A group of people turned in unison at the sound of approaching footsteps. A young man in his midâtwenties, with pale skin and a slim figure, was making his way toward them. He wore thinârimmedglasses and a light grey suit that accentuated his slender build. However, after speaking just a fewwords, he coughed into his handkerchief, signaling that he might not be in the best of health.
Fanny froze for a second. âMr. Finegan?â
The man acknowledged with a nod and asked again, âWhat seems to be the problem?â
Mrs. Brown, clearly annoyed, recounted the events, which caused the man, Mr. Finegan, to furrowhis brows and address Fanny, âIf youâre worried about the crowd, we could stop letting people in.But once theyâre here, it doesnât seem right to send them away, does it?â
Fannyâs face darkened. She wanted to argue but seemed to hold a certain regard for the manbefore her, and reluctantly conceded, âYouâre right.â
With a look of resentment, Fanny glanced at Lorna, her eyes sharp with envy.
Very few knew Lornaâs pen name was Lorn. When B. Aster mentioned it, Fanny was startled.
Hearing that B. Aster admired her enough to invite her to help with landscape paintings, Fanny sawan opportunity and crafted a lie that âLorn had passed away.â
Both Fanny and Lorna had studied landscape painting, and while Fannyâs work was alsocommendable, Lorna had simply gained fame by association. Why should everyone remember Lornand forget Fanny?
She was now a leading figure in the world of landscape art!
She had someone recommend her to B. Aster, who had just begun showing signs of wanting tocollaborate with her. So why was Lorna showing up at the exhibition now?
âHello, Iâm Naylor Finegan.â Naylor turned, coughing into his handkerchief again, âIs this Cordelia?â
Cordelia paused, then nodded, âYes.â
Naylor smiled, âMy father is B. Aster.â
Realization dawned on Cordelia. This was the son of the Painter? She nodded her understanding.
âIf thereâs anything you donât understand, Iâd be happy to explain,â Naylor offered.
Mrs. Brown was flabbergasted, âNaylor, I know of him. Heâs a painter too, right? But he works inoils, doesnât he?â
Lorna nodded absently. Since entering, she had been looking for an opportunity to inquire about themysterious Painter. And now, seeing Naylor⦠B. Aster was the Painter?
How on earth did her daughter come to know these people?
First, the renowned pianist Stanton called her Lia, then Calvert, and now she even knew the famousdrawing master? Mrs. Brown felt she had underestimated the Delaney family.
Walking with Lorna, she had sensed that the woman was not as the rumors suggested. SeeingNaylorâs courteous interaction with Cordelia, Mrs. Brown realized Lorna and her daughter are bothbig figures, why out of her league.
The Delaney family had such an impressive figure, able to converse with the giants of theWatercolor Painting world.
Mrs. Brownâs newfound appreciation for Lorna quickly transformed into deep admiration While she was still in shock, Cordelia spoke up, âNo need, my mom will explain for me.â
Then, turning to Lorna, she asked, âMom, shall we continue?â
12.04 Lorna nodded, still a bit dazed. She refocused and began to introduce each painting to Cordelia andMrs. Brown Naylor listened attentively, with excellent manners.
As the explanations went on, Naylorâs expression grew serious This s woman, so versed in Watercolor Painting, able to offer her judgment on each pieceâshe was noordinary.
person!
He looked at Lorna with respect and asked, âMrs. Delaney, you seem to have a profoundunderstanding of Watercolor Painting. I found your explanations enlightening. Do you paint aswell?â
Lorna smiled, âI do, but Iâm not very wellâknown.â
Naylor seemed slightly disappointed by her modesty and inquired further, âWhat style do youspecialize in?â
Lorna replied, âLandscapes.â
After a moment, something occurred to her, âOh, I have a painting called âFrostfall that wasaccepted into the exhibition. Why havenât I seen it?â
Naylor promptly guided the group toward a corner of the exhibition hall, âAh, that painting! Iremember it; itâs over here.â
As they approached, they could see a crowd already gathered, admiring the work, âThis âFrostfallseems quite remarkable!â
Naylor, taller than most, caught sight of the painting and his eyes lit up, âI agree, itâs excellent.â
Mrs. Brown, ever candid, beamed at Lorna, âMrs. Delaney, everyoneâs praising your painting!â
Lornaâs eyes sparkled with joy.
Unseen to her, Fanny had been watching warily and followed close behind. Hearing the praises,she stiffened and her piercing gaze landed on âFrostfall.
So, this was Lornaâs work? She recalled that Nana was Lornaâs pseudonym back in college.
Furrowing her brow, she heard someone ask, âCould someone explain this painting to me?â
Fanny boldly took The exhibition provided guides for such inquiries, and one was about to step forward when Fannythe initiative, âAllow me.â
The guide recognized her and laughed, âThis is Fanny, a pinnacle figure in the national landscapepainting scene. Who better to explain than her?â
The guide handed her the microphone.
Being critiqued publicly made Lorna grip her fingers tightly, a mix of nerves and anticipation.
Fanny began with a smile, closely analyzing the painting. âThis piece has an air of detachment, itscomposition vast and simple, the scenery minimal. The artist uses a side stroke technique to depictthe ruggedness of the mountains and rocksâ¦â
She showered it with praise.
Mrs. Brown gave Lorna a thumbsâup. âMrs. Delaney, youâre truly impressive.â
But hardly had the words left Fannyâs lips when she pivoted sharply, ââ¦however, this piece is overlytechnical, lacking in depth and soul. It seems the artist hasnât picked up a brush in years. Thereâs astiffness, a hesitancy in the strokes. Such a pityâ
Her remark elicited a collective sigh from the crowd.
The nuances of watercolor are profound, understood by only a rare few. Many artistsâ reputationsare inflated. by hype, like Fanny.
Yet, she was the most renowned landscape painter in the country at the moment, and her critiquewas cruciall The others, only having a superficial understanding and not wishing to expose their ignorance,quickly echoed Fannyâs sentiments:
âI knew something was off about this painting. Now that Fanny has pointed it out, itâs clear!â
âHow did this even make it into the selection?â
âThey must have bought their way in.â
Lornaâs face turned ashen, her frame quivering, and it was only Cordeliaâs timely support that kepther upright.
Feigning ignorance, Fanny glanced towards the staff, âSuch a piece doesnât belong here. Take itdown, letâs not embarrass ourselves.â
The staff member nodded and moved to remove the painting when Naylor interjected, âActually, itseems quite alright to me.â
Fanny chuckled, âMr. Finegan, youâre an oil painter. Thereâs a world of difference between oil andwatercolor. Itâs understandable that youâd miss these nuances.â
Naylor was silent for a moment before he spoke again, âPerhaps I should invite my father to have alook then.â