Nico Savini is a fucking prick.
Iâd decided, as I showeredâafter he fucked my brains out in studio four in perhaps my hottest sexual encounter to date as a sex-having humanâthat I needed to end this little liaison of ours.
Because something had to give or I was going to have a breakdown or an injury (Iâd decided that either of these would be an ideal solution for everyone). This was the most important moment of my life, and instead of giving every waking moment to practice, I was mooning over a boy and daydreaming about what it might be like to be someoneâs honest to God, outside, proper boyfriend.
And he wasnât even offering me that, it wasnât even on the table. Heâs in the closet, for fuckâs sake. So why then am I imagining us on road trips in Italy and visiting his family in Naples and going to visit UNESCO world heritage sites? Iâm delusional. Itâs embarrassing and pathetic and it has to stop. I canât afford to be giving any more spare energy to this nonsense.
Besides, I donât even like the arsehole.
And while Iâm certain heâs not the sole reason Iâm dancing so shit right now, he is the only thing thatâs different in my life, so it isnât really much of a reach to put this on him. So, Iâd decided I was going to âbreak upâ with him after my tofu curry. But then he told me about Sergio. Sergio fucking Cina who I wanted to exhume, piss on, and stomp into dust. Vile shitting prick.
So, Iâd be gentler, give him more than I even wanted to give him about my reasons for ending The Situationâ¢. Thank fuck I hadnât said anything about the UNESCO thing during that word vomit monologue a minute ago, but Iâm guessing it wouldnât have mattered. Heâd still be standing there with his puppy dog eyes and his soft words and his pinpoint-accurate theories, offering me everything I need.
Ergo, Nico Savini is a fucking prick. A sexy, sensitive, emotionally mature prick. With talent.
Christ, I really fucking hate him.
Heâs waiting for me to answer him. Tell me what you want from me, Felix, and itâs yours.
I roll my eyes and turn my head. âFucking hell, I really fucking hate you.â
âI know, but focus. Eyes on the prize.â He guides my head back to him and points to himself, the prize. âTell me what you want from me.â
I want you to want me the way I canât seem to stop myself wanting you. I want you to want something real with me. I want whatever a real relationship looks like with you. I want to go to the ruins of Pompeii and take sickening couple photos with you and post them on Instagram.
âI want you to shut up for a minute and let me think. Jesus fucking Christ.â I glower. Fidgety, I flatten my hair at the front of my head and try to logic this out. Something has to give. But if it isnât Nico, then what is it? The injury I was fantasising about in the shower could still be a go-er. But that would put Nico with Niall for Iliad? Handsome, Scottish, deep-voiced Niall, who made him laugh? No, fuck that. Maybe Nico could have an injury too? I cast a look down his body, at his knee and then his ankle. He gives me a furtive smile.
Tell me what you want from me, Felix, and itâs yours. But if you want more from me, you got it.
Was he saying what I thought he was? And if he was, how would that work? Have the entire company know about us? Have to explain what the hell Iâve been doing for the past month and a half to Ava and Charlie now, while I was this much of a mess? Have them hate me for lying to them on top of this? No, it wasnât the right time. I didnât think so, anyway. But maybe I didnât have to end it, maybe I could do exactly what he said I could. Lean on him, talk to himâhe was annoyingly easy to talk toâand now he knows my biggest fear. What else is there to worry about him finding out about me? If we could keep this secret a while longer, get me back on track, then we could work out everything else later.
âAlright,â I say, looking at him. âHelp me.â
His smile spreads, slow and big over his handsome face, delight flooding into his dark eyes. âSay please.â He grins.
âFuck you.â
He grins wider. âWeâre still doing that, too, then?â
âYes. But no more funny business in studio four. I need to focus; I need you to help me focus, and that includes you not wearing tights.â I turn and start walking in the direction of the tube. He follows, practically bouncing along next to me.
âStill getting distracted by my cock?â
I sigh. âItâs been one of the many difficulties, yes.â
âOkay, no tights. No fucking in studio four,â he says with a firm nod. âAnything else?â
âIâd also like you to be less⦠obliging when I say Iâm coming over.â
âI mean you could just not⦠come over.â
I glare at him.
âOkay, fine, Iâll say no. Suggest you get some sleep instead.â
Thereâs a pause before he says. âNo one else either then.â
âExcuse me?â
âI donât want you fucking anyone else either. If youâre taking fucking me off the table, then itâs off the table.â
I stop walking. âI never said I was taking it off the table.â
âYou said I was to say no when you wanted to come over, and if Iâm not fucking you in studio four and Iâm not fucking you at mine, then thereâs no one else either. If Iâm helping you, then youâre focussed. Thereâs no Christian or Rufus or Charlie or whoever else.â
âCharlie???!â I splutter.
He shrugs. âWhomever you fuck when youâre not fucking me.â
âI can assure you that itâs not, and never has been, Charlie.â
Relief bleeds into his eyes. âOkay, good. Well, then itâll be easy not to start fucking him either then.â
It makes me stupidly happy that he seems to care this much about who else I sleep with. Heâd asked me to stop seeing other people before, when this started, but I assumed that was him being conventional and, well, boring. But maybe itâs something else altogether.
Curious, I say, âIâm not sure at what point I agreed to celibacy, Savini. I asked for your help with my ballet, not becoming a fucking priest.â
His eyes turn dark. âLook, Felix. If you want my help, then there are some conditions.â
âConditions? Whereâd âItâs always been a dream of mine to dance with you and Iâm happy I get to do just that, Felixâ go?â
He curses and looks at the sky, no doubt questioning ever setting fucking eyes on me.
âNico. Iâm messing with you.â
âWhat?â
I shrug. âI like messing with you. Iâll focus. Iâm focussed. I promise not to fuck you, or anyone who isnât you, in studio four or elsewhere when I should be resting.â I lift my right hand and fold my thumb over my pinkie. âScouts honour.â
âRight, okay. Deal.â
We walk the rest of the way in an easy silence until we reach the tube station. âThis is me,â I tell him.
âYeah, I know. So, I can meet you in the morning for some practice, before rehearsal. Just tell me what time and Iâll be there.â
âYouâre the boss, you tell me.â
His mouth twitches. âOkay, six.â
âAM!?â
He laughs and starts walking back the way we came. âYouâre a fucking brat. Iâll send you a link to a homemade protein shake, I want you to bring two with you tomorrow morning.â
âIâm not really a big eater, or drinker, in the morning.â
âYouâll do what I say,â he says sexily. âAnyway, oneâs for me. Get an early night, princess, Iâm gonna work you so hard tomorrow.â
âPromises, promises.â
He winks, smiles, and then turns and walks back in the other direction without looking back.
î
I do get an early night. I have a scented bath, do some meditation (I havenât done this in over a year but Iâm willing to try anything at this point) and go to bed at 9:30pm with a chamomile tea. Iâm basically my great-aunt Tabitha. When I wake up in the morning, I feel good. Hopeful, positive, and something close to eager about working with Nico. Of course, Iâve been working with Nico for months, but I hadnât allowed myself to see him as anything other than what heâs always been. Someone I needed to beat.
He was thirteen when I first saw him danceâIâd been too intimidated to speak to him that first time, but Iâd watched in awe as heâd outperformed every other boy on that stage. I told myself the next time we met Iâd be as good as him, and that Iâd say hello. Iâd wanted to be his friend at first, but Iâd soon learned there was no such thing as friends in ballet, certainly not between rivals. (Two years later Iâd gotten the chance to talk to him, at some conference centre in Germany or Poland, and heâd been quiet and unfriendly.) The first year weâd been in the same category, heâd been magnificent. Perfect. Unbeatable. Iâd never beaten him because Nicoló Savini was unbeatable.
Only one man had ever beaten Nico.
Sergio Cina.
Itâs that which had distracted me from my meditation last night. Iâd sat up and got my phone and looked up old videos of Cina and Nico instead. These were videos Iâd seen before but they took on a new, sinister light now. Thereâs an old documentary and his words about Nico having to work harder, to work through the pain and the homesickness and the death of his fucking mother if he wanted to be the greatest made me want to reanimate the fucker up only so I could kill him again, slowly.
After making the two protein shakes as quietly as my blender will allow, I slip out into the dark February night and make the ten-minute cycle commute to the academy. Iâm delighted to find Iâm there before Nico, and I start stretching while I drink my shake. Itâs not bad; the more I drink, the more I like it.
Iâm almost finished when the door pulls open and he pokes his head through.
He looks surprised and a little impressed as he walks toward me.
âThink I need to call medical, Iâm seeing things.â
âOr maybe youâre still asleep and this is you dreaming about me again.â I stand and walk to my small cool bag and pull out the second shake. He takes it with a nod of thanks. Heâs not, thankfully, wearing tights. He has his loose jogger shorts on, which sartorially look terrible with his dance socks but are far less distracting overall.
âOkay,â I say. âWhere do you want me?â
He raises an eyebrow and points to the centre of the room.
âAgain,â he says after my first go of the first act solo. âItâs all presentation, no substance. Donât just show me the lineâactually feel it. It should feel like youâre pulling the energy out of yourself and into the room.â He moves his hands in demonstration.
âI am feeling it,â I tell him.
âNo,â he says, walking toward me. âYouâre pretending to feel it. Thereâs a difference.â
Before I can argue, his hands are on me, fingers pressing into my shoulders. With a firm grip, he pulls them back before settling his hands on my hips. He adjusts them before I feel his hand move to the base of my spine. âFor some reason, youâre collapsing here,â he says, tapping gently. âThe core needs to stay up or the whole thing falls apart.â
âYeah, I know that.â
âSo, then, do it.â
In the mirror, I can see him gazing at my arse.
âEnjoying the view?â I ask.
He steps back, brushing a hand over the top of my arse. âAre you tight here?â
âOh, you know I am, babyâ¦â
âFelix,â he says, seriously. âAre you in any pain here?â
I shrug. âNo more than usual. I do get stiff here though.â
âLie down.â
I do as Iâm told, and he directs me to do five minutes of piriformis stretches, pinning my leg to help me get deeper. Itâs a suggestive position, and as I groan and breathe and he pushes and holds, the desire I always have to fight around him flickers to life. I fight it off and concentrate on my glutes instead.
Nico breaks eye contact and lowers my leg, getting to his feet.
âOkay, letâs try that again.â
This time I move better. This time Iâm able to catapult myself into arabesque while Nico circles me like a hawk, gaze sharp and eyes picking apart every move. It doesnât feel how it usually does, like heâs watching avidly to see where heâs better than I am. This time it feels like heâs studying me the way an art lover would look at a painting or a sculptor might smooth his hands over a piece of new marble. Assessing, appreciating, planning.
âThere,â he says after a moment, softer now. âThatâs it. Donât lose that energy when you move into the promenade.â The shift feels easier this time, my body flowing far more freely, and for once, he doesnât interrupt me.
It goes like this until he ruins it.
âYour back footâs lazy,â he says.
I stop mid-motion and glare at him in the mirror. âDo you always have to ruin the fucking moment?â
He grins. âThatâs what Iâm here for, princess. Now start again, and donât drop the back foot.â
Prick.