Charlotte My head bangs and with every movement, every vibration, every swerve, the throbbing pulses through from some epicentre, I think where I banged my skull as I fell. My knees too, feel stiff and heated. As I try to shift into a more comfortable position, pain stabs up from one ankle.
I can barely move. Iâm lying on my side, one cheek flat down.
My babyâ¦
Something soft, maybe a towel, sandy and hairy, presses against my face, smelling of seaweed and wet dog. I keep having to blink as with every jog of the car, grains of sand dislodge against my eyes.
From somewhere, I hear classic small-dog yapping. Excitement?
Or worry?
Scruffyâ¦
My mouth is taped, very securely, the adhesive pulling and tearing at the softer skin of my lips as I try to work my jaw. My feet are bound; my wrists too, behind my back and too tightly. My hands went numb long ago and my fingers feel bloated.
My Master ties, binds or restrains me regularly, but it never feels like this.
If I donât get some blood to my fingers soonâ¦
My knees hurt.
Breathingâs not easy. A warm trickle from one nostril pools and crisps on my skin, and my cheek presses into something warm and fluid.
Itâs not quite dark. Light spills through odd chinks in the bodywork, outlining blankets, dog leads and one of those long-handle-things that launches a tennis ball.
My mother?
Kirstie?
I heard them before. Kirstieâs yell of fury, cut short. Scrabbling. The impact of something against the car. My motherâs scream of fear, also cut short. Running feet and another scream.
Then just the sound of the engine, the rumble of tyres, Scruffyâs barking.
And later, the screech of brakes, the swing of the car, throwing me sidelong, jarring my head again against metalâ¦
Benâs cursing and the clunk of a car doorâ¦
What happened?
Somethingâ¦
The smooth vibration of a cruising vehicle changes to the jolt and tumble of uneven ground, the engine grinding down to a lower gear. Rocked one way and the other, I canât avoid the impact of my knees and head against bodywork.
Curling up as best I can, I try to shelter my belly from the worst.
*****
The car jerks to a stop and the engine dies. A door thuds and footsteps crunch closer.
The sound of yapping again.
âQuiet, Scruffy!â The yapping stops. âGood Boy.â
Keys rattle and scrape, the lock clunks. The trunk cracks open and light spills in.
And silhouetted against the sunshine spearing my eyes, I see the face of my Enemy.
âI promised you I was going to put a stop to this. And Iâm going to,â says Ben. âWhat a catch. The adulteress, the whore and that mother-fucker and his bastard to boot. Klempnerâll take care of him. And I even got that slut, Kirstie. Sheâll not be making any more trouble. Iâd say that makes it a full house.â
I want to shriek at him. Scream at him. Punch his fucking teeth in.
But Iâm tied, hand and foot and taped over the mouth.
So, I settle for a glare.
âOut you come.â He reaches in, hauls me up and slings me over his shoulder, then whistling, carries me through the door of the old ruin.
*****
James Kirch sets off at wheel-skidding speed in Michaelâs stolen car towards the swarm of police and medical vehicles. Brakes and tyres screeching, he skirts past, blasts his horn and shouts something out through the window at a pair of harmless cops leaning back against their car sharing something that steams from a flask.
I canât pick out the words, but whatever it is, the two jolt to attention, jump into their car and go screaming after him, quickly followed by others.
Baxter snorts and chuckles.
âYouâve done this before,â I comment to Klempner, keeping my face straight.
âYou have no ideaâ¦â
Only Michael doesnât raise a smile, staring down at his hands. Klempner turns on the engine. âWhich way?â
His voice is dead. "Um⦠back the way we came, a couple of hundred yards. There used to be a gate and an old farmerâs trackâ¦"
*****
The âtrackâ is barely that; really just a set of ruts over hard-packed earth where generations of heavy vehicles have cut past fields and meadows. Early sunshine splashes over sprouting winter wheat as we rock and sway over uneven ground.
Klempner drops from second to first. âYou sure this is the right way?â
âYes. Old McAlisterâs place is just behind those woods ahead.â Michael points to where what might be a rooftop pokes above naked branches and just-leafing beech.
I watch Michael from my place behind Klempner. The red-faced fury he displayed as he arrived has vanished. Heâs beyond pale. His face, what I can see of it, is pallid, almost sallow. The pulse at his neck pumps and his breathing is heavy.
Klempner glances at him then meets my eye in the rear-view. âHow close can we get without being seen?â
âIâm not sure. Itâs a long time since I was last here. But there used to be gardens and orchards planted this side of the house. If we park up, we can walk the rest of the way.â
Klempner nods, a short, curt gesture, then indicates a tangle of shrubbery. âWeâll pull up in there, then see what we find.â
The car draws against the dark shelter of rhododendrons gone wild. Leggy stems sprout deep green leaves and purple blooms, reaching high over what could once have been apple trees but are now just rotted trunks.
Klempner ratchets on the handbrake. âThisâll do.â
As he gets out, Baxter draws his handgun. Klempner does the same, then glances at me. Feeling a fraud, I take the unfamiliar thing from my belt.
âWhere the hell did you get that?â says Michael.
âHe gave it to me.â
Michael looks between me and Klempner. âDonât I get one?â
Klempner weighs him with his eyes, then drawls, âNo.â
âWhy not?â
âBecause I donât trust you to look after my daughter before your brother.â
*****