Chapter 6: Rebel Wings
Daughter of Ravens
MELIANTHE
The dawn air carries the scent of rain and secrets as I slip through the palace's servant quarters, my heart hammering against my ribs with each careful step. Three weeks have passed since I freed Sir Talos from Father's dungeons, three weeks of playing the perfect princess while my mind races with plans I barely understand. But today marks the beginning of something real. Today I stop being a symbol and start being a weapon.
The small glass vial hidden in my sleeve seems to pulse with each heartbeat, its weight far greater than its size would suggest. Tears of Lysander; the poison I'd taken from Cordelia's chambers on impulse, not knowing why I might need it, only that having it felt like power. Now it burns against my skin like a guilty secret, a reminder that I'm already more complicit in this game than I'd like to admit.
I've dressed in the simple blue wool of a minor noble, my hair braided in the common style rather than pinned up in court fashion. The clothing feels like armor against discovery, but also like freedom from the elaborate costumes that mark me as property of the crown. As I pass a window, I notice the ravens gathered on the courtyard wall; more than usual, their dark eyes tracking my movement with an intelligence that makes me shiver.
Sir Talos waits in the stables, checking the harness on a modest cart loaded with empty baskets. To anyone watching, we're simply making a routine trip to market, the princess shopping for trinkets while her bodyguard ensures her safety.
"Ready, Your Highness?" he asks as I approach, his weathered face revealing nothing of the tension that coils through both of us like wire.
"As I'll ever be." I pause, watching a raven land on the stable roof, its head cocked as if listening. "Have you noticed them gathering more lately? The ravens?"
Talos follows my gaze, his expression thoughtful. "They say ravens see all truths, Your Highness. Perhaps they sense changes coming."
The cart wheels creak rhythmically as we make our way through the palace gates and down into the city. I can't help but notice how the ravens seem to follow our progress, hopping from rooftop to rooftop like dark sentinels marking our path. The market quarter opens before us like a flower with petals made of commerce and desperation, filled with sounds that wash over me: haggling voices pitched with the intensity of survival, the clatter of cart wheels on cobblestones, the musical calls of vendors advertising their wares.
But as we make our way deeper into the crowd, I become aware of something beneath the surface politeness; currents of hostility that make my skin prickle with unease. Not everyone who bows as I pass does so with genuine respect. Some of the glances that follow our progress carry weight that has nothing to do with curiosity about royal shopping expeditions.
"Your Highness," a voice calls out, and I turn to see a middle-aged woman with work-roughened hands and eyes that hold years of accumulated bitterness. She's flanked by several other market workers, their faces carefully neutral but their posture suggesting this encounter isn't entirely coincidental. "How lovely to see you among the common folk."
The words are polite enough on the surface, but the tone carries an edge that makes Sir Talos's hand drift subtly toward his sword hilt. There's something in her expression that speaks of old grievances nursed carefully over years of watching her world change in ways she never chose.
"Good morning," I reply evenly, though my pulse quickens at the barely concealed hostility in her manner. "I'm always pleased to visit the market."
"Are you?" Her laugh holds no warmth. "How considerate. Though some of us wonder what brings you down here."
The implication hangs in the air. Why visit the common people now, when my betrothal to an imperial prince has already been announced? What possible purpose could the princess serve among her subjects when she's clearly chosen her side?
"I wanted to see how people are faring," I say carefully, aware that every word will be analyzed and reported. "To understand-"
"Understand?" The woman - Eleanor, someone calls her - interrupts with a bitter smile. "That's interesting timing, Princess. Right after your betrothal was announced. Right after the new imperial assessments began. Right after another message from the Raven appeared, warning us to prepare for harder times."
My breath catches at the mention of the Raven. The mysterious figure who's been sending coded warnings through the resistance networks, whose messages always seem to arrive with uncanny timing. Father had held council this morning, and now...
"The Raven?" I ask carefully. "What messages?"
Eleanorâs eyes narrow. "As if you don't know. The warnings always come after your father's council meetings. Almost like someone in those chambers wants us to know what's being planned." She pauses, studying my face. "Though the phrasing is odd sometimes."
"I know how it must look," I begin, but the skepticism in the growing crowd is almost palpable.
"Do you?" A younger man steps forward, his baker's apron dusted with flour. "Because from where we stand, it looks like someone's finally noticed the little people now that she needs them to feel better about her choices."
"Or perhaps," another voice adds from the back, "someone's having second thoughts about marrying the enemy and wants to ease her conscience."
The crowd around us has grown, drawn by the kind of public confrontation that rarely happens in Ravencrest's carefully polite society. I see faces that reflect a spectrum of reactions. Some are shocked by the workers' boldness, others nodding with grim approval, many simply watching to see how the princess handles direct challenge to her authority. Above us, ravens line the rooftops like an audience of dark judges.
Sir Talos shifts slightly, positioning himself to intervene if the situation deteriorates, but I catch his eye and shake my head subtly. This is exactly what I need to understand if I'm going to be more than just another privileged noble salving her conscience.
"You're right to be suspicious," I say quietly, letting the admission carry clearly to the listening crowd. "I have been... absent from these realities. And yes, perhaps it's taken my own situation to make me finally see what I should have seen years ago."
Eleanor studies me for a long moment, her expression unreadable. "At least you're honest about that much. Though honesty after the fact doesn't help the children who went hungry while you learned your court dances."
The words sting because they're true. "No, it doesn't. But perhaps it's a place to start."
"Start what?" she asks bluntly. "You'll be leaving soon enough. What exactly do you think you can start that won't end the moment you board that carriage to your new life?"
Before I can respond, another voice cuts through the tension. "That's enough for now." An older man pushes through the crowd - Gideon, one of the guard commanders, though he's dressed in civilian clothes. "People have work to do."
"Of course," Eleanor says, but her eyes never leave mine. "We all have our duties. Just as the Raven has theirs, sending us warnings from their palace perch."
The word carries weight that has nothing to do with market transactions, and as the crowd begins to disperse, I catch her eye one more time.
"I want to understand," I tell her quietly. "To learn what I've missed."
"Do you?" she replies. "Or do you just want to feel better about choices you've already made?"
The question follows me as we move away from the confrontation, sharp and uncomfortable because I'm not entirely sure of the answer myself.
We make our way through the rest of the market, making careful connections and gathering information. When we witness a woman being forced to surrender family jewelry for unpaid debts, I intervene without thinking, paying the three silver marks that represent nothing to me but everything to her. The act draws attention, both approving nods from some observers and sharp interest from imperial functionaries who remind me that individual charity shouldn't create "unrealistic expectations."
But it's Sara the herb seller who provides what I'm really seeking. After our careful exchange about traditional remedies and raven's root, she quietly provides an address and time: "Tonight, after the temple bells ring eighth hour. The old shrine to Saint Maeve."
As she wraps my purchases, she leans closer, her voice barely a whisper. "The Raven's messages speak of sacrifice and necessity. Some say the handwriting reminds them of official proclamations, but shaped to different purpose. Truth hidden in plain sight, like the old stories say."
A raven caws overhead, and we both look up to see it drop a single black feather that spirals down to land at my feet. Sara's eyes widen slightly. "The ravens know," she murmurs. "They always know who serves truth and who serves lies."
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The hours until evening pass in a blur of ordinary activities that feel anything but ordinary. I find myself fingering the poison vial repeatedly, its smooth surface a reminder of the dangerous game I'm playing. As the temple bells ring eighth hour, I slip out through a servants' entrance, Sir Talos beside me as we make our way through darkening streets toward the artisan quarter.
The shrine of Saint Maeve sits in a forgotten corner where old buildings lean against each other like tired friends. Its walls are crumbling but its bones remain strong after centuries of weathering. Candlelight flickers through broken windows, and I hear the soft murmur of voices within. Ravens perch on the broken roof tiles, more than I've ever seen in one place, their presence feeling almost like a blessing⦠or a warning.
"Remember," Sir Talos says quietly as we approach, "they have no reason to trust you. Show them who you are, not who you think they want you to be."
I nod, take a deep breath, and step into the shrine.
The interior is larger than it appears from outside, with alcoves and side chambers that create intimate spaces within the larger structure. Perhaps fifteen people are gathered here, their faces illuminated by candles placed before the saint's weathered statue. I know some of them; Sara the herb seller, Gideon the guard commander. My eyes widen as I recognize him. How many others in the palace are playing the same game I am? Others are strangers, though their careful attention suggests they know exactly who I am.
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The conversation dies as I enter. Every face turns toward me, expressions ranging from curiosity to suspicion to barely concealed hostility. At the center of the group stands a woman I've never seen before. Sheâs tall and elegant despite her simple clothes, with silver-streaked hair and eyes that miss nothing.
"Well," she says, her voice carrying calm authority. "This is unexpected."
I step forward, acutely aware that every movement is being evaluated. "I come seeking to understand what's really happening in my kingdom. To learn how I might contribute."
"Contribute?" The woman's eyebrows rise slightly. "That's presumptuous of you, Princess."
A murmur runs through the group; not approval, but something closer to dark amusement. I feel heat rise in my cheeks as the implications sink in. They weren't waiting for my help. They weren't hoping the princess would finally see the light and join their cause. I'm an unwanted intrusion into something that was working perfectly well without me.
"I... I thought..." I begin, then stop as I realize how foolish I must sound.
"You thought what?" A man near the back speaks up, his voice sharp with resentment. "That we've been sitting here waiting for royal salvation? That we've been helpless without princess guidance?"
"Gideon told us about your little market performance today," another voice adds. "Very touching, paying that woman's debt. Tell me, Princess, how many debts do you plan to pay? How many imperial policies will you personally offset with your pocket money?"
The attacks come from multiple directions, and I feel myself shrinking under their weight. These people have been fighting while I lived in comfortable ignorance. They've been organizing while I practiced embroidery. They've been risking their lives while I worried about which gown to wear to court.
"I know I've been useless," I say, my voice smaller than I intended. "I know I've failed to see what was happening, failed to act when I should have. But I want to do better. I want to help however I can."
"However you can?" The silver-haired woman steps closer, and I can see the skepticism in her dark eyes. "And what exactly can you do, Princess? What skills do you possess that would be useful to people who've been working while you've been preparing for your wedding to an imperial prince?"
The reference to my betrothal hurts. "That's not... I didn't choose-"
"Didn't you?" Her voice cuts through my protest. "You could have refused. You could have publicly denounced the arrangement. Instead, you're going along with it like a good little princess, helping the Empire legitimize their control through marriage alliance."
"It's more complicated than that," I say desperately. "If I refuse, they'll just force the issue, or find another way to-"
"Ah," the woman interrupts, and her smile is sharp as a blade. "So you're cooperating for our own good. How noble. How convenient."
Laughter ripples through the group, but it's not kind. I feel tears prick at my eyes and fight them back, knowing that crying will only confirm their worst assumptions about spoiled royal children who can't handle criticism.
"Isabella," Gideon says quietly, speaking for the first time since I entered. "Perhaps we should hear what she has to say."
Isabella - so that's her name. She studies me for a long moment, and I have the uncomfortable feeling of being weighed and found wanting.
"Very well," she says finally. "Tell me, Princess, what exactly do you think is happening here? What do you imagine this gathering is for?"
"Resistance," I say, though my voice wavers with uncertainty. "Planning how to fight the Empire. Coordinating actions to preserve Ravencrest's independence."
"How wonderfully... simple." Isabella turns to address the group. "The princess thinks we're planning glorious resistance. Should we enlighten her?"
"What do you mean?" I ask, though dread is already pooling in my stomach.
Sara speaks up from her position near the wall. "We mean, Princess, that what you call resistance, we call survival. We're not planning to drive out the Empire. We're planning to preserve what we can while the Empire completes its digestion of our kingdom."
The words hit me like cold water. "Preserve what?"
"Culture. Traditions. Knowledge. People." Isabella's voice is gentler now but no less devastating. "The old songs, but sung quietly. The old stories, but told in whispers. The old ways of thinking, but kept hidden where imperial eyes can't see them."
"Like the Raven's messages," someone adds quietly. "Truth wrapped in shadows, warnings disguised as compliance."
"But surely you're planning something more than just hiding?" I protest. "Some way to fight back?"
"Against what?" asks a woman I recognize as a weaver from the market. "Against imperial armies? Against economic policies designed by people who've spent decades perfecting the art of conquest? Against a system that turns our own nobles into willing collaborators?"
The last words carry a sting clearly directed at me. I feel my face flush, but force myself to continue. "Then what's the point? Why gather at all if you're not planning to act?"
"We are acting," Gideon says quietly. "Every day. We help families whose breadwinners have been taken for work gangs. We teach children to read the old writing where imperial teachers can't see. We maintain networks of communication so people know they're not alone in their suffering. And we study the Raven's messages, learning to read between the lines of official proclamations."
"The Raven," I say slowly, remembering Eleanorâs words. "Who are they? How do they know so much?"
Isabella and Gideon exchange a quick glance. "That's the question, isn't it?" Isabella says carefully. "Someone with access to the highest levels of imperial planning. Someone who can eavesdrop on council meetings and transform that knowledge into warnings. Someone whose phrasing sometimes echoes official documents, as if they're used to that particular style of communication."
My mind races with the implications. "You think it's someone in my father's court?"
"We think," Isabella says, "that truth often hides in plain sight, like ravens on the palace walls. And we prepare for the day when hidden truths might become open rebellion."
"And we prepare," adds another voice, "for opportunities we can't create ourselves."
"What kind of opportunities?" I ask, though I'm beginning to understand that their hopes are far more modest than anything I'd imagined.
"The kind we can't create ourselves," Isabella says bluntly. "Imperial overreach that sparks broader rebellion. Economic collapse that weakens central control. Political upheaval in Asterion that forces them to withdraw resources from the provinces." She pauses, studying my face. "Or perhaps changes in our own royal family that create new possibilities."
The last comment hangs in the air like a question, and I realize they're all looking at me with new attention.
"You mean my marriage," I say slowly. "You think Prince Cassian might be different?"
"We think," Isabella says carefully, "that an imperial prince raised in Asterion but sent to rule here might face interesting choices. Especially if he proves capable of seeing beyond imperial doctrine."
"And we think," Sara adds, "that a princess who marries such a prince might find herself in a position to influence those choices. If she were properly informed about the realities she'd be helping to shape."
Understanding dawns like sunrise. They're not dismissing me as useless; they're evaluating me as a potential asset. Not for dramatic rescue missions or grand gestures, but for something far more subtle and far more dangerous.
"You want me to spy," I say quietly.
"We want you to remember," Gideon corrects. "To notice things. To understand the implications of policies before they're implemented, so we can prepare our people for what's coming."
"And eventually," Isabella adds, "if your marriage creates opportunities for influence, we want you to understand what kinds of influence would actually help rather than simply making you feel better about your position."
The weight of what they're offering settles over me like a cloak, heavy with responsibility and dark with danger. This isn't the glorious rebellion I'd imagined, but it might be the only real resistance possible under current circumstances.
"What would you want me to do?" I ask.
"Learn," Isabella says simply. "About imperial policies, about your future husband's true character, about the real consequences of decisions made in palace chambers. Listen to conversations. Notice changes in procedure. Understand the machinery you're becoming part of."
"And in return?" I ask, though I'm not sure what I could possibly offer that they would want.
"In return," she says, "we'll teach you what you need to know about your own kingdom. About the people whose lives will be affected by your choices. About the traditions worth preserving and the methods that actually work for preserving them."
I reach into my sleeve, feeling the smooth glass of the poison vial. "I... I have something that might be useful." I produce the vial, watching Isabella's eyes sharpen with interest. "Tears of Lysander. I took it from Cordelia's chambers. I thought... I don't know what I thought, but perhaps you could use it for protection, or..."
Isabella takes the vial carefully, examining it in the candlelight. "You stole imperial poison?" There's something almost like approval in her voice. "That's... more initiative than I expected."
"Keep it," I say quickly. "For insurance, or leverage, or whatever purpose serves the resistance best. I trust your judgment more than my own in such matters."
She nods slowly, tucking the vial away. "Insurance, then. One never knows when such things might prove necessary."
It's not what I came here hoping for, but as I look around the circle of faces - weathered by hardship, marked by loss, but still carrying the stubborn determination that refuses to surrender - I understand that this might be more valuable than any dramatic gesture.
"I accept," I say quietly. "But I need you to know... I may not be very good at this. I've been sheltered from so much."
"We know," Isabella replies, and for the first time, her expression carries something that might be sympathy. "But Princess, the hardest lesson you'll need to learn is that being useful and feeling useful are different things. We can't offer you the satisfaction of grand gestures or obvious victories. We can only offer you the chance to matter in ways that no one will ever thank you for."
"I understand," I whisper, though I'm not sure I fully do yet.
"Do you? Because the work we do is slow and careful and often invisible. It's preserving a song by humming it while you work. It's teaching a child to recognize letters they're forbidden to write. It's remembering the names of people who've disappeared so that someday, someone might be able to tell their families what happened to them."
As the gathering begins to disperse, people melting away into the darkness in ones and twos, Isabella approaches me one final time.
"One more thing, Princess," she says quietly. "The Raven's messages... pay attention to when they arrive. Notice the timing, the phrasing, the knowledge they contain. Sometimes the greatest truths are hidden not in what's concealed, but in what's too obvious to question."
"What do you mean?"
She glances up at the ravens still perched on the shrine's broken walls. "I mean that in Ravencrest, we have a saying: 'The raven sees all truths.' Perhaps it's time you started looking for truths in places you've never thought to search."
"If you truly want to help," she continues, "you need to stop thinking of yourself as separate from the problem. You're not a princess who happens to live under imperial occupation. You're part of the imperial system now, whether you choose to be or not."
"I know that-"
"Do you? Your greatest service to your people might require accepting that you can never fully be one of them again. That your value lies not in joining us, but in becoming something else - something that can work within the system while remembering what the system is destroying."
She turns to go, then pauses. "Your mother understood that kind of sacrifice. I hope you prove capable of similar wisdom."
And then she's gone, leaving me alone with Sir Talos in the guttering candlelight, my comfortable assumptions about rebellion and resistance reduced to ash around my feet. Above us, the ravens begin to disperse, their wings creating shadows that dance across the crumbling walls like prophecies written in darkness.
The princess who entered this shrine thought she was choosing to join a fight. The woman preparing to leave understands that the fight is far more complex than she'd imagined, and that victory might look nothing like what she'd hoped for.
But perhaps that understanding is worth more than all the comfortable illusions I came here to preserve.
The real rebellion isn't about grand gestures or glorious battles. It's about the slow, careful work of preserving truth in a world built on lies. And maybe, if I'm very careful and very lucky, I can learn to do that work without destroying everything I'm trying to save.
As we step back into the night, a single raven follows overhead, its cry echoing through the empty streets like a benediction, or perhaps a warning that some truths, once learned, can never be forgotten.
The question is whether I'm strong enough to bear the weight of that knowledge, and wise enough to act on it when the time comes.