I convince Saori that Iâm not in a relationship with Dewey. Iâm not into men. A hundred percent sure. How am I so sure?
After launching away about a dozen women. Iâm ashamed to say that⦠I tried. My experience never got far. It was vomit inducing. Not to mention the pain amplified.
My body, mind, and soul unified against it. Those were dark times. Never again.
Dewey, next time I see you. You better watch out.
A few days pass by. I tried contacting Dewey, but heâs avoiding my calls. Heâs also away from his house. This bastard! He did it on purpose and is now avoiding me!
My desire to beat him into a pulp strengthens. This burning rage wonât calm down. I wonât forget this, Dewey. You better not think Iâll forgive you that.
âHubby, are you alright?â says Saori.
âYeah, Iâm good. Just thinking of something,â I say.
Saori and I are on the road driving to the set. Itâs amazing that sheâs back in shape already. Saori didnât get that fat, but itâs only been days! I kinda miss it already. But I guess sheâs still the best, no matter what. Sheâs hiding her face from me, though. With a mask and those ugly glasses.
âWhy are you wearing those ugly pairs of glasses again?â
âI felt uneasy. You are not as calm as before. It seems like you will jump on me.â
âWhy have me drive you, then?â
She sensed it? I thought I was hiding it pretty well.
âWell, commuting to work was tough. Too many people stare at me.â
âYou commuted to work? Why didnât you tell me? I gave you a car. Why didnât you drive it?â
âI do not have a license.â
âYouâre not allowed to commute again. No talent from my agency is commuting to work!â
âThat sounds nice. I have no manager, though.â
âLucine was supposed to do that.â
âThe president of my company had an affair with the manager. Now she cannot even work.â
Alright, that one is my bad. I should search for a talent manager. Itâs hard to find good ones though. They need to be female too. If I hire one though, I wonât get to spend time with Saori anymore. The manager will take my place. Wait a minute.
âDonât worry, Iâll be your manager while Lucine is out.â
This is a brilliant solution.
âWell alright. You should be busy, though, right?â
âIâll always make time for you.â
âYou say all these cheesy lines. But. We never go on dates.â
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âWeâll go on a date right after your shoot.â
âNot now. I am talking about how all the dates we planned before. We did not even leave the house. I ended up in bed!â
Well, sometimes itâs not on the bed. On the couch, floor and table too.
âItâll be different this time. Promise.â
Saori looks like sheâs thinking hard about it. She shakes her head.
âForget it hubby. Let us stick to the plan.â
âWhy not? Itâll be a date, honest.â
âI do not trust you.â
How can you not trust me? I feel like Iâm getting too much blame here. Half the reason those dates went wrong is Saoriâs fault.
âYouâre blaming me too much. Donât you remember what you did on those dates we had?â
âI only flirted a little.â
Flirted a little?
âHow about that time you pulled down my pants?â
âThat was only one time.â
âWhat about that time in the car?â
âStop! hubby, I admit I was at fault for some. But you pounce on me even if I only smile at you!â
Thatâs your signature seduction move. Sheâs right, though. I was a bit too much. Maybe itâs seventy-five percent my fault. She never stops me, though.
âOh, weâre here.â
I park the car. Saori and I visit the set. We greet the staff and soon after, director Otis comes. He greets us.
âSaori my dear! Come. Come. Why are you wearing those glasses and mask?â says director Otis.
Saori looks at me. Sheâs wary of me. Is your trust in me that low? Thereâre so many people here! Iâm not that big of a degenerate!
Saori removes her glasses and mask.
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âYou look great! You were still good before but we already filmed parts of the show so we couldnât have the inconsistency in your style,â says director Otis.
âI am sorry about that, director. I apologize once again for the trouble I caused due to not managing my weight,â says Saori.
âItâs all good. To be honest with you, we would have continued on, anyway. It wasnât anything serious, but you seemed so sad about it. It was just a small remark. You didnât need to treat it so seriously.â
This director knows his stuff.
I scoot over to Saoriâs side and whisper to her.
âSo, you didnât really need to lose weight? This director is spoiling you.â
âI want to do great. Plus, the other actors already give director Otis headaches. He has enough problems on his plate.â
How bad are they? Iâve only seen a few scenes from before. They already delayed the show for acting lessons. Are they still that bad?
The director then guides us to the fitting room. He tells Saori about what parts theyâll film. We got to the room and Saori enter inside along with the makeup and costume crew.
I chat with director Otis.
âThank you, director for always caring about our Saori.â
âDonât mind it. I always treat my people well.â
âYou even brief her about scenes.â
âIt helps me too. Itâs refreshing to talk to actors that know their stuff.â
âWhat about the other actors?â
âSho is okay. Brook is bad. Kara is hopeless.â
Is it fine to talk about your own actors this way?
âYour agency is very lucky. Itâs hard to find such great visuals packed with other talents. My wife is the perfect example of this.â
His phone rings. He apologizes to me and scurries away. I saw who called the phone, though. It was his wife.
He should stop dissing her acting in front of other people.
She knows.