*****
Forty-Two Years Ago âI donât want to go,â wails the little girl. âI want to stay with Daddy.â She rubs at her eyes. âWhy do I have to go?â
âBecause youâre coming with Mommy, Sweetie. Weâre going to stay with Aunty Alice.â
âBut why do we have to go?â
*****
âHere you are, Shelley, you can sleep in here.â
The woman turns on the lights to what was a spare room. A bed has been made up and there is some attempt to make the room into a welcoming place for a little girl, with comic books and borrowed toys on a table. Some second-hand child-sized furniture, the bright plastic worn to grey at the edges, is set out on a brightly coloured rug. âMummy will be sleeping just next door, andâ¦.â
âI want my room,â weeps the little girl. âI want Daddy. I want my friends.â
âYouâll make new friends really quickly. Youâll see.â Aunty Alice squats down, bringing her face level with Shelleyâs. âWeâll take you to your new school tomorrow. Abigail from next doorâs coming with us.
Sheâs so excited about meeting you.â
*****
On a cardboard box on the rug in her new room, Shelley carefully sets out her tea-set: teapot, cup and saucers, sugar bowl and milk jug. Seated on cushions and shoe boxes around the central box are a pink plastic pony, a teddy bear with one eye hanging by a loose thread, a Barbie doll dressed half in disco clothes, and half in what could be an Action Man uniform, and of course, Shelley herself. She arranges circles of paper onto a red plastic plate then offers it to the Teddy-Bear. âWould you like a cookie, Reggie?â
Her mother walks past the door, her gait heavy and slow. âCome and play, Mummy. Weâre going to have tea.â Beaming and showing small pearly teeth, she holds up a plastic teacup to her mother.
Outside, rain batters against the windows. Eve pauses, her overcoat half on and half off. âI can't, Shelley. I have to go to work.â She looks tired.
âWill you come back before I go to bed?â
âNo, Sweetie. Iâll see you in the morning.â Shuffling the coat to settle it over her shoulders, Eve stoops to pick up her daughter. âIâll see you for breakfast. Iâll be there when you get up. Iâll take you to school.â
Shelleyâs face screws up, her lip quivering. âWonât you come and tell me a story?â
âAunty Alice will tell you a story.â
âBut her stories arenât as good as yours or Daddyâs.â She begins to sob. âWhy canât Daddy come and tell me a story?â
Eve swallows hard, turning her face away from the little girl. She puts her back down on her cushion.
âYou play with Dancer and Barbie and Reggie.â
Shelley just sits, head hanging. Eve looks at her, then at the door. Hesitating, she checks her watch then, muttering something under her breath, dashes out and down the stairs.
She goes through the small lounge at a run. âGotta dash. Iâm late for my shift.â
As she opens the door to lashing rain, her sister pushes a packet of sandwiches into her hand. âSee you tomorrow evening. I'll leave something under a plate for you in the morning.â
*****
âI want to go to the party. Itâs Abigailâs birthday and I want to go.â
âYou are going, Sweetie. Iâm just making this present for you to take.â Eve works at her sewing machine, chewing her lip as she stitches together the pieces which, reclaimed from an old summer dress, are going to be a soft toy, a little pony, stuffed with bits of off-cuts of fabric and buttons for eyes.
Shelley wails. âBut everyone else has a new dress to wear. Iâve only got this old one.â
âItâs going to be just as pretty as all the other dresses.â Eve takes the party dress from her work-box, lifting it to the light. Already it shows much wear and signs of having been let out and down several times.
âSee, Iâm going to make it longer here, and then Iâm going to add some nice lace hereâ¦.â
She offers a box to her daughter, filled with odds and ends of ribbon, buttons, lace and tapes. Many of them have a tattered edge, having once been part of other clothes, now picked off and ready to be re-
used.
âWhich do you like best, Shelley? This oneâs pretty isnât it? Or what about this with the little pink flowers in it?â
The little girl folds her arms and turns her back to her mother. âDonât like any of them. I want a new dress. Why canât we go back to Daddy? I always had new dresses then. I want to go home.â
*****
Michael Ben climbs out from his car. âHi, Mike.â
âHi Ben, thanks for coming.â
A small tatty terrier jumps out from the car after him. It trots along behind, watching attentively as Ben opens the trunk, taking out a pick, spades and shovels and other tools.
I eye the dog; unpromising canine material if there ever was. It wags a stub of a tail at me. âWho's this then?â
My brother gives me one of his rare smiles.
You should do that more oftenâ¦.
As our mother is fond of reminding him, heâs a lot better-looking when he smiles.
âMeet Scruffy,â he says. âWe met on the beach while I was out for a run. He came home with me.â
âA stray?â
âI suppose.â
âAnd youâve called him âScruffyâ?â
He casts an eye over the rag-tag. âGot a better name for him?â
The dog appears to have been assembled from the parts left-over from when they made all the other dogs. One ear is askew and, in any case, doesnât match the other. The coarse, spiky fur points in random directions, reminding me of a door-mat overdue for replacement. Either that or heâs the bastard lovechild of a meercat and a porcupine.
âWhat breed would you say he is?â
Ben scratches his nose. âAll of them, I reckon. â
I nod slowly, considering Godâs last creation. You'd think if you mixed all the dog breeds up, you'd end up with something a bit foxy-looking or wolfy perhaps. Not some kind of canine scouring pad.
âHe looks as though his mother was rogered by a toilet brush,â I say. âEither that or his creator ran short on lightning strikes when he was tightening up the bolts in his neck.â
Ben sniffs and shrugs. âCanât argue with you there, but heâs good company, and heâs very faithful.â
âHeâd have to be.â
He looks at me askance but, pick in one hand, spade in the other, âSo, whereâs this area weâre clearing then?â
I jerk a thumb around the back of the house. âThis way.â Ben follows me and Scruffy follows him.
We turn the corner to the looming tangle of briars, nettles and old rose bushes long grown past garden expectations.
âChrist, Mike. I know you said it was bad, butâ¦.â
âYou did volunteer.â
Leaning spade and pick against the wall, he rubs at the back of his neck. âSo I did.â He squints up at the climbing sun. âWeâd better get started. Itâs not going to get any cooler by waiting.â