I crawl out of the water with Sadraâs help, shivering uncontrollably. Blood runs down my arms from several scrapes. My forehead stings. I put a hand to my head and realize my wig is missing. It must have torn loose underwater.
âWhereâs Luca?â Sadra asks. âIs he alright?â
âYes,â I gasp, still shaking. âAt least, he was. He was...â
âI know,â Sadra murmurs.
Thereâs a strange tightness in my chest. I canât reconcile my gentle, goofy Luca with the killer I just saw. Iâve never once seen him use his knife for anything but cutting his meat--until now. It never even crossed my mind that he could use it for anything else, though I knew he had all the same training that the Prince had.
Lucaâs head bursts through the surface and he hauls himself out of the water, shaking drops out of his eyes. His mouth is a flat, straight line and his brows are drawn together. He looks...dangerous. Not like my Luca. I back away from him uneasily.
âLetâs go,â he says shortly.
Luca leads us through what seems like miles of dark, twisting tunnels. He doesnât look at me, and I donât speak to him though I canât seem to tear my eyes away from the back of his head. Ismeni has been staring at me ever since I ditched my wig, but she hasnât said anything yet. I really hope she doesnât, though I canât help feeling pleased that sheâs finally recognized me. If Luca doesnât know the truth about me, thatâs definitely not how I want him to find out--especially now.
Of course, since itâs exactly what I donât want to happen, Ismeni finally does confront me.
âWho are you?â she asks, grabbing my arm and turning me around to face her.
âSasha,â I say, barely resisting the urge to put my knuckles to my forehead and look away. âWe donât have time for this.â
âWe will make time for this,â Ismeni snaps. âYouâve stolen something precious to me, and I want to know who you are.â
Now Iâm just lost. âI donât understand.â
âLiar,â she says, clearly furious. âThatâs the body of my thrall Blue that youâre wearing. Who are you?â
â
â I stare at her in complete astonishment. âWhat in the name of all the stars in the sky are you talking about?â
âMy husbandâs sister has high standing in the House of Light and Shadow,â she says threateningly. âShe told me all about how spiritwalkers invade the bodies of compromised thralls. So who are you and why did you take my Blue from me?â
I canât help it. I laugh in her face.
âYou have no idea what youâre talking about,â I inform her. âAnd neither does Cimari, assuming she wasnât lying to you. We really donât have time for this.â
âWeâre not finished,â Ismeni says hotly as I turn away. She tightens her grip on my arm. âAnswer me! Cimari saw Blue die. She cleansed and destroyed Blueâs body. How did you get your hands on it?â
âHah,â Sadra says. âIs that what she told you?â
âNo one believed your lies,â Ismeni says primly. âAs if anyone could believe that a sister of the House would purposely destroy a thrall.â
âThatâs why she was sniffing around the Temple?â Sadra laughs. âShe thinks I told the House that she killed your thrall? I almost wish you knew the truth so you could appreciate the irony.â
âShe would have killed me,â I snap, and jerk my arm out of Ismeniâs grip. âShe almost did.â
âKilled you?â Ismeni cries, throwing her hands up in frustration. âI donât even know who you are--aside from a thief, that is. Why Blue? Surely there are other thralls to steal.â
âI am Blue,â I shout. âBut thatâs not my name. My name is Sasha. I was torn away from my home and beaten, starved, enslaved. You truly thought I was a toy, and I forgive you for that because you didnât know any better and because you were mostly kind to me. But you were--you are--wrong. Youâre so wrong.
The House of Light and Shadow doesnât create thralls--it steals them.
the thieves. The House mages steal the voices and free will of real people. Men and women with jobs and friends and families that theyâll probably never see again because of ignorant, complacent people like you.â
âI donât believe you,â Ismeni says tightly. Sheâs gone dead white.
âWell, thatâs your right, I suppose,â I say with a shrug. âI honestly donât care what you think. We need to keep moving.â
I turn away to hide my lie--of course I care what she thinks--and find Luca staring at me with an expression I canât define. We lock eyes for a moment, then look away. He doesnât say anything. He just gestures for us to follow and continues into the dark.
When we finally emerge from the tunnels, I almost donât notice because itâs still the dead of night and the moon and stars are hidden by clouds. As Luca and his little orb of light move forward, I see that weâre in a forest. Beyond that, I have no idea where we are.
âAlessandra,â a voice calls, and Bard emerges from the trees. Heâs accompanied by Kirit and Pretty Girl, who strains at her lead rope.
Bard lets go of the rope, letting Pretty Girl leap forward and place her paws on my shoulders. Even as scared and miserable as I am, I laugh. Iâm so happy to see her. I hug her tightly and smoosh her ears around while she licks every part of my face she can reach. Kirit paws my leg, yipping for attention. I scoop him up and rub my cheek against his head.
âWhat are you doing here?â I ask Bard. âIs Caris safe? We couldnât think how to warn her---â
âCaris is safe,â Bard confirms. âShe and Jarron are leaving the City as we speak. Theyâre probably out by now, in fact. They have been preparing for it since you were taken to the palace. They left when word came that the Prince was killed.â
âBut how did you know?â I wonder.
âWe have been watching you, of course,â Bard says, as if it were a given. He casts a dark glance at Luca. âOur resources, unfortunately, do not extend so far as to monitor your lover. I do wish you had told us about the Prince, . He could have been useful. As it is, all our plans are now compromised. We will have to make our way as best we can without the provisions and assistance I so carefully arranged along our route. Iâve sent word to my associates to stay away. The House will surely come after us.â
âUs?â Sadra says. âYouâre still going to help us, then?â
âAgainst Carisâs very firm suggestion to the contrary,â Bard says. âYes.â
âWhy?â Sadra asks, suspicious as usual.
Bard glances at me and then away. âI have my reasons. If you do not care for my company, howeverâ¦â
âNo, no,â I say hastily. âPlease stay. I know I made a mess of things. Iâll do whatever you say.â
âAnd Lucoran?â Bard asks. âYou will join us as we discussed?â
âYes,â Luca says. âMy sister was very clear that Iâm to help Sasha accomplish her goal. And I owe it to Sasha--and to you--for disrupting your plans and putting you all at risk.â
Bard doesnât deny it. âWhat of the Councilorâs wife?â
âOh, youâve remembered me?â Ismeni huffs. âExcellent. Yes, what about the Councilorâs wife? Former wife, I should say. Iâm sure Orean will dissolve our union and confiscate my dowry as soon as he possibly can.â
âWhat about her?â Sadra snorts. âShe can do whatever she likes. Itâs no concern of ours.â
âWe canât just leave her here in the middle of--wherever we are,â I object.
âWell, she certainly canât come with us,â Sadra says. âIs there a third option?â
âWe can at least take her as far as the nearest village,â Luca says firmly. He looks at Bard. âCanât we?â
âI suppose we must,â Bard says, but he doesnât look happy about it.
âAre you all quite finished talking about me as though Iâm not here?â Ismeni says.
âDo you have something to add?â Bard asks politely, which seems to throw Ismeni.
âWell...no,â she says in a much less combative tone. âIâve no notion of what to do. They think I m-murdered the Prince. Theyâll search for me everywhere I might be safe.â
âBest of luck with that,â Sadra says. âItâs not our problem.â
âIt may actually prove useful to have two trained light casters on hand,â Bard muses. âBut the danger is considerable. As you say, Ismeni, the Council and the House will be searching for you. But tell me, do you want to accompany us?â
âI donât even know where youâre going,â Ismeni says helplessly.
âAway from the Garden, which is all you need to know,â Bard says.
âI suppose itâs my best choice no matter where youâre going,â she sighs.
Bard nods and turns to me. âSasha?â
âI think she should come,â I say hesitantly. It puts a weird feeling in my stomach.
âLetâs go, then,â Bard says briskly. âThe provisions are nearby. Girls, change out of those dresses and leave them. Ismeni, be sure to leave behind any talismans or anything else that can be tracked. Be quick about it. I want to be into the mountains by daybreak.â
Bard--and Luca, apparently--brought packs for each of us containing sturdy shoes and warm clothes. There isnât anything for Ismeni. Bard says sheâll have to just make do until we come to a village where hopefully we can buy or trade for what she needs. I can see Sadra physically struggling to hold back a snide comment. She does succeed, and Iâm thankful for her restraint. The last thing we need is more snark.
Luca still hasnât said anything to me directly. I wonder if maybe I should say something, but every time I try, my stomach starts to feel like itâs shriveling up. Instead, I keep pace with Bard and take the opportunity to ask the questions I was always afraid might be too personal to ask in front of Caris and everyone.
âBard,â I say in a low voice. âBefore you were--taken, I guess--were you having...um, problems?â
âYou mean the dreams, I suppose,â Bard says. âYes, I dreamed of the Deadwood.â
âThe Deadwood,â I repeat. Itâs a fitting name for the eerie, broken forest where I first woke up. âI dreamed of it, but then...it started to get worse.â
âWorse?â Bard asks, looking at me sharply.
âI started hallucinating,â I tell him, desperately hoping heâll say that yes, of course, he hallucinated too. âAbout the forest...and a nightmare from when I was a little girl. Did youâ¦?â
âNo,â he tells me, and my heart sinks. âBut I know of at least one person who did.â
âOh,â I say. That seems encouraging. âAnd when you got here, did you dream of...back there?â
Bard doesnât answer right away. When he does, itâs not exactly what I hoped for.
âThereâs so much we donât know about all this, . There arenât yet enough of us--those of us who are awake and whole--to even attempt to explain how exactly we came to be here. Myself, Iâm not entirely sure we should even try.â
âBut am I really here?â I whisper. âIn these dreams...Iâm sick and dying and completely raving. Is this my insanity?â
âI have no answer for you,â Bard says kindly. âAnd you are not alone in wondering. I made my choice a long time ago. At some point, youâll need to make yours.â
âMy choice?â I say with a frown. âYou donât get to choose the answer to a question like that.â
Bard looks at me with raised brows. âDonât you?â
Iâm not sure what to say to that, and Bard doesnât seem to want to talk anymore. I fall back and trudge along next to Sadra. Weâve been walking for hours and Iâm exhausted. Dawn canât be far off. I try to remember if Bard said we were going to stop and rest at dawn. No...no, he just said he wanted to be into the mountains by dawn. But we have to stop at some point, donât we?
I hear Ismeni curse behind me and I remind myself to be grateful. At least I have real shoes and clothes suitable for traipsing through the woods. Ismeni has to limp along in a gown and soft slippers. She hasnât complained, though. I have to admire the pride that carries her more or less stoically through miles of rocky trails in the dark and practically barefoot.
Dawn comes and Bard gives no indication that he means to stop. We stumble along until the sun is almost directly overhead and weâre all nearly crying with fatigue. Even Pretty Girl with her bottomless well of puppy energy is drooping and panting as she pads beside me. I think Ismeni really has been crying, but silently. Her shoes have long since been sliced to ribbon. I donât know how her feet are still intact.
âAlright,â Bard says finally. âWeâll rest here for a few hours, but then we have to keep moving. Youâll find some hardbread and dried meat in your packs and a spring beyond those rocks. Donât eat too much.â
Ismeni lies down right where she is and falls asleep, delaying the awkward question of what sheâs supposed to eat since she doesnât have a pack of her own. I find the spring and drink deeply. It wakes me up enough so that I can try to eat. I find I donât need Bardâs warning. The food is dry and bland and hard, and I have to force myself to eat any of it. I give up after a few minutes and lie down, but Iâm too tired and sore to fall asleep.
âLet me in,â Sadra says, pushing me over so she can get under my blanket with me.
âWhereâs yours?â I ask, but move over. Iâm too tired to argue.
âOver there,â she says, and I see that sheâs spread it over Ismeniâs sleeping form.
I smile. Itâs the first nice thing any of us has done for another on this trip, and the fact that Sadra did it for Ismeni makes it even nicer. It makes everything seem a little less terrible. I lean over and plant a kiss on Sadraâs cheek.
âDonât overthink it,â she grumbles, and turns over to go to sleep.
I turn over too and pull Pretty Girl against my chest, making her grunt. Her tail thumps sluggishly against my legs and then goes still after one last twitch. I close my eyes and stretch my legs out, trying to ease the tightness in my calves and thighs, until Sadra and Pretty Girlâs warmth eases me into sleep.
I wake up to the smell of roasting meat. Pretty Girl is already awake and begging Luca for scraps. He sits beside a small fire and turns some kind of bird on a spit over the flames while he explains to her exactly why she canât have any. Kirit trots up to Luca with a fat rodent in his mouth, which he drops at Lucaâs feet.
âGood man,â Luca says, gently tugging Kiritâs ear. âSee, Pretty? You have to help if you want some.â
I get up and cautiously approach. This is my Luca--kind, gentle, smiling, and nothing like the hard-eyed stranger from last night. I open my mouth to say...something. Anything. But Luca is already on his feet and turning away.
âI have another snare I want to check,â he says, seemingly to air. âThat tree cat needs to be skinned. Pretty Girl, come with me.â
Tree cat? I look down at the rodent Kirit brought and see that it looks kind of like a brown raccoon or a really chubby ferret. It doesnât look like any animal Iâve ever seen, but squirrels and chipmunks were pretty much the only wildlife I came into contact with in my old life, so what do I know? What I know is that itâs fuzzy and round and utterly adorable. It could be singing and dancing in a Disney movie if it werenât for the little dots of blood congealed on its nose. And Luca wants me to--dismantle it, I guess.
Well, fine. Iâm hungry and itâs making my palms sweat, so Iâll do it. At least, Iâll go find Bard and try to get him to do it. If he wonât...well, Iâll cross that bridge when I come to it. For now I have to just keep moving and try to ignore the unreasonable panic that sets in whenever my stomach rumbles.
Bard agrees to skin the tree cat, but he makes me watch so Iâll know how to do it next time. Itâs just gross enough to dull my appetite for a few minutes. By the time weâre done, Luca has come back and taken the bird off the spit. He puts it on a slab of rock with a âgo aheadâ gesture that could be meant for me or Bard or both of us.
I shoot an irritable glance at Luca, but he keeps his eyes on the piece of meat in his hand. Apparently weâre just going to ignore each other as well as all those little nuggets of conversation fodder weâve been racking up. His complete betrayal of my trust, the revelation of my dirty little (enormous) secret, his brotherâs murder, his sisterâs âfeelingâ that Iâm important, my hopefully imminent departure from this world...totally inconsequential. We can just sit on those for the rest of trip. Thatâll be way better.
Sadra and Ismeni join us at the fire and we share a sullen, silent meal. Afterward, I leave to find a place to pee and do my exercises. Ismeni and Luca make a fuss at first about the delay, but Bard shuts them down with just a few words. I bet he had some sort of ritual like mine before he got the Light-thing--the Pall--taken out of his head. I wonder what it was.
We set off late in the afternoon. Bard says weâll go until midnight, then continue on again at dawn. I donât know which is worse--knowing or not knowing. I eventually decide Iâm glad Bard told us. Just going and going and not knowing what will happen reminds me too much of those awful weeks in the Cage.
In fact, everything about our little jaunt so far brings back painful, scary memories. Especially being dirty. Ever since Isemeni had me bathed the first time, Iâve been obsessive about being clean. But now Iâm not clean at all and the invisible crust of dried sweat on my neck is going to make my head explode.
âWhy is the country called Kingsgarden?â I ask Sadra, trying to distract myself. âIs it because of the city names? The City of Roses, the City of Lilies, the City of Lilacs, the City of Poppies...â
âOr the other way around,â Sadra says with a shrug. âBut theyâre not all flowers, you know. I once heard of a town called Cucumber.â
âReally?â I ask with a giggle.
âYes,â Sadra laughs. âThere was a boy, a new initiate, who came from there. Poor thing. The jokes were terrible and never-ending.â
We both laugh and I catch a glimpse of Luca giving us the fish eye. I narrow my eyes back at him. I can laugh if I want to. I will laugh any time--every time--I feel like it. Heâs the one reverting to third grade tactics. If heâs feeling crappy heâs welcome to do something about it. I force myself to turn away and continue down the path, but I feel his gaze burning a hole between my shoulder blades.
Itâs been three days since we escaped from the palace, and sometimes I think itâs worse in some ways than my journey in the Cage. At least back then I knew no one was talking because we couldnât, even though I didnât know why we couldnât. This silence--this deafening, impossible-to-ignore, crippling sound-vacuum--is utterly miserable. And distracting. Itâs like all the things no one wants to talk about are just screaming and jumping around and poking the backs of everybodyâs heads.
Or maybe itâs just me. I donât know.
I stomp away to a nearby stream to wash myself and my clothes. Bard says we can rest for half a day, and I want to make the most of it. I donât know if my clothes will dry in time, but Iâm hopeful. Itâs beautiful and sunny out, and I saw there was a flat stretch of rock that should be nice and hot.
When I get to the stream, I whip off my clothes and get right in even though the water is so cold it makes my teeth hurt. I wish there were sand I could use to scrub, but the streambed is all rock. I find some waxy weeds in the water and try to use those. It doesnât work very well, so I spend a lot of time scrubbing with my hands and picking dirt from under my nails with a shard of rock. Unfortunately, thereâs nothing I can do about the little prickly hairs sprouting all over my body. But I can deal with that. Probably.
I give up when my hands are so numb I canât feel myself scrubbing anymore. I take my clothes and find a place where I can sit and rub them against a rock. I think thatâs how youâre supposed to wash clothes. I hold my shirt up to my face and sniff. It smells like the river. I guess thatâs okay. Itâs better than sweat and B.O., at least.
I hear a splash downstream and see Ismeni paddling around in the same pool where I bathed. I look away because it feels weird to stare, but look back when she starts to sing. I canât help it.
Ismeni stops and and splashes water on her face. I can hear her crying even from here. I remember how excited she would get before--well, they were booty calls, strictly speaking, but I could tell she really loved her Prince. And maybe he loved her too if he made Arismendi promise to get Ismeni out of the palace safely.
âI can see you, Blue,â Ismeni calls tiredly. âCome down here. You donât have to lurk.â
âMy name isnât Blue,â I say when I reach her. âI told you that.â
âYou did,â Ismeni acknowledges. âI donât believe you. That nonsense about being stolen away, I mean. I do believe youâre not my Blue.â
I pause. âI hope that changes. I donât know what I can say to convince you. Maybe thereâs nothing I can say. But I do want to thank you. I donât know what exactly would have happened if you hadnât taken me away from the oily man, but it canât have been good. Iâve always wanted to thank you for that, and for not telling Cimari what happened when Dove died. If she had found out, she would have done much worse than just break my ribs.â
âThe oily man,â Ismeni says slowly.
âYou know, in the alley,â I say. âI was filthy and my face was cut and my hair had just been all chopped off and the House representative was trying to sell me to a disgusting, oily, fat man with red cheeks. You probably saved my life that day.â
Ismeni looks like sheâs seen a ghost. âAnd what happened when Dove died?â
âShe spoke,â I say softly. âShe told us--me--she told me her true name. It was Mariana.â
Ismeni doesnât say anything for several minutes.
âYouâre lying,â Ismeni says finally, and stands up. âHer name was Dove. That was her name.â
Ismeni grabs her tattered, dirty gown and stalks away. I sigh and shrug. I tried. I go back for my wet clothes and spread them out in the sun. I lie down beside them and let the warmth from the rock and the sun seep into my muscles. At least thatâs one thing that feels good. I watch the light and shadows from the trees play over my closed eyelids until a sharp pain on my left butt cheek makes me jerk upright.
âOw,â I cry. I glare at Sadra, who grins back completely unrepentantly. I look down at the rosy, perfectly defined handprint. âLook at that!â
âI looking at it,â Sadra snickers. âImpressive, no?â
âYou are a monster,â I tell her, as I often do.
âDo you want to swim?â she asks, like she didnât just savagely and possibly permanently disfigure my behind.
Then again, it might help with the swelling and Iâm pretty hot from lying in the sun. Sadra splashes into the water, squealing, and I follow. Itâs such a relief to laugh and talk and pretend that everything is alright. I donât want to go back on the road--not that thereâs anything approaching an actual road. Thereâs barely even a trail. Whatever. I just want to stay here and not think about any of it for a while.
Itâs over much too soon, but the rest did us all a world of good. I donât know what Luca and Bard were doing to recharge, but everyone is much less grouchy, at least for the first few hours. We keep moving well past midnight, and by the time we stop to sleep everyone is pissy and frustrated.
Ismeni complains about having to dig the latrine hole even though itâs her turn. Luca snaps at Sadra for getting up to use the latrine hole four times before finally settling down so he can cast protective wards around the camp. Bard glares at everyone and I make weird, passive aggressive observations about all of it that no one pays attention to and which I realize sound completely ridiculous.
We continue on like this for three more days, walking until we drop and only sleeping a few hours, sometimes at night and sometimes during the day. I think Ismeni has to be doing something Light-wise to her feet to keep them intact because thereâs no way she can be managing this truly barefoot.
When we suddenly find ourselves on a road, Iâm confused. When we trudge into a village, I think at first Iâm imagining it. Itâs so busy--and loud, which is a shock after the silence of the woods. Worse, everyone is so happy and peppy. To my miserable, exhausted mind, it seems just wrong. And offensive.
âThe Festival of the Sun begins tonight,â Bard tells us in a low voice. We enter what I think is an inn. âI wanted to make sure we got here in time. People notice strangers in these parts, but not so much on feast days.â
I grunt in reply and drop into a chair to wait while he does whatever he needs to do. Sadra and Ismeni and Luca all join me around the table. A serving girl comes by to ask what we want, but weâre all too tired to eat anything. Which is just as well, because Bard comes to get us and take us to our room--singular. Also bed, singular.
But I donât care. None of us do. We all just throw our packs down and pile onto the bed and pass out. I wake up just before sunset with Ismeniâs hand squishing my face into the headboard. I push her hand away, noting with some satisfaction that Iâve been drooling all over it. Serves her right.
I get up and wander down to the common room, where delicious smells are thick in the air. Sadra and Bard are already at a table, digging into a loaf of bread and soft cheese. I sit down and snatch a hunk for myself. Around big mouthfuls, I ask what our plan is. Bard informs me that he means to rest here for the night and a good portion of the morning before we move on. Iâm glad. Iâm more than ready for a break.
âFood is on the way,â Bard says. âIâll be back. Iâm going to go see the landlady about gear for Ismeni. One of you might go wake her up. Ismeni, I mean.â
Sadra and I look at each other and then at the still-steaming loaf of bread. Maybe in a little bit. I stuff another chunk of bread in my mouth without bothering to spread any cheese on it and then cram the cheese in after.
âThat is disgusting,â Sadra observes with her mouth full. Crumbs tumble from her lips as she speaks. âWholly undignified.â
She tries to grin around the food in her mouth, revealing several lumps of gooey mush stuck to her teeth. I snort with laughter and nearly choke on my own oversized mouthful. Sadra pounds me helpfully on the back, stopping abruptly as Luca joins us. He drops into his chair and stares at the table.
âPretty Girl and Kirit are outside,â he tells the tabletop. âThe innkeeper wouldnât let them in. They could do with some company.â
Clearly this is for my benefit. I do feel guilty for not even thinking about them before falling asleep, but this whole cold shoulder, quasi silent treatment is really getting on my nerves. What is his problem? I thought I was the wronged party here. Then I remember that his brother died trying to do right by people like me. I push the thought aside. I never asked Miocostin to do that. In fact, I asked him not to.
I grab another chunk of bread and go outside, where Iâm instantly attacked by Kirit and Pretty Girl. Neither of them is used to being alone for more than a couple of hours and weâve--at least I have--been asleep for at least five or six hours. Theyâre both desperate for attention even though Iâm sure Luca was just out here playing with them.
Sadra comes to get me when the stew arrives and I all but sprint back into the inn. Someone--Luca, probably--has woken Ismeni. In the beginning, she was fussy about food but now she tucks in just as eagerly as the rest of us do. No one talks until weâre scraping our bowls clean with bread. The stew is delicious, and itâs not just because Iâm hungry. Bard comes back and everyone freezes as we all realize at the same time that we didnât leave any for him.
âYou can relax,â he tells us with a slight smile. âI already ate. Ismeni, Iâve brought you clothes and shoes.â
Ismeni stares coldly at the bundle he holds out to her. âThose rags are meant to be worn? I have fallen, I grant you, but not quite so low as that.â
âWell,â Bard says with a shrug. âI suppose I can try to get my coin back if youâd rather wear that dress until it falls to pieces. Itâs a long way yet.â
Bard starts to turn away and Ismeni snatches the clothes from his hands. Sadra snickers as Ismeni sails away up the stairs. I donât laugh, but I want to. The majestic swooshing that Ismeni likes to use to get around just doesnât really work with a dress thatâs falling apart at the seams.
âHow are you, ?â Bard asks me.
He sits in the chair Ismeni left and takes my hand. Or rather, my wrist. I think heâs checking my pulse.
âFine,â I say, a little suspiciously. âWhy?â
âOur journey may be more taxing for you than for the rest of us,â he says. âBecause of your...condition. You must tell me if you canât keep up. Our objective is to bring you to our friend beyond the mountains. We canât do that if you die of exhaustion on the road.â
âIâm fine,â I say stiffly. âReally.â
âAlright,â he says. âJust remember, thereâs no shame in it.â
Well, there wouldnât be if he hadnât just brought it up in front of my boyfriend, I think irritably. Ex-boyfriend? I donât even know. Either way, I really donât like that Bard basically just called me an invalid with Luca sitting right there. Iâm not loving the reminder that all this is for my benefit, either.
I mutter something about finding Pretty Girl and leave. Sadra comes with me and we wander through the small but busy marketplace. Everything is lit up with torches and everyone is carrying candles up the street. Theyâre singing something ceremonial-sounding, like a hymn.
Curious, Sadra and I fall in with everyone else and let the crowd carry us to the center of town. Thereâs a huge bonfire in the center courtyard. Even out here in the boonies, the center of town is beautifully decorated. Here, though, instead of marble statues, trees have been trained to grow in spirals and starbursts. Vines cover the walls and houses surrounding the courtyard. Itâs like a little pocket of forest in the middle of town.
âThis is beautiful,â I murmur in Sadraâs ear. The singing has died away, replaced with an expectant silence. âWhat festival is this again?â
âThe Festival of the Sun,â Sadra whispers back. âTo welcome summer and plenty.â
âWas that a holiday in the City?â I ask with a frown.
âYes, but itâs not a big celebration like it is in the country,â Sadra tells me. âHouseholds usually just make small offerings, say a special prayer, that kind of thing. I doubt Ismeni did much of anything. In the City they celebrate the Fire Festival.â
âWhat happens now?â I ask.
âIâm really not sure,â Sadra says, craning her neck to see if anything is going on.
Suddenly thereâs a cheer as musicians buried in the crowd begin to play. A space clears in the center of the courtyard and a group of young men and young women face off, each side joining hands and holding them high above their heads as they begin to move. I watch the dance, mesmerized. I want so badly to join in, my feet ache with it. I look at Sadra.
âCan we?â I mouth, pointing at the dancers.
She grins and turns, pulling me after her. We wiggle our way through the crowd until we pop out in the center circle just in time to catch the tail of the girlsâ line as it passes by. I stumble through the first couple of steps until I get the footwork down and then lift my head, smiling at the girl next to me. She smiles back and squeezes my hand. The other girls smile and laugh and nod at us. They all seem delighted with our little stunt.
I gasp in surprise as the leader of the menâs line leaps into air, supported and propelled by the one next to him, and spins. He lands lightly in a crouch like a cat--like a freaking ninja--and slaps the ground before coming up to cheers and trilling shouts from the crowd.
As if itâs a signal, the girls vary the dance and I have to scramble again until I find the new pattern. But itâs fun. Itâs so, so much fun. Itâs nothing like the precise, carefully crafted dances in the City where every step is planned and rehearsed ahead of time. Everyone takes turns leading the line and adding her own ornamentation to the dance while everyone else follows along. When itâs my turn, I feel like Iâm a little kid at my first recital.
When the music finally stops, Iâm completely winded and weak in the knees. I have to wonder if maybe Bard was right and if I just did something stupid. I donât know. Maybe. Tomorrowâs hike is certainly not going to be pleasant. But it feels good--right now, I feel good.
I catch a glimpse of Luca staring at me with an unreadable expression and feel a jolt in my stomach. I didnât know he was there. How long has he been there? But who cares, I tell myself. Heâs being stupid and weird and itâs his problem, not mine. I think. Itâs been going on for so long and with so little progress that I have to wonder.
Am I supposed to be doing something about this? I donât know. I never seem to know anything.