Iâm in uncharted territory, and Iâm unsure how to navigate out of it. The more I try to stick with my normal playtime activities, avoiding anything intimate with Blakely, the more I fail.
I can only go so many sessions without kissing her before I break. And once I touch her lips, itâs like relief hits me.
I donât know whatâs happening to me. Itâs a vicious cycle, but it doesnât help that the only time I really feel like Blakely fully submits is when I allow her to kiss me. Itâs why I let her the night at the club. I didnât plan it, but it seemed like the only path to take after her admission.
Weâve had too many play sessions to count. Every night, sometimes during the day if itâs the weekend, or even the morning if I canât surf, leads to sessions.
The ones I get through without kissing her donât eliminate the chaos looming inside me. If anything, I feel more on edge. Nightmares always follow. Blakely always wakes me, giving me a pitiful expression, which I hate. But my past continues to terrorize me until I finally cave. The nights we kiss and my pet fully submits, I sleep peacefully, sometimes later than normal, and I miss the ability to surf.
It turns me into a bigger dick.
Blakely doesnât take my shit, talking back to me and standing up for herself, which only irritates me further. So I always revert to our sessions, trying to keep my boundaries until I fail again.
My secret plans to take down Hugh continue to evolve. Iâve become ruthless in sending him footage of my pet. Sometimes sheâs at the piano, belting out a tune. At others, on the beach, with the wind blowing her blonde locks all over. But then there are the times I really piss Hugh off. Like last night, I took a video of Blakely sucking my cock and looking at me with her glistening, doe eyes.
It was only a few seconds of coverage, but I didnât hesitate to send it. And Iâve been editing footage from our night at the club, using an app to hide the identity of my voice. Hughâs seen nothing of that footage. Iâm saving that for public humiliation.
My pet stirs, a soft whine coming from her as she curls closer into my chest.
I curse myself again, stroking her hip. Last night was another example of my lack of discipline. Right now, I need to get away from her, but even that is getting harder. On these types of mornings, I want to kiss her some more and go at it again.
I walked in the door after nine oâclock last night, and she was in a hot-pink lingerie set, kneeling next to her piano.
I had no idea how long sheâd been in her position, but my cock got so hard, all I could think about was getting inside her. Within two minutes, I kissed her and carried her to the bedroom. We fucked, and talked, and fucked some more until the darkness started to break with a brilliant orange glow.
I internally groan, recalling how I admitted to her that my mother was a prostitute, alcoholic, and drug addict. It came out of my mouth before I realized it. And she pushed me for more info until I cracked further and confessed too many things.
Unable to hide from my reality, I slowly move her off me, then sneak out of the room. Itâs close to eight, which usually means I missed my surfing window. But a storm is coming, making the swell higher and more dangerous to surf. Itâs the perfect morning for how Iâm feeling.
I go outside, put on my wetsuit, grab my board, and enter the ocean, fighting to get past the break.
Thereâs no calm chaos today, except for the image of my petâs blue orbs. Itâs a fight to stay on the board, and the challenge helps alleviate some of my stress.
Then her lips pop back into my mind.
Hours pass, and it begins to rain. I head to shore, shower, and go inside.
Blakely sits at the table, drinking coffee, looking lost in thoughts.
Panic grips me. I question, âWhatâs wrong?â
âNothing,â she states, but sheâs lying. Her fingers tap her mug like sheâs playing a fast song on the piano. Her other hand is softly scratching her neck. If I didnât know her, Iâd wonder if sheâs an addict, jonesing for a hit. It reminds me of my mother or hers, but I try to shake it off. Since the night Blakely drank that bottle of wine, Iâve never seen her anything but sober.
I sit next to her, grab her hand from her neck, and assert, âYouâre going to have scratch marks. Stop lying to me and tell me whatâs bothering you.â
She cringes and sighs.
I wait for her to speak, but when a vision of my mother pacing our falling-apart house appears in my mind, I reach for her hand thatâs tapping the mug. I hold it flat against the ceramic and arch my eyebrows.
She blurts out, âIâm going backward.â
âHow?â
âMy career. I should be on stage singing. Iâm not developing.â
âYouâre supposed to be working on material for your demo,â I remind her.
She bites her lip.
âIsnât that what you said you needed? A demo?â I question.
She nods. âYes, but that requires me to write something. I-I canât.â
I release her hands and sit back in the chair, inquiring, âHow many new songs have you written since you got here?â
She winces again.
âIt canât be that bad,â I assert.
She closes her eyes, shakes her head, and confesses, âNone.â
Shock fills me. I blurt out, âSurely youâve written something. Youâve been here almost two months.â
She covers her hands over her face and groans. âI have nothing.â
âWhat have you been doing all day?â
She glares at me. âIâve been trying to write. Itâs just not coming to me. Itâs not that easy, or everyone would do it!â
I put my hands in the air. âHey, Iâm not judging.â
âSounds like you are,â she says.
I soften my voice. âIâm not, pet.â
Silence ensues. I curse myself. I promised her sheâd be farther along in her career after a year with me. Itâs time to make good on that.
My phone vibrates. I glance at the screen.
Excitement fills me. Iâve been waiting for this longer than I ever expected.
I ask, âWhat do you need to write?â
She scoffs. âA new brain.â
My lips twitch.
âThis isnât funny,â she claims.
I rise, bend down, kiss the top of her head, and declare, âYour brain is fine. In fact, itâs impeccable. Stop worrying, and itâll come to you. I have to get to work.â I go into the bedroom, change, and leave.
I fight traffic, finally get in front of the warehouse, and hit the remote. The garage door opens. I reverse the Porsche in, then close the door. I take an envelope out of the glove compartment and exit my vehicle. I step inside the large, almost empty space.
Chainsaw sits on the desk, his arms crossed. The man, who I assume is Snake, is tied to a chair, his wrists bound behind his back and ankles strapped to the metal legs. Heâs huge, not unlike anything Iâd imagine for a bouncer at a high-end strip club in L.A. A white cloth fills his mouth. Several layers of duct tape circle around his head, securing the gag.
My phone buzzes. I read the text.
I glance at my watch, determining what traffic will be like. I could wait, but I told Jones not to text me until progress was made. My patience has worn thin, so Iâll have to cut my little session with Chainsaw early.
I refocus on the current situation and toss the envelope on the desk. I glance at Snakeâs black eye and say to Chainsaw, âLooks like you started the fun without me.â
âNah. Heâs a pussy,â Chainsaw says, as if bored.
Knowing Iâm pressed for time, I go over to Snake, slowly rip the duct tape off him to intensify the pain, and toss the skin-and-hair-covered adhesive onto his lap.
His muffled cries echo in the room.
I tug the cloth out of his mouth.
âI didnât do nothing,â he claims.
I yank his head back so fast he screams. I lean over him, keeping my voice calm, and ask, âHow much did you get for tricking Blakely?â
He blurts out, âThat skank is why Iâm here?â
I snap and punch him so hard he falls to the ground. The metal chair bangs on the concrete floor. Blood spews out of his nose, and he yelps.
I grab him by the hair, yanking him back into a sitting position, and he shouts, âStop it!â
âSee, nothing but a pussy,â Chainsaw interjects.
âHow much?â I repeat, my spit hitting his face.
âTwo fifty!â he cries out.
His answer makes me angrier. I tug his head farther and fight to reclaim control of my emotions. I seethe, âThatâs the price of your life, then.â
His eyes widen. He tries to get out of my grasp, but heâs not going anywhere.
I release him, turn to Chainsaw, and order, âFinish the job.â
Chainsaw cracks his knuckles. âGladly. No oneâs gonna be missing this piece of shit.â
I point to the envelope. Cash and pictures of Roy and George are in it, along with their home addresses and family situations. The last thing I need is women or children getting hurt. Surprises arenât good for Chainsawâs line of work. I assert, âWhen youâre done, Iâve got two more pieces of shit for you. Destroy it once youâre clear on the targets.â
âGot it,â he replies.
I leave, cranking the music in the car. Hughâs going to have a fit when Roy and George go missing. Jones has something for me now, and it has to be good news. I get to Compton and reverse into his garage.
He doesnât shut the door, comes over to my window, and announces, âI cracked it. I just siphoned the first million from one of his offshore accounts. Iâm taking smaller amounts from the legal ones he has here.â
A rush of adrenaline almost makes me dizzy. Iâm finally making progress to take Hugh down beyond pissing him off with footage of my pet. I ask, âItâs untraceable?â
Jones furrows his brows as if insulted. âOf course it is. My system is bulletproof. However, Iâll continue upgrading it, as things always move fast in the cyber world.â
I fist-bump him, feeling giddy. âGood man. Keep me posted.â
I pull out, turn my music up again, and fight more traffic, not even bothered by it. I finally veer off the exit, and a car pulls out of the space directly in front of Naked Pipe Entertainment, one of L.A.âs hottest recording studios.
âMy lucky day,â I mutter, sliding into the spot. I get out and stroll through the front door.
A woman with bright-green hair, obnoxiously chewing her gum, removes her earphones, and asks, âCan I help you?â
I demand, âRiggs Madden. Here to see Ears.â
She glances at her screen and offers a fake smile. âSorry. Heâs in a meeting. Can I give him a message?â
I toss a thousand dollars in cash down on her desk, repeating, âTell him Riggs Madden is here. Thatâs for your trouble.â
She glances at the cash, clears her throat, then folds the bills. She stuffs it in her bra and chirps, âLet me see if heâs on a break.â
âYeah, you do that,â I state.
She isnât gone long before Ears steps into the lobby, grinning. âWell, Iâll be damned.â He slaps hands with me and pats me on the back, claiming, âLong time.â
âYeah. Got a minute for me?â I ask, knowing heâd give me the shirt off his back. Heâs another friend from Compton who made it out. I was in more fights than I can count with him. Weâve always had each otherâs backs.
He leads me to a private office. âYou want a drink?â
âNah. All good,â I reply.
He sits on an oversized armchair and motions for me to sit on the couch. I obey.
Ears pushes his fingertips together, asking, âWhat the fuck are you doing in my studio?â
I chuckle. âLove how you never beat around the bush.â
âNor do you, as I remember.â
âNo, I do not. I need studio time for a demo. And I need the top agents in the room.â
Ears whistles. âThatâs a hefty demand.â
âBut Iâm sure you can get it done. For a nice amount of change, of course,â I add.
Ears crosses his arms, declaring, âI canât mess with my relationships.â
âShe has the talent. I promise you,â I state.
He narrows his eyes. âYou fucking her?â
I donât answer, keeping my eyes on his and clenching my jaw.
Ears scoffs. âOf course youâre fucking her.â
âThis isnât about that. I wouldnât come to you if she wasnât the real deal,â I insist.
Ears sighs. âOkay. Iâll bite. Tell me about her.â
âShe plays piano, has the voice of an angel, and writes her own songs,â I inform him.
He huffs. âSounds like most of L.A.â
âShe has talent,â I firmly repeat.
A moment passes. He asks, âWhatâs she look like? She a looker? If sheâs not a looker, itâll never work. This industry is rough.â
âLike you said, Iâm fucking her,â I reply.
Ears scrubs his face, then nods. âI had a cancelation today. Two months out.â
âPerfect. Send me the bill,â I say and rise.
Ears stands, warning, âRiggs, if sheâs not the next Mariah Carey, donât have me call my contacts.â
I grunt. âYou still have a thing for her, huh?â
He grins. âSheâs my queen.â
âDonât worry. Youâre going to love Blakely,â I reinforce.
âWhatâs her last name?â
I almost say Gallow, then stop myself. âFox.â
He repeats, âBlakely Fox. Well, at least she doesnât have to change her name.â
âNope. See you in two months. Have your girl send me the date,â I order, wanting to get out before he asks any more questions or changes his mind.
I fight through more traffic, heading straight to the beach house. Itâs around three when I stroll through the door, still feeling giddy.
Today couldnât have gone better.
Lightning streaks through the sky as I step inside, momentarily lighting up the dark house. Blakelyâs at the piano, but sheâs not playing. Sheâs staring out at the water, lost in her thoughts.
âPet,â I gently say, sliding my hand on her shoulder.
She jumps, then glances up. âOh, hey. I didnât hear you come inside.â
âI guess not.â
She glances at the clock, then says, âYouâre home early.â
I slide next to her on the bench, teasing, âIs that a good or bad thing?â
She smiles, but the worry doesnât leave her face. She answers, âAlways good.â
Damn, if her statement doesnât make me happier.
And she sees it. She asks, âWhy do you look elated right now?â
I chuckle. âElated? Thatâs an interesting choice of words.â
Her smile grows. âGuess one part of my brain still works.â
I lean closer to her face. âI have some news for you.â
âOh?â
âYouâve got two months to get ready.â
âFor what?â she asks.
âYour demo.â
She gapes at me, then questions, âRiggs, what are you talking about?â
I drop another bomb. âItâs at Naked Pipe Entertainment.â
The color drains from her cheeks. She stares at the piano keys.
My heart races. âI thought youâd be excited.â
She swallows hard and locks her blues on mine. She asserts, âNaked Pipe Entertainment isnât just somewhere you go to demo, Riggs. Anyone charting right now records with them.â
Arrogance flares inside me. âIâm aware.â
She gets up and paces in front of the window.
My gut drops. I question, âPet, I thought youâd be excited.â
âI-Iâm not good enough for that studio!â
âSure you are.â
She shakes her head. âNo, Iâm not. Iâve never even properly recorded anything. Iâm an amateur! Iâm⦠Iâm nowhere near ready for their caliber.â
âThatâs absurd,â I state.
âYou donât understand. I only get one shot. Theyâll never let me return if I screw it up!â she cries out.
I step in front of her. âBreathe, Blakely.â
Her fear-laced expression intensifies. She taps her fingers on her thighs like she has a nerve problem.
I pick up her hands. âCalm down.â
She takes a few breaths, then asks, âHow did you even line this up?â
âIâm friends with Ears.â
Her eyes widen. âYou spoke to Ears? About me?â
âYes.â
She squeezes her eyes shut.
My chest tightens. This is going the entirely wrong way. I restate, âI thought youâd be excited about this. Isnât this what you were shooting for? A demo?â
She glances at the ceiling, then me. âRiggs, you donât just go up to Ears and tell him your girlfriend needs a demo and to let her record.â
âGirlfriend?â I blurt out, shocked that she used the term.
Her face turns red. She shakes her head and shrugs out of my grasp, biting out, âNo. Of course not. God forbid anything is normal in your world.â
âWhat does that mean?â I snap.
âExactly what I said. Thanks for setting it up,â she adds, but she sounds anything but grateful. She moves toward the bedroom.
I ignore all the alarms going off in my head. I follow her and claim, âI donât understand why youâre pissed.â
âIâm not pissed.â
âCould have fooled me.â
She spins toward me. âDid you not hear me this morning? I have no content. Iâve stagnated.â
I cross my arms. âYes, I heard you. Maybe this is what you need to move forward. A bit of pressure.â
âA bit of pressure?â
âYeah.â
She scoffs. âI have enough pressure in my life.â
âDonât be dramatic.â
âIâm not,â she shouts.
âYou have a safe roof over your head, no bills, and food in your stomach. What is possibly creating pressure in your life?â I question.
âYou! Youâre the pressure in my life!â she cries out, her eyes blazing and cheeks flushing.
I jerk my head back. Tension rapidly builds between us.
She realizes what she said and tries to backtrack. She lowers her voice. âIâm sorry. I didnât meanââ
âDonât lie to me, pet. Just put it all on the table,â I seethe.
She shuts her eyes. âRiggsâ¦â She opens her lids, and theyâre wet.
My pulse beats hard between my ears. I keep my voice as neutral as possible and state, âYou have two months. And I wouldnât go to Ears if I didnât think you were readyâ¦if I didnât believe in your talent. One thing I thought youâd know about me by now is that I donât put my reputation on the line unless Iâm convinced itâs a sure thing.â
She swallows hard.
I add, âBut youâre only a sure thing if you want to be. And it doesnât matter if I believe in you or not. You have to believe in yourself. Make a choice, pet. You either want to make it happen, or you donât.â I walk out of the house, slam the door, and take off to my apartment in the city. If Blakely thinks Iâm her root of pressure, then Iâll eliminate it for her.
Itâs probably best for us anyway. Sheâs confusing our relationship with her girlfriend comment. And I need to stop being such a pussy when it comes to her.