Klempner - Twenty-Six Years Ago Sheâs gone.
What now?
I stare out of the window of the apartment I bought for her, overlooking the harbour with its yachts and pleasure boats, ice-cream kiosks and artsy-craftsy shops. Sunshine glints outside on the water, gleams on fresh paint, blue and white, and on polished timber decks, then spills into the room. But thereâs no warmth in it. Tugging my jacket around me, I hiss as pain stabs through my hand. Gashed flesh swollen and heated, seeps blood.
I should dress itâ¦
â¦
Laterâ¦
I thought I had it.
I thought I had her.
I really did.
â¦
â¦
Itâs so cold.
Walking through to the kitchen, I limp a little where my ankle twisted as I fellâ¦
Would he really have run me down?
⦠then clumsily, working with one hand, I make coffee, splashing in a hefty measure of whiskey, then more until the cup teeters on overflowing.
You had me fooled, Larry. You really had me going. When you left, I was coming to see you⦠and then I saw themâ¦
Returning with the drink to stand in the scant heat of the sunshine, I watch holidaymakers and tourists going about their moronic activities. Hot alcohol and caffeine sear a trail down my throat but still, thereâs no warmth inside me.
She was coming to see meâ¦
Coming to say sheâd be with meâ¦
Shivering, I drain the dregs.
Bitter as bile, churning and toxic, regret wells up inside meâ¦
Enfolds me in its harsh embraceâ¦
Overwhelms meâ¦
Thereâs not enough air. Pain draws a band around my chest, tighter; ever tighter.
Dropping to my knees, I cover my face.
Hide from the worldâ¦
Is this all there is?
Hide from myselfâ¦
She ran to himâ¦
From me and to himâ¦
Conners...
Inside, something flickers; a flame fanning up to burn hot and bright and toxicâ¦
⦠Lighting the darkness.
The pain eases and I can breathe again. Inhaling, I draw one deep lungful after another, sucking at the air until my head clears and I'm able to stand. Using the window ledge to support myself, I pull myself upright again, plunging hands white with cold into my pocketsâ¦
â¦where something brushes against them; small, cold and metallic.
?
Fingers stiff and swollen, I pull out the strange object. A butterfly dangles from its chain, twinkling silver as it spins in the sunlight.
How�
?
?
My fingers grazing her skin⦠snagging on something which strains and pops to dangle from my fingersâ¦
⦠blood streaming from sliced fingers and palm. Digging into a pocketâ¦
She was wearing it.
His giftâ¦
Rage boils inside me. Fists clenching, the pain lances through me, waking me, making me feel alive again.
Conners.
*****
James David leaves. Michael considers the slip of paper in his hand. Richard and Beth sit in silence, listening loudly.
âSo⦠what do we tell Charlotte?â I say.
âNothing.â Michael stuffs the paper into a pocket. âIâm going to drive across there tomorrow and see what the area looks like. I donât want a repeat of last time; going all the way there to find nothing but a car park and a supermarket. It would break her heart.â
âYouâre not planning on knocking on the door?â
âNo, that wouldnât be right. But I want to check at least that thereâs a door to knock on.â
âFair enough.â
*****
Michael A classic city edgeâ¦
I check the address. Written in a careful hand, printed capitals, it is quite clear. This is the house.
And it looks occupied. No lights are on and there is no sign of movement, but paintwork is fresh and clean; floral curtains drape inside, the door-knocker is of brightly polished brass.
Yes, I can bring her here.
*****
Charlotte My Master and Michael get out of the car with me. Michael leans back against the vehicle, arms folded, legs crossed at the ankle. My Master paces up and down a little, then settles, watching as I approach the door.
Thereâs a light on at a downstairs window; movement inside, shapes silhouetted against lights.
Suddenly timid, I canât summon up the will to move. My feet drag. My heart flutters and my lungs are tight.
Enough alreadyâ¦
Taking the knocker in one hand, I rap smartly on the door. It rat-tats, echoing through the space beyond.
What if she answers?
Will I recognise her?
Will she know who I am?
Thereâs a shuffle, the click of a turning lock, the clunk of a bolt being drawn back, then the door opensâ¦
⦠to a manâs face. A young man, perhaps thirty. Heâs good-looking in an unremarkable way, but quite unfamiliar.
âUm, I was looking for Michelle? Is she in?â
âSorry, no Michelle here. Youâve got the wrong place.â He turns, closing the door as he does so.
I move quickly, shoving my foot in, my hand on the timber. âEr, sorry to be a nuisance, but I was given this address. Can I ask how long youâve lived here? Perhaps the people before you?â
âOnly been here six months. And I donât think there was a Michelle in the last lot. Theyâre rentals most of theseâ¦â He thumbs up and down the street⦠âPeople come and go, yâknowâ¦â
âOh, right. Thank you.â
He nods and closes the doorâ¦
*****
James Shit!
Her head hangsâ¦
Jadeâ¦
As one, Michael and I stride across. Arms outstretched, Michael is speaking before we reach herâ¦
âCharlotteâ¦â
⦠when a voice interrupts. âShelley? Long time. No see. How lovely to run into you.â
Charlotte whirls so fast her hair swings around her, settling in a cloud over her shoulders. âShelley?â
The speaker is an old woman, stooped at the shoulders, dressed in purple that doesnât suit her, pottering along towards us with an ancient shopping trolley. The bag is saggy, and one wheel is uneven, so it rises and falls as she pushes. Nonetheless, it looks to be keeping her standing.
âShelleyâ¦Oh, you do look well. Have you been on holiday?â
Then as she gets closer, she peers up into Charlotteâs face. âOh, I am sorry, sweetheart. I thought you were someone else. But yâknow, youâre the spit ân imageâ¦â
âShelley?â repeats Charlotte. âShelley? Michelle Conners? You know her?â
âMichelle, yes. I know her, though I dunno about âConnersâ.â
Remarried?
Charlotteâs voice is rising by the moment. Michael lays a hand on her arm, giving it a gentle squeeze.
Michael is naturally charming. Itâs one of his strengths and is part of the reason heâs almost universally liked. But itâs not often I see him deliberately turning up the appeal.
As I watch, a smile blooms over already handsome features. He drops a hand to her shoulder and turns on the full beam of his charisma. Blue eyes, white teeth and blond hair swing dazzling onto an old lass whoâs probably not seen the like of it focussed her way for fifty years.
In that moment, I see not only the old lady she is now, and the young woman she once was, but also, the girl, that in her head, she still is.
âPerhaps you can help us,â he says. âMy wife here is trying to find Michelle. You know her you say?â
The wrinkled old face, rheumy-eyed, red-threaded, beams up at Michael as though Redford had ridden in from Hollywood on a white stallion.
âYes, I know her. We wuz good friends. But Iâve not seen her for a while. She moved from hereâ¦â She waves at the closed doorâ¦. âOoohhhâ¦. ages ago, maybe three or four years backâ¦â
Charlotteâs face crumplesâ¦.
ââ¦Yes⦠She moved to Cosby Street, three blocks down.â
Charlotteâs head jerks up.
âAnd she lives there now?â
âThatâs right. Number thirty-seven.â
*****