Chapter 19
Murder Notes (Lilah Love Book 1)
The chopper engine roars fiercely, Kaneâs hand still firmly on the back of my head. I slice my fingers into his hair, and for several moments, there is nothing but Kaneâs hand on my head, his lips next to my ear. I donât process his words. I donât even think about telling him about the notes or Junior. There is just the right and wrong of him. Of me with him. Of us together. I inhale the scent of him that someone else would describe as spice and sandalwood, but to me itâs love. Hate. Passion. Friendship. He was my best friend. He was the only person who really knew me, the only one I trusted, and suddenly the one thing that has twisted me in knots for two years is front and center.
âYou knew how to hide a body,â I hiss into his ear. âYou knew how to make it disappear.â
âI made a problem go away.â
âReally damn well,â I say. âThe man I knewââ
âWould do anything for you, and I did.â
âI didnât needââ
âYou would have lost your badge.â
âI was ~drugged~.â
âYou would have ~lost your badge~.â
âI wouldnâtââ
âDamn it, Lilah, you know what happened.â
âYou shouldnât have made decisions for me,â I hiss, shoving away from him and reaching for my seat belt.
He grabs my arms, holding me in place. âWeâre lifting off,â he shouts. âStay where you are.â
I inhale and let it out, flashes of that night ripping through my mind. The ocean crashing on the shore. The wind. The heavy body on top of mine. The sweat. The sound he made and that damn tattoo. That Virgin-fucking-Mary. I grab Kaneâs arm where it holds mine. I rotate to face him and our eyes collide, igniting a new wave of anger and heat between us. I grab his tie and pull him to me again, his head lowers to mine, our cheeks colliding again, but this time itâs my lips immediately pressed to his ear. âThe tattoo,â I say. âTell me about the tattoo.â
âItâs buried with that man.â
I jerk back, furious now, and I turn away, reaching below the seat to grab my bag, no hesitation in my action. I remove my file, opening it and finding the photo of the tattoo on the victim from Wednesday morning. I hold it out in front of Kane. He goes completely still, stone in the shape of a man, seconds ticking by before he takes the photo from me and stares down at it. I can feel the waves of anger and shock rolling off him. And I know, then, that he knew about the victim, but he didnât know about the tattoo. Time seems to stretch before he hands the image back to me. I take it and place it back in my bag, actually calmer now. Closer, I think, to real answers than ever before.
Kane doesnât look at me, though. He leans his head back and shuts his eyes. There is a coldness about him, a darkness, that Iâve seen only hints of in the past. Iâve sideswiped him and he doesnât like it. I donât know what that means, but I intend to find out before this encounter is over. I place my bag under the seat and then lay my head back. But I donât shut my eyes. I donât like what I might see when I do. Instead, I start recapping every detail of that file. The victimsâ names, ages, careers. I look for something, anything, that connects them, other than me as the investigative agent.
Neither of us moves until weâre on the ground; both of us wordlessly gather our things. Both of us clearly aware that the conversation we need to have does not belong in a place with a pilot and a now-silenced engine. The door opens and I head for it, and endure a few greetings from strangers. I can hear Kane giving directions to whoever heâs talking to.
âNo later than ten,â is all I make out of his response, which I assume is related to his departure time.
Iâve cleared the last step, and Iâm walking toward the terminal when my phone rings. I dig it from my purse to find Tic Tac calling. âWhy are you awake at four in the morning LA time?â I ask, answering the call.
âI got up to pee and saw youâd called five times.â
âJust once,â I say.
âFour last night and one this morning.â
âRight,â I say. âFive times. I need you to find out why Marcus Rick is on a leave of absence, no matter what it takes to find out. And I need to know everything good, bad, and ugly about Nelson Moser.â
âSeriously, Lilah?â Tic Tac demands, while Kane steps to my side, close but not quite touching me, as if heâs ready to grab me before I dart away. But Iâm not going anywhere without answers.
âSeriously,â I confirm.
âYou do know Rickâs data will be in sealed Human Resources files?â Tic Tac says.
âAnd?â
âItâs personnel files, Lilah. Thatâs a big deal.â
âI thought I recommended you as a point man because you had a big set on you.â
âDonât go there. I have balls. You do not.â
âOr maybe,â I continue, âyou do, but just not the skill to do this?â
âGod how I hate it when you push my buttons, and I know youâre doing it, and yet still I let you get away with it. Iâll call you back.â He hangs up and the sliding glass doors part, allowing Kane and me to enter the airport, but he doesnât speak, a theme he does well, but he might as well be screaming his energy is so damn intense. We walk a few feet, clearing the crowd, and I expect something from him but get nothing, and Iâm not letting that fly.
I speed up and step in front of him. âTalk to me.â
He gives me a hooded stare, his expression hard, unreadable. âI told you,â he says. âI donâtââ
I poke his chest. âDo not tell me you know nothing. Because the man I knew back thenââ
âKnew how to get rid of a body?â
âYou wouldnât have stopped looking until you found out who that man was. You saw the tattoo. You wouldnât have ignored that as a clue. Either that or you never really loved me.â
He grabs my arm and pulls me close. âNever really loved you? Are you really even saying that to me?â
âIâm saying I know you looked into this.â
âYes. I did.â
âAnd yet you found nothing? You donât fail at anything.â
âI didnât exactly fingerprint the guy before I got rid of him, Lilah.â
âDid he have ID?â
âYouâve asked me this before. You know the answer.â
âHe didnât.â
âHe didnât.â He surprises me by changing the subject. âAnd Iâll save your boy Tic Tac some trouble and tell you what I know. That is what you call your tech guy, right? Tic Tac?â
âYou really are a stalker, Kane.â
âI prefer to think of myself as informed. Back to what I know.â
âToo much,â I say.
He ignores that remark and moves on. âMarcus Rick, the detective you mentioned on the phone, was in a corner store when a robbery took place and tried to help. He ended up with a bullet in his gut. Nelson is known to be low-down and dirty, as in he would shoot his partner in the back and did once. And since I remember him to be unfriendly to you, Iâd say itâs interesting that he ended up on this case.â
My mind goes to Greg. âShit.â I dig for my phone and pull it out, dialing his number only to get his voicemail. âDonât ask about that case I told you to ask about until you talk to me.â I look at Kane. âI need to go.â I start to turn away and he grabs my arm.
âTurning me into a monster doesnât make your guilt go away.â
âPretending youâre my hero wonât make it go away either.â
âI didnât kill him,â he reminds me. âI just cleaned it up.â
âYou bastard,â I say.
âYou needed a reminder.â
âI have them every night, I promise you. I canât believe I everââ
âLoved me?â
âFucked you.â I yank my arm away and start walking.
And I donât look back. I canât think about Kane or myself. All I can think about is Kaneâs words about Nelson being so low-down and dirty that he would, and has, shot a partner in the back.
My fatherâs involved in this. Kane is involved in this. I have the protection of being my fatherâs daughter, and like it or not, Kaneâs perceived woman. Greg does not, and Iâm worried Iâve just put a target on my ex-partnerâs back.