âDonât sleep,â I murmur. âCanât.â
Iâm not so worried about falling asleep. Iâm much more concerned about passing out. Iâve never been this badly hurt before, and certainly no one has hurt me like this on purpose. I donât count Pouter messing up my face. That was about food--hurting me was an added bonus. It was nothing like Cimariâs gleeful pummeling of my unresisting body. The malice behind her attack is almost more disturbing than the physical pain.
Cimariâs face, warped with cruelty, flashes before my eyes. I try to think of something--anything--else. I wonder if this is how Baba Nadia felt when she had her accident. She was probably in much more pain with a broken leg and a broken arm. I canât imagine how it must have felt, knowing that she would never dance again. I always thought it was that knowledge that killed her in the end. Once she was in the hospital, it was like she didnât even try to get better.
A tear slips down my cheek and into my split lip, making it sting. I close my eyes. I miss her so much. My grandmother was the only family I ever knew and it never occurred to me that I would need anyone else. But now sheâs gone, and I need her more than ever. I sag against the tunnel wall, struggling to breathe. My throat is tight, both from grief and fear for my broken ribs. I canât cry. I canât. It will kill me.
Through the stuffy feeling and ringing in my ears, I hear a familiar tune with familiar words. Shine, my star, my cherished one, my only love. The words flood me with both remembered pain and fresh longing for my grandmother.
âBabulya?â I whisper. I look around, blinking against the dark spots dancing before my eyes. âBaba Nadia, helpâ¦Baba Nadia?â
And if I die, my star, shine on over my grave.
âBaba Nadia,â I sigh. I know sheâs here with me, though I canât see her.
âSasha,â she whispers in my ear. âChin up, . Keep going.â
I canât. I shake uncontrollably, pain shooting through my body like knives. It makes me cry, which makes me shake more, which makes the knives dig deeper and twist. Itâs a cycle I canât break, and itâs unbearable. I want it to stop. I want to die.
And why shouldnât I? How can anyone expect me to keep going when I have no where to go? Maybe the Temple will help, maybe they wonât. But even if they do, what then? I have no one but Sadra in a world that doesnât even acknowledge me as a real person. Itâs just us. Two girls, literally against the world? Itâs just...idiotic. Itâs too hard, I donât want to do it. This delusion, this dream, this life, whatever it is--I donât want it. I want it to end now.
âOne step, Sashka,â Baba Nadia says. âJust one, for now.â
âI want to go with you,â I argue weakly.
âNot yet, kitten.â
âOkay...okay. One step.â
I push myself off the cavern wall, biting my lip so hard it bleeds. I need to focus. I move slowly toward the cavern entrance to wait for the sun to rise. Already I can see some people, mostly thralls, moving around in the pre-dawn light. With a jolt, I recognize the group Dove and I always joined heading for the slavesâ baths. It wakes me up a little bit, enough so that I can wonder at the fact that Iâm not among them.
Suddenly my lips twitch in a faint smile, and I touch the fiery ball of agony where my brand used to be. Iâm not a slave anymore. For the first time, I let myself appreciate this fact. I may be tired and scared and confused and in the worst pain of my life, but Iâm also not a slave. Iâm not on my way to be groomed like a show-dog. Iâm on my way to people who will help me...if I can make it that far. One step, I remind myself. Then another. I have to--I wonât let them take me again. I wonât be a slave again. Ever again. Cimariâs was the last beating Iâll ever take lying down.
I curl my fingers around the stone Sadra gave me and wait until there are enough people around for me to lose myself in the crowd. Finally I slip out of my hiding place, hobbling along as quickly as Iâm able toward the Temple. Iâve passed it many times on outings with Ismeni. I know itâs not far, but I canât help but fear my newfound freedom will be taken away at any moment.
Every glance cast my way feels like an accusation. I feel like everyone knows what I am. Everyone walking away from me looks like theyâre off to alert the House of Light and Shadow. I nearly have a heart attack when I see someone talking to a uniformed guard of the City Watch. I put my head down and take a deep breath. Iâm almost there. Just keep it together.
When I turn the last corner and see the Temple at the end of the street, it takes everything I have not to break into a run, broken ribs and all. I canât believe that freedom and safety are right there in front of me. It canât be real. Iâll reach for the door and someone will grab me. Or Iâll ask for help and theyâll turn me away.
Or, worst of all, they could pretend to help me and then turn me over to the House. The thought makes me slow for a fraction of a second, then I shake it off. Sadra said theyâd help us. I trust her. I have to trust her. I ask myself, whatâs my alternative? Iâm not going to last long wandering around barefoot and injured, barely able to walk.
I climb the Temple steps and pound weakly on the door, trembling all over. I lean against the door for support. When it opens, I stumble inside. A girl of maybe thirteen catches me, looking annoyed. I cry out as her hand hits my injured ribs. I straighten up and shove Sadraâs stone into her hand. I notice for the first time that itâs a polished hunk of amber with a symbol painted on it.
âSadra sent me,â I gasp. âPlease help.â
The girl looks down at the blood on her hands and then at me, her mouth forming a silent âoh.â And then sheâs at my side, helping me lower myself to the ground before I fall. She shouts for help, and heads start popping out of doors along the corridor. Iâm caught up in a flurry of activity as a chaotic flock of Temple dwellers whisks me away through the labyrinth of corridors and stairwells. I float through it all in a haze of pain, unable to understand whatâs going on or who is in charge.
Finally, Iâm deposited in a bed and left with only a stately old woman and the girl who let me in. My ribs have been wrapped and the wound on my hip has been bandaged. Iâm light-headed with relief--finally, I can rest. But the stately woman has my hand and is gently insisting that I stay awake for a little longer.
âJust for a little bit more,â she says. âCan you do that?â
âYes,â I whisper, licking dry lips.
âGood,â the woman says briskly. âLet us introduce ourselves properly. I am Mother Wenla. This is Alesa, a first-degree initiate. And you are?â
âSasha,â I say, feeling a rush of pleasure despite everything. âMy name is Sasha. Sadra said...you would help.â
âAnd so we shall,â Mother Wenla says. âWhat do you require?â
âI...I donât know,â I say. I hadnât even thought that far ahead. Iâm too tired to think at all. âCan I stay?â
âMy dear child,â Mother Wenla says. âOf course you may stay as long as you need to. I meant, what else? Will you allow a Healer to attend you?â
âYes,â I tell her. âPlease. It hurts.â
âCan you eat?â she asks. âIt may help.â
I have to think about that. âNo,â I decide. âToo sick.â
âLater, then,â Mother Wenla says with a nod, and gets up. âIâll leave you to rest. Alesa, perhaps you might practice in here in case Sasha needs anything. Unless that would disturb your rest, my dear?â
âMusic,â I grunt. âPlease.â
âAlright,â Mother Wenla says. âIâll send someone along with Alesaâs harp. Sleep well, Sasha. Welcome to Temple.â
âShe didnât even ask...where I came from,â I whisper haltingly. Alesa smiles at me.
âA lot of us came here because we needed help,â Alesa says. âMother Wenla says itâs not our place to question those in need of sanctuary. If someone needs help, we give it. Mother Wenla says we canât bring beauty into the world if we donât carry it in our hearts.â
âVery kind,â I say. âAnd wise.â
âShe doesnât seem so kind when sheâs the one overseeing your trials,â Alesa says with a grin. âBut she is, really. Where are you from? I like your accent.â
I hesitate, and she rushes to add, âYou donât have to tell me if you donât want to. Not our place, and all that.â
I donât say anything. What could I tell her that wouldnât put her in danger or make her think Iâm crazy, or both?
âIf youâre in trouble, you know you can always join the Temple,â Alesa suggests.
âWhat do you mean?â I ask.
âYou really arenât from here, are you?â Alesa remarks. âSo long as they serve the Temple, initiates are pardoned for whatever crimes theyâve committed--short of rape or murder, anyway.â
âThatâs...why Sadra sent me,â I murmur, grimacing. I close my eyes for a moment and concentrate on breathing.
âI should let you sleep,â Alesa says as young boy arrives with her harp. âSorry. Are you sure you donât mind me playing?â
âVery sure,â I say. I havenât been able to really enjoy music in so long.
âAlright, then,â Alesa says. âClose your eyes.â
For once, Iâm glad to do as Iâm told.
When I wake up, I freeze in panic, wondering where I am, then remember and relax. Iâm starving. I also donât hurt as badly as I did before. I prod my ribs and hip gingerly and find that they seem to be mostly fixed, if a little tender. My head feels better, too. Clearer. The Healer has come and gone, then. I wish Iâd been awake when she came. Iâve seen magic--Light--every day for months and months, but this is the first time Iâve benefited from it. I touch my hip again, wondering at the soft, papery scar where a gaping hole used to be. Amazing. I sit up, making the bed creak.
âSasha?â says a sleepy voice.
âAlesa?â I reply. âIs that you?â
âMmm,â says the voice. âAlright?â
âJust hungry,â I say.
âNext to the bed,â Alesa yawns. âOn the table. Thereâs some juice and hardbread.â
I feel around carefully and find a cup and a plate of some cracker-like pieces of bread. I gobble it down as quietly as I can, but each bite sounds loud enough to echo in the room. Alesa doesnât seem to mind. I think sheâs fallen asleep again. I lie back and try to do the same. It shouldnât be hard to fall asleep, but it is.
After a while, I give up and get out of bed. Thereâs a faint line at the bottom of the door. I move toward it and fumble for the latch. I get it open and push through into a dimly lit hallway. I remember waking up for the first time in Ismeniâs house and smile faintly. This time, I take careful note of each turn I make as I walk quietly through the Temple.
Iâm tempted to look into the rooms I pass, but I donât know if there are people sleeping inside. What I really want is to find a dance studio. I know there has to be one somewhere. I havenât danced in more than twenty four hours, the longest Iâve gone since my first time in the garden. I need it, like itâs a drug...or medicine.
Iâm about to give up and start doing my exercises in the hall when Mother Wenla finds me. She comes around the corner and stops abruptly, her hand on her breast in surprise. I freeze, trying not to look guilty. We stare at each other for a moment and then relax, laughing.
âWhat are you doing out of bed, child?â she chides. âYou should be resting.â
âI couldnât sleep,â I explain. âI need to dance.â
Mother Wenlaâs eyebrows shoot up. âIndeed?â
âYes,â I say firmly. âIt helps me stay...well, I just need to.â
To my surprise, Mother Wenla smiles widely. âFollow me.â
She leads me away through the halls to a large room with a smooth tile floor. Thereâs no barre, but I can make do. Thereâs a shelf of about the right height that can work. I tie my nightgown between my legs in an approximation of the dance skirts Sadra gave me and get to work, forgetting Mother Wenla instantly. I forget my pain, I forget my fear. I forget everything that isnât the stretch and pull of my muscles.
âThatâs beautiful,â Mother Wenla says when I stop for a moment to rest. âBut strange. Where did you learn to dance like that?â
âMy grandmother,â I say honestly. âThose are just exercises, though. I havenât truly danced since...since I left home.â
âWould you like to dance now?â Mother Wenla asks, taking a long wooden flute from the shelf.
âYes,â I say eagerly. âOh, yes, please.â
Mother Wenla sets the flute to her lips and begins a gentle tune that feels like an allemande. I move into the center of the room and begin to move freely to the music, realizing a dream Iâve held close for more than a year, never believing it would come true. I use the whole room, revelling in the open space.
When the ache in my hip grows too painful for me to continue, I come out of a pirouette and bring my arms down, breathing deeply. I know that if I push harder I could hurt myself, but it feels so good. I want to keep going, though Iâve been dancing for nearly an hour and my limbs are trembling with fatigue.
âLovely,â she says, lowering the flute.
âIâm sorry,â I say. âI didnât mean to go on so long.â
âIt was truly a pleasure,â Mother Wenla assures me. âDo you feel better now?â
âMuch better,â I say gratefully.
âIâm glad,â Mother Wenla says with a smile. âI think you will do quite well here, Sasha, however long you choose to stay.â
âThank you,â I say, smiling shyly back. âI think so, too.â
I wake up to the sound of crunching. I crack an eyelid and see Sadra reclining on the bed next to me, munching on my crackers. When she sees that Iâm awake, she grins and jumps onto my bed, pushing me over as she wiggles under the covers next to me.
âWe did it!â she squeals, laughing.
I laugh too and hug her around the neck. âI canât believe it. I canât believe this is happening.â
âIt is,â Sadra tells me. âEnjoy it. Youâre safe, at least for now.â
âWhat about--â
Sadra shakes her head urgently. âLetâs go get some food. We can take it out to the garden and talk.â
âWhat time is it?â I ask. I take the last cracker and hold it up accusingly before cramming it into my mouth. âIâm so hungry.â
âNearly noon,â Sadra tells me. She flicks away a cracker crumb from the corner of my mouth.âI was here yesterday, too, but you were asleep and I couldnât stay long.â
âOh,â I say. âAre you--youâre not still at...you know.â
âFor now,â Sadra says casually. âDo you like it here so far? Mother Wenla is wonderful, isnât she?â
âShe is,â I agree. I tell her about my midnight dance as we make our way toward the kitchens.
âI wish I could have seen it,â Sadra says. âIâve never seen you dance--not really.â
âWell, Iâm sure you will soon,â I say with a broad smile. âDo you know what I have to do today?â
âWhat?â Sadra asks curiously.
âNothing!â I crow, tossing my arms in the air. âAnything. Whatever I want.â
Sadra laughs delightedly. âSo what do you want to do?â
âEat,â I say promptly. âI want to eat as much as I want while you tell me everything and thenâ¦â
âAnd then?â Sadra prompts.
âHow long are you staying?â I ask her.
âAll day,â she says. âI donât have to be anywhere until late tonight. We can do whatever you want.â
âCan we go out?â I asked in hushed tones, like Iâm in church.
âOh, weâre not just going to go out,â Sadra says, linking her arm through mine. âWeâre going to go to the baths, and weâre going to go shopping, and weâre going to go see some friends of mine perform. Weâre going to go to the public gardens and galleries and just....everything. Everything we can think of until we drop. How does that sound?â
âThat sounds amazing,â I say as we enter the kitchens. âAnd that smells amazing. Is that cake for something important? Can I have it?â
âIâll ask,â Sadra says, giggling, and a cook glances over at us.
âJust out of the healing ward?â she asks, and I nod. âHealing has that effect on people. Here, have some of this, love.â
She hands me a slice of sweet bread topped with something like cream cheese. I polish it off in two bites and almost choke. Iâve never been high, but I feel like Iâm high. Iâm giddy, bursting with energy, on the verge of screaming or laughing or crying or all three. I feel like Iâm not real. Everything looks shiny. I canât believe Iâm not helping Ismeni change into her third outfit of the morning while also polishing her jewelry and planning out my chores for the rest of the day. Itâs the most amazing feeling.
âSasha, this is Myrta,â Sadra says. âMyrta, my cousin, Sasha. She was attacked on her way to see me.â
âI heard,â Myrta says. âPoor child, losing your parents like that. You should have sent word. Someone would have come to fetch you.â
âI wasnât thinking clearly,â I improvise. Then, truthfully, âSadraâs all I have.â
âWell, youâll be safe here until you find your way,â Myrta says, handing me a basket of food. âGo on and enjoy yourself. You deserve it.â
âThanks, Myrta,â Sadra says, giving the cook a kiss on the cheek.
âAnd you come home,â Myrta says. âYou can do better than Orean. If you want a Councilor, any other household on the Terrace would be wild to have you. I hear bad things about that man.â
âSoon,â Sadra laughs. âI want to come home, truly. I just need to do it without offending him too much.â
âWhy are you with Orean if you had a choice about it?â I ask when weâre outside. âI always thought it was some kind of...assignment.â
âAssignment!â Sadra stares at me in astonishment, choking on a bite of meat pasty. âSasha, what do you think my job is?â
âUm...well, dancing,â I say, face flaming. âAnd...other things?â
â
By which you mean bedding people at the Templeâs behest,â Sadra cries, appalled. âI donât know if thatâs the funniest or the most offensive thing Iâve ever heard. Wherever would you have gotten an idea like that?â
âWell, you donât like him,â I point out. âWhy else would you sleep with someone you think is disgusting and mean? And you have, at least a few times.â
âBecause it allows me to live surrounded by luxury on the Kingâs Terrace and go to parties and do whatever I want with Oreanâs coin,â Sadra says with the air of someone pointing out the obvious. âAnd anyway, being a horrible person doesnât make him a bad lover. As long as he doesnât talk.â
âOh,â I say again, ignoring her salacious eyebrow-wiggle. âThatâs very...um...practical.â
âYou donât think thatâs a good reason to share someoneâs bed,â Sadra observes. âWhat else is an advantageous marriage, then?â
âWhere I come from, people marry for love,â I tell her, then rethink it. âUsually. You really donât mind sleeping with someone you donât have feelings for? Does...does everyone think like you? About--that?â
âMostly,â Sadra says. âAnd I wouldnât say I donât mind it. I wouldnât want to be his mistress for true, but I get quite a lot in exchange for a few only-slightly-better-than-mediocre tumbles between the sheets. And, anyway, what does does any of that have to do with someone forcing me to do it?â
âWhere I come from, women donât usually...make it an exchange...unless someone is forcing them to, or because they donât have any other options,â I say stiffly. âItâs considered shameful. Illegal, actually.â
âReally,â Sadra says, leaning forward. âBut how--â
âCan we talk about something else? Tell me what you did about Cimari.â
âI will, but first let me assure you that people here also marry--and go to bed--for love.â She winks at me. âI wouldnât want to put you off the idea. In fact--â
âSadra.â
âAlright, alright. Here, eat something. Cimari thinks youâre dead.â
âWhat? How?â I ask around a mouthful of pasty.
âI Whispered it to her,â Sadra says, looking pleased with herself. âShe thinks she went too far and beat you to death and then bribed one of Oreanâs guards to dispose of the body.â
âWill that work?â I ask dubiously. âWhat if she tries to talk to the guard about it and he doesnât know what sheâs talking about?â
âI did him too. I picked a guard that sheâs bribed before, but for something else. There is still a risk of them getting suspicious if they ask each other the wrong questions,â Sadra admits. âBut even so, Iâm counting on the confusion over the whole thing to cover up what actually happened. They at least wonât have any idea about where or how youâve gone, even if they realize that youâre not dead. And Cimari is too vain to admit sheâs made a mistake--I donât think we have to worry that sheâll go to the House.â
âSo what do we need to worry about?â I ask. âThere is something, isnât there?â
âIsmeni,â Sadra replies. âI didnât have time to get to her, and itâs too late now to muck about with her dreams. It wouldnât be strong enough and she could sense that something is amiss.â
âBut she knows about Dove,â I say anxiously.
âShe doesnât know anything about you,â Sadra reminds me. âNot for sure. I only worry that sheâll confront Cimari again and ask questions Cimari canât answer. Ismeni was furious when she found you gone. Shouted at Cimari right in the middle of breakfast, according to the flute player. Cimari told her you died of some kind of taint from Doveâs death. Tona--the flute player--said Cimari came over all prissy about it, too. I canât think why.â
âWhen Dove died, she told Ismeni I should be taken to the House of Light and Shadows to be cleansed and Ismeni said no,â I explain. Weâre both silent for several moments. Finally, I say, âWell, itâs not perfect, but perfect was probably never an option, was it? I think itâs better than I could ever have hoped for. Thank you so much, Sadra. What would I do without you?â
âYouâd be mending Ismeniâs underthings right now, thatâs what,â Sadra says with a grin. She holds up a flask of juice. âMay you never hold another needle.â
âSo might it be,â I say, and toast her with my meat pie.
We finish our meal, talking and laughing loudly, enjoying the fact that we donât have to worry about being overheard. When weâre done, we return the basket to the kitchen. I head back toward the exit, but Sadra holds me back.
âYou canât go out like that,â she says definitively. âLook, thereâs blood all over your front and the hem is filthy. And, well, itâs a nightgown.â
âOh,â I say, looking down. âBut I donât have anything else.â
âYes, you do,â Sadra informs me. âI brought a dress of mine and a pair of sandals. They wonât fit, but theyâll do until we can get you your own. First, though, you need the baths. Letâs go get your shawl to cover you up until we get there and afterward we can have a ceremonial burning.â
âI know youâre joking,â I say, âbut can we?â
âProbably not,â Sadra laughs. âBut we can jam it into the garbage bucket really energetically.â
âGood enough,â I reply, disappointed. I would have loved to burn something representing my life as a slave and scatter the ashes.
âWe can spit on it, too,â Sadra offers, putting her arm around my shoulders. âSmile. Today Iâm going to shower you with gifts and good food and fun, but I have conditions.â
âAnd what are those?â I ask, beginning to smile.
âFirst, you must smile,â Sadra begins. âVery good. Second, no worrying. Thirdly, no bitter memories. And, lastly and most importantly, you have to accept everything I buy for you. Unless you donât like it, but then you have to pick something else out.â
âI donât have any money,â I realize belatedly. âSadra, you canât--â
âNo, no, no,â Sadra says, putting her hand over my mouth. âNo arguments. Really, itâs Oreanâs money weâre spending. Think of it as the wages you should have been earning.â
My smile grows wider. âWell, when you look at it that wayâ¦â
âWhen you look at it that way, he owes you quite a lot of money.â
We get the shawl from the infirmary and and arrange it as strategically as we can to make it look like Iâm not barefoot and wearing a filthy nightdress. Sadra refuses to let me wear her shoes until Iâm clean. I take a peek at the bottom of my foot and I have to agree. Itâs disgusting.
I wasnât particularly excited about the baths initially, but I didnât realize how vastly different the experience would be as a free woman. All the rooms Iâm used to are there, but thereâs also an outdoor space for exercise where men wrestle and run races and children play a game that looks a little like hopscotch. Sadra and I join a group of women in a shady courtyard for a dance that involves a lot of rhythmic singing and clapping.
As we all troop inside to undress for the baths themselves, Sadra chats easily with everyone and introduces me as her cousin from a distant village. People ask me polite questions and I give polite--if vague--answers. I meet peopleâs eyes when they talk to me. I smile. I ask questions of my own. In my old life, I never really enjoyed socializing, but now Iâm just so thrilled to be able to talk to people that I canât imagine why I ever avoided it.
Thereâs one tense moment when we exit the steam room for a massage, but Sadra murmurs in my ear that the people giving the massages are paid professionals, not thralls. I should have known. Thralls are never used for anything that requires skill or artistry.
âDancer?â inquires the lady rubbing my back. âYouâve the muscles for it. I thought about taking vows--I played the reed-pipe--but then I met my Vanon and never looked back. I love music, but I love my husband and children more.â
âMmm,â I say noncommittally, wondering what sheâs talking about.
Seeing that Iâm enjoying the massage too much to make conversation, she chuckles and continues on in silence. I think it might be the best twenty minutes of my life so far. It feels good, of course, but itâs more than that. Itâs having someone do something for me rather than the other way around. It feels just--miraculous.
When we leave, Iâm dressed in Sadraâs gown and sandals, both of which are a little bit big on me. Our first stop is the hairdresser, where Sadra insists that we need to buy a wig for purposes of both fashion and disguise. She spends an eternity clapping various wigs on my head and snatching them off, trying to find a shade of blonde that looks natural enough to escape casual notice.
Finally, I pass inspection and she hauls me off to buy dresses, shoes, and my own makeup. I protest at this last bit, but Sadra insists, saying that I need to blend in and that means doing everything everyone else does. I agree reluctantly, but secretly I think sheâs just having fun spending Oreanâs money.
I get another thrill when we stop to eat at a tavern. For the first time since I arrived in this world, I get to choose what I will eat. I ask the serving boy to repeat the options three times, paralyzed by indecision. Sadra doesnât try to order for me. I think she knows what a big moment it is. When I finally order, I feel both elated and slightly drained. Choosing can be exhausting when youâre out of practice.
My head is spinning by the time Sadra sees me safely back to the Temple and says goodnight. Even so, I make sure I go through my exercises before falling into the bed Iâve been assigned. I smile into my pillow, wondering at how drastically my life has changed in the last two days.
The biggest difference, I think, is that now I look forward to waking up in the morning. Mother Wenla has invited me to observe some classes and see if I might consider joining the Temple. Sadraâs going to visit again for dinner with the other Temple initiates and students. Iâm going to wake up in a comfortable bed in my own nightgown and put on clothes I picked out for myself and dance freely for people who will appreciate it.
I think of Emily and Melanie and Tara with a brief stab of guilt, then push it away. Feeling bad wonât get me home any faster. Iâll come up with a plan tomorrow. For now, I want to just enjoy being happy.