeling something, even when theyâre trying their best to hide it. The quick movement of their eyes to the opposite side of the room or the subtle shift of their body weight . . . there are a million ways to read someone.
âIâm not mad at you at all. Itâs all been a little messy, yes,â she says, and something about the way her voice catches at the end of her sentence makes me uneasy.
I have never wanted anything more than to know about the parts of herself that she keeps hidden.
Her whole being reminds me of some sort of secret, the closest thing to discovering a true-life mystery, one thatâs difficult to solve but that tantalizes you with the prospect of a solution.
âLandon, the reason whyââ
But her voice is interrupted by the creak of sneakers on the clean tile floor.
I turn. The white sneakers touching the floor belong to a pair of tightly covered legs. The body is thin, wearing a sparkling tutu and black body suit.
Dakotaâs eyes scan Nora, standing only inches away from me, and she seems to morph into something bigger, something darker and stronger.
Dakota squares her shoulders and pushes out her chest, demanding attention.
âDakota . . .â I instinctively step toward her and away from Nora.
âSo this is where you went?â she says.
Iâm confused for a moment before I realize that sheâs not talking to me. Sheâs facing Nora now.
Noraâs eyes meet mine. âNo, I was just here with Tessaââ
Dakota cuts her off midsentence. âI told you to leave, not to come running to him.â
And Iâm so confused by whatâs going on. Dakotaâs voice is rising like an angry tide, ready to swallow my tiny Brooklyn apartment.
âI told you to stay away from him,â Dakota says. âHeâs off-limits. We agreed.â
Dakotaâs eyes are narrow slits and Noraâs are wide saucers; she still seems shocked at seeing Dakota in the kitchen.
âI better go.â Nora reaches for the dishcloth on the counter to dry off her hands. She does so quickly, and Dakota and I stand in silence as she leaves the kitchen without looking at either of us. The front door opens and closes in less than twenty seconds and sheâs gone without so much as a goodbye to Tessa.
Sheâs so quick, and Iâm so much in shock that I didnât even have a chance to follow her.