âCan I⦠see you to Malouâs flat?â
She turned back from the classroom door, where sheâd just waved off Felix and Hamoud, whoâd looked ready to invite her to dinner themselves. âI think,â she began, âI should see home, now I am a pro on the métro.â
âItâs not on your way.â
âTaking me back wouldnât be on way, then,â she countered. âOh, you probably have your bike, though.â
âNo, my bike⦠got stolen.â
âOh, no, really? When?â
He adjusted the pens under the whiteboard unnecessarily. âYou donât want to know.â
âShit, it got stolen from the Place Vendôme? Oh, Sacha, I really am your bad luck charm!â
He didnât think she was, but when he looked at her, he did start thinking about the word âchanceâ. It meant luck in French, but with a touch of fortune or fate.
âItâs fine,â he insisted.
âI really should see you home, then. Actually,â she began thoughtfully. âI have an idea. Do you trust me?â
âYes,â he said curiously.
She blinked. âOkay. I hope that was the right answer. Letâs go. You showed me mediaeval Paris today, so let me show you something.â
He felt a twinge of unease. He did trust her. He trusted that her heart was always in the right place and that she was capable of more than she thought she was. But he didnât share her staunch commitment to optimism.
His unease grew when they emerged up the stone steps under the Art Nouveau sign at the Franklin D. Roosevelt métro station, right in front of the Gucci store.
âPlease tell me youâre not taking me shopping.â He was mostly joking, but the strain in his voice was real. He wasnât sure what she could have to show him here that wouldnât remind him of all the reasons she shouldnât be opening up to him like this.
âDonât look so worried.â
She hurried around the large intersection, the epitome of Haussmannâs eighth arrondissement, past skeletal plane trees and fountains trying valiantly not to freeze as the evening temperature dropped and the moisture in the air became crystalline. Behind them, the iron-and-glass roof of the Grand Palais was visible over the treetops. If Sachaâs quartier was the rebellious heartland of working Paris, this intersection was the grandiose veneer of the elegant city.
She hurried down a grand avenue and hesitated, gazing at a building across the street. With a sigh, he followed her gaze and wasnât surprised to see the name âAsquith-Lewisâ in elegant grey lettering above the ground-floor windows. He tried not to visibly flinch.
âThe current sale is an interesting mix of historical objects from a collector. I only wish I could have invited Joseph and the others from the market,â she said softly. âThey welcomed me into their businesses.â
âAnd you think this is the same?â Heâd spoken too harshly, but the words were out, now.
âI wanted to think so,â she said, her voice barely more than a murmur. âYou brought me into your life and I⦠stupidly hoped you might want to see mine.â She started across the street, but he caught her wrist to stop her.
âForget what I said.â
âI canât,â she responded with a sombre look. âBesides, Iâd rather know what you really think. If you think Iâm a princess in a tower with no clue about the real world⦠maybe youâre right.â
He curled his fingers through hers, searching for the right words. âIâll come and see your gallery. This isnât about what I think of . Itâs about what the rest of the world thinks.â
She swallowed, glancing across the road at the doorman guarding her domain. âThey think that way. It wasnât my intention to make you feel⦠unwelcome or in any way less than what you are: an amazing teacher and an incredible human being. Exclusivity is a double-edged sword.â
âI know that wasnât your intention,â he said gently, brushing his fingers against hers. Words were still inadequate. âYou⦠know why I invited you today, donât you?â
âI was afraid to ask. I loved it and I loved meeting the kids, but you obviously didnât need my help and⦠it doesnât really make up for what Iâve asked you to do for me.â
He shook his head, dismissing her concern. âYouâ¦â He sifted through the flashes of thoughts and feelings that filled him. âYou are open, listening. And my students⦠not many people listen to them. I thought⦠you might be good for each other.â
âThey were definitely good for me,â she said with a faint smile, her gaze averted. She tilted her head and leaned close to mumble, âIâm not good for you.â
His hand tightened around hers. âSometimes I think you are.â
She shook her head and raised her gaze haltingly to his. âIâve brought you nothing but problems since the moment we met.â
His thoughts scattered as he studied the forlorn line of her brow and remembered the moment theyâd met and everything that had happened since. He wasnât thinking about the problems. He raised his other hand to touch her face, but snatched it into a fist at the last moment.
What the hell were they doing?
He turned his gaze ominously across the road at her esteemed family legacy. âWe should go in before they close.â
The doorman peered sceptically at Sachaâs jacket. Ren marched past him with a frown, clinging to Sachaâs hand, but she feared sheâd only proven the opposite of her point: the screwed-up world did not view them as equals and bringing him into her life would only hurt him.
But it wasnât Sacha that was wrong. Heâd set aside his wariness and, when they handed over their coats and stepped into the illuminated gallery, he stopped and stared and she hoped she might make some kind of point after all. The gallery was an opulent function room with gilded baroque furniture teamed with lighting in subtle colours. Tonight, fairy lights twinkled in the ornate cornicing, ribbons and silver stars and brushed gold baubles creating a festive ambience for a Christmas auction.
Sacha let go of her hand and moved from piece to piece, his focus intense. He took in the baroque chest of drawers with marble inlay and the glinting neoclassical chandelier in the grand Russian style. He reached out to run his fingertips over the polished wood of an Art Deco dining chair. He studied the display case of mediaeval jewellery and ornaments, much of it shaped like skulls, and some pieces carved from ivory.
âThis is mostly the collection of Pierre Leclercq, you know theââ
âI think everyone knows who Pierre Leclercq was,â Sacha cut her off, his expression grim with fascination. âAnd he⦠just had this stuff in his house?â
âSomething like that.â
âDo youâ¦?â He shook his head and swallowed. âDonât answer.â He moved to the next display before she would work out how to respond. The truth would be: yes, her sideboard was probably worth as much as everything he owned. But she wished it didnât matter.
They came to the mediaeval sword, next, and he stepped back in awe, tilting his head to inspect the lines of fine metalwork. Ren came up next to him.
âAl-Iskandandariyya,â he read, pointing to an inscription on the blade in Arabic script. âThis is one of the swords from the arsenal dâAlexandrie? Incredible.â
âWhat do you know about it?â she asked, wanting to keep him talking so he wouldnât feel uncomfortable. She thought of the crossed swords sheâd glimpsed tattooed on his biceps.
âThese old swords⦠Theyâre fascinating. I held a replica once at the Marché aux Puces. Itâs very heavy, not like sword sport, tu sais? You donât wave it. You kill someone with one touch, or they kill you. And if you canât get a good touch, you cut off his hand.â
âUrgh.â
âIt is brutal. Is it authentic?â
âYes, of course,â came a voice behind them.
Ren whirled. âMalou! Youâre still here?â
âThe doorman thought you were coming to see me and I was confused when you didnât appear. I was just leaving for the day.â
âYou remember Sacha.â
âOf course.â She greeted him with the lightest kisses on his cheek. âBonsoir. Your interest in antiques extends to mediaeval weapons?â
âI wanted to show him â bring himâ¦â Ren said, her words a defensive tangle. âSacha is a history teacher and his knowledge is⦠immense.â
âIâm glad youâre interested in his immense⦠knowledge,â Malou said with a straight face. âI heard what you said about this piece. Not quite Renâs usual cup of tea.â
âItâs certainly not Disney,â he murmured, drawing a curious look from Malou. âEven the handle can kill someone. This was a valuable object 600 years ago, which is probably why this Italian sword was taken to Egypt â as tribute after a battle. But the winners become the losers again and the Mamluk dynasty was defeated by the Ottomans. Centuries later, that empire falls, too, and the sword comes back to Europe.â
His words rendered the ghastly blade a little less sinister. âAt least itâs not killing anyone any more,â Ren said softly.
âRen is too sheltered,â Malou commented.
Sacha met Malouâs gaze with his usual grim look and Ren had the odd inkling that they understood each other. âCome and see the stained glass,â she said.
His brow shot up when he caught sight of the framed fragment. It was a stunning piece, bringing distant history to life in colour with the painted faces of the three kings and the deep, shocking blue. Sacha read the label with a frown.
âYou really donât know where this came from?â he asked Malou.
She shook her head. âThe adoration of the magi is a very common theme for stained glass. The owner inherited it with no further information and it was difficult to get an appointment with someone from the museums we often work with at this time of year.â
âAnd the French Ministry of Culture?â
âRemains silent,â Malou finished his sentence for him. âWe send them a catalogue for each sale so if they thought it was of national significance, I assume they would have contacted us by now. Why? Do you know something about this?â
âNo,â he said immediately. âIt just reminds me⦠this part here looks like a medallion form, a feature of early Gothic windows. I did the travail dâintérêt général at the museum in Saint-Denis and we worked with the conservation of the cathedral windows.â
Malou blinked at what Ren assumed was Sachaâs bald admission of his criminal history, but her friend thankfully made no comment. Renâs chest was tight with something like pride. Far from her familyâs obsession with appearances, Sacha was more interested in the truth, even when that was difficult to face. Heâd never looked more attractive to her than he did then, wearing his background as proudly as he wore his tattoos.
âYou think it could be from Saint-Denis?â Malou asked.
âVery few of the panels survived the revolution and some have been found in unexpected places, but Iâm not an expert. And surely⦠it would be unlikely.â
âWhatâs so special about the cathedral in Saint-Denis?â Ren asked.
âItâs the earliest example of French Gothic architecture. The windows are some of the oldest in the world. This was twelfth century, there was no electricity. To the people, these colours, the enormous windows, the light looked like the power of God. And, of course, these windows opened the way for the grandest achievements of mediaeval stained glass, including the rose windows of Notre-Dame-de-Paris.â
âIt really looks like some of the fragments we saw today,â Ren commented. She turned to Malou. âWe went to the Museum of Cocks â I mean the Musée de Cluny.â
Malou snorted. âHe really is showing you a whole new world.â She pulled Ren to one side as Sacha studied the pieces. âThe gallery is closing in a minute. Want to come home with me or he is whisking you away on his magic carpet?â
âThanks for not being weird about this,â Ren said softly.
âI donât think you have a happy ending in your near future, but itâs obvious heâs twice the man Charlie is, so I donât want to stop you⦠broadening your horizons.â
âHeâs good for me,â she agreed. âI only wish I could say it was true the other way around.â
âJust make sure he doesnât break a leg skiing.â
âDonât even suggest it!â Ren groaned.
Her stomach dropped when they left the gallery half an hour later to be greeted by a cluster of cameras shoved in her face. She cursed inwardly, berating herself for coming here, where she was too recognisable.
âWhoâs your new lover? Does this mean you wonât take Charles Routledge back? Give us your name, monsieur! How did you meet?â
Malou stepped in front of them with colourful curses and hand gestures to match, but Ren felt bad for her, getting angry on Renâs behalf. She groped for Sachaâs hand.
âWeâre going to make a run for it,â she whispered into her friendâs ear.
âAllez-y!â her friend whispered back urgently. Ren met Sachaâs gaze and he nodded. A moment later, they tore off in the direction of the métro. She clung to his hand as he weaved between the pedestrians and by the time they hurtled down the stairs and flung themselves through the barriers, there was no sign of the photographers.
Ren grinned, struggling to get her breath back. Heâd invited her into his life today and survived the visit in hers. Sheâd never felt so free, loping through Paris in the evening with her hand tucked into his.
âThis way,â she said, tugging him in the direction of line nine. âThereâs one more place I want to go tonight.â