Michaelâ¦
Heâs depressedâ¦
What can I do?
Change of scene maybe?
*****
âCharlotte, I was thinking, weâre about due for your road-trip.â
She pauses, half a sausage impaled on a fork midway to her mouth. âRoad-trip, Master? What road-
trip?â
âHave you forgotten that you were bequeathed a house? And everything in it. Perhaps it is time to make good your claim?â
The half-a-sausage drops back to her plate. âGo back to the farm you mean? The last time I was there, they⦠they werenât very welcoming.â
Michael is listening, chewing on toast and marmalade, suddenly looking more animated than he has for days.
Thank Godâ¦
âThings have changed since then, havenât they,â he says. âYouâve spoken with your friend Tom. He knows the truth of what happened. And of course, thereâs Chad.â
Still she stares at the sausage and the fried egg congealing by it. âIâm not sureâ¦â
I pour myself more coffee. âEven if all you decide to do is sell the house, youâll need to visit to go over the contents. And I would have thought there would be something there you would want to keep. Some memento of your Mr Kalkowski?â
âAnd if you really donât want toâ¦â says Michael â⦠we donât have to visit your farm, although it would seem a shame. I would have liked to meet your old friends.â
She looks down, stirring the sausage through semi-solid yolk.
*****
Chad half supports the woman at the waist, guiding her movement over thick rubber matting. âThatâs it.
Now tuck in your head, down and roll⦠And as you come down, slap the mat, both hands, as hard as you can.â
She lands on her back with a thwack and a gasp. âThatâs it. Youâve got the idea,â he says. âNow try it again, but without me in the way.â
As he moves to one side, he spots me. âJames?â His brows rise. âDidnât expect to see you in the gym.
Something I can do for you?â
âIn fact, there is. When youâve done here, could I have ten minutes?â
âYou can have it now.â He waves across to a girl in a tracksuit. âJill, can you take over while I talk with Mr Alexanders.â
Chad strolls easily by me, moving with grace and a hint of restrained power. âSo?â
âNot here. Somewhere private.â
âYour house then?â
âNooo⦠I donât want Charlotte to overhear.â
âLetâs grab a couple of coffees from the kitchen then and take a walk.â
Sally makes two steaming mugs. âSunâs shining, but itâs nippy out there,â she comments, glugging a shot of brandy into each.
Mugs in hands we sit on a bench, looking down over the meadows and down to the lake. Chad sucks at his mug then smacks his lips. âThis private enough? Whatâs so secret?â
âNot secret exactly, but I wanted to ask you a favour without you feeling pressured into agreeing for the wrong reasons.â
âJames, I donât have a clue what youâre talking about.â
âYou and Charlotte⦠Jenny to you⦠you broke up becauseâ¦â
âBecause Iâm gay, yes. So?â
âI gather that your mother blamed her for the break-up? And later took the opportunity to be sure that she wasnât welcome back in the area.â
âAhâ¦â Chad sighs out steam fragrant with alcohol. âI see where this is going.â
âIâd like to take Charlotte back there, to visit your Mr Kalkowskiâs house, but sheâs reluctant. I think the trip would do her good. And Iâm trying to shake Michael out of his depression too.â
âAnd youâd like me to go along?â
âYes, if youâre willing.â
He takes a mouthful of coffee, staring down at the lake. Then another. âI should have done this years ago. Yes, Iâll go. And Iâll take Seb along too.â
âSebastian? Is that a good idea?â
He chuckles. âItâs a very good idea. My motherâs too fond of imposing her ideas on everyone else. It will do her good to have someone rattle her cage.â
*****
Itâs a pleasant trip, if a long one. Driving beyond the City, away from our mountain, and north. We stop overnight en route and get an early start the following morning. Just before lunchtime, we arrive at what was once the home of Charlotteâs beloved teacher, Mr Kalkowski; now bequeathed to her in his will.
Charlotte, subdued, gets out of our car. Chad and Sebastian are already unloading rucksacks from the trunk of theirs. Sebastian takes a long look at Charlotte, then nudges Chad, pushing him towards her.
He stands by her, hands in pockets. âHasnât changed much, has it? Youâd think he was still in there, just making tea.â
Her mouth is working. She nods a silent yes.
Trying not to cry?
The house is modest, set in a small garden. Flower borders are running riot with overgrown shrubs but the lawns, while not exactly clipped, shows signs of tending. The paint on doors and windows is touched up in places. The brass door-knocker is recently polished, the path swept, the curtains inside drawn closed.
âSomeoneâs been looking after the place,â comments Michael.
âI think Mrs Collier sends over one of the farm hands every so often,â says Chad. âShe and Mr Kalkowski were good friends. She had a key so I think you might find the insideâs been checked over too.â
Charlotte stands, keys in hand, sucking in her lips. Chad touches her on the shoulder. âYou alright, Jenny?â Her eyes are glossy. He casts a look over his shoulder to Michael, then slips his hand in to hers. âWeâll go in together, eh?â
She nods and they walk, Chad leading her slightly, to the door. Charlotte inserts the key, and the lock turns smoothly. The pair step inside. Michael, Sebastian and I follow, through a small hallway and into a sitting room.
Inside, itâs gloomy and a little musty but with the scent of beeswax hanging. âIâll open the curtains and windows, shall I?â suggests Michael. âLet the air through.â He tugs back drapes and sunshine spills into the small room, fresh air billowing through.
Itâs as though the occupant were still here, perhaps in the next room. A couple of armchairs frame a fireplace, each with a side-table. A cup-ring on one has burned through the polish of the timber, but otherwise the grain of old oak glows amber, gold and brown.
Bookcases fill one wall. Most of the shelves are filled with volumes old and new, but an astrolabe takes pride of place on one, a lovely instrument in brass, set beside boxes and cases of various kinds.
A dresser sits against another, set with delftware and framed photographs, and polished sections of a pink and black granite, ammonites and fossil fish. More photos hang from the walls.
Charlotte stands there, looking lost. âIt doesnât feel right,â she whispers. âHeâs supposed to be here, sitting in his chair by the fireâ¦â
â⦠Offering you tea and some of my motherâs scones,â finishes Chad. âYes, it feels odd, doesnât it?â
I wander the room, looking at the photos. Some are old, black-and-white, faded to sepia in places; but the eyes of a young couple look out at me; standing together; both dark-eyed and dark-haired, he tall and lean, she shorter, with a pretty, likable face. Both wear the hairstyle and clothes of fifty years gone.
But other photographs sit on the dresser. I pick one up: a classic school photograph: thirty or forty children ranging from the tiny to teenagers, standing three rows deep, flanked by a woman to one side and a tall male figure in a suit on the other. The man is elderly, silver-haired, leaning on a walking-stick;
but his eyes are dark and penetrating. And he smiles at the camera.
His expression?
Prideâ¦
Among the children, in the back row, tall and a little gangly, is a younger version of a face I know so well.
I peer in close, straining for the details. Carrot-orange hair frames a face not yet fully formed. The beauty is blooming, but the features are a little rounder than the ones I know, the cheekbones not so high or so finely sculpted. But the eyes are already there: emerald jewels set in pale skin.
Putting the photograph back, I move to the next. The same young face looks out at me, this time standing next to another that I know: Chad. Sheâs wearing shorts, tee-shirt and boxing gloves. Chad stretches her arm up with one hand, punches the air with the other. In her other hand, she holds a silver cup. In the background, the same tall suited figure leans on his stick, smiling at the young pair.
Engraved on the frame below the photo, Regional Girlsâ Finalist - Jennifer Conners.
I move to the bookcases: Dawkins, âThe Selfish Geneâ, Tolkien, âThe Lord of the Ringsâ, E.O. Wilson, âOn Human Natureâ, The Talmud, Lyellâs âPrinciples of Geologyâ, âThe Origin of Speciesâ, HG Wells, âThe Time Machineâ.
This is where my Jade-Eyes was formed. This was the mind that made herâ¦
Wish I could have met himâ¦
Charlotte paces the room, looking, sometimes touching. Michael and Chad stand in the background, watchful and silent as she paces; picking up first one thing, then another.
She runs a finger over the leather of what looks like a telescope case. âHe let me use it, even though I was just a kid. Showed me how to use it. Taught me the constellations.â
âYouâll want to keep it then,â says Michael. âIt sounds as though it means a lot to you.â
âIt doesnât feel right,â she says. âThese were his things.â
âTheyâre yours now,â says Chad. âHe wanted you to have them. Of all the people he could have chosen, he left it all to you.â
Her eyes brim again.
Seb breaks in. âTell you what. Why donât I make some tea while you have a look around the place?â
âGood idea,â nods Chad. âIâll show you the kitchen. Weâll probably need to find the stop-cock too.â
Michael wraps arms around Charlotte, kisses the top of her head. âI can see youâre feeling emotional.
Donât blame you. If itâs okay by you, I'll go around the house, open it up, let the fresh air through. You can look around your memories.â
Left alone with my Jade-Eyes, I say, âHow are you feeling?â
She wipes her eyes with the back of her hand. âMichael had it right. Emotional. But Iâll be alright in a bit.â She turns a gaze of liquid emerald on me. âThank you for coming, Master. Itâs helped.â
âYou're welcome. I would have come anyway, to give you moral support. But the fact is, that I had my own reasons for making the trip.â
Her brow wrinkles. âWhat would those be?â
I take her hand, rubbing my thumb over the fingers. âI wanted to check for myself something I already suspected. And I have learned that I was correct.â
âAbout what?â
I kiss the fingers. âWell, you see. Iâd heard a rumour that you never had a real father. That didnât feel right, so I came to see for myself.â
I gesture around the small lounge; the photos, the books, the telescope. âAnd you see. I was right. You did have a real father.â
Her eyes widen, she gulps, then she burst into tears.
*****