âWhat are you talking about? Why would I go to your house?â
ââ¦You canât?â
âItâs not that I canât, but⦠give me a reason.â
Hong Yea-Hwa hesitated for a moment before speaking.
âIâve seen your Peach Blossom Village. Thereâs a similar painting at my house.â
A painting similar to Peach Blossom Village? That didnât seem possible.
Even if someone deliberately tried to mimic it, Peach Blossom Village was not an easy piece to replicate.
The ambiguous painting, teetering on the edge of a masterpiece (by my standards), was far from common.
âWhy would I need to see that painting?â
âIâm just asking out of curiosity. Itâs not yours, but it has a similar vibe.â
And why exactly does that require my involvement?
âThe painting is called Hosung (The Call). The artist is unknown. My father bought it a long time ago.â
âSo, you want to find out who painted it? And you think I might be a candidate?â
âYes, exactly.â
Why didnât she just say that from the start instead of making it sound so vague?
âDo you have a picture of it?â
She shook her head.
âThe painting is in my fatherâs study, and no one is allowed to go in.â
âThen what do you expect me to do about it?â
âYouâre a rising star. My father acknowledged you and said that if I brought you over, heâd allow us to access the study.â
Finally, her explanation made sense. But seriously, could she stop throwing around terms like ârising starâ? It was embarrassing.
âLet me think about it. For now, itâs not possibleâI have work to do.â
âOh⦠is it for the World Art Prize? Youâre already preparing for that?â
ââAlreadyâ? Itâs only four months away. Honestly, even thatâs cutting it close for most people.â
If she doubted me, she could ask Lee Ah-Reum.
âLet me know when youâre free. Iâll clear my schedule for it.â
I hadnât even agreed to go yet.
Before I could reply, we reached the textbook distribution area.
âPlease line up according to your number!â
We also received our student IDs along with the textbooks. The ID cards indicated our class and assigned number.
I was number 17 in Class 1, making me fifth from the back.
Hong Yea-Hwa was number 18, right after me.
âMissed my chance to tell her no.â
Still, it wouldnât hurt to take a look. As an artist, I couldnât help but feel curious about Hosung, a painting supposedly similar to Peach Blossom Village.
After all the textbooks were distributed, I headed back to the classroom. On the way, I passed Class 3.
And there he wasâLee Do-Yoon.
When he noticed me, he smiled broadly. That awkwardness from earlier was nowhere to be seen.
Yet, I still felt uneasy. Not because he was the protagonist of the original story, butâ¦
âWeâve known each other for ten years as childhood friends.â
I needed to figure out what had caused the change in his personality.
As I passed him, I whispered quietly.
âLetâs talk later.â
He flinched but then smiled bitterly.
âAlright. Iâll come to your class after school.â
The brief encounter ended, and Class 3 moved on.
âLee Ha-Eun, are you and Lee Do-Yoon close?â
The question came from Hong Yea-Hwa, who had been walking behind me. I nodded.
âWeâve been childhood friends for seven years. Heâs been acting off lately, so I plan to have a talk with him.â
ââ¦Creepy.â
Donât girls have their own version of this? They even go to the bathroom together.
Men and women really are incomprehensible to each other.
By the time I returned to the classroom, I was thinking about how closely the original story was being followed. Had Ye-Seo met Do-Yoon at the concert? Had Yea-Hwa given him the towel?
I shook my head to clear the thoughts.
Getting involved would only lead to unnecessary complications.
I stuffed my textbooks into my desk and took my seat.
The classroom soon became noisy.
âTeacher, what do we do now?â
âHmm⦠Thatâs it for today. But weâll have lunch and a brief wrap-up session. After that, itâs free time!â
Lee Ah-Reum left the classroom after making the announcement.
When our eyes briefly met as she exited, I decided to get up.
She was exhausting to deal with.
Clatter.
âWhere are you going?â
As I stood, Hong Yea-Hwa tilted her head curiously. She usually didnât care about other people.
âTo the restroom. Want to follow me?â
ââ¦Gross.â
Could she not look at me like that? If youâre curious, donât voice it.
Following the teacher out the door, I spotted her waiting just outside.
âSo, Lee Ha-Eun, can we talk for a moment?â
Her cheerful smile felt oddly unsettling. What was with this woman?
âYou were just thinking something bad, werenât you?â
âThatâs the problem with womenâs intuitionâ¦â
Grumbling, I followed her to a secluded area behind the school.
There stood an old, abandoned building.
âNow, where did I put that keyâ¦â
As she rummaged through her pockets, I asked, âWeâre going in there?â
Was she trying to get lung cancer? Just looking at it made me feel like Iâd suffocate.
âDonât worry. It may look like this, but the inside is cleaned weekly.â@@novelbin@@
âThis abandoned placeâ¦?â
âThereâs a reason for it. Ah, here it is.â
Holding up a rusty key, she opened the door to the decrepit building.
âThis is the old school building. It used to be where we held sculpture and clay art classes.â
That was about ten years ago. Iâd never seen it myself.
As if reminiscing, she sighed wistfully.
âMy brother used to work here. His sculptures were incredible.â
Why was she telling me this? I didnât need the extra backstory.
Noticing my lack of interest, she smiled and stepped inside.
âTa-da! What do you think? Pretty clean and cozy, right?â
âIt is. So, why did you bring me here?â
âPatience, Lee Ha-Eun! You should work on that.â
Why did this atmosphere feel so familiar? It reminded me of the person in charge of our kitchen at home.
âThe first floor is empty. Letâs check out the second floor.â
Without a word, I followed her to the first classroom on the second floor.
Contrary to my expectations, the space was indeed clean and cozy. It felt perfect for a nap.
The room was empty except for⦠What was that?
My eyes landed on the large green chalkboard that dominated the wall.
It wasnât just a chalkboardâit had a painting etched into it.
âAmazing, isnât it?â
ââ¦I hate to admit it, but Iâm glad I came.â
The painting was photorealistic, depicting a single sturdy plum tree in bloom.
If it were just that, I wouldnât have been so impressed.
âThe coziness Iâve been feeling⦠It comes from this.â
The plum blossoms herald spring, and spring symbolizes warmth.
âSo? Do you like me a little more now?â
âNot really. But thanks for showing me this.â
ââ¦At least you can feel gratitude?â
âWhat do you think I am? I have manners, you know.â
She chuckled, her youthful demeanor making her seem my age, despite being eight years older.
âI didnât expect to find a masterpiece here.â
This building had once been used for sculpture classes.
When was this painting created? It didnât seem very old.
âThis was painted by Seol Yoon from Drawing Korea.â
ââ¦What?â
That airheaded woman?
âShe may seem a bit scatterbrained, but she became a department head at her age. Of course, painting skills and management are separate things.â
So thatâs why she was in the creative planning division. She didnât seem the part at all.
âYouâre close with her?â
âSheâs my junior. Both of us graduated from this school.â
This was turning into an endless stream of personal connections. The world was small, after all.
If Seol Yoon had been hired straight out of college, that was impressive.
And the evidence of her talent was right before my eyes.
âStill, there are some parts that feel a bit off.â
ââ¦Really?â
As Iâd mentioned earlier, masterpieces needed constant checking and care. Otherwise, theyâd deteriorate.
Even this plum tree painting, while a masterpiece, had areas where the colors were fading.
For a masterpiece to remain intact, it needed to be finished perfectly.
âTo me, it looks fine.â
Narrowing her eyes, Lee Ah-Reum scrutinized the painting.
âGot any chalk?â
âShould be some by the door.â
The room, though empty, still had a small supply area.
I found a container of chalk near the door and picked up a brown and pink piece.
âThereâs a saying that beauty is in the details. The same goes for paintings.â
I used the chalk to subtly correct the parts that felt off.
âNo matter how thoroughly you examine a painting, there are always things you can miss.â
Here, the colors were a bit faded. I adjusted the plum blossoms slightly.
âBut if you add a touch of softness to your scrutinyâ¦â
The branches seemed a bit too high. It might clash with the others.
ââ¦You start to see the discomfort, and thatâs when the painting begins to reveal its flaws.â
A painting can never be truly perfect. Perfection is an abstract concept, after all.
Even if I considered it perfect, someone else might find it lacking.
Clap, clap.
I dusted off my hands and put the chalk away.
âAn artistâs job is to bring a painting as close to perfection as possible.â
And yet, every artistâs flame eventually burns out. When that happens, the joy of painting is all that remains.
âWhat do you think? Doesnât it feel a bit warmer now?â
ââ¦â¦â
Lee Ah-Reum didnât answer.
Or perhaps, she couldnât.
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