There's a crackle on the radio. âHey, Des, you at Blessingmoors yet?â
âNo, Iâm just pulling up there now. Looks like thereâs something going on. Every light in the place is on.â
âHold on that kid, would you. Bring him back to the station.â
âYeah, sure if you want, but why?â
âI'll tell you when you get back. And on your way, call by a takeaway if you can find one open, and pick up a couple of dozen pizzas.â
*****
James None of us speaks through our journey. We know what weâre doing, what our intentions are.
And this time, it is almost certainly a question of rescue. What are the chances of Charlotte escaping again? Resourceful though she isâ¦.
A worry nags at me. I lean back to Richard in the rear seat. âWe are sure this is the right place weâre going?â
âWill said that the gunman was anxious to âbe helpfulâ,â he replies. âHe knows heâs up for twenty to life.
Itâs a question of how comfortable heâs going to be for most of the rest of his future. He insisted apparently, that if the underground hideouts are off the menu, this is where they would take the women.â
I suppose I have to be satisfied with that for now. In any case, weâll soon know.
Would Charlotte and Bethâs abductors choose something so close out of bravado? To throw us off by misdirection? Thumbing their noses at us? A last âfuck-youâ parting shot? Could the gunman taken from the hotel fire have even been sure thatâ¦.
Iâm over-thinking it.
Perhaps we simply got lucky. Richard chose our particular hotel as a hideaway because it is out in the wilds. Perhaps Klempner would choose our destination for the same reasonâ¦.
We take only a few minutes to make the journey. I navigate using a satellite view of the area, taking us up a back-trail where we should be able to approach unseen.
âOkay, this should do.â
Michael grunts and pulls in.
âHow long a walk have we got?â asks Richard.
âJust a few hundred yards as the crow flies, but weâll be working our way through the trees in the dark, so watch your footing.â
âItâs not the first time Iâve done this, James,â mutters Michael.
âTrue, but then you were running. This time weâre going to take them.â
And he shows his teeth in the smile of a predator.
*****
âLet me get another look at that layout.â
âAlright, but itâs the last time. I donât think we can risk the light of the screen any closer than this.â
We gather over the three-inch screen of the phone, zooming in on the satellite view of the area.
Richard extends a finger. âThat looks like a derelict building. Unless itâs been bricked up, we should be able to go through. If we go in there, weâll be able to get into the farmyard itself and be under cover all the way.â
The farm looks standard enough, a large rambling old house with sheds, barns and shippons outside set around a central yard.
The main building isnât derelict but has an unloved look about it with some windows boarded over. Itâs hard to see detail in the dark but the front door is closed and male figures, several of them, can be seen through a ground floor window.
Yupâ¦. Looks like weâre at the right placeâ¦.
âAt least we donât have to climb walls,â murmurs Michael. âIâll see if I can see the women and get a head count. You two stay here.â
But as he makes to go, I lay a hand on his arm. âNo, Iâll go,â I say.
âWhy you? Iâm younger. Fasterâ
âAnd bright blond. Youâll be much more visible if the light catches you. I can â¦. lurk⦠more easilyâ¦.â
Richard is fighting a smile. Michael scowls but nods. âGuess weâll just go and lurk back there then.â He tosses his head back to the concealment of a barn, full of friendly shadows.
âYou do that.â
Listening carefully for outside movement, and hearing none, keeping well into more shadows, as stealthily as I can, I approach the house. Regardless of my words to Michael, I am acutely conscious that a face can highlight just as easily as blond hair, and so far as I can, I keep my face turned away from the light.
But I reach the window without incident, sliding an eye over the edge to see insideâ¦.
â¦. No sign of the womenâ¦.
Damnâ¦
Where are they?
What I can see is a group of four menâ¦.
Corby?
Noâ¦.
â¦. None of whom I recognise.
When one takes his jacket off, I see a gun holster underneath and my blood runs coldâ¦.
How many of them are there?
All armed?
They seem relaxed, laughing and joking. Some drink from cans of beer. One, tall, fair-haired, moves into view, looking to be in chargeâ¦.
Klempner?
I fixed that face in my memory from Stantonâs photo.
Yes, Klempner Iâm going to finish you, you bastardâ¦.
He simply stands, leaning back against a table edge, apparently waiting for something.
The room is large, seemingly taking up most of the ground floor, probably originally the kitchen to the farmhouse. A door goes off to one side, another to the back.
Iâve seen as much as I can.
Time to goâ¦.
I turn, but as Iâm about to return to the others, the front door, only feet away from me clicks openâ¦.
Christâ¦
The banging behind my ribs sends the blood pounding through my skull, my own heartbeat loud in my ears.
â¦. and a man, also wearing a gun holster, steps out, his back to me, walking in the opposite direction to a shed. He enters the shed and as he vanishes behind the door I sprint for the shelter of the barn.
Two pairs of hands reach out, hauling me under cover just as the gunman exits the shed again and returns to the house.
I take a moment to catch my breath and for the thumping in my chest to die down.
âEnjoy your lurking?â asks Richard, a gleam in his eye.
âNot much, no,â I admit.
âDid you see them?â asks Michael.
âThe girls? No. I counted five men in the room, including Klempner. Theyâre armed with guns and there are doors off the room, so there could be more.â
Iâm still panting.
âYou okay?â asks Michael, concern in his voice.
âNever better. Letâs get a look through the other windows. See if we can find the womenâ¦.â
But my words are cut off.
The front door slams open and Charlotte bursts out, running pell-mell, scanning around her as she moves.
And my first reaction is amazement.
Sheâs escaped again?
How the fuck does she do it�
Making a twisting turn, she skids on her heels, bolting into the shadow of the same barn we are in, backing into the cover, silently watching the door as two, three, four of the gunmen erupt out, yelling and shouting as they give chase.
Richardâs eyes, a mere gleam in the dark, flash to mineâ¦.
She could simply runâ¦.
Theyâd have trouble finding her in the darkâ¦.
â¦. but she staysâ¦.
â¦. for Bethâ¦.
And despite the danger of the situation and the pulse throbbing at my temple, I smile as I creep up behind herâ¦.
Time to give you a scareâ¦.
â¦. A little bit of payback, Madamâ¦.
â¦. and snaking one arm around her waist, pulling her back, I clamp a hand tightly over her mouthâ¦.
I feel the slam of her heart inside her chest and a scream tries, and fails, to escape her throat.
âItâs me. Shhhâ¦â I hiss.
âMaster?â She spins in my hold, her dark-lit eyes incredulous, but I warm as she touches my face.
âYes, weâre all here.â
âMichael?â she asks.
I pull her deeper into the shadows where the other two are waiting, and away from the now searching gunmen. âYes, and Richard. The police are on their way.â
In the deep gloom, her face is all but invisible, only the reflected glisten of her eyes, but I hear the disquiet in her words. âJust the three of you? How soon before the police get here?
âMaybe thirty minutesâ¦.â says Richard, and I hear her sharp intake of breath.
ââ¦. Theyâre coming from the City. That hotel we were staying in; itâs not far. When the police found out where youâd been taken, we were closer than they are.â
She pulls away from me, her voice urgent. âWe donât have thirty minutes. Theyâve got Beth in there, and Klempner wants to gang-rape her, and me. And theyâre looking for me.â
She flings her arm out, wildly where out in the yard, figures can be seen, searching. âWe canât all stay here for thirty minutes and not be found. Iâll distract themâ¦.â
Like fuck!
I snap out a hand, catching her wrist. âLike hell you will.â¦â
She doesnât resist, but thereâs a plea in her voice. âIf they donât find me quickly, theyâll keep looking, and theyâre bound to find all of you. Better if I distract them, and then youâre free to actâ¦. Thereâs too many of them for you, without having surprise on your sideâ¦â
âHow many?â asks Michael.
âIâve counted eight, including Klempner. And I think theyâre expecting Corby.â
Eightâ¦.