Charlotte It was such a great day. I donât normally enjoy shopping, but with my mother and Kirstie for company it was completely different.
Book-shops. My mother loves books; not the same ones as me, but books about places, adventures, exotic locations. It was such funâ¦
And Kirstie, with her smart mouth and shameless innuendo at every little thingâ¦.
In the tea room: crisp white linen, silver tongs to lift jam-and-cream scones and tiny cakes from a three-
layer stand, porcelain cups and saucersâ¦
Then, Benâs sudden appearance, striding across the floor to us, brushing past waitresses and customers.
Stooping close to me to deliver his hastily muttered message⦠âCharlotte, Mike called me. Youâve got trouble. That man, Klempner. Heâs escaped from prison. Heâs outâ¦â
My mother: her whimper of fearâ¦
Kirstie: her eyes wideningâ¦
âIâve got the car downstairs in the parking lot. Itâs right by the door at the bottom of the stairs.â Ben wears a helpless expression. âCharlotte, this sort of thing is new to me. I donât know⦠How dangerous is this man?â
âThink of the worse you can imagine, then multiply it.â
He glances up. My motherâs face is white. Kirstie wraps a hand around her clenched knuckles.
âYouâve dealt with this kind of thing before? Right? Iâve seen you fight, boxing with Mike. I know you can look after yourself.â
âYes, I have. And I can.â
âOkay, for now, letâs just get out of here. Howâs this sound? You come with me, down to the parking level. Kirstie and your mother stay here for a few minutes; here, where everyone can see them.
Nothing can happen if theyâre surrounded by people. You and I can look for each otherâs back as we go down. You get the engine running. When we know the wayâs clear, Iâll come back, get Kirstie and Mitch and weâll come back to the car together. Then we go⦠Does that make sense?â
âYes, it does. Benâ¦â I touch his hand. âThanks for this. I know youâre not fond of me, butâ¦â
His eyes narrow. âIâm fond of my brother, Charlotte. I donât want him hurt.â He fishes keys from his pocket. âYou have these. Mitch, Kirstie, stay here but keep your eyes peeled. Look out for anything that doesnât seem right.â
I stand, turn for the escalator.
âNo,â says Ben, âwe can be seen if we go that way. I was riding it all the way up looking for you. Anyone looking could spot us. If we use the back stairs, itâll take us straight down to the parking lotâ¦â
âHow do you know that?â
âItâs marked as the fire escape. It has to be kept clear.â
The stairs are narrow, a basic concrete build. Foot-wide galvanized tubing runs overhead, cabling knotted into sheaves with cable ties alongside. It smells of damp and stale cigarette smoke. Itâs all very much at odds with the plush public face of Francescaâs, but Iâve been along enough back-alleys and side-streets to know that, no matter how glamorous the frontage, thereâs always somewhere to run the plumbing.
âIâll go first, in case thereâs anyone waiting.â says Ben. âYou keep an eye behind us.â
The bare walls echo with our footsteps. Two floors we descend⦠Three⦠Four... Weâre half-way down the fifth, heading for the parking level when Ben stalls ahead of me. âDid you hear that?â
I freeze, listening. âWhat? I can't hear anything.â
He looks up, then down again. âNo⦠I thought⦠Must be my imagination. Come on.â He turns again to descend, then whips round once more. âThere. Donât you hear it? Footsteps.â
He pushes up past me, looking up the stairwell.
I listen. âNo, I still donât hear it.â
He laughs, looking sheepish. âSorry, Charlotte. My imaginationâs running wild. Youâre used to this kind of thing. Iâm not. Letâs get you down to the car. Itâs there, right by the door.â His arm outstretches, points over my shoulder to the foot of the stairs.
I twist to look, but as I do so, as though accidentally, Benâs arm catches my shoulder. I stumble, trying to regain my balance, flailing out to jam my hands against the walls. But something plants itself between my shoulder blades, shoving hard and a hand slaps my grip away from the solid concrete.
I fall, tumbling down on the concrete steps, curling in around myself, protecting my belly as I drop before I crash down to the hard floor.
I have a bare moment to think before the world turns black.
Traitor.
*****
Michael I leap from the car, bulleting up to them. Klempnerâs in the driverâs seat, two more in the back that I donât recognise. James is getting out.
They must have a gun on him.
To Klempnerâs startle-eyed gaze, I yank open the door, and grab him, hauling him bodily up and out of the car. âWhat have you done, you bastard? Where are they?â
His goons jump out too, waving guns, but Klempnerâs between me and them and I keep him that way, using him as a shield against his own men.
âGet your fucking hands off me, pretty boy,â he hisses. Then to James, âDâyou want to put your friend right on a couple of points.â
âPut him down, Michael,â says James. âItâs not Klempner.â
âJamesâ¦â
He holds up a hand, forestalling me. âI said, put him down. Iâm not a prisoner and he doesn't have the women. Itâs Ben.â
âOh, donât talkâ¦â
âMichael, I heard it from Kirstie herself. Sheâs in an ambulance on her way to hospital. Her conditionâs critical, but she told me herself. Itâs Ben who took them.â
Noâ¦
âJames, itâs a mistake. He wouldnât, He just wouldnâtâ¦â
"Michael, he has. And we donât have time to argue about it. You found the blood on Charlotteâs purse."
He waves towards the swarm of emergency vehicles, flashing blue lights, day-glo cones and jackets only a few hundred yards away. "Kirstie may die with the extent of her injuries. You have to choose. Itâs your brother or your wife. Which is it to be?"
Klempner hasnât moved. His voice is desert-dry. âYou going to put me down, Eye-Candy? Or do I have to make you?â
I push him back but let go, and he drops, staggering slightly. As he shrugs his jacket back into place, his two thugs come charging up, guns waving. âPut it away, Baxter. You too, Kirch. Mr Summerford here is upset.â
Iâm shaking, queasy inside. âJames, are you sure itâs not some mistake?â
âQuite sure. We have to find them or figure out where heâs taken them.â He scans around. âThere canât be too many possibilities. Weâre in the middle of nowhere.â
Klempner sniffs. âItâs a god-forsaken spot. Why would he come here? Unless he meant literally to murder them and dump them in a field. But if he was going to do that, why not the river in the City? Or a derelict building? Much faster. Easier. Less chance of getting caught.â
âIâm not sure heâs thinking at that level,â says James. âThere was never any chance he wouldnât be caught. How many security cameras has he driven past? The ones in the car park at Francescaâs for a start. And thatâs before the dozens and hundreds he must have passed driving through the City.â
The sun is properly over the horizon now. As I look around, I realise where I am. My nausea grows.
âJames, I know where heâs taken them.â
âYou do?â snaps Klempner. âHow?â
âI know where we are. Thereâs a place⦠We used to play there as boys.â
His eyes narrow. âWhat kind of place?â
âItâs an old house. Big old country mansion. Itâs mainly derelict, but itâs somewhere thatâ¦â My voice chokes.
James pointedly fails to notice. âYou can find it againâ¦â He glances towards Klempner⦠â⦠without having to drive through that mess of police and ambulances?â
âI think so, yes. Thereâs a back lane.â
âGood. Letâs get going.â James looks around me. âWhose car is that? Whereâs yours?ââ
âOh, er⦠my car got towed. I, um, I hot-wired the first one I came across I could get into.â
Klempner throws out a breath. âAre you telling me youâve come here in a stolen car?â
âWell, yes. I had to leave mineâ¦â
âYou really are the brains of the operation, arenât you.â He snaps backwards to one of the men lurking in the background. âKirch, get this car away from here. Anywhere. It doesnât matter. Just away.â
âBut if itâs stolen, sirâ¦â
"Then give the police something to chase. In fact..." He hovers⦠"Might as well make it work for us.
Make a meal of it. Take their attention off us."
âSir, if Iâm caughtâ¦â
âYouâve a clean sheet. They donât know you. The worst youâll get is a couple of months and a bonus in your pay-packet. Now goâ¦â
âSir.â
He points a finger to the back seat of his own vehicle. âBaxter, youâre with us.â
âWe donât need gunmen. I can handle Ben.â
Klempner cocks a brow at me. âBaxter, back seat.â
âJamesâ¦â
âMichael, if you could handle Ben, we wouldnât be in this situation. Get in the front. Youâre navigating.â
*****