Chapter 28
Murder Notes (Lilah Love Book 1)
Lucas joins me as I mingle, but after two conversations that include âyou look like your motherâ and âI love your dress,â he finds a pretty brunette actress and starts getting cozy. I stay my course, working the room, each compliment to my dress revenge for my fatherâs harshness. In fact, by the time I receive a dozen or so compliments, Iâm not feeling the sting at all, while I am certain every time someone mentions me to him, he does. And the best part of a party is that the gossip when talking to me is all about the âpoor dead girlâ or âpoor Cynthia, who died too young.â Each person shares some tidbit, many about meeting her and her habits, that is golden to my case, and I wonder if this is the real reason I wasnât invited. Iâm getting tongues wagging. Iâm hearing things. Maybe Iâll hear something Iâm not supposed to hear. And not once is Woods mentioned, or a boyfriend at all, for that matter.
Finishing a chat with a music executive who knew my mother well, I am on the move again when I come face-to-face with Samantha, her gown a sparkly silver number. âLilah,â she greets me, looking a bit like sheâs swallowed a whole egg upon seeing me.
âSamantha,â I say. âDo you know where Andrew is? Is he still working?â
âIf you consider staying close to the host, then yes. Heâs working. In the downstairs library with Montgomery and your father, talking politics. Iâm surprised they didnât invite you. Thatâs where Iâm headed now.â
âYou know,â I say. âI realize that you think playing âmean girlâ makes you special, but you donât read people well. I donât want to be in a corner, talking politics.â
âDid I mention Eddie and Alexandra are with them?â
âThanks for the warning,â I say, irritated that my brother evidently told her Eddie is a sore spot for me with my father. âNow I know to stay up here. Since weâre talking, you never got me the security footage I requested.â
âAndrew said you have a suspect.â
âIâm not Andrew,â I say. âBut you know what? Keep it. I got what I needed from Kane.â Her eyes go wide and I add, âYes. I know you fucked Kane the night of the murder.â
âAnd now youâre going to tell Andrew.â
âYou werenât exclusive and it would hurt him, so no,â I say. âI am not.â
âEven though I ~did~ Kane.â
âYes,â I say, and somehow, I manage a rather cordially spoken, âEven though you ~fucked~ Kane.â
âBut you want me to stop seeing Andrew.â
âOf course I do,â I say. âI donât like you, but heâs a grown man. This isnât my call. But let me be clear, if I find out youâre using him, I will become a problem for you.â
I start to turn and she says, âIâm not.â
And yet she was just in bed with Kane. My mama told me if you canât say something nice, donât say it at all. I donât reply. I keep walking, weaving in and out of the crowd, when my gaze lifts to the banister on the second level to catch on Greg, who is standing by a wall, staring forward, in guard mode. Hurrying forward, I follow the trail of red carpet up the center of the stairs, and Iâm almost to the top when he takes a call and then starts walking right. Iâm sidetracked by several chatty guests but finally reach the top level and turn in his direction, pausing to eye the crowd, my gaze rocketing to Kane, whoâs in a conversation. My gaze shifts to the other man, a stout, military-looking guy, I age around forty-five, who could be security. Iâd like to say Iâm disappointed Kane is here. Iâd like to say Iâm immune to how damn good he looks in a tuxedo. But I canât say either of those things.
The two men break apart, and Kane seems to sense me, his attention immediately shifting to the railing where I stand. He gives me a small incline of his chin that is somehow intimate, a feast for the eyes of anyone watching and sure to piss off Pocher. I nod back and turn away, eager to find Greg again before I end up in the inevitable game of word roulette with Kane that this night will now hold.
Traveling a long hallway, I scan random rooms as I pass to include a library, a sitting room, and the theater before a row of sealed doors takes over. The path ends at the French doors leading to the outdoor garden, and I pass through them, finding people milling around here and there, but there are rows of shrubs and trees forming a giant maze, and I decide to just wait by the railing.
Iâve just claimed a spot in the corner and under a hanging heater when my cell phone rings. I dig it out to find Tic Tac calling. âTurns out Laney did a bunch of B movies under another name, and two of those tie back to the same Chinese investors.â
I perk up. âDid you find the US connection?â
âNot yet, but I used a computer program to connect any common denominator between the films. It might not ring any bells for you, but itâs in your e-mail and now Iâm going to finally sleep for a few hours. Donât call.â
âI wonât call.â
âI wonât answer.â He hangs up.
I end the call, already walking, this party over as far as Iâm concerned. That data Tic Tac sent me is far more important than more mingling and chitchat about my dress. Now, if I can just get out of here without being intercepted. I text Lucas as I walk:
Lilah Love
Iâm leaving. Tell me all about her tomorrow. I mean, donât tell me all about her.
He replies with:
Lucas
Okay. Iâll tell you all about her.
I reach the lower level again, walking fast, with my head down to discourage conversation. Itâs a strategy that gets me to the coat check without delay. I step into the room off the foyer to hand in my ticket, and once Iâve bundled up, Iâm about to leave when I catch a glimpse of Greg behind the curtain Iâd visited earlier. Thereâs a woman with him and theyâre talking in near whispers, and I catch a glimpse of her hand on his arm, then his on her waist. An uneasy feeling slides down my spine for no good reason. He told me he had a booty call here. It has to be that woman and even if itâs not, this isnât my business.
I shake it off and walk to the door, but I find myself looking behind me, just as the woman exits the curtain, but Greg doesnât follow. Iâm about to turn back to talk to him, but one of the attendants calls out the womanâs name in greeting, and I go cold all over. Olivia Mason. Itâs the Romano family member who owns the party service. Incapable of seeing Greg in this moment without losing my shit and hurting his, I exit to the stairs. ~Gregâs dirty. No. No. No. He cannot be dirty.~
Kane appears by my side. âWhy do you look like youâre about to explode?â
âBecause Iâm at a party with a bunch of politicians that include my father. Do you come to these things just to taunt Pocher?â
He laughs that low, addictive laugh of his. âI do not, but his displeasure is always an added bonus to any day or evening.â
âHe told me that as an FBI agent and a future first daughter, I shouldnât be seen with you, with my fatherâs blessing.â
âYouâd think a man whoâd been your father for your whole life would know telling you not to do something is an invitation to do it. Now about that red dress.â
âI look like my mother.â
âI was going to say you owned it and the room tonight. Did you learn anything helpful?â
âDid you?â I counter, not ready to show him any more of my cards until he shows me some of his. âDid youââ
âIâm handling your request,â he says. âJust make sure you remember my terms.â
I stop and turn to him. âYour terms? What terms?â
âYou will not go near Romano.â
âI will do what I need to do, Kane. Iâm going to ask questions and get answers, with or without you.â I turn and start walking, clearing the steps, and I about have a heart attack as I spy Rich, who shouldnât even be able to get on the property, leaning against the hood of my car, dressed in jeans and some sort of army jacket.
âLover boy to the rescue,â Kane says. âI guess you wonât need my help getting out of that dress.â
I stop walking again and face him. âIf anything happens to him, I will know it was you.â
Kaneâs eyes darken, his lips twisting sardonically. âThat would be my fatherâs way of handling this. And we both know Iâm not my father.â He turns away and walks toward the other side of the parking lot.
He might not be his father, but I know Kane, and every part of me says I need to get Rich the hell out of here. I inhale and hurry toward him, and he pushes off the car to meet me. âHey, babe,â he says, his hands going to my waist, under my coat, and I cringe with the idea that Kane is watching. âWow,â he says. âHoly wow. You look amazing.â
âWhy are you here? ~How~ are you here?â
âEddie from the station got me in to surprise you. Nice guy.â
âNo. Heâs really not. Richââ
âYou werenât responding and I know how you get with these big cases. I was worried about you.â
He really doesnât know, but that isnât actually relevant at this moment. âYou shouldnât be here.â I remove his hands from my waist and step backward and not just because of Kane. Because Iâve led him on or he wouldnât be here, and itâs not fair to him. âYou need to go home.â
âLilahââ
âI told you before I left this wasnât working.â
âYouâre under a lot of pressure. I get that.â
âRich. Go home.â
âWith you. Iâm going home with you.â He steps toward me and I step back.
âNo. Youâre not. Iâll pay for a chopper to get you out of here tonight.â
âWhat? You want me out that badly?â He scrubs his jaw. âFuck, Lilah. Can you get any colder?â
âDo I have to?â I ask, because if he pushes me, I will. Iâll have to.
âIâm gone, Lilah. Iâm gone.â He starts walking toward I donât know where, and I suck in air. ~No. I just suck. Kane sucks for making me do this right now, like this.~
I walk to my car, climb inside, and donât hesitate to dial Kane, wondering what it says about me that Iâm this close to a man who I think would hurt Rich.
âLilah,â he answers.
âHeâs leaving.â I say. âTell me you wonât hurt him.â
âTell me you wonât go to Romano.â
âAre you negotiating for a good manâs life? Are you really doing that?â
âIâm protecting yours. Say it. You will not go to Romano.â
âYou bastard. I wonât. Not yet.â
I hang up.