Chapter 23
Murder Notes (Lilah Love Book 1)
Itâs as if Iâm living one of my nightmares: The beach. The blood in the water and sand. ~The murder.~ The man in his fitted suit, who is now walking toward me. I donât move toward him or away. I stand my ground. I make him come to me, the questions he hasnât answered, past and present, clawing at me, demanding they be heard. Pissing me the fuck off.
~He~ pisses me off.
He makes me want things, do things, be things.
He stops in front of me, and the space between us is the exact location where that monster raped me. âWhy are you here, Kane?â
âYou should have told me about the tattoo on the body.â
âWhy? So you could handle this for me? Like you handled things for me that night?â
âYes. So I could handle it like I did that night. You were drugged, Lilah. I was protecting you.â
âWere you?â I demand, cold rain now beginning a steady fall, soaking my face and hair. âBecause what I remember is me lying in the sand, naked and exposed, and when I pushed to my feet to look for help, you were ~talking~ to that monster. Talking, Kane. He didnât deserve conversation.â
âYou think I wasnât going to make him pay for what he did to you? You think I wasnât going to kill him? I had him in a choke hold, trying to find out if he was a fool alone or for hire when you came at him.â
He means when I saw the knife in that monsterâs belt that I knew heâd intended to kill me with, and I grabbed it. And Iâd shoved it in his chest, over and over and over again. Twelve times that felt so damn good it was terrifying. âI didnât feel like waiting on you to finish your chitchat with him,â I say. âAnd how do I know thatâs what you were doing? No matter what question I ask, you never give me a straight answer. I donât know what is real and what is a lie with you.â
âIâve never lied to you, Lilah.â
âYou think leaving out information isnât a lie?â The rain explodes, an eruption of force, and I shout through it. âThis is getting us nowhere. ~Go home~, Kane!â And I donât wait for his reply. I start running for the house, my hair and clothes drenched by the time I yank open the sliding glass door and rush inside, but when I turn to shut the door behind me, Kane shoves his way in, sealing us inside. âI said go the fuck home, Kane.â
âNot yet,â he says, shackling my arm and walking into me as he pulls me closer, his hand releasing my arm to move to my spine, the other at the back of my head. âAnd in case you didnât get that. Let me speak your language. Not ~fucking~ yet.â His mouth closes down on mine, and he is kissing me, his tongue stroking long against mine. The taste of him is familiar in a way no one else would understand. Itâs dirty. Itâs sexy. Itâs that addictive danger that is Kane Mendez. Itâs a man who I do know would have killed for me, and I wanted him to. Oh God. I wanted him to.
I shove on his chest, tearing our lips apart. âI hate you right now.â
âShow me,â he says, releasing me to shrug out of his wet jacket.
I could say no. I ~should~ say no. But he is the answer to the storm inside me that hasnât been answered in far too long. And he owes that to me. I pull my shirt over my head and toss it away. Our gazes collide, that old burn between us igniting. We undress. No words. No questions. We just strip, and I am not beyond enjoying every last inch of his hot, hard body. I deserve this. He owes me this. He does the same. He watches me. Touches me without ever touching me. Possesses me in a way no other man ever has. But only with his clothes off. I will never allow him more than that again. Yet there is no denying that the understanding between us, the freedom to be who we are, that we cannot be with anyone else, still exists, and why wouldnât it? Weâve killed together. Thatâs a special kind of screwed up. Bonnie and Clyde have nothing on us.
He reaches for me, but Iâm already there, moving toward him, and when his fingers tangle in my damp hair, his tongue licking into my mouth, I let him taste how much I hate wanting him. How much I hate his secrets. How much I hate how good he feels. Iâm still embracing that pissed-off feeling. Iâm full of rage, and I grab his hair and pull. âI do hate you.â
âI know,â he says, his teeth nipping my lips, and not gently, a spike of pain and arousal shooting through me, and by the time Iâve recovered, Iâm on my back on the couch, with his big body on top of me. âBut you know what they say about hate,â he says, one of his hands on my breast, the other cupping my ass. âItâs a fine line and I can live with that.â
âIâm sure you can,â I say, pissed off all over again, but still arching into his touch. âBecause then you get to keep your secrets.â
âAnd what about your secrets, Lilah?â he challenges, shifting us to our sides, and him between my legs. âWhat are your secrets?â
âI donât have secrets,â I say, a bitter laugh that is about self-hate, not humor, escaping me. âI mean, except stabbing someone twelve times.â
He tangles fingers in my hair, pulling my head back and forcing me to look at him. âI would have killed him for you with no guilt. I would have made him suffer. Isnât that what you want to hear? And my willingness to do it doesnât make me a monster any more than you wanting me to do it or doing it yourself makes you one.â
âYouâre justifying your actions and mine. Thatâs dangerous.â
âYou like dangerous, Lilah. Thatâs the real problem, isnât it? You donât think you should. You donât think you should want me and us like you do.â
âI shouldnât. I canât.â
âAnd yet here we are,â he says, and he doesnât give me time to process those words or even allow them to produce a reaction. He presses inside me, driving into me, and angling us together. And before I know his intentions, heâs sitting up and taking me with him. I am now on top of him, straddling him, my fingers digging into his shoulders. And I know why. His message is: this was my choice. I want this. I want him. âBastard,â I hiss.
His lips curve, his eyes raking over my breasts before they return to my face, and he declares, âDamn, Iâve missed you, Lilah Love.â
I lean into him, pressing my lips to his ear. âI hate you, Kane Mendez.â
He snags my hair againâhe loves to grab my hairâand drags my head back, bringing my lips to his. âYou havenât convinced me yet.â
Our lips collide, and wildness erupts. Kissing. Touching. Moving together. I hate every moment. I need every moment. I donât hide either of those things. For the first time since I last was with him, I let go. Because I can with him. Because the devil doesnât judge your sins, he rewards you with pleasure. ~Oh God.~ So much pleasure, and when itâs over, when we collapse into each other, bodies trembling, I am limp. Completely limp, both emotionally and physically. I let Kane roll us to our sides, and I willingly rest pressed against him. Neither of us speaks, as if we know that when we do, itâs over.
I shut my eyes, but not to sleep. I force myself to finish the recall of the past Iâve already started. I picture myself over my attackerâs body, holding the bloody knife.
~Kane is by my side. âHeâs dead, Lilah. Give me the knife.â~
~âAre you sure? Are you sure heâs dead?â~
~âYes. Very sure.â~
Heâd taken the knife from me then, and my gaze had landed on that Virgin Mary tattoo bleeding from her mouth. Iâd known, then, that she was important. I know, now, that she is the answer to questions I donât even know to ask.
âTell me about the tattoos, Kane,â I say, breaking our silence.
âLilah,â he breathes out, and I know that tone leads to his ridiculous reply of âI donât know.â
âOf course you have no answer.â I push up and look at him. âBecause you think giving me a damn orgasm will shut me up.â
âThat has nothing to do with this or tonight.â
âIâll say it again. Bullshit. People are dying and you know something you arenât saying.â
I roll away from him and off the couch, walking to the chair nearby and grabbing the blanket there. Wrapping it around me, I turn to face him, and heâs sitting now. Naked, and unlike with Rich, I like him that way, which only makes me hate him and my decision to be with him tonight all the more. âGo home, Kane,â I say, saving the demands I plan to launch at him for a time when thereâs more than a blanket my mother crocheted between us.
I expect him to argue, but he doesnât. He stands up and pulls on his pants and shirt, which he doesnât bother to button, his tie and jacket settled on his arm. âIâm leaving but Iâm not gone.â
He starts for the door, and I let him go, watching, waiting, until he exits and the door shuts with a solid thud. They say the devil is in the details. I say the devil is guarding those details, and Iâm going to find out why. And no matter how much I love to hate that man, Iâm going to go after him and keep at him. Iâm going to get my answers.