Red Queen: Chapter 24
King’s Cage (Red Queen Book 3)
I spend much of the next day exploring, though my mind is somewhere else. Whitefire is older than the Hall, its walls made of stone and carved wood rather than diamondglass. I doubt Iâll ever learn the layout of the whole thing, as it holds not just the royal residence but many administrative offices and chambers, ballrooms, a full training court, and other things I donât understand. I guess thatâs why it takes the secretary nearly a half hour to find me, wandering through a gallery of statues. But I wonât have more time to explore. I have duties to fulfill.
Duties, according to the kingâs chatting secretary, that apply to a whole range of evils beyond just reading the Measures. As a future princess, I must meet the people in arranged outings, making speeches and shaking hands and standing by Mavenâs side. The last part doesnât really bother me, but being put on parade like a goat at auction isnât exactly exciting.
I join Maven in a transport, headed for the first appearance. Iâm itching to tell him about the list and thank him for the bloodbase, but there are too many eyes and ears.
The majority of the day speeds by in a blur of noise and color as we tour different parts of the capital. The Bridge Market reminds me of Grand Garden, though itâs three times the size. In the single hour we spend greeting children and shopkeepers, I see the Silvers assault or aggravate dozens of Red servants, all trying to do their jobs. Security keeps them from all-out abuse, but the words they sling are almost as hurtful. Child killers, animals, devils. Maven keeps his grip tight on my hand, squeezing every time a Red is knocked to the ground. When we reach our next stop, an art gallery, Iâm glad to be out of the public eye, until I see the paintings. The Silver artist uses two colors, silver and red, in a horrifying collection that makes me sick. Each painting is worse than the last, depicting Silver strength and Red weakness in every brushstroke. The last one depicts a gray-and-silver figure, quite like a ghost, and the crown on his brow bleeds crimson. It makes me want to put my head through a wall.
The plaza outside the gallery is noisy, bustling with city life. Many stop to stare, gawking at us as we head for our transport. Maven waves with a practiced smile, causing the crowd to cheer his name. Heâs good at this; after all, these people are his birthright. When he stoops to speak with a few children, his smile brightens. Cal might be born to rule, but Maven was meant for it. And Maven is willing to change the world for us, for the Reds he was raised to spit on.
I surreptitiously touch the list in my pocket, thinking of the ones who can help Maven and me change the world. Are they like me, or are they as varied as the Silvers? Shade was like you. They knew about Shade and had to kill him, like they could not kill you. My heart aches for my fallen brother, for the conversations we might have had. For the future we might have forged.
But Shade is dead, and there are others who need my help.
âWe need to find Farley,â I whisper in Mavenâs ear, barely audible to myself. But he hears me and raises an eyebrow in silent question. âI have to give her something.â
âI have no doubt sheâll find us,â he mutters back, âif she isnât watching already.â
âHowâ?â
Farley, spying on us? Inside a city that wants her torn apart? It seems impossible. But then I notice the Silver crowd pressing in, and the Red servants beyond. A few linger to watch us, their arms banded with red. Any one of them could work for Farley. They all could. Even with the Sentinels and Security all around, sheâs still with us.
Now the question becomes finding the right Red, saying the right thing, finding the right place, and doing it all without anyone noticing the prince and his future princess communicating with a wanted terrorist.
This isnât like the crowds at home, the ones I could move through so easily. Now I stand out, a future princess surrounded by guards, with a rebellion resting on her shoulders. And maybe even something more important, I think, remembering the list of names in my jacket.
When the crowd pushes in, craning to look at us, I take my chance and slip away. The Sentinels bunch around Maven, still not used to guarding me as well, and with a few quick turns, Iâm out of the circle of guards and onlookers. They continue across the plaza without me, and if Maven notices Iâm gone, he doesnât stop them.
The Red servants donât acknowledge me, their heads down as they buzz between shops. They keep to alleys and shadows, trying to stay out of sight. Iâm so busy searching the Red faces that I donât notice the one at my elbow.
âMy lady, you dropped this,â the little boy says. Heâs probably ten years old, with one arm banded with red. âMy lady?â
Then I notice the scrap he holds out. Itâs nothing, just a twisted bit of paper I donât remember having. Still, I smile for the boy and take it from him. âThank you very much.â
He grins at me, smiling as only a child can, before bounding away into an alley. He bounces with every step. Life has not dragged him down yet.
âThis way, Lady Titanos.â A Sentinel stands over me, watching with flat eyes. So much for that plan. I let him lead me back to the transport, feeling suddenly dejected. I canât even sneak away like I used to. Iâm getting soft.
âWhat was that all about?â Maven wonders as I slide back into the transport.
âNothing,â I sigh, casting a glance out the window as we pull away from the plaza. âThought I saw someone.â
Weâre around a bend in the street before I even think to look at the little paper. I unfold it in my lap, hiding the scrap in the folds of my sleeve. There are words scrawled across the slip, so small I can barely read them.
Hexaprin Theater. Afternoon play. The best seats.
It takes me a moment to realize I only understand half those words, but that doesnât matter at all. Smiling, I press the message into Mavenâs hand.
Mavenâs request is all it takes to get us into the theater. Itâs small but very grand, with a green domed roof crowned by a black swan. Itâs a place of entertainment, showing plays or concerts or even some archive films on special occasions. A play, as Maven tells me, is when people, actors, perform a story on a stage. Back home we didnât have time for bedtime fairy tales, let alone stages and actors and costumes.
Before I know it, weâre sitting on a closed balcony above the stage. The seats below us teem with people, many of them children, all of them Silver. A few Reds rove between the rows and aisles, serving drinks or taking tickets, but none sit down. This is not a luxury they can afford. Meanwhile, we sit on velvet chairs with the best view, with the secretary and the Sentinels standing just beyond our curtained door.
When the theater darkens, Maven throws an arm across my shoulders, pulling me so close I can feel his heartbeat. He smirks at the secretary, now peeking between the curtains. âDonât disturb us,â he drawls, and he pulls my face to his.
The door clicks behind us, locking shut, but neither of us pulls away. A minute or an hour passes, which I donât know, until voices onstage bring me back to reality. âSorry,â I mutter to Maven, standing up out of my chair in an effort to put some distance between us. Thereâs no time for kissing now, no matter how much I might want to. He only smirks, watching me instead of the play. I do my best to look elsewhere, but something always draws my eyes back to him.
âWhat do we do now?â
He laughs to himself, eyes glinting mischievously.
âThatâs not what I meant.â But I canât help but smirk with him.
âCal cornered me earlier.â
Mavenâs lips purse, tightening at the thought. âAnd?â
âIt seems Iâve been saved.â
His resulting grin could light the world entire, and Iâm seized by the need to kiss him again. âI told you I would,â he says, his voice oddly rough. When his hand reaches for mine, I take it without question.
Before we can continue, the ceiling panel above us scrapes away. Maven jumps to his feet, more startled than I am, and peers into the black space above us. Not even a whisper filters down, but all the same, I know what to do. Training has made me stronger, and I pull myself up with ease, disappearing into the dark and cold. I canât see anything or anyone, but Iâm not afraid. Excitement rules me now, and with a smile, I reach down a hand to help Maven. He scrambles up into the darkness and tries to get his bearings. Before our eyes adjust, the ceiling panel slides back into place, shutting out the light and the play and the people beyond.
âBe quick and quiet. Iâll take you from here.â
Itâs not the voice I recognize but the smell: an overpowering mixture of tea, old spices, and a familiar blue candle.
âWill?â My voice almost cracks. âWill Whistle?â
Slowly but surely, the darkness becomes easier to manage. His white beard, tangled as ever, comes into dim focus. Thereâs no mistaking it now.
âNo time for reunions, little Barrow,â he says. âWe have work to do.â
How Will came to be here, traveling all the way from the Stilts, I donât know, but his intimate knowledge of the theater is even more peculiar. He leads us through the ceiling, down ladders and steps and little trapdoors, all with the play echoing overhead. Itâs not long before weâre belowground, with brick supports and metal beams stretching high above us.
âYou people sure like to be dramatic,â Maven mutters, eyeing the gloom around us. It looks like a crypt, dark and damp, where every shadow holds a horror.
Will barely laughs as he shoulders open a metal door. âJust you wait.â
We tramp through the narrow passage, sloping downward even farther. The air smells faintly of sewage. To my surprise, the path ends in a small platform, lit by only a burning torch. It casts strange shadows on a crumbling wall set with broken tiles. There are black markings on them, letters, but not from any language I can read.
Before I can ask about them, a great screeching sound shakes the walls around us. It comes from a round hole in the wall, rumbling up from even greater darkness. Maven grabs my hand, startled by the sound, and Iâm just as frightened as him. Metal scrapes on metal, an earsplitting noise. Bright lights stream out of the tunnel and I can feel something coming, something big and electric and powerful.
A metal worm appears, coasting to a stop in front of us. The sides are raw metal, welded and bolted together, with slit-like windows. A door slides open on shrieking tracks, spilling a warm glow onto the platform.
Farley smiles to us from a seat inside the door. She waves a hand, gesturing for us to join her. âAll aboard.â
âThe techies call it the Undertrain,â she says as we shakily take our seats. âRemarkably fast, and it runs on the ancient tracks the Silvers never bothered to look for.â
Will shuts the door behind us, slamming us into what feels like nothing more than a long tin can. If I werenât so worried about the under-thing crashing, Iâd be impressed. Instead, I tighten my grip on the seat below me.
âWhere did you build this?â Maven wonders aloud, his eyes sweeping over the wretched cage. âGray Town is controlled, the techies work forââ
âWe have techies and tech towns of our own, little prince,â Farley says, looking very proud of herself. âWhat you Silvers know about the Guard couldnât fill a teacup.â
The train lurches beneath us, almost tossing me from my seat, but no one else even bats an eye. It slides along until it reaches a speed that smacks my stomach into my spine. The others continue chattering, mostly Maven asking questions about the Undertrain and the Guard. Iâm glad no one asks me to speak, because Iâll certainly throw up or pass out if I do much more than sit still. But not Maven. Nothing gets by him.
He glances out the window, gleaning something from the rock blurring past. âWeâre heading south.â
Farley sits back in her seat, nodding. âYes.â
âThe south is radiated,â he barks, staring down at her.
She barely shrugs.
âWhere are you taking us?â I murmur, finally finding my voice.
Maven doesnât waste any time, moving for the closed door. No one stops him because thereâs nowhere for him to go. No escape.
âYou know what it does? Radiation?â He sounds truly afraid.
Farley begins to tick off the symptoms on her fingers, a maddening smile still on her face. âNausea, vomiting, headache, seizures, cancerous diseases, and, oh yes, death. A very unpleasant death.â
Suddenly I feel very sick. âWhy are you doing this? Weâre here to help you.â
âMare, stop the train, you can stop the train.â Maven drops in front of me, grabbing me by the shoulders. âStop the train!â
To my surprise, the tin can squeals around us, coming to a very sharp and sudden stop. Maven and I tumble to the floor in a tangle of limbs, hitting the hard metal deck with a painful thunk. Lights beam down at us from the open door, revealing another platform lit by torches. Itâs much larger and leads far back out of sight.
Farley steps over the pair of us without so much as a glance and trots onto the platform. âArenât you coming?â
âDonât move, Mare. This place will kill us!â
Something whines in my ears, almost drowning out Farleyâs cold laugh. As I sit up, I can see sheâs waiting patiently for both of us.
âHow do you know the south, the Ruins, are still radiated?â she asks with a mad smile.
Maven trips over the words. âWe have machines, detectors, they tell usââ
Farley nods. âAnd who built those machines?â
âTechies,â Maven croaks, âReds.â Finally, he understands what sheâs getting at. âThe detectors lie.â
Grinning, Farley nods and extends a hand, helping him off the floor. He keeps his eyes on her, still wary, but allows her to lead us out onto the platform and up an iron set of stairs. Sunlight streams in from above, and fresh air swirls down to mix with the murky vapors of the underground.
Then weâre blinking in the open air, staring up at low-lying fog. Walls rise all around, supporting a ceiling that no longer exists. Only pieces of it remain, little bits of aquamarine and gold. As my eyes adjust, I can see tall shadows in the sky, their tops disappearing into the haze. The streets, wide black rivers of asphalt, are cracked and sprouting gray weeds a hundred years old. Trees and bushes grow over concrete, reclaiming little pockets and corners, but even more have been cleared away. Shattered glass crunches under my feet and clouds of dust drift in the wind, but somehow this place, the picture of neglect, doesnât feel abandoned. I know this place from the histories, from the books and old maps.
Farley puts an arm around my shoulders, her smile wide and white.
âWelcome to the City of Ruins, to Naercey,â she says, using the old name forgotten long ago.
The ruined island contains special markers around the borders, to trick the radiation detectors the Silvers use to survey the old battlefields. This is how they protect it, the home of the Scarlet Guard. In Norta, at least. Thatâs what Farley said, hinting at more bases across the country. And soon, it will be the sanctuary of every Red refugee fleeing the kingâs new punishments.
Every building we pass looks decrepit, coated in ash and weeds, but upon closer inspection, thereâs something much more. Footprints in the dust, a light in a window, the smell of cooking wafting up from a drain. People, Reds, have a city of their own right here, hiding in plain sight. Electricity is scarce but smiles are not.
The half-collapsed building Farley leads us to mustâve been some kind of café once, judging by the rust-eaten tables and ripped-up booth seats. The windows have long since disappeared, but the floor is clean. A woman sweeps dust out the door, into neat piles on the broken sidewalk. I would be daunted by such a task, knowing that there is so much left to sweep away, but she carries on with a smile, humming to herself.
Farley nods at the cleaning woman, and she hurries away, leaving us in peace. To my delight, the booth closest to us holds a familiar face.
Kilorn, safe and whole. He even has the audacity to wink. âLong time no see.â
âThereâs no time to get cute,â Farley growls, taking a seat next to him. She gestures for us to follow and we do, sliding into the squeaky booth. âI take it you saw the villages on your cruise down the river?â
My smile quickly fades, as does Kilornâs. âYes.â
âAnd the new laws? I know youâve heard about them.â Her eyes harden, like itâs my fault I was forced to read the Measures.
âThis is what happens when you threaten a beast,â Maven mutters, jumping to my defense.
âBut now they know our name.â
âNow theyâre hunting you,â Maven snaps, bringing a fist down on the table. It shakes the thin layer of dust, sending floating clouds into the air. âYou waved a red flag in front of a bull but didnât do much more than poke at him.â
âTheyâre frightened though,â I pipe in. âTheyâve learned to fear you. That has to count for something.â
âIt counts for nothing if you slink back into your hidden city and let them regroup. Youâre giving the king and the army time. My brother is already on your trail, and it wonât be long until he tracks you down.â Maven stares at his hands, strangely angry. âSoon staying one step ahead wonât be enough. It wonât even be possible.â
Farleyâs eyes glimmer in the light as she surveys us both, thinking. Kilorn is content to draw circles in dust, seemingly unmoved. I fight the urge to kick him under the table to make him pay attention.
âI couldnât care less about my own safety, Prince,â Farley says. âItâs the people in the villages, the workers and the soldiers, who I care about. Theyâre the ones being punished right now, and harshly.â
My thoughts fly to my family and the Stilts, remembering the dull look in a thousand eyes as we passed. âWhat have you heard?â
âNothing good.â
Kilornâs head jerks up, though his fingers still swirl on the table. âDouble work shifts, Sunday hangings, mass graves. Itâs not pretty for the ones who canât keep up the pace.â Heâs remembering our village, just like I am. âOur people at the war front say it isnât much different up there either. The fifteen- and sixteen-year-olds are being put into their own legion. They wonât survive for long.â
His fingers draw an X in the dust, angrily marking what he feels.
âI can stall that, maybe,â Maven says, brainstorming out loud. âIf I convince the war council to hold them back, put them through extra training.â
âThatâs not enough.â My voice is small but firm. The list seems to burn against my skin, begging to be let free. I turn to Farley. âYou have people all over, donât you?â
I donât miss the shadow of satisfaction cross her face. âI do.â
âThen give them these names.â I pull Julianâs book from my jacket, opening to the beginning of the list. âAnd find them.â
Maven gently takes the book, his eyes scanning over it. âThere must be hundreds,â he mutters, not looking away from the page. âWhat is this?â
âTheyâre like me. Red and Silver, and stronger than both.â
Itâs my turn to feel smug. Even Mavenâs jaw drops. Farley snaps her fingers, and he hands it over without a thought, still staring at the little book that holds such a powerful secret.
âIt wonât be long until the wrong person figures this out, though,â I add. âFarley, you must find them first.â
Kilorn glares at the names like they offer him some kind of insult. âThis could take months, years.â
Maven huffs. âWe donât have that kind of time.â
âExactly,â Kilorn agrees. âWe need to act now.â
I shake my head. Revolutions cannot be rushed. âBut if you wait, if you find as many as you canâyou could have an army.â
Suddenly, Maven slaps the table, causing us all to jump. âBut we do have one.â
âI have many under my command here, but not that many,â Farley argues, looking at Maven like heâs gone mad.
But he grins, alive with some hidden fire. âIf I can get an army, a legion in Archeon, what could you do?â
She just shrugs. âVery little, actually. The other legions would crush them on the field.â
It hits me like a thunderbolt, and I finally realize what Maven is getting at. âBut they wonât fight on the field,â I breathe. He turns to me, smiling like a crazed loon. âYouâre talking about a coup.â
Farley frowns. âA coo?â
âA coup, a coup dâétat. Itâs a history thing, a before thing,â I explain, trying to wave off their confusion. âItâs when a small group quickly overthrows a large government. Sound familiar?â
Farley and Kilorn exchange glances, eyes narrowed. âGo on,â she says.
âYou know the way Archeonâs built, with the Bridge, the West side, and the East side.â My fingers race along with my words, drawing a rough map of the city in the dust. âNow, the West side has the palace, command, the treasury, the courts, the entire government. And if somehow we can get in there, cut it off, get to the king, and make him agree to our termsâitâs all over. You said it yourself, Maven, you can run the whole country from Caesarâs Square. All we have to do is take it.â
Under the table, Maven pats me on the knee. Heâs buzzing with pride. Farleyâs usual suspicious look is gone, replaced by real hope. She runs a hand over her lips, mouthing words to herself as she eyes the dust-drawn plan.
âThis might just be me,â Kilorn begins, falling back to his usual snide tone, âbut Iâm not exactly sure how you plan to get enough Reds in there to fight Silvers. You need ten of us to bring down one of them. Not to mention thereâs the five thousand Silver soldiers loyal to your brotherââhe glances at Mavenââall trained to kill, all trying to hunt us down as we speak.â
I deflate, falling back against the seat. âThat could be difficult.â Impossible.
Maven brushes a hand over my dust map, wiping away West Archeon with a few strokes of his fingers. âLegions are loyal to their generals. And I happen to know a girl who knows a general very well.â
When his eyes meet mine, all his fire is gone, replaced now by bitter cold. He smiles tightly.
âYouâre talking about Cal.â The soldier. The general. The prince. His fatherâs son. Again I think of Julian, of the uncle Cal would kill for his twisted version of justice. Cal would never betray his country, not for anything.
When Maven answers, itâs matter-of-fact. âWe give him a hard choice.â
I can feel Kilornâs eyes on my face, weighing my reaction, and itâs almost too much pressure to bear. âCal will never turn his back on his crown, on your father.â
âI know my brother. If it comes down to it, to saving your life or saving his crown, we both know what he will choose,â Maven fires back.
âHe would never choose me.â
My skin burns under Mavenâs gaze, with the memory of one stolen kiss. It was him who saved me from Evangeline. Cal who saved me from escaping and bringing more pain upon myself. Cal who saved me from conscription. Iâve been too busy trying to save others to notice how much Cal saves me. How much he loves me.
Suddenly itâs very hard to breathe.
Maven shakes his head. âHe will always choose you.â
Farley scoffs. âYou want me to pin my entire operation, the entire revolution, on some teenaged love story? I canât believe this.â
Across the table, a strange look crosses Kilornâs face. When Farley turns to him, looking for some kind of support, she finds none.
âI can,â he whispers, his eyes never leaving my face.