James âGot your stuff?â
Charlotte jams her hard hat and steel-toed boots into a bag, then patting at pockets does a visible phone, purse, notebook, pen check. âYes, got everything. You good to go?â
âYes, letâs get moving. I donât want to be late.â
We head down, Charlotte stepping out of the elevator ahead of me and heading smartly for the door.
Benâs there, talking to Kirstie. Heâs smiling but she looks uncomfortable, although Ben seems not to notice.
His smile fades as he sees me.
âOh hello, Ben. I didnât know you were around,â says Charlotte. âAre you here to see me for something?â
He replies to her politely enough, but his eyes are on me and are not friendly. âNo, I just called by to say hello to Kirstie.â
This isnât the place for an argumentâ¦.
I switch on âpolite but coolâ mode myself. âHello, Ben. Charlotte and I just going out on-site.â
âReally? Whatâs happening on-site?â
Whatâs wrong with the man?
âWeâre getting the ground-works set out for the new retail complex.â
âSo, whatâs Charlotte got to do with that?â
Ahhhâ¦. Gotchaâ¦.
Stupid bastardâ¦.
âCharlotte is, as you know, a trainee. Sheâs going to be spending time with the surveyors over the next few days to learn what their job involvesâ¦. I assume you donât have a problem with that?â
He has the grace to blush. âNo, of course not.â
âGood. Weâll be on our way, then.â
We turn and leave. After the door closes behind us, Charlotte turns back to me, looking worried. âYou donât think he wants to make trouble do you?â
âHeâs Michaelâs brother, so letâs hope not.â
*****
Twenty-Nine Years Ago The girl is tall, statuesque almost. Long copper-red hair drapes loosely over her shoulders, highlighting moon-pale skin.
Her clothes are cheap but do what they need to. The skirt is short and clingy, displaying long legs and a great ass. The halter neck plunges to the front and the wide vinyl belt emphasises her shape. Knee-
length boots with spiked heels complete the outfit.
Come fuck meâ¦.
She doesnât much like the clientele: typically late-nighters tipping out from the bars. Thatâs usually quickly over and she can get back on the street again for the next one. On the other hand, if she catches them on the way into the bars, they have more money in their pocketsâ¦.
Swings and roundaboutsâ¦.
She works her pitch, standing out to catch the headlights as they come down the high street, backing into the shadows if blue lights flash.
Some of the other girls have a man back there. Itâs safer she supposes, but it means heâs thereâ¦.
Taking her moneyâ¦.
Telling her what to doâ¦.
No-one can tell Mitch what to do any moreâ¦.
She lies there, rocking away under the motion as he pumps at her. Heâs alright this one. And heâs usually happy enough just to pound away, so she lets him get on with it. Legs splayed, staring at the ceiling, she occasionally throws in a moan or an âOh, thatâs greatâ¦.â
Heâs taking a whileâ¦.
She loops arms around him, digging long painted nails into his hair, and reaching up to check her wristwatchâ¦.
Long enoughâ¦.
She rolls and swings up and over. âHey, that was great, butâ¦.â She straddles himâ¦. âLet me do some of the work for a bit, eh?â
âSure thing, doll.â
She rises and falls, rises and falls as he grunts and gropes for her tits. She locks eyes with him. Most of them seem to like that. After a minute or two, he groans and judders. When sheâs sure heâs done, she lifts away and grabs for a robe.
âSame time next week?â he says, pulling on his pants.
âSure, Marc. You know where to find me.â
From the bathroom is the sound of splashing water. She dresses, checks her make-up in the blotched mirror, flicks the bedding back into place and smooths it straightâ¦.
She reaches for the tin on the top shelf, takes out the thin roll of notes there, adds the two left lying on the shabby dresser, then puts the whole lot back again.
Ten minutes later, sheâs back on the street.
*****
She has a roof over her head and eats regularly and she can save a bit.
And no-one tells her what to doâ¦.
Butâ¦.
â¦. She looks around her apartment.
Faded paint, glossed dirty where fingers handle the light switch. Cracked plaster and that black patch in the ceiling corner. The curtains; perhaps once colourful and bright, now bleached grey. From downstairs; rowdy noises, a street fight. Breaking glass.
Itâs a hovel.
She keeps it as clean and tidy as she can, but itâs a hovel nonetheless.
How to earn more?
Where do you go to find rich marks?
She looks at herself in the mirror: pale perfect skin, her long, lustrous hair, amber bronze even in the ugly light of the bare bulb hanging from the ceiling, her full woman's figureâ¦.
â¦. the cheap clothes, the cheap shoes, the gaudy cheap jewelleryâ¦.
And how do you catch them?
*****
âHey, you!â He jabs a finger at her, then a thumb to the door. âYou out! Your kind isn't welcome here.
This is a classy establishment. Go on, fuck off. And if I see you back here again, I'll call the police.â
She backs out hastily, almost reversing through the revolving doors.
He follows her outside, talking to the doorman loudly enough that she can hear him. âDonât let her in here. What the fuck were you thinking of?â Then a saccharine smile spreads over his face and he descends the six stone steps to the limo that just pulled up.
âMr Beaumont. Good to see you again. And Mrs Beaumont of course. Do come this way. Your suite is ready for you. No, leave those. Karl will bring your bags.â
Sullenly, Mitch watches from across the street, her mind whirring.
*****