âI hope theyâll let me play again,â I say as Iâm walking next to Pasha toward the car.
My anxiety spiked every time I thought about returning to the mall and being among all those people, the noise, and surrounded by all those smells. The memories caused me to shudder. But I also remembered the feeling of utter freedom that engulfed me when I placed my fingers on the keys after so long without music. All the excitement, joy, and happiness I didnât think I would ever feel again came rushing back. Iâve managed to stifle the need to play again for the past five days, but now I crave it.
I finally caved this morning and asked Pasha to take me over there.
âWhen did you start playing?â he asks as he fires up the engine.
âI was five. Arturo was trying to find a way to distract me and my sister from what happened to our parents, so he asked a neighbor, who had a piano, to give us lessons.â Itâs hard to think about my brother and sister, knowing how much they must be worried, but the idea of facing them still leaves me with bone-chilling panic.
âWhat happened with your parents?â he asks.
âThere was a raid on one of the casinos where they worked. Someone took out a gun and shot at the police. Then, everything went to hell. A lot of people were killed that night.â
âThey both died?â
âYeah.â I close my eyes and relax in the seat. âI canât even remember them that well. There are photos, of course, so I know what they looked like. But I canât remember details about them, and if I do, theyâre fuzzy. I remember my mom singing to us every night before bed, but I canât recall the song.â
Pasha brushes the back of his hand down my cheek, and I lean into it. His light touch is there one moment and gone the next. When I open my eyes, heâs putting the car into drive.
âI know what you mean,â he says as he backs out of the parking spot. âI donât remember my parents, either.â
âThey died, too?â
âMaybe. Maybe not.â
I watch his hard profile, wondering if heâll elaborate. He doesnât, just keeps driving in silence. I look down at his hand holding the stick shift and notice heâs gripping it hard. I stroke his white knuckles with the tips of my fingers until I feel his hold loosen.
âDid you play professionally?â he asks after some time.
âNo, not really. I played at school a couple of times, usually when we had a celebration. Music has always been something personal for me. I decided to take a year off after high school to figure out what I wanted to do next. I thought about applying to a music conservatory, but that was . . . before.â
âDo you still want to?â
I look at the road beyond the windshield. âI donât know.â
* * *
The elevator dings. I squeeze Pashaâs hand and try to bring my breathing under control. The urge to ask him to go back clashes with the need to feel the keys beneath my fingers once again. The doors open. Pasha steps out, turns to face me, and takes both of my hands in one of his.
âBreathe. Weâll go slow,â he says and takes a small backward step. âIâm here. No one will dare touch you, mishka.â
I nod and step out of the elevator.
There are more people around than there were the previous time. A multitude of sights and sounds overwhelm my sensesâlights, laughter, footsteps, children running by while their parents are frantically trying to corral them. I close my eyes.
Pashaâs rough palm cups my cheek and his thick arm wraps around my waist. âItâs okay, baby.â
My eyes flutter open and I take a deep breath. Hooking my fingers through the loops of his jeans I look up at him. His head is bent, barely inches from mine.
âYou like music,â he says. âLetâs make this a dance. Almost like a waltz, yes?â
I canât help but smile a little. âPeople will laugh at us, Pasha.â
âI donât give a fuck.â
He takes a step back and I follow. Then another one. And another one. It does feel like some strange danceâhim holding me close and walking backwardâand suddenly, I feel the urge to laugh. So, I do. People around us must think weâre nuts, but I donât care. I keep my gaze glued to Pashaâs as I follow him, laughing. Itâs so good to feel joy again. He watches me with a small smile on his face and moves his thumb to my lips, stroking them.
âI wish youâd laugh more often,â he says.
âIâll try.â
When we reach the restaurant with the piano, he slowly lifts his hand off my face. I turn toward the corner where the piano should be, and my smile falls away. Itâs not there. Instead, two large flowerpots are in its place. I look around, wondering if they moved it somewhere else, but thereâs no sign of it.
âCan we get out of here?â I ask, staring at the flowerpots, trying my best to keep the tears at bay.
* * *
Pasha turns the key in the lock and opens the door to his apartment, holding it for me. I step inside, heading straight for the bathroom to splash some water on my face. As I cross the living room I come to a stop in the middle of the room. There, by the wall next to the window, is a small white piano. Itâs the one from the mall. I cover my mouth to stifle a sob.
âHow?â I choke out, staring at the piano.
âI bought it last week and had it in a storage nearby, ready to be brought here when we headed out,â Pasha says behind me, and I feel his hand on the small of my back. âI wanted to surprise you. You didnât even notice that we took the longer route backâto give the delivery guys more time.â
âBut, why?â
âBecause you didnât feel comfortable at the mall. We will go again, only because you need to adjust to being in a crowd. But you should be able to play where you can enjoy it.â
âThank you,â I whisper, pressing my lips together tightly. I want to turn around and kiss him, but I donât think he would let me.
âWill you play something for me?â he asks.
âYes.â
I take his hand and lead him across the room. He even bought the bench that was there with the piano. I take a seat on one end and pull him down to sit next to me.
Leaning forward, I pass the tips of my fingers over the keys, position my hands, and play. I pick one of my favorite modern pieces, Yirumaâs âRiver Flows in You.â Itâs soothing but strong, seductive, and full of emotion. It reminds me of Pasha.
He doesnât speak. Doesnât ask what Iâm playing. He just sits thereâbig and silentâwatching my hands as I move from one piece to the next. At some point, his gaze moves from my hands to my face and stays there.
For more than an hour, I sit on the bench next to Asya, listening to her play. Or better said, I stare at her while she plays. I find it impossible to take my eyes off her face, seeing every emotion as it crosses her features. When sheâs playing a fast and uplifting piece, there is a wide smile on her face. When she switches to something slow and sad, her smile fades. Sheâs not merely playing the notes; she feels and experiences every emotion as the melody gives and flows through her, lighting her up from the inside out.
When Iâm finally able to unglue my eyes from her face and throw a look at my watch, I see that itâs almost two. Weâve only had breakfast this morning, and while I donât have a problem with skipping meals, I donât want Asya to be hungry.
I rise off the bench and head to the kitchen in search of the takeout menu from the fast-food joint one block over, but I change my mind and open the fridge. Iâm used to having it always nearly empty, so itâs strange to see all the shelves packed full. Asya usually orders whatever she needs online with my phone, so I donât even know half of the items in there. I move a bunch of vegetables to the side and take out a package of chicken. Well, at least I think itâs chicken. Asyaâs been preparing food for us every day, so I guess I could handle that task today. I find the frying pan in the cupboard and turn toward the island where she keeps her spices in a wide black basket. There are at least twenty small jars. I take one out and smell the contents. Itâs labeled as sage. Isnât that tea of some type? I put the jar back and pick up another. This one looks like salt, but it has some green things in it.
âNeed help?â Asyaâs voice chimes behind me.
âYou were playing. I wanted to make something for us to eat. Iâm looking for salt. The normal kind.â I turn around and find her smirking at me.
âSo, you know how to cook?â
âI know how to heat the leftovers from takeout. Does that count?â
âThat doesnât count.â Asya laughs and I absorb the sound. I love when she laughs. âCome on, Iâll show you how to prepare something simple.â
She takes the jar out of my hand and opens it. Keeping her eyes on mine, she licks the tip of her finger and dips it inside.
âHere. Try it. Itâs just salt with herbs.â She lifts her finger, holding it in front of me.
I stare at her. Sheâs still smiling. Slowly, I take her hand and bring it closer to my mouth. Without removing my gaze, I lick at the tip of her finger, but I canât focus on the taste. All my attention is glued to Asyaâs face. Sheâs biting her lower lip, looking at me with wide eyes. I take a step forward until our bodies touch. I can feel her chest rising and falling as her breathing quickens. Her free hand comes to land at the small of my back, then slides under the hem of my T-shirt. I can feel the heat of her touch. The urge to grab her, put her over my shoulder, and take her to the nearest bedroom is raging inside of me. Asyaâs palm moves up along my spine, and my mind is assaulted with images of her naked under me as I kiss every inch of her body. Just as Iâve been imagining for days. Wrong. So wrong.
I let go of her hand and quickly step back, turning toward the kitchen island. âWhat else do we need for this lunch?â
I donât miss the soft sigh as I hear her opening the cupboard behind me. âA bigger pan.â
Asya walks around the kitchen, collecting everything she needs and cutting up the vegetables while my eyes follow her the whole time. I like having her here, in my space, way more than I should. Turning around, she opens the drawer next to me and reaches inside, but her hand falters. I look down and see that there are two different brands of flour.
âItâs the same thing. Just a different manufacturer,â I say.
âI know.â She nods but doesnât make a move to take one.
For a few moments, I wait to see if sheâll choose, but when I notice a look of frustration on her face, I take her wrist and move her hand toward the package on the left. âHow about that one?â
âThank you,â Asya mumbles, takes out the flour, and walks toward the stove.
Sheâs mad at me, but itâs better this way. Even if there wasnât this age gap, we are from two completely different backgrounds. Giving in to temptation and letting something happen between us is out of the question. Iâm already treading a thin line, and every day itâs becoming harder to control myself. Sometimes, I wish sheâd just call her brother to come and get her, because having her so close all the time, makes me feel like Iâm going to combust. Just as often, though, Iâm flooded with an urge to find her brother myself . . . and dispose of him before he has an opportunity to take her away from me.