The morning is chaotic. In theory, Michael and I, Richard and the guests occupy the hotel. Charlotte and Beth have the house. In practice, people mill about in all directions, turning up in unexpected placesâ¦.
Still in jeans and tee-shirt while I make a last check on preparations, I eject a couple of kids from the kitchen where the chefâs knife set seems to be a magnet for them. Then as I turn to leave, I run into an old lady trying to force the larder door open.
âI was only looking for the ladiesâ toiletsâ¦.â
âAnd who are you?â
âIâm Michaelâs Aunty Gladysâ
âWell, Iâm James, his Best Man, and youâll find the toilets along the corridor.â Taking her by the shoulders, I turn her around, steering her to aim the right way, then wait and watch to be sure she toddles off.
In the bedroom weâre using as a changing room, Michael looks harassed. âPlease tell me you remembered to lock the door to the cellars in the house.â
âOh, yes. We donât want random wanderers down there,â I flash brows, fishing out my keys, jingle them in demonstration, then tuck them safely back in my pocket. âAll locked and secure.â
Jeezâ¦.
The idea of Ben wandering down thereâ¦.
For someone normally so sunny, so self-contained, so competent, Michael is a bag of nerves. He misbuttons his shirt and has to unfasten then rebutton it. The tie dangling under his collar, he fumbles and mis-knots it. The front ends up three inches long with the back half trailing by his belt. The result looks like something worn by a circus clown.
He tries again, with a similar result.
âIâll do it for you in a sec,â I say, brushing specks of dust from his dark grey formal jacket.
âHere, let me.â Itâs Ben. âCome on Bro. Calm down.â Michael shoots him a grateful glance as Ben unravels the tie, then reknots it into a perfect Windsor. âYou should have a drink. What is there around here?â
I point to a bottle and glasses. âScotch over there.â
Michael shudders. âDonât think I could handle it.â
âYou should have some breakfast at least.â
Ben raises brows. âYes, he should. Iâll bring something up for you. Is the kitchen open, James?â
âThe staff should be in there by now. Just tell them what you want.â
âHow about bacon sandwiches all round then?â
Michaelâs face sets, so I interrupt. âGreat idea, Ben. Get something solid inside him.â
*****
Leaving Michael to the tender care of his brother, I go to check the catering arrangements and see that the staff have everything they need.
Along the staff corridor by the kitchens, I find a girl wandering. She seems familiar, but for a moment I canât place her.
Then she sees me and breaks into a simpering smile. âHello.â
Ah, gotcha.
âHello. It's Marie, isn't it? Charlotteâs friend from the student house?â
âThat's right. She swings her arms around in time-honoured âdumb-blondeâ fashion. Personally, Iâve never found blondes to be dumb, but in Marieâs case, Iâm happy to make an exception.
I point. âThe public areas are down there and to the left. And if you want the bathrooms, theyâre to the right.â I turn to for the kitchen, but my progress is interrupted.
âCharlotteâs very lucky to marry someone like Michael. He's terribly handsome isn't he.â
I keep my voice dry. âYou wouldn't be the first to think so.â A thought occurs. âIs your boyfriend here too? Pete was it? Rather a good cook as I recall.â
She wrinkles her noseâ¦.
Who actually does that�
âNo. Me ân Pete split up. He ran off with another girlâ¦.â
Sensible ladâ¦.
ââ¦. I'm single these daysâ¦.â She gazes up at me with what perhaps she thinks is a winning look. And I look down into eyes quite devoid of a single original thought. âAre you with anyone today, James?â
Oh, crapâ¦.
âIâm here as Michaelâs Best Man. Iâ¦.â I'm saved from answering further by a crashing sound. Metal clanks and clangs from beyond the swing doorsâ¦.
And I donât care what degree of disaster just befellâ¦.
â¦. Perfectâ¦.
âPlease excuse me, Marie. I need to see what that is.â Turning on my heel, I leave her, pulling a face.
Following the racket into the kitchen, I find a girl in a previously white blouse and black trousers scrabbling on the floor, floundering in a sea of spilt sauce and trying to gather up pans. The cause of her accident sticks out from under a counter: a pair of legs in worn jeans and battered workmanâs boots.
âI'm sorry, Mr Alexanders,â she babbles. âI didn't see him there.â
I help her to stand, find a cloth to wipe off the worst of the sauce, then point her to the storeroom.
âYouâll find some clean overalls in there. Just use what fits.â
Then I turn my attention to the pair of legs. âAnd who would you be?â
The voice is reedy, a blue-bottle buzz of a voice. âJust plumbing in the dishwasher.â
What⦠Now?
âI wanted that done a week ago.â
âWell, we can't always have what we want, can we? It's a busy life, innit.â
âI'm guessing you will want to be paid for your work. It would be a real shame, wouldnât it, if you couldn't have what you wanted either. Get it finished quickly. The kitchen staff need to be able to do their jobs too.â
He slides out from under the counter, lying on some kind of trolley. âLook, mate,â he says, punctuating his words with a spanner. âI can talk, or I can work. Which is it to be?â
Officious little runtâ¦.
And I have to be satisfied with that.
The girl reappears. âCan you wash those by hand for now?â I ask her, nodding down to the pans.
She casts a toxic look at the plumber. âI'm going to have to, aren't I? Iâve got a gallon of sauce to remake.â
*****