First Bitten: Chapter 9
First Bitten (The Alexandra Jones Series #1)
The main door to the barn is wide open. I wander inside. The barnâs not as big inside as it looks from the outside, but it does look exactly as a barn should look. Thereâs a tractor looming over to my left and a work bench fixed up against the wall behind the tractor which is littered with all kinds of different tools. To my right, on its own, is a magnificent looking, shiny red motorbike. Itâs a Ducati. I know nothing about motorbikes but it looks impressive, and expensive. I wonder if itâs Nathanâs.
At the back of the barn, taking up a large chunk of space, is a big stack of hay bales. I wander over to them and climb up onto the first lot, that are stacked three high, and rest my back up against the higher stack behind.
I close my eyes. I donât want to think anymore, I just want to clear my mind of everything and sit in peace.
Itâs easier said than done and Iâm not left alone for long. Itâs maybe been five minutes max when I hear Nathan approaching. I know itâs him because I can smell him.
This super smelling thing of mine is going to take some serious getting used to but I guess it comes in handy at times.
I open my eyes and, as expected, Nathan comes into view a few seconds later, walking with purpose toward me.
I repress a sigh.
âHey,â he says climbing up onto the hay bales and sitting beside me.
âHey,â I say.
Silence.
If heâs got nothing to say, why is he here? Checking up on me, most likely. I close my eyes again and rest my head back against the hay.
âSo you can change into an animal.â The words are out of my mouth before I even realise. But still, I open my eyes and turn my head to catch his reaction.
His eyes are already on me and they look cautious. âYes,â he finally answers.
âYou always been able to do that?â
âSince I was thirteen. The ability comes in at puberty.â
âAhh.â Pause. âSo, do you have a favourite animal you like to change into or ⦠â
âWolf.â
âAny reason?â
âNope.â Or none that heâs willing to share with me.
I look out at the blackness that is casting its shadows in through the open barn door, threatening to infringe on the light.
âYou can shift as well, you know,â Nathan says out of the blue.
âWhat?â My head swivels round on my neck.
âYouâre part werewolf remember.â His tone screams âstupidâ. It irks me, to say the least. âThe only difference you have from them is youâre not ruled by the moon,â he adds a little less caustically. âYouâre like shifters in that respect. You only change if and when you want to.â
Great. So not only have I changed into a monster that drinks blood but I can also turn into a dog. This just gets bloody better and better.
I lean forward, resting my elbows on my thighs, my chin cupped in my hands, my lips turned downwards, and stare dismally at my feet. âDoes it hurt when you change?â I utter into my hands.
âNo. For me itâs as natural as breathing.â
I shift my chin onto one hand and look round at him. âWill it hurt me?â I run my hand over the scar on my stomach.
âNo. Itâll just feel ⦠uncomfortable, odd, the first time you shift. But the more you do it, the more itâll become a natural thing for you to do.â
My mind starts to whirl. Thereâs so much I donât know about myself. I start to run a list of all the things I know about vampires and werewolves, well all the things Iâve seen in the movies.
âNot everything you think you know about vampires and werewolves applies to you,â Nathan says as if reading my mind.
I canât hide the surprise from my face. âYou read minds as well?â I ask half-serious.
A smile turns up the corners of his mouth. âNo. Just faces.â
I shuffle around so Iâm facing his side and pull my legs up, crossing them in front of me. âSo is any of the stuff in the movies true?â
âSome.â
I pause before asking the question which has been on the edge of my mind since I discovered what I am. I mean, I might feel alive but that doesnât necessarily mean I am. I am part vampire after all.
âNathan, am I ⦠dead, like vampires are?â I hold my breath in anticipation of his answer.
âIs your heart beating?â
I rest my hand lightly against my chest. âYes.â
âThen youâre not dead.â
And now I just feel stupid for asking. Nathan has the amazing ability to make me feel idiotic, seemingly at any given opportunity, and I just keep leaving the door wide open for him.
Looking at anything but him, I start to chew on my fingernail.
Nathan moves around to face me. âVârcolacs are still living creatures, Alex. Youâre still very much alive, youâre just different now, and you need different things to keep you alive.â
I stop chewing and bring my eyes to his. âBlood.â
âYes.â He nods.
âCan I still go out in daylight?â
âYes.â
âGarlic?â
âNo effect.â
What else? What effects werewolves? âWhat about silver?â I ask.
He nods again. âSilver bullets straight in the heart work best.â He taps his chest in the place where his own beating heart sits. âOnce theyâre in there, thereâs no getting them out.â
I feel a shudder deep inside. âNo wooden stakes then?â I let out a shaky laugh and run my finger over the damp patch on the thigh of my jeans that is still wet from the spilt whiskey before.
âWell, yeah, Iâm guessing itâd eventually kill you if someone stabbed you in the heart with a wooden stake. Youâre not immortal, Alex.â He smirks and yet again I feel like an idiot. âYouâre strong, you heal quickly, so youâll bounce back from most things, but silver in your system is the real killer. Itâs like a disease once itâs in your blood, hence why, if I wanted to kill a Vârcolac, Iâd go for the heart, silver straight into there and itâll flood their system, killing them in a matter of minutes.â
âIs that how you killed the one that attacked me and Carr ⦠â My voice wilts as the pain ruptures deep inside of me.
âI caught him off-guard when he was ⦠busy.â His tone quietens. He stares straight ahead past me. Nausea washes through me and my head starts to throb. âI broke his neck,â he continues, his voice still lowered. âIt left him incapacitated. I carried you back to my car, got my silver blade out of the glove box, went back and stuck it straight into his heart.â
I inhale deeply, pulling tears back with it.
It should make me feel better hearing how he died. But it doesnât. My brain is so messy, Iâm struggling to make sense of anything anymore.
âAre you okay?â Nathan asks. I feel like itâs all he asks me.
âIâm fine.â I shake the thoughts out of my mind and yank the elastic band out of my hair as it suddenly feels tight. I put the band around my wrist and rub my scalp, brushing my hair out with my fingers and fanning it out around my shoulders. I catch my hair on the plaster on my hand. Iâd forgotten about that. Pulling it free, I look at it. Thereâs a tiny blood stain where my blood has seeped through. A strand of my blonde hair is still stuck under the plaster. I pull it free.
Then, without a word, Nathan reaches over and takes hold of my hand. I raise a confused eyebrow at him but heâs not looking at me. His eyes are on my hand. His large hand is warm and dwarfs mine, making mine look almost child-sized. He picks at the corner of the plaster and peels it back, pulling it right off.
I canât help the gasp that escapes me. The air just rushes straight out of my lungs.
The cut has gone. Itâs healed completely. Just like he said it would.
âItâs gone,â I say, voice quivering.
He gives me a knowing look and lets go of my hand, leaving it feeling cold.
I bring my hand closer to my face to examine it, and run my fingertip over the place where the cut should still be. âDo you heal this quickly?â I ask, trying to keep my voice steady.
âNot as quickly as you do,â he answers. âBut, yeah, a lot quicker than a normal person would.â
âDo you have the good hearing and other stuff as well?â
I want to talk to him about it. I want to know what Iâm working with here. However, he apparently doesnât because he moves away from me, sitting himself on the edge of the bales, letting his long legs dangle down. For a moment I wonder if heâs just going to jump down and leave without another word, then he finally answers a quiet, âYes.â
I get the distinct impression Nathan doesnât like to talk about his abilities. Dejected, I stare at my newly healed hand.
âIâm sorry about Calâs behaviour before,â Nathan says, breaking the silence and surprising me. âHe can be a bit of an arse at times. Thatâs why we hadnât told him about you yet.â
âRun in the family?â The words are out before I can stop them.
He looks sideways at me, his eyebrow raised. âWhat, being an arse?â
I feel my cheeks turn pink. âHmm.â I nod, lightly.
He rests his chin on his shoulder, his even eyes fixed on me. âNo, that qualityâs just reserved for me and Cal.â
âSorry, that sounded ⦠what I meant was ⦠I didnât mean your dad and Sol ⦠I meant ⦠I mean ⦠â Iâm flustered. I take a quick breath, â ⦠I like them, and you of course.â
A smile flickers over his face. âOf course.â
My cheeks turn from pink to red. I sweep my hair around my neck and start twisting strands around my finger. âWhat about your mum?â I ask.
âWhat about her?â His sudden cool tone sucks the air right out of here.
âWell, I just wondered where she is?â My words are careful, measured.
âI donât know.â He shrugs averting his eyes. âShe left, seventeen years ago. I was twelve, Cal was fourteen, Sol was two. He doesnât remember her.â His voice has gone as flat and cold as Iâve felt since I woke up this morning.
âIâm sorry ⦠â
âDonât be,â he cuts me off. âIâm not.â He glances back at me but his face is unreadable, impassive.
âI lost my parents,â I blurt out. âThey died.â
Where the hell did that come from? Thatâs the first time Iâve spoken about them in years. I always think of them. Always. I just never talk about them. If I do, it makes the fact theyâre not here all the more real.
âI know,â Nathan says, blindsiding me. âIt said in the papers about your parents, about how they died in a car accident when you were sixteen.â
I stare at him, confused. âWhy would it be in the papers about my parents? They died ten years ago.â
âYouâre a missing person. Itâs a big story in the news at the moment and ⦠well, in these sorts of cases they tend to give a back story about the ⦠victims.â He hesitates, then asks, âDo you want to see the newspaper?â
Itâs my turn to hesitate.
Do I want to see the newspaper? No. Yes. No.
âYes,â I hear myself saying, despite all my reservations.
Nathan jumps down from the bales, lithely landing on his feet, and goes over to the tractor. He opens the door, climbs halfway in and emerges back out a second later with a folded newspaper in his hand.
Blood starts to beat in my ears as he walks back toward me. He climbs up the bales and sits down again beside me, closer this time I notice, and hands me the paper.
Itâs my local newspaper, the Scarborough Evening News. I notice the date at the top of the page. âIs this todayâs?â I ask.
âYep.â
I unfold the paper, revealing the front page.
Thereâs a sizeable picture of me and Carrie on the front. I recognise it instantly. It was taken last Christmas Eve. Angie and Tom had a party at their house. Eddie came with me. We were just getting back on track after I had found out about his first indiscretion.
Carrie looks beautiful. Her arm is around my shoulders, eyes sparkling, smiling widely, with her red hair ablaze around her face. I look drunk. Actually, I was drunk. It really is a great photo of Carrie, though. It captures the essence of her. I know that Angie and Tom have it in a frame on the mantelpiece in their living room. Angie loves this picture, she was the one who took it.
My face starts to tingle with the memory.
âYour storyâs made the nationals as well,â Nathan informs me. He doesnât sound happy about it.
The national newspapers? Hackness is a really small place and I used to live in Scarborough. Both Carrie and I went to school there, so I can see why our disappearance would have a big impact on the local community. But to make the national newspapers, well youâre either a celebrity, a criminal or ⦠youâve been murdered.
My throat starts to feel tight. Itâs getting hard to breathe again. A fat teardrop leaks from my eye and lands on the paper, directly onto the picture of me and Carrie. Dismayed, I quickly try to dab it dry with the sleeve of Nathanâs leather jacket. Instead I smudge it.
The pictureâs getting ruined. Panic grips me tight. Itâs the only picture I have left of Carrie. Itâs all I have left of Carrie.
Nathan, seeing my upset, pulls the sleeve of his top down and dabs the paper dry. He does a much better job than me. Now thereâs only a slight smudge on the part of the picture with me in. Carrie looks fine.
I exhale with relief. âThank you,â I utter gratefully.
âI wasnât thinking when I brought you this.â He indicates the newspaper with his finger. âI should have realised it would upset you. Do you want me to get rid of it?â
âNo.â I wipe my wet eyes dry with my hand and rub my hands against my jeans before touching the paper again. I canât risk any more smudges.
I stare down at Carrie.
Sheâs gone. Sheâs never going to get married or have kids, or go travelling like she always talked about doing. Iâve stolen her life from her.
I try to breath but stale air ghosts its way through me.
âShe was really pretty,â Nathan says in a measured voice. I glance at him. âYou guys look like you were having a good time in this picture,â he adds.
âWe were. Carrie was the life and soul of the party.â
âYou were close?â he inquires.
âLike sisters.â I stare down at the picture. âShe was my family. Her, Angie and Tom, they were all I had left in the world.â
âYou got no other family? Grandparents, aunties, uncles?â
âNo.â I shake my head. ââMy mum and dad were both only children and my grandparents on both sides died a long time ago.â I let out a sad breath, tracing my fingertip over the picture. âIâm an orphan.â
The silence that follows carries a heavy weight.
I let my eyes drift over the paper. I read about mine and Carrieâs disappearance and the odd circumstance surrounding it. Thereâs the mention of my parentsâ death that Nathan has just mentioned. It goes on to say that Angie and Tom have put up a reward for anyone who has information about my and Carrieâs whereabouts, leading to our discovery. A hundred thousand pounds.
Angie and Tom are wealthy, but still, a hundred grand is a lot of money even for them.
Thereâs a quote from Angie in the text saying, âWeâre not missing one daughter, weâre missing two.â
I feel sick and it aches all the way through my chest, straight into my hollow heart. Itâs all I can do not to throw the paper down and run straight to them. If only there was some way I could go to them and tell them what has happened. It wonât bring Carrie back but it will allow them some peace.
I look to Nathan, pleadingly. âIsnât there any way I can tell Angie and Tom what has happened, end their suffering?â
He stares back at me with sympathetic eyes and I already know his answer before he speaks. âWeâve already talked about this, Alex. You know it isnât a possibility. If you go to them, youâll only end up putting them in danger too.â
Frustration practically burns up my insides. I know heâs right but I donât want him to be. I owe everything to Angie and Tom. They deserve more than this from me.
I stare back down at Angieâs words, letting them burn into my retinas, and something catches my eye. Eddieâs name. Eddieâs in here, of course he is. He was my boyfriend after all. I scan the text. The story on him only just starts when it ends, saying, âTurn to page 5 to continue ⦠â
I turn the pages quickly. Thereâs more about me in here but Iâm not interested in me, Iâm only interested in Eddie.
I see a small picture of him halfway down the page. He looks distraught. It makes my heart hurt. And, as I stare harder at the picture, things start to stand out, like the police station behind him. This picture is of Eddie leaving the police station. I swallow down hard. As I read the text directly below the picture, it says Eddieâs a suspect in our disappearance.
Oh God. He might have cheated on me but I donât want Eddie to go to prison for something he didnât do. My heart starts to beat erratically.
I let my eyes scan over the words, picking out the important parts.
âAlexandra Jones and Eddie Thomson had been in a relationship for three years ⦠Eddie Thomson works for Tom Ross, Carrieâs father ⦠Jones and Thomson had argued the day before her disappearance ⦠Jones discovered heâd been cheating on her ⦠They argued and had split up the day prior to Alexandra and Carrieâs disappearance ⦠Jones had moved out of their two bed house on Princess Street ⦠the last call received to Jonesâ mobile was from Thomson ⦠Thomson was taken in for questioning but was released without charge when his alibi was corroborated ⦠the night of their disappearance Thomson was with a woman, Serena Travers. She confirmed to police officers yesterday that he had spent the night with her at her house on Scalby Road, Scarborough.â
My heart sinks down to the stony floor.
He called me begging me to go back to him and all the while he was at her house. Carrie was murdered, I was left fighting for my life, and Eddie was getting his jollies on with his tart.
I fucking hate him, the bastard. And I truly hope he feels so guilty that it swallows him whole and he chokes the fuck to death on it.
My whole body is shaking with rage. Iâm so angry I donât know what to do with it.
I jump down from the bales and begin pacing the floor, the paper still tightly clutched in my hand.
âYou okay?â Nathan asks me, concerned.
âNo!â I yell, throwing the paper to the floor. âIâm not bloody okay. Iâm having a really shit time of it, if you hadnât noticed!â
âI noticed.â
I stop pacing at his firm tone and stand there facing him.
His serious eyes meet mine for a long moment. âYou can be as hurt and pissed off as you want, Alex, but itâs not going to change anything. This is how it is for you now and youâre just gonna have to find some way to accept it.â He sighs. I feel like an irritation. âI donât know what other way I can say this to you to make you understand.â
I feel all consumed by my grief again. Iâm so close to the edge. I could scream.
So I do.
I scream until my head throbs and my throat feels sore. And when Iâm done, I open my eyes and see Nathan just looking blankly across at me.
And now I feel even worse, not better.
âWhat if I donât want to accept my situation?â I cry at him. âThen what?â My head is buzzing around like thereâs a swarm of bees inside.
He shuts his eyes briefly in silent apology and I canât bear to look at him for a second longer.
I grab the page of the newspaper featuring the picture of Carrie up from the floor and, clasping it to my chest, I turn and stalk out the barn.
âWhere are you going?â Nathanâs deep voice is at my side within a matter of seconds.
I stop and spin around to face him. My heart is pummelling my rib cage.
I push my hair angrily off my face and scowl up at him. âIâm going back to your house, Nathan. You donât have to worry, Iâm not going to try and leave. I mean, itâs not like I have anywhere to go.â I can feel my bottom lip starting to quiver. âI know Iâm stuck here and I know you hate that thought as much I do ⦠â My voice breaks, betraying me. I bite down hard on my bottom lip.
Nathan frowns down at me. His light eyes look almost black in the darkness. âAlex, youâre not a prisoner here, but itâs also not possible for you to leave at the moment. You already know this.â He exhales, raking his fingers through his hair. âAnd itâs not that I donât want you here, itâs just â¦â
âI donât want to hear it!â I cut him off with a wave of my hand, blinking back my pathetic tears. âReally, Iâve heard and seen enough crap today to last me a lifetime. No more! I donât want any more.â My loud voice echoes around natureâs silence.
âWhat do you want?â His question catches me off-guard. He takes a step toward me, towering over me, the toes of his boots nearly flush with my trainers, leaving a veil of air between us.
I feel off-balance. I dig my feet into the ground to steady myself and look up at him. âWhat?â My voice comes out sounding weaker than I intended.
âJust what is it that will make all of this better for you?â His voice sounds dry and intense, and heâs wearing an unfathomable expression on his face.
My heart has set a battering ram against my chest. Iâm sure itâs about to crack through a rib any second now.
I take a shaky step backwards. âNothing,â I say affected. âNothing will ever make any of this better. Just leave me alone!â I shove him away from me, hard in the chest, and then Iâm turning on my heel and running toward the house, leaving Nathan behind.
And this time he doesnât follow me.