I wake to the sound of steel grinding against stone. Sonya is sharpening a knife.
âWhat time is it?â I say, pushing myself upright.
âOne in the afternoon. Saved you some coffee,â Sonya says, nodding toward a mug near the stove. âItâs cold, but itâs something.â
I stare at her, uncomprehending. Thatâs not possible. I donât ever sleep like that. I rub my eyes, trying to piece together how I lost that much time.
"With all the noise you slept through, I didnât have the heart to wake you. Gotta be dead tired to sleep that hard." She adds.
I was tired, sure. But Iâve been chronically sleep-deprived for years. I should have woken up. Something isnât right. I take a sip of the bitter coffee, waiting for it to stir me awake. It doesnât. But the sound of that blade on the stone draws me in, centering me.
I reach for the pocket on my belt that holds my riverstone. Itâs still there, unlike my dagger. I stand, making my way across the galley.
Sonya stands over the prep table with a narrow blade in her hand, pulling it along the whetstone in long strokes. Sheâs angled it well, about fifteen degrees. But her passes are uneven, and the surface of the stone looks worn, slightly dished. She notices me watching.
âWhat?â she says. âThink you can do better?â
I donât answer. I just hold out the pale, bone-colored stone in my palm.
She squints at it. âWhat is that?â
âMay I?â
She hesitates, but then sets the knife down and steps back. âBe my guest.â
I pick up the knife and inspect the edge. Not dull, but not singing either. I splash a little water from the bowl on the table onto the whetstone.
Then I take the riverstone and begin working it in circles against the whetstone, until the water thickens into a pale grey slurry. Sonya leans in, watching.
I set the riverstone aside and take the knife again, aligning the edge with the now-slickened stone at a precise angle. Short, even strokes. Ten passes on one side, then ten on the other. The slurry adds a fine-grained abrasion, smoothing out imperfections smaller than the eye can see.
When Iâm done, I rinse the blade with a splash of water, and offer it back to her. She dries it with a cloth, brows drawn tight.
âWaitââ I say, stopping her as she reaches for a carrot. âThis is the true testâ¦â
I pluck a strand of hair from my head and hold it with two fingers so that it hangs vertically.
âBecause the hair offers no resistance, anything less than a perfect edge will just nudge it aside.â
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With a look that says sheâs only humoring me, Sonya tries it. The hair splits in two at the slightest touch of the blade. Her expression doesnât change. Either it went over her head, or she just isnât impressed.
âAlight, try the carrot.â I sigh.
She makes a slice, and another. Then, as if she canât believe her eyes, she slices an onion.
âItâs magic,â she mutters. âNo one should have a blade this sharp. What are you, an assassin?â
I chuckle under my breath. âBelieve it or not, I learned it from a baker.â
âWhat does a baker need a knife this sharp for?â
âHe came from a long line of butchers. But where Iâm from, there hasnât been game or livestock in decades. So he made bread instead. Still sharpened his knives the way his family did, though.â
âWhere can I get one of those?â She says, eyeing the riverstone as I slip it back into the pocket.
âI donât know. The baker kept it a secret. He gave me this one at the start of the war. He said if I was going to cut down my own, I better do it clean.â
Sonya looks at me intrigued. âSo it was a civil war then?â
I nod. âMhm.â
âExcuse me,â I say. âI need to step out.â
âHere, take this.â She says, reaching into her apron and handing me a scrap of cloth. âDonât fall overboard.â
âIâll try.â I say, taking the cloth.
Stepping out onto the deck is jarring at first, and I blink as I adjust to the afternoon sun. I should be thinking about where the hell Iâm going, how long until we reach land. But sometimes, sharpening a blade and taking a walk is the only way life makes sense again.
I start walking, not really aiming anywhere, just stretching my legs. But as I pass the latrine, my body makes the decision for me. Huh. Guess I would need that cloth.
The forecastle is empty, thank the gods. When Iâm done I chuckle as I remember last night, being here with Roberts, the shit-water bucket between us. How she felt the need to explain the rules while I stood there pressing my thighs together. Absurd.
And yet, my mood is lighter. It doesnât make any damn sense.
Maybe I was drugged last night. That would explain why I slept so hard, why I still feel slow and strange. The thought makes my skin crawl. I hate being under the influence of anything. Ever.
I try to summon anger, let it settle back into my bones where it belongs, but it feels hollow. Maybe Iâm too tired to be mad. Maybe I just donât care as much as I thought I did.
I head back to the galley and report to Sonya. More work. More coffee. Thenâ¦
The thought slams into me like a fist to the gut. The mug slips from my hands and shatters on the floor. My pulse hammers in my throat, my breath shallow as the unease coils deeper. It wasnât just a dream. It was trying to tell me something. I should have known.
Sonya startles at the sound. "Thatâs the thanks I get for letting you sleep all day? Covering for your ass? Youâre cleaningâ"
"Whereâs the captain?" I cut in, raising my voice.
Sonya narrows her eyes at me. "Why?"
But Iâm already halfway out the door. Where is she?
Heat floods my face, burning hot with shame, like Iâve been caught in some humiliating mistake.
Darlene is Captain Roberts.
They are the same person. And yet, theyâre not. Because I donât know her anymore. The girl I once knew, the girl who loved me, wanted me, would have done anything for me⦠sheâs gone. And in her place is someone else entirely. Someone who took me onto her ship under false pretenses.
Did she know the whole time? Of course she did. A wave of cold sweeps over me, a sharp contrast to the heat still prickling my skin. I feel exposed, raw. Like sheâs been watching me this whole time, knowing I didnât know and enjoying it.
What does she want from me? Why didnât she tell me? It doesnât matter. Iâm going to end this charade.