Heâs gripping her arm, tugging her towards the stall. She tries to break away, but for all his disgusting ways, the old tramp is strong. His work is hard, and his muscles are tough and sinewy. With her free hand, she tries to punch, but he snatches at her fist, gripping her wrist with his hand, pushing her inside and down into the straw.
âIn you go,â he mutters. âWeâll have a little privacy in here.â Heâs pulling at her clothes, tugging the tee-
shirt up, as she struggles against him. But Dancer is screaming now, kicking at the door and the slats separating the stalls. Charlie, bucking and pulling against her tether, tosses her head and the loosely looped rope comes free. She surges into the stable, teeth bared, her hooves iron-shod hammers.
And now the shrieking rage of the stallion is overlaid by running footsteps, many running footsteps.
Jenny is fighting, yelling, trying to free herselfâ¦. âGet off me!â
â¦. but the old man screams as the mare batters at him with hooves and teeth. Tom charges in, pulling the tramp away from the downed girl, hampered by the mare who has her jaws around his arm. Thereâs an ugly snap and Jacob shrieks once, then collapses, unconscious.
Brett is trying to catch the rein of the enraged mare. Finally snagging her bridle, he holds her head, talking softly as he calms her then leads her outside. Next door, Nathaniel is trying to pacify Dancer.
Soft words and the bribe of another apple soothe the stallion, and again, he is led out, to be securely tethered next to Charlie.
Tom crouches by the sobbing Jenny. His arms hover over her shoulders as he tries to touch and not touch at the same time. âJenny, itâs alright. Itâs alright. Youâre safe.â
Mrs Collier stands, white-faced in the doorway, looking in. She calls across the yard. âDiane, call Chad.
Get him here quick. Then, call a doctor and the police.â
Swollen-eyed, Jenny looks up from the straw, wiping at her face. âNo, not the police.â
Mrs Collier kneels beside her. âJenny, he tried toâ¦. Jenny, theyâll arrest him. Take him away.â
âPlease, not the police.â
The womanâs head tilts. Glances are exchanged all around. âAlright then, not the police. But I want a doctor to look you over. And heâ¦.â She spits the word at the unconscious Jacobâ¦. âHe can go in an ambulance. You can be sure heâll not be coming back; here or anywhere else nearby.â
Brett kicks the prone tramp in the ribs. âWhat do we do with him for now?â
âLock him in the roots shed. Padlock it,â she says. âWhen the ambulance arrives, you can pile him, and anything of his, in there. Heâll not be coming back here. Nathaniel, give Dancer and Charlie a bucket of mash apiece. Tom, help Jenny across to the house. Iâll run her a bath, and then itâs straight to bed for you, my girl.â
*****
Nathaniel broods over his beer. âWhy do you think she didnât want the police? Most girls would have been happy to see a bastard like that in cuffs.â
Brett takes a long swallow from his drink, downing half the glass in one go, then, âWe donât know a lot about where she came from. Who knows what happened to her before she was here? And remember too, kids from bad backgrounds have often been taught that the police are the bad guys.â
Nathaniel takes a sip, then puts his glass down. âDoesnât seem to taste right today, somehow.â
âChad will settle her. Heâs a good lad, Very gentle. And she wasnât actually hurt. Just got a fright.â
Tom studies the contents of his glass, not speaking.
*****
Jenny sits up in bed, Chad perched on the blankets beside her, holding her hand.
Thereâs a sharp tap at the door and the kind of short hesitation that suggests the maker of the rap might be allowing a momentâs grace before entering.
The door swings open and Mrs Collier steps in with a tray. âIâve made you chicken soup, Jenny. Youâll be staying to eat with us of course, Chad?â
âThank you, Mrs Collier. Iâd like that.â
She places the tray down on Jennyâs lap. Pale creamy soup, fragrant with thyme and sage andâ¦.
something else wonderfulâ¦. steams gently up. âIf you want more, thereâs plenty where that came from.â
âThank you. It smells lovely.â
The woman flicks non-existent crumbs from her apron. âIâd like you to know, Jenny that, while we will all respect your wishes not to bring the police into this, Jacob is in hospital and whatever happens, he wonât be coming back here. We have also put the word out that he is unwelcome here to all the neighbours, but we have not told them why. We see no reason to cause you further distress.â
The girl stirs her soup, not looking up as she breaks in bits of bread. âThank you.â
âIâll leave you with Chad then.â
As the door clicks closed, Chad angles a look at Jenny. âDo you realise this is the first time sheâs ever let us be alone in the bedroom together?â
Jennyâs smile is a bit wan, but it is a smile. âYes, it is. Chadâ¦.â
He interrupts her, a finger across her lips, then leaning in, kisses her. The kiss is soft and warm. And as he comes close to her, she scents him, sweetly masculine.
He leans away again. âJenny, I know people think weâre⦠erâ¦. you knowâ¦.â
She nods. âI know.â
âWell, I just wanted to sayâ¦. The first time when weâ¦. I want it to be special for us. I always have, but especially after something like today. Iâd like us to wait until weâre married. Is that alright with you?â
âYes, thatâs alright with me.â
âGood.â He brushes her cheek with a finger. âAnd then our wedding night will be something we can both remember.â
*****
Later that evening, Jenny has another visitor. There is a quiet knock on the door. âCan I come in?â
âHello, Tom. Yes, thatâs fine.â
He enters hesitantly, offering something to her, a book. âI went to see Mr Kalkowski, asked him if there was something youâd want to read. He gave me this to give to you.â
She looks. Principles of Geology. âUm, Iâm not sureâ¦.â
âItâs alright,â he says. âI told Brett if he doesnât like it, he can argue with me.â He stands, looking awkward, then, âJenny, Iâm sorry. I wanted to apologise.â
Her eyes are wide. âWhat for?â
Tom doesnât seem to know what to say. âItâs⦠I donâtâ¦. Just⦠Iâm sorry. Iâm going to make it right.â
And he turns and goes, leaving Jenny with her book and a hanging jaw.
*****
The school day is over. All the children have gone home, and Mr Kalkowski settles to an hour or so of marking essays. As is his habit, he works through the stack to find Jennyâs offering, takes it from the pile and moves it to the bottom. He can be sure that he will end this tedious task on a high note.
There is a knock. A head peeps around the office door. âMr Kalkowski. Do you have a minute?â
âOf course I have. What can I do for you, Jenny?â
âWellâ¦.â She bites at her lip, weaving her fingers together. âI wanted to tell youâ¦. I know that you wrote the letters and filled in the forms for me, but I've decided that Iâm not going to university.â
Mr Kalkowski frowns, his lips puckered. He sits up, placing his pen carefully down on the desk. âMay I enquire the reason for this change of heart?â
She winds her fingers together. âEveryone thinks it's a bad idea. Even Chad, I think, even if he doesn't say so.â
He pulls a handkerchief from his pocket, takes off his spectacles and polishes one of the lenses. He doesnât look at her as he speaks. âAnd what do you think, Jenny?â
Thereâs a gloss to her eyes. âEveryone's been so kind to me here. Before I came to the farmâ¦.â She stumbles her words. ââ¦. Before I came here, everything was so different.â
She speaks with the air of having practised what she is going to say, reciting the words. âI wouldnât be like I am now if it werenât for everyone here. So, I'm going to marry Chad. And weâll have a family and I'll do my best to make him happy. So, Iâm sorryâ¦. But I canât go to university.â
Mr Kalkowski still doesnât look at her, instead polishing the other lens. âIâm sad to hear that, Jenny. But it is, of course, your decision. If you should change your mind, you know where to find me.â
After she leaves, the old man sighs, makes himself a pot of tea and then, wincing a little as he sits, stares out of the window while the tea grows cold.
*****