All the way back to the farm, Jenny keeps the little window in the back of the cab open, talking softly to the horse travelling in the rear, the mare responding with soft nickers. By the time they pull up, dropping the tailgate to lead her out, she is nuzzling at Jenny, asking for attention.
âAre you going to keep the name, Jenny?â
âCan I?â
âSheâs your horse. Itâs up to you what to call her.â
Jenny scratches at ears which radar forward as the mare snuffs for the apple she knows lurks in a pocket. âIâll call her Charlie.â
âCharlie it is, then.â
âWhere are we going to keep her?â
âShe can have the stall next to Dancer. Thatâll keep him happy too, and give them chance to get to know each other before she has her season.â
âHow will you know when that is?â
Mrs Collier gives her a wry glance. âDancer will tell us when sheâs ready. Donât worry. We wonât miss it.â
âHeâll try to get to her?â
âHeâll probably kick the stall apart if we donât let him at her when the time comes.â
Jenny swallows. âThat soundsâ¦. violent.â
âItâs just Dancer doing what comes naturally.â
*****
Charlie steps delicately through the long grass. Brilliantly green now after the warm rains and warmer sunshine of early Summer, the grass sweeps around the legs of the horse as Jenny rides easily atop her, swaying gently with the movement of her mount. Her long hair glints copper in the sunshine, complementing the bronze highlights on the face of the horse.
A nudge from the heels and the pair pick up pace, the girl making an easy up-down cadence as they move through a trot, then a canter, before breaking into full gallop through the emerald sea. The mareâs mane and tail are a coursing black stream, flowing through the air to match Jennyâs hair, which ripples behind her, a fluid line of red.
A small group watches from the gate, Chad and his parents chatting with Mrs Collier.
âSheâs developing into a first-class rider, and thatâs a fact,â comments Mr Bennett.
âSheâs certainly a lovely looking girl,â replies his wife, âEh, Chad?â
Chad watches the galloping pair, entranced. âIt's the most beautiful thing I ever saw,â he breathes.
Mrs Bennett watches intently, then nudges his father, eye-pointing their son. He takes the hint. âWhy don't you ask Jenny over to have a meal with us some time?â
âCould I? Iâd like that.â
âOf course you can. That would be alright, wouldnât it, Eleanor?â
âIf Jenny would like to, then itâs fine by me.â
*****
At the end of the track, Chad is waiting. As usual, he takes Jennyâs school bag, slinging it over his shoulder. But this morning, he proffers something to her, smiling a little timidly. âI have something for you.â
Jenny looks at the offering in Chadâs hand; pale mauve, tiny and delicate. âFlowers? For me?â
âTheyâre violets. I found the last few under the hedgerow. Theyâre almost finished for the summer now, but I saw them and, well, I thought of you.â
She doesnât move and after a moment, Chad droops a bit. âDonât you like them?â
âOh, yes.â She reaches to take the tiny blooms. âTheyâre beautiful. No-oneâs ever given me flowers before.â
Jenny holds them to her nose. âThey smell lovely. Thank you, Chad.â And his blue eyes swim as shyly, her gaze shifts to his and she smiles.
*****
âThose are pretty, Jenny,â says Mrs Collier, as she sees the miniature bouquet peeking from a glass of water in Jennyâs bedroom. âYou must have searched high and low to find them this late in the season.â
Colour pinks at Jennyâs cheeks. âChad gave them to me.â She sucks at her lower lip, looking away.
âDid he now? Youâd better look after them then, hadnât you.â
Mrs Collier regards the girl before her, now so different from the red-eyed, scrawny creature who first arrived. Tall, lithe and becoming full-figured; vivid green eyes look out from porcelain skin, all framed by a tumble of glossy auburn tresses. And the blush on her high cheekbones matches the tint at her lips.
She is quite lovely, and with growing maturity, is becoming beautiful.
âDo you know how to press flowers?â
Jennyâs brows knit. âPress them?â
âItâs a way of preserving flowers, rather than simply letting them die on you. Enjoy your violets for a day or so, but before they wilt, Iâll show you how to press them, then you have them as a keepsake. Iâll find a couple of old newspapers for you.â
*****
âI canât stop thinking about you, Jenny. I donât know anyone else like you. I want to be with you all of the time. Forever.â
Jennyâs gaze is mesmerised. âReally? All the time?â
âYes, really. Jenny, why donât we get married? Then we can be together forever.â
She frowns. âBut weâre too young to get married.â
âThat doesnât matter.â Chad is all enthusiasm, his hands waving wildly as he speaks. âIt's our last year at school. We could get married next year. Or the year after that. Itâll be forever anyway, wonât it, once we do it? So, waiting a while doesnât matter. We can just⦠agreeâ¦.thatâs what weâre going to do.â
Chin trembling a little, her startling green gaze swimming, âYou really want to marry me?â
âYes, I do. Would you like to marry me?â He holds her at the shoulders. âPlease say yes.â
She barely hesitates. âOh, yes. Yes, I would.â
Chad breaks into a pumpkin smile. âCan I⦠kiss you?â He moves a little closer. She blinks, stepping back. âReally,â he says, âJust a kiss. Nothing⦠else. Thatâs alright, isnât it, if weâre getting married?â
Poised as though to run, her voice a whisper, âAlright then.â
Blinking hard, he inches towards her, taking her hands in his, then leaning in, his lips brush hers.
âJennyâ¦â
A voice drifts up. âChad, Jenny? Out of that hay barn, please. Down here where I can see you.â Two heads poke out to see Mrs Collier standing arms and legs akimbo, looking up. As she spots them, âAnd that means right now, please.â
*****