Five Years Ago The farm stirs to life. Cocks crow. The horses champ. Farm-hands pull on rough working clothes and from the farmhouse, the scent and sizzle of bacon emerge.
Brett makes his way to breakfast, but as he passes the stables, pulls up short. âChad? What are you doing? Thatâs Jennyâs job. Is she ill?â
Chad tosses the fork into a straw bale, taking the handles of a wheelbarrow destined for the muck-
heap. âJennyâs gone.â
âGone? What do you mean gone?â
Chad puts the barrow down, grief on his face. âWhat part of the word âgoneâ donât you understand?
Sheâs left.â
âShe wonât be coming back?â
âNo. She wonât.â
Brett digests this then, âShe didnât say anything, didnât say goodbye to everyone, but you knew?â
Chad shudders a sigh, only a heartbeat from tears. âShe wanted to go. She didnât want to make a fuss.â
Brett lays a hand on his shoulder. âChad, Iâ¦. Donât know what to say. I know the two of you had problems butâ¦.â
âLeave it,â he snaps, then, âSorry Brett. Iâm upset. Do me a favour would you. Tell everyone else for me.
I donât think I can face it.â
âYeah, sure. Of course. Would you like me to bring some breakfast out to you?â
âNo, I couldnât stomach it right now. But thanks.â
Brett vanishes into the farmhouse to relay the news.
In the background, Tom, unnoticed, pulls back into a barn. âChrist. Oh, Christâ¦.â
And dropping onto a bale, he sits, rocking, his hands covering his face.
*****
James And once more, unbearably, we wait.
And it is excruciating.
My Green-Eyes. My beautiful Jadeâ¦.
What does it take to stop these bastards?
I donât want food and left to myself, would survive entirely on coffee, pacing the room, muttering to myselfâ¦.
Until Michael pushes something at me, a sandwich.
âI donât want it.â
âYouâll damn well eat it. Youâre stressed to hell and wired on caffeineâ¦. And youâll be no use to her if you make yourself ill.â
Heâs right of course, and I choke the thing down, then wash it on its way with more coffee.
Michael looks ill himself, forcing down a sandwich with me, I think mainly to make the point. His face is normallyâ¦. I think a woman would call it âchiselledâ. Right now, he looks gaunt.
Guilt?
They were with him when they were takenâ¦.
â¦. Not his faultâ¦.
No point saying anything. We need to get them backâ¦.
Richard endlessly checks his phone. And when heâs not looking at it, he sits with it on the desk, one hand in contactâ¦.
In case it vibrates?
â¦. the other drumming endlessly on the desktop.
It rings and Richard snatches at it. âYes?â His eyes light up, âItâs Will,â he says, then starts scribbling madly on a jotter.
âYes⦠Yesâ¦. What! Weâre on our way. How long before you can get there? Is that with back-up?
Right!â
The light of challenge in his eyes he knocks off the mobile, already heading out.
âCome on. Weâre going. We know where they were taken, and itâs not far away. Can you believe it?
Weâre almost on top of them. Itâs an old abandoned farm. Iâll tell you on the way.â
Now to finish itâ¦.
*****
Five Years Ago The deep dark of the winter night: huddled figures lie in the hard, narrow beds, each fully clothed and with a single thin blanket wrapped tightly around against the blistering cold.
The windows, such as they are, are unfriendly eyes into the night, decked with webs from long-dead crawlers. The glass is opaque with dirt, but on the inside, frost traces its lacy filigree over the muck.
And despite being on the third floor, they are securely barred on the outside. Thick steel plunges into brick and concrete.
And the dorm is silent. The occupants know better than to make noise at night.
There is a tapping sound.
The occupant of the nearest bed startles, jerking fearfully and peering out from under her blanketâ¦.
Not meâ¦.
Someone else⦠pleaseâ¦.
But as she looks out along the narrow aisle between the rows of beds, there is no-one there. No adult come to threaten or intimidate.
The tapping noise comes again, and now a voice as well, low and careful. âIs anyone there? Can you hear me?â
The girl sits up. Small for her age and painfully thin, she shivers in her threadbare clothes.
âWho is it?â Her voice quavers. But now, curiosity is biting. And the voice doesnât sound threatening, not like most of the adult voices she hears. As she rises, moving to the window, other bodies stir from their beds. Nothing so interesting as this has happened in a long time. Other girls, small to teenager gather around.
âI'm looking for someone,â says the voice. âHave you got a girl called Katy in there?â
There is a lot of shuffling and muffled, hushed whispers.
âKaty? Yesâ¦.â
âKatyâ¦.â
âWhereâs Katy?â
A girl of twelve or so pushes her way through. âTommy? Is that you? Tommy?â
âYes, it's me,â hisses the voice. âI've come to get you.â
She scrabbles at the window. âTommy, I canât get out. The windowâs barred.â
âIâve found you now. You be brave. I'll be back.â
âTommy? Tommy! Come backâ¦.â
The plea is panicked but quiet. Hope kindled then disappointed. But the voice comes no more.
Excited voices whisper around her.
âWhoâs Tommy?â
âWho is he?â
âHeâs my brother. I knew heâd come.â
âBut heâs gone again.â