Chapter 12
Murder Notes (Lilah Love Book 1)
I grab my phone and dial Tic Tac, who is actually Jeff Landers. And right now, itâs Jeff that Iâm looking for, not Tic Tac.
âYou do know itâs only been a few hours, right?â is his greeting.
âI need everything you can give me on Kevin Woods of East Hampton,â I say, my tone all business, another side of Lilah Love those who work with me know and know well. âHeâs the suspect for the murder Iâm investigating here.â
âMeaning heâs the suspect for all the cases.â
âNo. The locals are trying to isolate this case, which ends our opportunity for jurisdiction. Supposedly Woods was dating the victim. Iâm not buying it.â
âHold on,â Jeff says, and proving heâs learned a few things about me in the years weâve worked together, his tone is no-nonsense, the sound of a keyboard clacking in the background. âThirty-two. Born and raised in Manhattan.â
Which could represent a connection to the first New York victim, but it feels wrong. âWhat else?â
âHe inherited a construction business from his father,â he continues. âThe focus being on high-end, custom-built houses, then and now, but once Kevin took overââ
âWhen was that?â
âThree years ago,â he says. âThatâs when Kevin managed to land a job for a Hollywood type, and the business took off from there.â
âWhat does Hollywood type mean?â
âKeith Miller.â
A powerful film director who worked with my mother. âWhere does Keith Miller own property?â
His fingers click on the keyboard. âLA, Southampton, and New York City. But hold on.â More clicking of the keyboard before he says, âWoods has had five Hollywood-type clients in the past five years. Two with homes in the Hamptons and Los Angeles. Three with places in New York City and LA. They all have a link to both states.â
âAnd the locations of similar murders,â I state, any hope that Miller is my singular connection now gone. âI needââ
âA full list of everyone in the Hamptons with that crossover. You told me.â
âI actually think I e-mailed it to you.â
âAll right, smart-ass. Whatever the case. Itâs a big list. You need information. I need time.â
âFine,â I concede. âWhat about Woodsâs arrest last year sometime?â
âThereâs no record of an arrest.â
âHuh. Dig deeper on that.â I move on. âI need to know if the newest victim connects to any of the previous victims.â
âNo. I checked.â
âWhat about a connection to one of Woodsâs clients? Look there and look fast. Like I said, Woods is aââ
âJurisdiction issue. Iâll get you what I can by bedtime.â
âThat works. Does Woods have any living family?â
More clacking of keys before he says, âNone.â
âSend me everything you can find on him. And I mean everything, no matter how insignificant. I want to know who the manâs hairdresser is.â
âI know how you work. Again. Give me until bedtime. ~My~ bedtime, Lilah. Iâm still on LA time even though youâre in New York, and I have a meeting Iâm headed into.â
âFind me a connection between these victims that isnât Woods, and I swear Iâll bring you doughnuts every day of the rest of your life, even when youâre in a retirement home, forgotten by everyone but me.â
âOh, well, now Iâm motivated.â He snorts and hangs up, and I immediately begin scribbling notes.
âKEVIN WOODS: FALL GUYâMEANT TO KEEP THE FEDS OUT OF TOWN OR SOMETHING BIGGER?
âEDDIE WANTS ME OUT OF TOWN. EDDIE WANTS TO ARREST WOODS. IS HE JUNIOR?
âWHERE WAS EDDIE LAST NIGHT AND THEN TODAY WHEN NOTES WERE LEFT FOR ME?
âWHY IS KANE SO DAMN ADAMANT I DONâT ASK QUESTIONS ABOUT THAT TATTOO?
âWHY DID I LET HIM GET AWAY WITH NOT TELLING ME?
âKANE CANâT BE THE MAN BEHIND JUNIOR, AND YET, IâM THINKING IT AGAIN, OR I WOULDNâT BE WRITING THIS DOWN.
âBUT EDDIE. EDDIE. EDDIE. AND KEVIN.
My list grows into a complicated thinking process, and I down another cup of coffee to rev me up, adding a side of greasy, perfect French fries with lots of ketchup to the mix as well. I have a cheeseburger with those fries and then order one of the dinerâs famous whole strawberry pies that, despite winterâs fast approach, Rose swears is amazing and famous. Since this place really isnât even on East Hamptonâs society map, Iâm not sure who itâs famous with, but hey, I did see Jack Leroy here. And since heâs all about his star shining brightly, maybe this spot is hotter now than I remember, and if Rose says the pie is famous, I believe her. A choice I make because a love for strawberries is one of the only fetishes I have that reads a bit like that of a normal person. And every once in a while, a ten-minute window in which I shovel food in my face and play that game is the difference between acceptable insanity and cutting-myself-or-someone-else insanity. Fortunately, Iâve never cut myself. Someone else? Well, yes. I have cut someone else, but that was because I didnât have a gun to shoot the bastard. I leave the diner and decide this afternoon needs to be about planning. And food. I need groceries. First things first, though. I need to set a trap for Junior.
Itâs a strategy that takes me fifteen minutes up the beachfront to an all-glass contemporary house, where I will find a long-dormant favor owed to me, one that I plan to collect on now. I park in the driveway and walk to the door, aware that like most things in this town, the lax security is a façade. Iâm setting off alarms of some sort at this very minute. An assumption thatâs proven true when I reach for the doorbell only to have the door fly open, and Lucas Davenport stands in the doorway, his six-foot-four frame filling the archway.
âWhy donât you return phone calls?â he demands.
âHow can you still look like a preppy Tarzan?â I demand in turn, ignoring his question. âNo wonder youâre still single.â
âHow do you know Iâm still single? You donât return phone calls.â
âAre you?â
âYes.â
âWell then, my advice to you is this: grow some manly hair on your pretty-boy face and put on something other than one of about a hundred pairs of khaki pants you own.â
âYou know,â he says. âI was certain I missed you until this moment.â
âWell then, see? Weâve already had a productive visit. Now you know that you didnât, in fact, miss me.â I push past him and walk down the white tiled hallway. Everything in this place is white. The walls. The curtains. The light fixtures. He calls it elegant. I call it sterile. I turn into the kitchen where there are white counters and cabinets, walking to the white-paneled stainless steel fridge and opening it.
âYou do know women are quite impressed with my khaki pants and my clean-shaven face. No razor burn. Lots of pleasure.â
I grab a bottle of water and find him on the opposite side of the bar that, much like mine, divides the kitchen from the living area. âI see youâre still not lacking in the arrogance department,â I say, walking to the counter directly in front of him.
âArrogance?â he snorts. âIâm defending myself. You basically just told me Iâm not worthy of a woman, and since the one time I tried anything with you, you put an elbow in my gut, Iâm not beyond believing you mean it.â
âIâm pretty sure that was Kane who put the elbow in your gut.â
âHe wasnât there. Iâm not that stupid.â
âHe has eyes everywhere. He was there and I did what he would have.â
âAre you telling me I had a chance otherwise?â
âNo. My God, weâre cousins.â
âYour father is my fatherâs stepbrother, Lilah. We are not cousins.â
âWe are. And I need something, cuz.â
âYou always need something, ~cuz~.â
âYouâre the second person whoâs said that to me today.â
âThen maybe you should take that to mean youâre demanding as hell.â
âAnd thatâs bad?â
âUnless a woman is naked at the time, most men donât like demanding.â
âI donât remember ever trying to impress a man in my life, so Iâm not getting the point. I need something. Someone vandalized my outdoor furniture. I need to get cameras up before I leave, and the security company is going to take forever.â
âIâm an investment banker, Lilah, not a security expert.â
âWho has a secret addiction to hacking.â
He scowls. âLilah,â he warns.
âI wonât remind you if you donât make me remind you. You owe me and I need this. And I know you know how to help me.â
âBy taping your mouth shut?â
âHa ha. Youâre funny.â
He scowls. âIâll come over and install it.â
âThank you, but no. I really donât wantââ
âKane to know.â
I was thinking more of Junior, but his assumption works just fine. âCan you write it all down for me? And I need something that wonât be obvious. I want to catch whoever did this, not scare them away.â
âWhatâs wrong with scaring them away?â He holds up a hand. âNever mind. Iâll show you.â He rounds the bar and joins me in the kitchen, pointing to the garage door, and walking in that direction. I follow him inside where he leads me to a wall of built-in cabinets and opens one of them. Itâs not long before he has a variety of gear on a long table to show me.
âFor an investment banker, you sure know your cameras,â I comment. âThe big ones can stay here. I need something discreet.â
âThe big ones should go inside the house,â he says. âThat way, if anyone makes it inside the property, youâll be sure and get them on film. The more discreet equipment can go outside, and no one will know theyâre being filmed.â He lifts a round device the size of a watch. âIâd suggest you put it on an artificial hanging plant.â He gives me a knowing look. âWe both know you kill anything that requires attention, and based on your comments thus far, you wonât be here long enough to pretend to prove me wrong.â
It hits me, then, that he knows me a little better than I give him credit for, which is exactly why I say, âYou clearly donât know me at all. I had a goldfish for ten years.â
âDo goldfish even live ten years?â
âYes,â I say. âHow do I see the footage the camera films?â
He hands me a small silver box. âThis will allow you to view the feed from your computer. Call me when youâre ready and Iâll walk you through setting it up.â
âPerfect. Do you have a bag I can put these things in?â
He reaches under the table and produces a couple of brown cloth grocery bags and helps me fill them. Weâre both still facing the table when he says, âI know why you left.â
I freeze in place and for once, nothing snarky comes to my mind. âWhat?â
âIt gets easier to be here,â he says. âI promise. You know I know.â
And now I know what heâs talking about. Because I wasnât the only one who lost something the night of my motherâs plane crash. For some reason unknown to all of us, his father was with my mother. He thinks thatâs why I left. Everyone does, and I need them all to keep on thinking that. I grab the bags and settle them on my shoulders, before turning to face him. âI donât want it to get easier.â
âCuzââ
âI need to go. Iâm having dinner with my father tonight. Iâll call you when Iâm setting up the equipment.â I start walking.
âDamn it, cuz! You didnât even tell me why youâre in town. When youâre leaving. Whenââ
A thought hits me and I stop abruptly, turning around to face him. âIs there anything I need to know about my family before dinner tonight?â
âWhat does that even mean?â
âAnything you think I should know?â
âI donât, but Iâve been out of the loop. Iâm back and forth between here and Manhattan. I donât look for gossip and therefore, I donât find it.â
âRight. I like that about you.â I turn and start walking again.
âAnd yet Iâm an arrogant ass,â he calls out.
I pause at the door leading to the kitchen and glance over my shoulder. âJust arrogant. Not an ass.â
I exit the house and keep walking. Like the day I left this town. And like the day Iâll do it again.
***
I stop at the local IGA grocery store on the way home, despite the fact that they offer delivery and I really hate shopping. But letting strangers into my private space right now seems like a fairly stupid invitation to make, though if they brought pizza . . . I might be willing to wear that badge of shame. I make the stop fast, stocking up on the essentials: several varieties of chocolate, several containers of strawberries, coffee, diet Sprite, and toilet paper. And Cheetos. I almost forgot the Cheetos. Armed with everything I need to trap myself in Purgatory when the time is right, I exit the store and half expect to have a note waiting on me outside, and while my windshield is dirty, itâs bare.
Returning home, paranoia wins and I do a sweep of the house, ensuring Iâm as alone as I intend. Once Iâm certain I am, I unload the vehicle, stock my groceries, and tuck my pie away in the fridge, with one intention: solace for the soul after my family dinner. Iâm going to binge on that damn pie. Itâs now three oâclock and time is getting away from me. Especially since I assume dinner will be at seven, as is my fatherâs customary mealtime, and I fully intend to arrive early and confront him. I mean, chat with him. And since technology and I get along but donât consider ourselves friendly, I start unpacking the security equipment Iâve set on the counter.
Almost two hours later, Iâve driven Lucas as crazy as he has me, but I have cameras and theyâre live. Or so we hope. I head upstairs to Purgatory, set up my computer, and with Lucas on the phone, a tub of strawberries on the desk next to me, I dial in to the cameras. âBingo,â I say as I bring the back patio into view.
âCheck all views,â he orders.
I shove a huge bite of a strawberry into my mouth and punch a few more keys. âWeâre good. All views are live.â
âAre you eating in my ear?â he asks incredulously.
âHow do you even know that? Itâs a strawberry. It doesnât crunch.â
âI have a date. Iâm hanging up.â And thatâs exactly what he does.
I sigh and reach for my diet Sprite when my phone buzzes with a text from Andrew.
Andrew
Dinner at seven. Donât make me come and get you. Confirm or Iâll come and get you anyway.
I reply with:
Lilah Love
Yes, asshole. Iâll be there.
His reply:
Andrew
Love you, too, Lilah.
I roll my eyes and am shoving another strawberry into my mouth when my phone buzzes again. âOh great,â I murmur when Tic Tacâs number shows up. âHello,â I manage, trying to chew as fast as I can.
âAre you eating?â he demands.
âYes. Hold on.â ~Damn it.~ I manage to swallow without choking. âAll right. Go. Talk to me.â
âI wonât ask.â
âI didnât want to miss your call,â I snap. âGo. Talk.â
âI canât find any proof Woods was dating your new victim. At all. Nothing.â
âDid you look at banks? Schools? Churches?â
âGive me some damn credit,â he snaps. âThereâs nothing that connects last nightâs victim and Woods, at least, not electronically.â
I change directions. âThat director that brought Woods into this circle.â
âIâm looking into ways he connects dots. Iâm cross-checking Woodsâs client lists. Iâm on this.â
âGot it. What else?â
In any other case, Iâd tell him to include local law enforcement in his checks, but considering they are my family, I move the fuck on. âI have a meeting tonight. Text me if you get anything, and Iâll call you back when I can.â And because Iâm really damn tired of being hung up on, I end the call before he can, setting my phone on the desk.
I punch a few keys on my MacBook, scanning the camera feed, wishing like hell Iâd been smart enough to have had this in place before now because there simply is no guarantee Junior will show back up here. He, or she, could stick to public places or just go away altogether. Itâs then that a thought hits me and I straighten. Kane has cameras all over his properties. I grab my phone to dial Jeff again, fully intending to have him hack Kaneâs corporate security system, but stop myself. Junior knows my secret. I canât risk exposing that to the FBI. I also canât risk leaving Junior as an unknown, and there is no guarantee that heâll return here. I consider my options and I have only one.
I dial Kane and Iâm not even a little surprised when he picks up on the first ring. Nor am I surprised that his âAgent Love,â hints at a gloat, as if my call is a victory.
âIâm going to need the security footage from your house and your corporate office for the past twenty-four hours.â
âSamantha didnât back up my alibi,â he concludes.
âNo, she did not, and as long as youâre a suspect, my role here is compromised.â
âI thought you wanted to leave.â
âI prefer to do things on my terms, not everyone elseâs.â
He gives a low chuckle. âIndeed. Though I did find you to be amenable after some convincing. What happens when your brother sees the footage?â
âI told you. Iâll deal with my brother.â
âHow do you know Samantha came here to my home?â
Because everything is on his terms and on his territory. âDid she?â
âYes, which leads to the question, why ask for the office footage?â
âI believe in covering all bases. Now can Iââ
âYes, Agent Love. You can. I wonât have the office footage until tomorrow. I can bring you a partial disc tonight.â
âNo. I have someplace to be. Iâll call you tomorrow morning.â
I hang up before he can. Tomorrow morning, Iâll have my first look at Junior in some way, shape, or form. The problem is, so will Kane. Because there is no way heâs going to hand me that footage and not know exactly whatâs on it.