âI THINK WEÂ should give you a proper wedding tomorrow,â I announce over breakfast.
âOh, thank god, someone said it,â Kimmy says, dropping her spoon into her acai bowl.
Parth casts a quick glance over at Sabrina, who dusts her hands off on her cloth napkin.
Weâre sitting at a white wrought iron table in the Bluebell Innâs overgrown garden, tucked up in one of the hills that overlook the harbor. Our server stops by to drop off fresh cappuccinos, then moves off to another table.
âWe donât need anything fancy,â Sabrina says. â
, the six of us, is all that matters.â
âIâm not saying ,â I reply. Lying awake, late into the night, it became apparent that the only way to make it through these last two days without crumbling was to give my brain something else to focus on. âIâm just saying, like, a cake. A photographer. Maybe something old, new, and blue, or whatever the saying is?â
Wyn softly snorts beside me.
âCould be nice,â Parth says, eyeing Sabrina again.
âItâs tomorrow,â she reminds me.
âIt would only take a few hours,â Cleo says.
âWe can split up tasks and knock it all out,â I add. A completable chore alone time: the perfect combo.
Sabrinaâs head tilts as she sips the foam from her cappuccino. âOkay.â She nods to herself. âOkay, sure. You and Wyn handle the cake.â
I balk. âWouldnât it be faster if we all divided up? Covered twice as much ground?â
âNo, it would be chaotic. Weâd end up with six cakes.â
âProbably why Harriet suggested it,â Wyn says.
I ignore him, regroup, and face Sabrina again. âIf weâre teaming up, then you and I should be on cake duty. I want to be sure I get something you like.â
Her head slightly cocks, and something flits behind her eyes.
She and I have barely had a second alone together since the ride from the airport, and for the first time, Iâm wondering if thatâs because been afraid sheâd find Wyn and me out or if been avoiding .
She gives a little shake of her head. âI donât care about the cake. If I care about absolutely anything other than the ceremony, itâs the bachelorette-slash-bachelor party, so Iâll figure that out.â
â
want to plan that,â Parth says.
âDuh,â she says. âWeâll do it together, and Cleo and Kim can try to find a photographer, if theyâre up for it.â
âWeâd love to,â Cleo says.
âBut a hard out in two hours, okay?â Sabrina says. âNo matter what progress you have or havenât made, in two hours, we meet back at the house.â
Wynâs gaze darts my way, and I look at the floor.
, I think.
, I think.
â¢Â   â¢Â   â¢
I DONâT KNOWÂ if heâs picking up my discomfort and mirroring it back to me or if heâs really in his head. Maybe about the text from Gloria or maybe something else entirely. But as we drive from bakery to bakery, we barely even make small talk.
The afternoon flies by. Weâve reached the ninety-minute mark of our allotted two hours when the fifth local bakery tells us they donât touch weddings. âNo one gets quite so litigious as the parents of a newlywed,â the red-faced baker tells us.
âDid we say wedding?â Wyn laughs, looks at me, and claps a hand to his forehead, shaking himself. He faces the baker again, leaning across the counter with a devastating smile, the kind that looks like a hook has snagged under his lip. âI meant . Weâve been planning this wedding of ours for, like, four years, so I guess thatâs why came out. This cake is for a birthday.â
The baker narrows her eyes. âAll our birthday cakes say on them.â
âOkay, then what about a regular cake,â I say.
âThose say on them too,â the woman says, determined not to sell us a black market wedding cake, I guess.
âGreat,â Wyn says. âWeâll do a red velvet one of those.â
The bakerâs lips purse. âWho should it be addressed to?â
Itâs not enough that sheâs forcing us to buy a cake with on it when she itâs for a wedding.
â
,â Wyn suggests.
âThatâs not how you use in a sentence,â the baker tells us.
The rules surrounding this cake are getting more specific by the second.
A smile blossoms from one corner of Wynâs mouth. âInside joke.â
The baker does not smile, but she turns to inscribe our not-wedding cake all the same.
In the Rover, we fall back into silence. Weâre halfway up the wildflower-covered hill to the cottage when Wyn suddenly pulls over onto the gravel shoulder that overlooks the ocean. âOkay,â he says, looking at me.
âOkay, what?â I say.
âWhatâs going on?â he asks.
âNothing,â I lie.
His head tips back on a frustrated laugh. âPlease donât do this.â
âDo ?â I demand.
âPretend youâre fine,â he says. âAct like Iâm imagining that youâre pulling away from me.â
â
â The words squeeze out of my tightening windpipe. Iâm suddenly so frustrated it becomes a kind of claustrophobia. I undo my seat belt and throw open my door, stumbling out into the harsh midday sun.
He gets out too, rounding the hood of the car toward me. âThis isnât fair.â
I throw my arms out to my sides. â
isnât fair?â
âWe were getting along,â he says. âWe were acting like friends, and nowââ
â
â The word tears out of me on a laugh. âI donât want to be your friend, Wyn!â
âI donât want to be yours either!â he cries.
I turn up the hill, but he catches my hand and pulls me back to face him. I donât know how it happens: Iâm confident I donât into his mouth, but thatâs how it feels, because Iâm he didnât initiate itâWyn would âand it makes no sense that would do this, but I have.
I am.
My hands are twisted into his shirt, and his are flat against my back, and weâre kissing, hard, hurried, like this is a timed activity and weâre in our final seconds.
âWhat was the text,â I hiss out as our lips draw apart.
âWhat text,â he asks, turning me back to the car, the warm metal of the hood meeting my back.
âFrom your mom,â I say. âI saw a text from your mom.â
âNothing,â he says, lifting me onto the hood.
âItâs about work, Harriet,â he says, squeezing my thighs, pulling them around his hips.
âThat doesnât make any sense,â I say as he kisses his way down my throat, hand curling against my ear.
âI can explain it to you right now,â he says, âor we can have sex in the car.â
A plumb line of heat drops through my center, my thighs tightening against him as he kisses me more deeply. âThe ? Weâre like a mile from the house.â
âI donât have a mile in me right now, Harriet.â
I push against his shoulders even as the rest of my body strains toward him. âTell me,â I say.
He steps back. A car flies by our spot on the shoulder, and he blinks as if emerging from a trance. Then obvious anxiety torques his brow and mouth, and I am positive I made the right decision, that thereâs something I need to know.
With a resigned sigh, he pulls his phone out of his back pocket and taps on it for several seconds, teeth worrying at his lower lip, while the suspense pummels my nerves.
Finally, he hands the phone to me.
Thereâs a web browser open to some hip minimalistic shop. A white backdrop. Soft serifed headings:
, , . Beneath them, a photograph of a massive oak pedestal table out in a green-gold meadow. Mismatched wooden chairs line it, wildflowers bursting up around their legs. Behind the meadow, periwinkle mountains jut up into a cloudless sky.
Itâs so beautiful it makes me ache. I feel the same brand of longing I used to get when I rode my bike home at dusk as a kid, past lit kitchen windows, saw the people inside laughing while they set their tables or washed their dishes.
I tap the image. An option to purchase the table pops up. âFifteen thousand ? American dollars?â
âItâs the cheapest one,â Wyn says.
I look up, stunned. âWyn. Are you buying a table? Here I was freaking out about a coffee-table book, and youâre buying a millionaireâs table?â
âWhat?â He laughs uncomfortably. âNo. Harriet. Itâs notâIâm not buying it . . . I made it.â
I stare at him. âYou . . .â I look back down to the table, then up at him. âYou this? Or you fixed it?â
Color rises along his cheeks. âI made it. For that home goods store in Bozeman. Juniper and Sage?â
. I went once with Wynâs parents, and Hank joked that we shouldnât touch any of their vases, because if we broke them, weâd have to mortgage the house.
âTheyâre selling them on consignment,â Wyn says. âThe first two they bought are already gone. I kind of hate that one, and apparently the Bozeman millionaires agree, because itâs been sitting for weeks. But Iâve started doing commissions too. Mostly for peopleâs summer homes, but Iâve also got this sixty-thousand-dollar order for a resort. Iâm getting requests every few days. Tourists want something locally madeâIâll have to hire someone to help soon if it keeps upâand . . . what?â
âNothing.â I look away, toward the water, bat my eyelashes against the welling emotion.
âHarriet?â
âYouâre . . .â I shake my head. âYouâre amazing, Wyn. This is amazing.â
The corner of his mouth twitches, his gaze dropping to the water below us. âYeah, well, turns out that business degree wasnât a complete waste.â
I flip through the pictures on the home page, and he watches me out of the corner of his eye, like he canât bear to see it straight on.
A dark walnut table sitting in a sparkling creek, vases filled with prairie coneflowers and common chokecherry and Rocky Mountain penstemon. And then a cedar table with a live edge, sitting in a pine forest, like an altar in a cathedral made of trees.
The photograph sends an imprecise ache through my limbs. To there, maybe, or maybe to be standing behind the camera with the man who built that table.
âIn their natural habitat,â I say.
What I mean is, your .
I think back to those phone calls when he went home to Montana, how even over video, I could see that the colors of Wyn had leached back into him, after months of fading under the fog and drizzle of San Francisco.
âI mean, itâs a table.â He reaches for the phone, but I hold on to it. âNo table is worth that much.â
âThis one is,â I murmur.
I look up and catch him watching me, a look of raw vulnerability, hope.
âItâs amazing,â I force out. âI didnât know you were building anything. When did you start?â
He scratches the back of his head. âI started building in San Francisco.â
âYou ?â I say.
âThe second job I had,â he says. âIt wasnât upholstery. I was apprenticing for a designer.â
In the scheme of things, itâs not a salacious reveal, but it is disorienting. To realize the rift between us began even longer ago than I realized. âWhy didnât you tell me?â
âI donât know. I was embarrassed.â
âEmbarrassed,â I repeat, like itâs my first introduction to the word. It might as well be. âWhat could possibly be embarrassing about this?â
âIâve never been like you,â he says. âI wasnât brilliant. I wasnât someone with a ton of goals. Iâve spent my first thirty years tripping through life.â
âThatâs true,â I say.
âHarriet.â He looks at me through his lashes, every variety of green and gray in his eyes on full display in the sunlight reflecting off the water below. âI barely got into college, and I barely graduated. And then I followed you out to San Francisco, and even a degree, I managed to botch every interview I went to for jobs that would actually . If I fucked up the apprenticeship, I didnât want you to watch it happen. Saying it was another upholstery job took the pressure off, because if I lost it, I could find another.â
My nose burns. I drop my eyes back to the phone, the screen blurring.
âHe actually didnât think I was any good,â he says.
I look up.
âThe designer I apprenticed for,â he says. âHe said I had no instincts.â
I snort. âWhat, like youâre some kind of birding dog? What an asshole.â
Wyn smiles faintly. âWhen I left that job and went home, I was pretty sure I was done even trying. Figured Iâd stick with the repairs.â
âWhat made you change your mind?â
He eases onto the hot metal of the hood beside me. âItâs hard to explain.â
Weâre back to the push and pull, the little drips of him and then the droughts that follow.
Iâve never known how to take him in small doses. One taste only ever makes the thirst worse.
âWell, Iâm proud of you,â I say thickly, folding my arms, barricading myself from him the same way heâs done to me.
His eyes return to mine. âI could make you one, if you want.â
âA table?â I ask. He nods. âI donât have that kind of money, Wyn.â
âI know,â he says. âThatâs not what I meant.â
âI couldnât take something like that for free,â I say.
âItâs going really well, Harriet,â he says. âAnd I hardly have any expenses right nowâmaybe youâve heard: I live with my mom?â
I laugh. âI think I remember reading that on TMZ.â
He touches my hand against the hood, and god help me, I turn my palm up to his. I need to hold on to him right now, need to feel the calluses Iâve memorized on his palm.
âI would love to make you one,â he murmurs. âIâve got time, and I donât need money.â
Reading my expression, Wyn says, âOr if you donât want one . . .â
âItâs not that.â I shake my head. âItâs amazing. Seeing you like this. So happy.â
He studies me for a beat before dropping his gaze on a nod. âI am. Iâm really happy.â
Now my chest is folding over on itself. âIâm so glad.â
âYou too, right?â He matches my gaze.
That seesaw feeling rocks through me. âYeah,â I say. âMe too.â
âGood,â he says softly.
âWhy was Gloria so worried about you telling me this?â I ask.
âBecause she thinks weâre still together,â he says, his gaze dark and steady. âShe thinks youâre still waiting for me to come back.â
Back to San Francisco.
Back to me.
Iâm not waiting. Iâve known for months he wouldnât be coming back.
So why does hearing it hurt so much?
My phone chimes, and I break eye contact, blinking rapidly as I pull it out, read the new message. âSabrina,â I tell him thickly, sliding off the hood.
His mouth hitches, an unconvincing quarter smile. âLooks like our timeâs up.â
, I think. But the pain, it still feels fresh.