âWhat is it?â Andrew said as Charles lifted a worn brown leather volume from Kenneth Fraserâs dispatch box.
âIt seems to be a ledger.â Charles set the volume on the desk and opened the front cover. âRecording payments of some sort.â He scanned the dates, entered in a bold script that was clearly his fatherâs. Like a blow to the gut, it hit him again that the man with that decisive hand was gone. Dead. Reduced to a wreckage of blood and bone.
âApril of 1780 toââ Charles flipped through the entries. The writing stopped well before the last page of the ledger. âOctober 1785.â
Andrew leaned down to read the entries. âA thousand pounds. Two thousand pounds. A thousand again. Three thousand. Good God, thereâs a small fortune here, even by your fatherâs standards.â
Charles turned the pages of the ledger again, more slowly. A few a year, but not at regular intervals. All varied between one and three thousand pounds. Except for the last.
âWhat the devil was Kenneth Fraser paying twenty-five thousand pounds for?â Andrew said.
âHe may not have been paying it out. He may have been taking it in. These dates are before he came into his inheritance. Before he bought Dunmykel.â
Andrew frowned down at the ledger. âYour father always insisted I record the details of any transactions. He was meticulous about it, for all he was often an absentee landlord. Yet thereâs nothing here to indicate what these amounts mean, not even if theyâre incoming or outgoing. He must have thought whatever it was too dangerous or damaging to record.â
Charles nodded. âAnd he kept the ledger locked away, which impliesââ
His words were drowned out by the creak of the door being thrown open. âCharles.â Mélanie hurried into the room. âSomeone put laudanum in Davidâs whisky.â
âDavidâs?â
âI know, it doesnât make any sense, but thereâs no doubt. I tasted it. Though I might have missed it if we hadnât tasted the laudanum in Miss Talbotâs brandy so recently.â
âMy God,â Andrew said, âis some lunatic drugging all the drinks in the house?â
âWe checked,â Mélanie said. âWe checked all the whisky, brandy, sherry, water, anything liquid any of us had in our rooms. Davidâs is the only one thatâs been doctored. And before you ask, David says the last time he had a drink from the bottle was the night before last. Before Miss Talbot was killed.â
âWhere are the others?â Charles asked.
âIn the old drawing room. I didnât think there was enough room for all of us in here.â
âRight. Andrew, bring the dispatch box.â
Gray predawn light leached round the white-painted shutters in the old drawing room. The candle sconces by the fireplace and the lamp on the rosewood table created islands of warmth in the cool shadows of the room. Tommy and Gisèle sat on one of the cream silk sofas. David was pacing up and down at the far end of the room. Simon stood beside the pianoforte, staring at a musical score as though it held answers to why someone might be making an attempt on his loverâs life.
âI donât understand,â Gisèle was saying when Charles opened the door. âWhy on earth would anyone want to kill David? I mean, heâsââ
âCompletely irrelevant.â David halted his pacing. âAt least as far as everything weâve learned about Honoriaâs death and the Elsinore League.â
âExcept that youâre standing in for one of Honoriaâs guardians.â Charles closed the door and moved into the room.
âWe are assuming the same person who drugged and strangled Honoria drugged Davidâs whisky, arenât we?â Gisèle said.
Charles pulled one of the canvaswork chairs away from the rosewood table and held it out for Mélanie. âWe canât be sure of anything, but Iâd say the odds are extraordinarily high that the same person drugged Honoriaâs brandy and Davidâs whisky. On the other hand, itâs not at all clear that the person who drugged Honoria is the same person who strangled her.â
âOh, for Godâs sake, Fraser,â Tommy said, âHow many villains do you think are running about this estate?â
âAn obscenely high number by any count.â
âBut why would someone have drugged Honoria if it wasnât part of the murder?â Gisèle asked.
âI donât know.â Charles dropped into a chair beside Mélanie and then wondered if it had been a good idea. If he stopped moving for too long, he feared he might not be able to get started again. âI still canât work out how the killer could have planned the murder without having known Honoria would be alone in Fatherâs bedchamber. Or else having known Fatherâs bedchamber would be empty so the killer could move her there after she was dead.â
Mélanie rested her arm on the table and leaned her chin on her hand. The bruise on her jaw had turned a dark purple. âI canât figure out how the killer could have counted on Miss Talbot or David drinking the brandy or whisky on any given night. I suppose Miss Talbot might have always been in the habit of taking a drink at bedtime, but we know David isnât. The whole thing seems incredibly chancy.â
âNot to mention that David might have shared the whisky withâoh goodness.â Gisèle sat up very straight âCould the killer really have been trying to drug Simon?â
Charles cast a quick glance at his sister. âClever girl, Gelly.â He turned to David. âIf youâd had a glass of whisky, the odds are Simon would have as well, arenât they?â
âYes.â Davidâs gaze moved to Simon, dark with concern.
âWhichever one of you was the target, the killer would have wanted to drug you both,â Mélanie said. âTo ensure that you both slept through the attack.â
Simon flipped the musical score closed. The flutter of the pages echoed in the still room. âI can think of several actors and at least one manager who would quite like to see me dead. But none of them happens to be at Dunmykel.â
Tommy lifted his gaze from a contemplation of the scrolls in the carpet. âYouâre French, arenât you?â
âMy mother was French. I spent the first ten years of my life in Paris. How did you know?â
âYour voice. One gets used to reading accents in my line of work.â Tommy scanned Simonâs face. âYou look to be about my age. You must have been born just before the Revolution.â
âMy father went abroad to study painting and married an artistâs model. My mother.â
Tommy leaned back on the sofa and crossed his legs at the ankles. âCould your father have had anything to do with the Elsinore League and Le Faucon?â
âGood God, no. My father certainly wouldnât have been in Glenister and Kenneth Fraserâs set. As for the Le Fauconâmy father was a painter with mildly revolutionary views, but he never went much beyond speaking his mind in cafeâs. Heâs the last man to be involved in something likeââ Simon drew in his breath and looked across the room at Charles. âI suppose youâd have said the same about your father and Lord Glenister a fortnight ago.â
âBut even if Simonâs father had been involved with the league, why attack Simon?â David said. âHow could Simon pose a threat now?â
âPerhaps because of something from his childhood.â Mélanie looked at Simon. âSomething the murdererâs afraid youâll remember.â
Simon aligned the edges of a loose sheaf of music on the piano. âAre you asking if one of the men I handed cups of coffee to in my parentsâ salon or met walking with my mother in the Bois de Boulogne or having ices with my father in the boulevards could have been Le Faucon de Maulévrier? As I said, I suppose anythingâs possible. But I donât see how the devil I could work it out now. And no, I donât remember anyone in particular with cold blue eyes.â
Gisèle scowled at the torn flounce on her skirt. âBesides, we still arenât sure that Honoriaâs death had anything to do with this falcon person. If the man who attacked Charles is Le Faucon and he killed Father tonight, then someone else killed Honoria.â
Charles rubbed his hand over his eyes. His gaze seemed to have stopped focusing properly several hours before. Perhaps with his first glimpse of his fatherâs body. âA lot of ifs,â he said. âBut yes.â
David strode forward and rested his hands on the sofa table. âWhat now? The one thing that seems clear is that the killer may be planning further mischief.â
âAt least thereâs not much chance of either of us sleeping through anything now,â Simon said.
David glanced at him over his shoulder. âThatâs not exactly enough to reassure me.â
âWeâll take it in turns to watch the upstairs corridors outside the bedrooms tonight,â Charles said. âIn teams of two.â
âIt shouldnât take two,â Tommy said, âitâs not much of aâoh, I see. Insurance in case one of us is the killer.â
âWe canât afford to overlook the possibility.â
Uneasy silence filled the room, like the gathering light that seeped round the shutters and pooled on the oak floorboards.
âWe ought to go dress,â Gisèle said in a voice that echoed off the carved ceiling.
David stared at her as though to ask how she could think about clothes at a time like this.
Gisèle got to her feet. For a moment, in the half-light, she might have been Lady Frances. âItâs only a few hours until Honoriaâs funeral.â
Mélanie didnât go upstairs with the others. She could change from her breeches and coat to suitable mourning attire in ten minutes if necessary. Through the years sheâd mastered a number of tricks for making a quick toilette. Instead she accompanied Charles and Andrew back to the study. Though she knew there was little she could do to comfort her husband, she felt better when she could keep an eye on him.
She surveyed the two men as they followed her into the study. Charlesâs face seemed to have been scoured to nothing but sharp bones and gray hollows. When she inadvertently brushed against his hand, his skin felt like ice, as though he had shut down inside and encased himself in numbness. Yet she had the sense that if she tried to break through the frozen fortifications, it would be like putting a match to gunpowder.
Andrew looked as though he was locked in some internal battle he was determined to win. Heâd scarcely spoken during the scene in the old drawing room, and though heâd smiled at Gisèle when she left the room he hadnât attempted to go near her. Now he crossed the study, set the dispatch box back on the desk, and stood to one side.
âWe found a ledger,â Charles told her, lifting a worn brown volume out of the box. âRecords of large sums of money, but nothing to indicate what theyâre for or if theyâre incoming or outgoing, soâwait a bit.â He ran his fingers along the inside cover of the ledger. âHand me the penknife, will you, Andrew?â
Charles took the ivory-handled knife and cut away the inside binding of the ledger. A corner of something paler showed against the dark binding. He peeled the binding back to reveal a slim sheaf of papers.
âGood Lord,â Andrew said.
âIt seems I had a few more things in common with Kenneth Fraser than Iâd like to admit.â Charles laid the papers out in the light of the lamp. Mélanie and Andrew stood on either side of him. Spread before them were a series of notes written on heavy cream laid paper stamped with a crest.
April 1780 Fraser, As agreed.
G.
June 1781 Fraser, This settles matters between us.
G.
October 1782 Fraser, Pursuant to the matter discussed.
G.
February 1784 Fraser, Once again, in regard to our last meeting.
G.
âG?â Andrew said. âGlenister? Thatâs his crest, isnât it?â
âThatâs the Marquis of Glenisterâs crest, yes,â Charles said.
Mélanie flipped through the yellowed pages of the ledger. âThe dates on the notes all correspond to entries in the ledger.â
âSo Glenister was giving Mr. Fraser money?â Andrew said.
âNot the current Lord Glenister.â Charles ran his finger down the ledger entries. âLook at the dates. Frederick Talbot didnât become marquis until 1796. These notes are from his father.â
Andrew turned a bewildered gaze from the ledger to Charles. âWhy the devil would Glenisterâs father have been giving money to Mr. Fraser? Did they even know each other well?â
âFather and Glenister became friends at Harrow. Father wasnât much given to telling me tales of his boyhood, but presumably he spent some of his school holidays with Glenisterâs family. I do know that as an orphan he was constantly being shuffled about among relatives. Visits to a titled family must have been appealing.â Charles stared down at the notes as though trying to absorb hidden clues from the brief wording. âI can think of two explanations that would account for the secrecy and the wording of the notes. Father was an intelligent young man with no fortune of his own at this time. Either old Lord Glenister had some secretive and probably underhanded business that needed to be attended to and he engaged Father to handle it for him. Or Father was blackmailing him.â
âOr both,â Mélanie said. âIf Mr. Fraser undertook some underhanded business for old Lord Glenister, that could have provided Mr. Fraser with the means to blackmail him.â
âBut even if Cyril Talbot was working with Le Faucon or was Le Faucon himself, the dates are too early for this to have anything to do with that.â Charles flipped to the last entry in the ledger. âAll the entries are about the same amount. Then thereâs this one for twenty-five thousand pounds. In October of 1785. It was in late 1785 that Father received the legacy from his uncle in Jamaica.â
âAnd the legacy was twenty-five thousand pounds?â Mélanie said.
âNear enough.â
Andrewâs eyes widened. âButâsurely this uncle in Jamaica wasnât a fiction?â
âNo, but âuncleâ was a courtesy title. He was a second cousin of Fatherâs mother. Packed off to Jamaica in disgrace forty-some years before and estranged from the family. I always thought it odd that the man chose to leave a second cousin heâd never met such a large legacy.â
âIf heâd been in Jamaica for forty years and was estranged from his family here, thereâd be no one to question where the money had really come from,â Mélanie said.
âConvenient, isnât it? The other thing Iâve always thought odd is that Father didnât come into the money until two years after his cousin died. I think there was some story about a misplaced will resulting in a delay of the legacy.â Charles looked down at the final entry in the ledger. âWithout this money, Father could never have bought Dunmykel and stood for Parliament. Without Dunmykel and his parliamentary career, Mother would never have looked twice at him.â His gaze moved from the Laurano marble and the Fragonard oil to the oak paneling and leaded glass windows of the house itself. His fatherâs legacy that was now his, even though in the end that wasnât what Kenneth Fraser had wanted. âSo the question,â Charles said, in a voice as falsely bright as the gilt paint on scenery at the Tavistock, âis what unsavory act did Father commit in exchange for this money? And what does it have to do with why he was killed.â