chapter 10
Finding my Prince Charming
I stuck my hand up, not wanting him to think he could railroad me.âYes, you. Whatâs your name?â he sneered at me, and I felt my blood boiling over. What was his problem? Did he want everyone to know that we had a history?âLola. My name is Lola.ââWere your parents fans of Nabokov?â he asked lightly.âIâm not sure who that is.ââCome now. You do not know who Vladimir Nabokov is?ââNo, Professor, I do not.ââI said you can call me Xavier.â He bowed slightly. âIn this class, there is no distinction between student and teacher. We shall all learn from one another. We are all adults, yes?ââCan I answer the question now?â I spat out, knowing that I was sounding bitchy.I could see some of the other students looking at me, wondering why I was being so rude. Especially to him. It hadnât escaped my notice that several of the female students had brushed their fingers through their hair and even reapplied lipstick. Xavier looked handsomer than I remembered, with his dazzlingly sharp green eyes and jet-black hair. He stood tall and confident in his manhood and sexiness. I knew that several of the girls were swallowing hard and trying to ignore the buzz of lust that emanated when they stared at him. I knew that because I was one of them.âYou have not asked me the question yet.ââWhat question?â I breathed, hoping he wasnât going to turn out to be some crazy professor and publicly shame me.âBut, Lola, how quickly we forget?â He stared at me and licked his lips slowly. I watched the tip of his tongue and shifted in my seat uncomfortably.âWho is Vladimir Nabokov then, Xavier?â Sebastianâs voice rang out next to me, and my heart sank as I realized that Xavier had been talking about the question he had asked me and not about our night of passion.âYou do not know, Sebastian?â Xavier tilted his head. âAnd before people ask questionsâyes, Sebastian Van Romerius is my brother.ââUnfortunately,â Sebastian spoke up and the class laughedâme included.Xavier stared at me with narrowed eyes as I laughed, and I made sure to laugh loudly as I defiantly looked back at him.âLolita, seducer, nymph, whisperer of menâs fantasies, forbidden love, dark love, taboo.â Xavierâs voice boomed as he spoke, and I felt my skin going cold as I avoided his glance. âThat is what Vladimir Nabokov wrote about when he wrote Lolita. But this is not a literature class.â He smiled widely as he laughed gently. âI do suggest to everyone to read the book, though. Itâs a great piece of literature. But let us continue with the class. Lolita, you may answer the question now.â He grinned at me, and my face flushed.âItâs Lola, not Lolita.ââAh, my dear, my apologies. I got caught up in the moment. Something Iâm sure you know about?ââManet, Monet, Cezanne, Degas, Renoir, Pissarro. They are all Impressionist painters.â I ignored his earlier comment. âI can tell you some more if you want.ââNo, no.â His eyes flashed with something akin to respect. âI see you know your Impressionist painters. Good, good.â He turned away and turned on the projector at the front of the class, and all I could think about was what a patronizing jerk he was. He walked over to the wall and turned the lights off.âSpooky,â someone called out when as the room went extremely dark right before the projector lights came on. An image of a painting was now on the front wall.âDoes anyone know the name of this painting or its significance to our conversation?ââThe lady in the painting is a ho,â a voice called out.âWhy do you say that?â Xavier responded back.âSheâs sitting there na**d with two men.ââIf there had been one man, would she still be a whore?ââYes. Sheâs na**d.ââSo then we equate na**dness with whores?ââSheâs na**d in public.ââSo a woman who is na**d in public is a whore? How many people agree with that?âSeveral hands shot up, but I kept my arms at my side, not sure why we were talking about whores in an art history class.âI see. What if she had been na**d inside a hotel room?â He looked around the room. âWith one man. But she didnât know him. What would you think?ââIâd want to know if she was hot and how much she costsâ Jason called out, and a gaggle of girls around him laughed.I shook my head and rolled my eyes, I wasnât sure why Anna always seemed to be interested in the worst guys. Not that I had a better track record. Shit, the last guy I had slept with was in the front of the class about to publicly out me for something that wasnât even true.âWould you pay?â Xavierâs tone grew serious. âWhat would that make you if you were paying for sex?ââA man who doesnât want to be bothered with a girlfriend but still wants to get laid,â the kid retorted, and Xavier laughed.âTouché.â He sat on the desk, stretched his long legs out, and looked out at all of us students.Everyone in the room was staring at him in amazement. He certainly knew how to draw attention to himself. The only two people who didnât seem completely captivated by him were Sebastian and myself.âLe Dejeuner sur lâherbe, originally titled Le Bain, is considered one of Manetâs most shocking pieces of art or, I should say, it was considered a shocking piece of art when he exhibited it in 1863.â He pointed towards the screen at the back. âCan you imagine living in the 1800s and seeing this? The shock value of a nude woman sitting casually and lunching with two men was too much for many at the time, and it was rejected by the Salon jury, a rejection that Manet used to his advantage.âI leaned forward, mesmerized by Xavierâs voice and obvious intellect when it came to art. When he spoke, the painting behind him seemed to come alive. I felt my body humming with excitement. This was why I had come to Londonâthis feeling of really learning and being around others who loved art as much as I did. Even if the professor was someone I had never wanted to see again.ââLe dejeuner sur lâherbeâ means âthe luncheon on the grass,â so you can see that the title of the painting is quite literal.ââSo sheâs not a ho?â the guy at the back of the class called out again, and everyone, including Xavier, laughed.âBut what is a whore?â Xavier smiled. âMany believe the park depicted in the painting is the Bois de Boulogne, a large park in the western outskirts of g*y Paris. A park that is well known for illicit sex and prostitution.â His tongue darted out of his mouth again and he looked at me. âSo what is to be believed? Is she a whore or is she not?ââWhy do we think sheâs a whore?â I shouted out. âWhy are we judging her when we donât even know her?ââSheâs na**d,â someone cried out. âShe wants to get some.ââMaybe she is just comfortable with her body, with her femininity. Why should she be ashamed of that? Even if she wanted to have sex with one or both of the guys, why would that make her a whore? Donât guys do that all the time? If it were a na**d guy with two girls, no one would be calling him a gigolo.â I huffed out.âSuch a visceral reaction, Lola.â Xavierâs expression changed to one of humor. âYou talk as if you know the lady in the painting. You defend her as if she were family.ââMaybe Lola just wants to have a threesome,â Justin called out and laughed.I stared at him with disgust. âI donât want to have a threesome, not that itâs any of your business. But look at the painting carefully. Her pose isnât provocative. The men donât look aroused or in lust. They all look as if they are theyâre just enjoying a picnic and she just happens to be na**d. She is beautiful and unashamed.âXavier nodded and then started talking. âShe is so unashamed that she stares at the viewer as if to say, âAnd? And so what of my na**dness?â But for many, it was not just the subject matter that turned them off of the painting. It was also the technique that Manet used. A technique that differed from the customary Neoclassicist lines. A technique that other artists admired. And Manet became their leader and carried them through the Impressionist revolution.ââSo Impressionism means that whores are no longer whores in paintings?â the boy at the back of the class called out again, and I could feel myself growing annoyed with him.âImpressionism means that not only did we see a shift in the art that was created, we also saw a shift in the way we saw the world. Art is not just something to admire. It is something to breathe and learn from. It is our history and our future. It is our very essence captured and contained for the world and our ancestors to see.â Xavierâs eyes closed as his words flowed easily like a fine wine down the throat.âAs you can tell, heâs really into art,â Sebastian whispered to me.âYeah, he seems to be really into art.â I smiled back at him, noticing now that they did have the same green eyes, though Sebastianâs were open and happy while Xavierâs were closed off and full of distrust.âClass, today I want you to think about what art means to you, what it has taught you. I want you all to present and talk about your favorite piece of art tomorrow. It doesnât have to be Impressionist. Tomorrow, I want us all to get to know each other.â He smiled. âAnd now, you may go. This is the only day you will get to leave early.âStudents jumped up eagerly, and I saw one boy leaving the room before Xavier had even finished talking.Sebastian packed up his things and looked down at me. âWhat are you up to now, Lola?ââIâm probably going to go to the library.â I shrugged. âIâm meeting Anna for lunch so I need to stay around the building.ââPerhaps we can go and get a coffee?ââThat sounds like it would be very nice.â I nodded at him.âWhat would be very nice?â Xavierâs voice was right next to my ear, and I shivered.âLola and I are going to go for a coffee,â Sebastian said, answering his brother. âAnd how are you today, Xavier?ââFine.â His tone was clipped. âIâm afraid coffee is out. I need to talk to Lola.ââAbout what?â I looked up at him finally, and his green eyes were full of mystery, revealing nothing to me about what he was feeling.âYou inquired about an assistant position?ââI did?â I shook my head at him in denial. âI think you have the wrong person.ââThe admissions department forwarded me a list of names of students who were interested in becoming assistants to help save on tuition.ââOh, yeah.â I bit my lower lip as I remembered. âWhat about it?ââI want to talk to you about becoming my assistant. See if you are suitable.ââSuitable?â I made a face at him, and I saw Sebastian rolling his eyes.âYes, suitable.ââDo you want to interview me or something?ââYes.â He stepped back. âI will be waiting.â He walked back to the front of the class, and Sebastian laughed.âSorry. He doesnât really have a way with people.ââYou can say that again.ââItâs what comes of having everything handed to you.ââOh.ââYeah,â he laughed. âThough I canât really talk.ââI guess you are brothers.â I stood up and grabbed my bag. âI guess I better go before he threatens to fail me already or something.ââDonât worry too much. Heâs a wolf in sheepâs clothing. His bark is worse than his bite.ââIf you say so.ââTrust me. He is very smooth. He wouldnât get half the women he does if he didnât know when to pour on the charm.ââOh, he has a lot of women?â A surge of disappointment ran through me and I wanted to slap myself.âIt depends what you call a lot.â He laughed heartily. âLetâs just say that our mother is very worried that he will never get married and produce an heir to carry on the family name.ââOh.â Thatâs weird, I wanted to say, but I kept my mouth shut. Who was I to talk about crazy families? Maybe they were from a family or country where it was important to have people carry on their names. Maybe they were still stuck in the olden days? It did seem like they were rich if Sebastian had grown up with masterpieces in his home.âBut I will see you tomorrow, yes? I will save you a seat.ââYouâre not English or French, are you?â I blurted out.âHow did you guess?â His eyes twinkled at me as we walked to the front of the class.âI think I kind of knew when we met the other night. Your mannerisms and your speech ... Thereâs just something a bit different.ââYouâre correct, of course. I did go to school here, but I still carry the tint of accent from my country.â I wondered if he remembered telling me that the other night and I cringed at how obvious I was being.âWhat is the name of your country?ââSebastian, donât you have things to be getting on with?â Xavier walked up to us and gave his brother a look. âMother would be disappointed to know that you arenât concentrating one hundred percent on your studies.â