Klempner ambles in as though heâd been invited to a tea party. His eyes pass over me, already seated, instead sliding across to James who stands, arms folded, lids hooded, silent.
Klempner sits, the screen separating us. âOnly you two?â he drawls. âWhereâs Jenny?â
âWe came without her on this occasion,â I say, then cock my head across. âJames wanted to weigh you up for himself.â
âIs that right?â He looks back at James, apparently considering. âDoes she know you're here?â
âNo.â
He ignores me, addressing James. âSo, what do you want?â
âI want to know why you want to see Charlotte. And why you imagine she would ever want to see you.â
âThe last time we met, you broke both my arms. Am I supposed to be pleased to see you?â
âYou were on the point of having someone I care about gang-raped. We'll call it even, shall we?â
Jamesâ chin lifts. âAnd itâs worth pointing out that, in fact, it wasnât me that broke your arms. It was Charlotte. And if the police hadnât turned up when they did, I might well have shot you with your own gun. I was tempted. That would have finished all our problems, wouldnât it.â
Klempner looks down, rubs his nose, then back up again. âThat's why I'm on this side of the screen, and you're on that side. So⦠Why should I talk to you?â
James sits back in his seat, folding the arms again. âIf you don't satisfy us, me and Michael, Charlotte won't be coming anywhere near you. A show of goodwill on your part would go a long way. A little humility wouldnât do any harm either.â
Klempner sucks in his cheeks, considering that, then âOkay, shoot. What is it you want?â
âWhy do you want to see her?â
Klempner raises eyes, staring up at the ceiling, exhales, then aims a finger at me. âThe last time you were here, with herâ¦. When she laughed, it reminded me of... happier times.â
âYou're not happy?â
He huffs. âThey put me on suicide watch.â
âReally? You're thinking of suicide?â
Klempner gives a long look, then gestures around the miserable room. Unplastered brickwork, painted institutional green. Bars cut across windows. When the guard shifts his position, the sound of the slight movement echoes against hard walls and harder floors. âWhat do you think?â
âI think that you think far too much of your own skin to go down that pathâ¦â Klempnerâs eyes narrowâ¦
â⦠If you weren't here⦠If you were still living your previous life, from before you were captured, would you be happy?â
Klempner shrugs. âWhat's happy? I worked. I was wealthy. For all the good it did.â
âIf it didn't make you happy, why do it?â James' voice is dry, butâ¦.
He actually sounds interestedâ¦.
Klempnerâs reply is equally dry. âIt's better to cry in a limo than on a bicycleâ¦.â His gaze travels the length of Jamesâ expensive suitâ¦. ââ¦. Donât you think?â
James doesnât reply, instead pursing his lips. Thereâs a set to his eyesâ¦
He leans forward on the counter, his face close to the screen, hands fisting. âI want to know why the man who enslaved, abused, and came close to having Charlotte raped, wants to see her again. Why?â
Klempner stills, silent.
âDo you want to see her again?â I ask. âOr was what you said last time simply a spur of the moment thing? You didnât really mean it?â
His eyes snap up. âYes. I want to see her again.â
âThen⦠Why?â insists James. âIf I donât get an answer that satisfies me, sheâs not coming.â
Klempner gives him a slow look. âIt seems to meâ¦.â he drawls, âfrom what I saw of her, that if that one decides she wants to come, sheâll ignore your opinion.â
James stiffens, bolt upright, eyes slitted, lips pressed white.
But Klempner continues. âYou see, Jennyâs a lot like her mother. She takes after her. Thereâs damn all of her father in there.â
âShe could be your daughter,â I say.
His voice is flat. âShe's Conners' daughter.â
âYou're sure of that?â
âI'm sure.â
âHow?â
But he doesn't reply, simply looking away.
âWhat was she like? Her mother?â
âMitch? Ahhhâ¦.â Klempnerâs eyes soften. He stares into some unreadable distance. âShe was charming and clever, spoilt and selfish. She told me sheâd been the youngest in her family, and it showed. She wanted everything her own way. I donât think sheâd ever been refused.â He coughs a laugh, bitter and raw. âShe learned better than that with meâ¦.â
âI can imagine.â
ââ¦. And she was the most beautiful woman I ever sawâ¦.â
âAnd youâve seen a few.â James' face is set.
âOh yes. Iâm a good judge ofâ¦. female flesh.â
I interrupt. I know trouble brewing when I see it. âHow many have you enslaved?â
Klempnerâs eyes droop. âI have no idea. I never counted.â
âNo idea? Not even roughly?â
âWhen I'm shipping a cargo,â he snaps, âI don't care what's on board. Just how much it costs and how much it makes.â
He inhales, rubs the back of his neck, blows air. âWhy are you here, the pair of you? You didnât come to ask about my business practices. What is it you want from me? I want to see the girl. What do you want?â
âWe want to find her mother. Charlotte wants to find her mother. You robbed her of that when she was a baby. Perhaps you can make amends now.â
Klempner pauses, seemingly thoughtful. âIâve not seen Mitch in over twenty years.â He speaks slowly.
âIf I knew where to find her, Iâd have done it, long ago.â
âWhere did you lose the trail?â
He ponders again, lids lowered, then, âGot a pen and paper?â
Uncertain, I glance at the guard, but he nods permission, watching closely as James take his diary from a pocket, tears out a sheet and slides it under the screen with a pen.
Klempner scribbles something down, slides it back. âThat's the address where she was living when she was with Conners and the baby.â
James glances at it, then passes it to me. âYouâre the City boy.â
âYouâre not from around here then?â Klempner seems genuinely interested.
âNot originally, no.â
I read the address. âThis part of the City was demolished. But it would have been the same parish as the church where the wedding certificate shows they were married. It's also quite close to Blessingmoors.â
âWedding certificate?â Klempner sits bolt upright. âYou have that?â Then he recovers himself.
That rattled himâ¦.
Why?
James and I exchange a glance.
He saw it tooâ¦.
I sit back in my chair, folding my hands onto the counter. âYes, we have that. And her birth certificate,â I drawl.
Klempnerâs eyes narrow, but heâs regained his cool. Pursing his lips, he locks eyes with me, wearing I-
can-outstare-a-cat expression.
âGot anything to add?â asks James.
âYesâ¦.â Head tilted back, the white of his eyes showing all round, Klempner swings the stare onto James, Trying to intimidateâ¦?
â¦. Good luck with thatâ¦
ââ¦. For what it's worth, if you want to find Mitch, I think you're tackling it the wrong way.â
âWhat does that mean?â
âThe other one, the Haswell woman. They're clearly related. Track it down from her end. I set Bech on it.â¦â
âBech?â
â.... Corby to you. Before he died, I told him to find out who she is, where her family hails from. But he didn't make much progress other than to learn her family name is Kimberley. You might do better.â
âWhat do you know about Michelleâs family?â
âNot a thing. She never spoke of them.â
âThen I suggest you leave Beth out of thisâ¦.â
Klempner sneers. âIâm not interested in that one. She's too much of a sniveller. Some women are born to take orders. She's one of them. Haswell is welcome to her.â
âBut you are interested in Charlotte.â
âIâm interested in Jennifer. And her mother. Mitch was mine.â
I donât like the emphasis in his words. âYou know, from most men that would be a statement of love, or at least affection. From you, it smacks of ownership. But of course, thatâs what you did, isnât it? Own people. Enslave them. Before you were caught anywayâ¦. How did Frank Conners die?â
âWho wants to know?â
âMy fiancée.â
His eyes drop to my hand, then to James. âNice rings. A good match to the ones sheâs wearing. Youâre planning on putting something legal on her?â
âIâm marrying her in a few weeks, since you ask.â
He grins, but thereâs no humour there. âI'm sure that my lack of an invitation to the wedding was an oversight, not a deliberate insult.â
âHow did her father die?â
âLook in the records.â
âThe records aren't there.â
âReally? I suppose I have Bech to thank for that. So why do you think I'm going to give you a full confession?â
âYouâve already confessed. Weâd simply like to know the details. How did he die?â
Klempner considers, nods. âIn the river. Off the side of the old bridge. I imagine if it was dredged there, something might turn up.â
âChrist, youâre a heartless bastard.â
âI daresay youâre right.â His eyes shift between me and James. âYou going to let her visit me then?â
âWeâll think about it,â snaps James. Then to me, âAnything else?â
âI donât think so, unlessâ¦.â I turn to Klempnerâ¦. âAnything you want to add?â
âNot right now. But Iâll hope to see you again, Michael. With Jennifer.â He nods across, apparently polite. âJames.â
*****
The car door bleeps and we get in. âSo, what do you make of that?â I say, starting up the engine.
James buckles up then tips his head back, staring heavenward. âI think he's an appalling bastard. And every bit as dangerous to Charlotte as he was before. Heâs obsessive, egotistical and completely fixated on Michelle. And therefore, from that, on Charlotte.â
âI agree, but you know, I think he genuinely loved the woman.â
James blows out his cheeks, musing. âAnd you believe that makes him any less dangerous?â
âNot at all. His idea of love is ownership. Fortunatelyâ¦.â We drive at a crawl through heavy gates which sweep closed behind us. ââ¦. heâs securely locked up, isnât he.â A second set of gates swings open to let us exit⦠âDo we tell Charlotte we've seen him?â
James hmmms. âI don't think so. At least not yet. I think you and I need to digest what Klempner said. If Charlotte gets any ideas, she might just decide to take matters into her own hands.â
âYes, she might.â
I drive. James, hands clasped, orbits one thumb around the other. âCharlotte's had to think for herself most of her life,â he says. âAnd she's had someone trying to control her for most of that life. She's not used to having anyone else to rely on. She's not apt to give up her liberty easily.â
âEven when it's you thatâs asking?â
His lips pucker to a half-smile. âEven when it's me.â
*****