âI THOUGHT YOUÂ werenât staying for the second movie,â I whisper to Cleo as we settle back into our seats. This time, Wyn and I are in the middle, and I canât help but wonder if Sabrina nudged us into this position so we wouldnât run out again.
Cleo shrugs. âThis clearly means a lot to Sab. Plus, I donât want her hanging it over me that I left early.â
â
â Kimmy leans forward around Cleo. She holds a plastic sandwich bag out to me.
I squint at the contents. âAre you trying to sell me drugs?â
âOf course not,â she says. âIâm trying to you drugs.â She swings the little red gummy bears in front of Cleoâs face and tosses them into my lap.
âYou are,â I say, âso discreet.â
âI donât have to be discreet,â she says. âItâs legal here.â
Wyn leans in. âIs Kimmy selling drugs?â
âWant some?â she asks.
Sabrina shushes us, eyes glued to the screen as she shovels popcorn into her mouth.
Wyn looks at me, then back to Kimmy. âIf Harrietâs in, I am.â
âHow strong are they?â I whisper.
Kimmy shrugs. âNot too strong.â
âNot too strong for or not too strong for ?â I say.
âLetâs put it this way,â she says. âYouâll have a great time, but you wonât make me call the hospital and ask them if youâre going to die. Again.â
What the hell. When in Rome.
Each of us takes one. We tap them together in a toast before throwing them back.
âHey,â Sabrina says at full volume, âare you guys doing drugs down there?â
âWeâre taking tiny weed gummies,â I say.
âGot any more?â Sabrina asks. âI havenât gotten high in forever.â
Kimmy passes the bag down the line. Parth and Sabrina each take one. Cleo waves off the offer. âI donât smoke anymore, really.â
âAnd Iâm cutting back too,â Kimmy says. âSo whatever we donât finish this week, you all can fight over.â
âOkay, is it possible this is already making me hungry,â Sabrina asks.
âNo,â Cleo, Wyn, and I all say in unison.
From the back of the theater, someone shushes us. We all duck down in our seats.
â
,â Kimmy hisses. âDid anyone know there was someone else back there?â
Parth sneaks a look over his shoulder. âI think heâs a ghost.â
âHeâs not a ghost,â I whisper.
âHow can you be sure?â Parth says.
âBecause,â I say, âheâs wearing his sunglasses backward. Thatâs Ray. Heâs a pilot.â
âJust because heâs a pilot doesnât mean heâs a ghost,â Kimmy says sagely.
â¢Â   â¢Â   â¢
THE GRAY-SHINGLED BUILDINGSÂ on Commercial Street steadily drip, but the downpour has ended, and everyone is out for the first night of Lobster Fest. The concerts, contests, and parade of red-gowned former Lobster Ladies donât start until Friday, but the food trucks and carnival games are open, their lights flashing not quite in time with the Billy Joel hit piping through the speakers. Kids in lobster and mermaid face paint dart through the crowd, couples in matching windbreakers dance in front of the wine-slushie stand, and glassy-eyed teenagers pass around suspicious water bottles.
âDo you smell that?â Sabrina literally skips ahead of us. âIf thereâs a heaven, this is what it smells like.â
Salt water and burnt sugar, garlic simmering in butter and clams frying in oil.
âI want a cup of extremely foamy beer,â she says dreamily.
âI want french fries covered in Old Bay,â Kimmy says.
Cleoâs nose wrinkles on a laugh. âI want a video camera so tomorrow you can see how high you all are.â
âI want to win at Whack-a-Lobster,â Parth says, peeling off toward the gameâs flashing lights like a hypnotized magic show volunteer, and Wyn follows in a daze.
I hook an arm around Cleoâs shoulders. âNow arenât you glad you didnât miss out on all ?â
âIt wasnât I wanted to miss,â Cleo says. The others have moved on to a milk-bottle toss game. She jerks her head toward the lobster beanbags and the bottles painted to look like nervous lobstermen. âWhat do you think the narrative is here? The lobsters fighting back?â
âLetâs hope itâs not prophetic, or this townâs the first to go,â I say.
She turns back to me. âI guess I feel like . . . this weekâs already half-over, and weâve all barely gotten to catch up. And I know how important this is to herâto everyone. Doing all these things one last time, and I get that.
âBut itâs also been a long time since weâve been together, and today just felt like kind of a bummer. Sitting through hours of movies when we could be talking.â
I grab her hand. âIâm sorry. That makes complete sense.â
She glances back, to where Sabrina and Parth are taunting each other in front of the game, and smiles a little. âI just want this week to be perfect for them.â
âMe too.â I squeeze her hand. âBut hey, the night is young and so are we. What do want to do? Iâll go on any ride or play any game. Iâll even let you monologue about mushrooms.â
She laughs and tucks her head against my shoulder. âI just want to be here with you, Har.â
The weed must be hitting me hard, because I instantly tear up a little.
Itâs that happy-sad feeling, that intense homesick ache. It makes me think of my semester abroad. Not the old cobbled streets or tiny pubs overstuffed with drunk university students, but Sabrina and Cleo FaceTiming me at midnight to sing me âHappy Birthday.â The feeling of being so grateful to have something worth missing.
We walk, we talk, we sweat and frizz and eat. Funnel cakes and lobster rolls, overstuffed whoopie pies and battered-and-fried fiddlehead ferns, caramel corn and salted popcorn.
âDoes anyone else feel like timeâs moving really fast?â I ask when I realize itâs full dark.
Cleo and Sabrina look at each other and burst into laughter.
âYouâre so high,â Sabrina says.
âSays the woman who spent like nine minutes making us stand in one place while she googled whether corn is a nut or a vegetable,â I say.
âI wanted to know!â Sabrina cries, eyes shrunken.
âA , babe,â Cleo says. âYou thought corn was a .â
âWell, they look like little nuts before you pop them,â Parth says, coming to Sabrinaâs defense. Cleo is now laughing so hard sheâs doubled over.
Wyn is wandering toward the Ferris wheel, saucer-eyed.
âDude, Wynâs about to be beamed up,â Kimmy says, and I have no idea what sheâs talking about, but it makes me laugh anyway.
Wyn looks over his shoulder and says, âLook at it. Itâs beautiful.â Sabrina stares at him for one second, then throws her head back and cackles.
But heâand his not-quite-tiny gummyâis right.
Everything looks soft around the edges, dreamy.
Parth leads us into the Ferris wheel line. I try to pair up with Sabrina, but she sidesteps me in the queue, switching places so sheâs with Parth and Iâm with Wyn.
âOkay, okay,â Parth says. âRaise your hand if youâre high.â
âWhat if we all close our eyes first?â Kimmy says. âJust so no oneâs embarrassed.â
Wynâs head droops against my shoulder, his laughter spilling across my skin, dripping down my spine, lighting up my nerve endings as it goes. A mixed metaphor, sure, but when are you to mix your metaphors if not at thirty years old, high as a satellite?
âI feel young!â I cry, which makes Sabrina cackle again, throw her arms out to her sides, and spin twice.
Parth grabs my shoulders and says urgently, âWe young, Harry. Weâll always be young. Itâs a state of mind.â
âNow seems like a good time to tell you,â Cleo says, âKim buys this shit from a neighbor who makes it at home. Itâs not regulated. Hope youâre all prepared to go to the fucking moon.â
Kimmyâs eyes have essentially disappeared at this point. âListen,â she says, âyouâre gonna have a great time. Moonâs beautiful this time of year.â
Normally the idea of unregulated weed gummies might make me a tad anxious. Or, like, have a full-blown panic attack. But the way Kimmy says it and the goofy look on her face make me snort-laugh some more.
âWait,â Wyn says, face stern and serious, âhow do you make gummies at home?â
âListen,â Kimmy says. âItâs a mystery.â
âListen,â Sabrina says. âI love it.â
The very unimpressed twentysomething Ferris wheel attendant waves us up the metal steps to the loading platform.
Sabrina and Parth take the frontmost open bench, and Wyn steadies me as we climb in the next one, my breath still coming in giggly gasps.
âThese,â he says, âare not my motherâs weed gummies.â
I chortle into his shoulder, then pull back quickly. Well, in all honesty, I doubt Iâm doing quickly, but I do remember to remove my face from his neck region, and thatâs not nothing at this point.
We lift our arms as the attendant checks our lap bar, then drop them again as he moves to the bench behind us to latch Kimmy and Cleo in.
âRemember the maritime museum?â he says.
I wipe my laugh-tears away with the back of my hand. â
might not be accurate. I have bits and pieces floating around inside my hippocampus like little soap bubbles.â
âIt was the trip right before your last year of medical school,â he says.
âSeriously?â My hand flops onto his on the lap bar. I pull it back. âIt was that long ago?â
He nods. âIt was the same trip where Sabrina and Parth first hooked up.â
The memory feels like itâs being broadcast from another life. Sabrina and Parth had stayed up later than all of us, caught in a viciously competitive game of gin rummy, wherein they took turns winning. Late the next morning, theyâd come down to the kitchen together, cranky but glowing. âDonât say a single word,â Sabrina warned. âWe arenât going to speak of it.â And weâd all nodded and hid our smirks, but that night, theyâd shared a room again.
âLater that day we all shared joint,â Wyn goes on, âthen went to the museum, and you watched that boat-making presentation for like thirty-five minutes without blinking.â
âHe was an artist!â I cry.
âHe was,â Wyn agrees. âAnd for like two hours, you were convinced you were going to quit medical school to make boats.â
âIâd never even been on a boat at that point,â I say.
âI donât think thatâs strictly required,â he says.
âI was probably just scared I wasnât going to match with any residencies,â I say.
âYou told me you wouldnât even care,â he replies. âYou said it would be a sign from the universe.â
My chest pinches with guilt. As if Iâd on my future, had an emotional affair with . Iâd devoted my entire adult life to this one thing, and all it took was one puff of the right joint for me to contemplate throwing it all away.
âIt was fucking adorable,â he says. âI high-texted my dad to ask what weâd need to get for you to be able to make a boat in the shop.â
âSeriously?â
âHe was extremely excited,â Wyn says. âHe was going to ask around to see if someone could come show you how to get started.â
âYou never told me that,â I say.
âWell,â he says, âyou never mentioned boat making again, so I kind of figured it was the weed talking.â
âIt was exceptionally talkative weed,â I muse.
âWhat about the gummy?â he asks. âIs it telling you we should impulse-buy some heavy machinery?â
. Hearing him say it is like biting into a Maine blueberry, the way you taste the salt water and the cold sky and the damp earth and the sun all at once. When lands on my tongue, I see everything:
His moonlit shoulders leaned against the Jaguar.
The moment he pulled his hoodie down over my shoulders, my hair pushing out around my face.
A kiss in the wine cellar.
Falling asleep crammed in one twin bed, his sweat still clinging to me.
The night he asked me to marry him.
âHarriet?â he says. âWhat do you think? Should we invest in your boat-making dream or not?â
The morning we found out Hank was gone.
The deep, painful silence in our San Francisco apartment.
The night he broke my heart.
I shake myself. âWhat have we got to lose except for thousands of dollars we donât have and limbs weâre fairly accustomed to andââ I scrabble for his arm as the Ferris wheel lurches to life, sweeping forward along the loading dock and then shooting us skyward.
As the ground drops away, Wynâs face lights in alternating hues of neon, colors pulsing in a nonsensical rhythm.
For a few seconds, Iâm hypnotized.
Okay, realistically, I have no concept of how long Iâm hypnotized. The weed is still making time stretchy as taffy. Some colors paint his face for eons, and others flash so fast I hardly have time to register them.
The bitter salty breeze runs through his hair as we lift higher into the night, the smell of burnt sugar still clinging to his clothes.
âYouâre staring, Harriet,â he says, the corner of his mouth twitching.
âAm I?â I say. âOr are you just high?â
When he laughs, I become intensely aware of my fingers, still clutching his forearm, and of the smooth, dry texture of his skin. Up close, whenever heâs been out in the sun, there are millions of tiny dark freckles, small as sand grains, scattered over his skin. I want to touch all of them. In my current state, that could take days.
Wedged together like this, I feel his breath moving in and out of his lungs, his heartbeat tapping out messages in Morse code.
âWhy are you looking at me like that?â he asks.
âLike what?â I say, a bit thickly.
He tucks his chin. âLike you want to eat me.â
âBecause,â I say, âI want to eat you.â
He touches his thumb against the middle of my chin, the air taking on an electrical charge. âIs that the weed talking,â he teases gently, âor is it that Iâve still got powdered sugar on my mouth?â
For someone whoâs spent a lifetime living inside her own mind, I become nothing but a body alarmingly fast, all buzzing nerve endings and tingling skin.
âThis is confusing,â I whisper.
âI donât feel confused,â he says.
âYou must not be as high as me.â
His smile unfurls from one corner of his mouth, never quite making it to the other. âI Iâm not as high as you. You look like you ate a trash bag full of catnip.â
âI can my blood,â I say. âAnd these colors have .â
âYouâre not wrong,â he says.
âWhat do they taste like to you?â I ask.
He closes his eyes, his nose tipping up, the breeze ruffling his T-shirt. When he opens his eyes, his pupils have overtaken his irises. âRed gummy.â
I snort. âHow astute.â
His eyes flash, lightning crackling in the pre-tornado green of them. âOkay, fine,â he says. âYou want the truth?â
âAbout what these lights taste like?â I say. âDying for it.â
His hand slides off the lap bar, the tips of his fingers dragging up the outside of my thigh all the way to my hip, his eyes watching their progress. âThey taste like this fabric.â
Iâm trying my best not to shiver, not to nuzzle into him, because the light pressure of his fingers against the satin of my sundress in fact have a taste right now, and itâs delicious.
âSoft,â he says. The backs of his fingernails drag back down my thigh, sliding past the hem of my dress to the bare skin above my knee. My head falls back of its own volition. âDelicate. So fucking light it dissolves on your tongue.â
His eyes meet mine. His nails drag back up, a little heavier. For several seconds, or minutes, or hours, we hold on to each otherâs gazes while his hand makes slow passes, up, down, up a little higher.
âCan I see more pictures?â he says.
I startle from my lust haze. âWhat?â
âOf your pottery,â he says.
âItâs not good,â I say.
âI donât care,â he says. âCan I see it?â
Our gazes hold again. Iâm really struggling to move at a normal pace. Every time I look at him, everything else stops, like weâre floating outside time and space.
I fumble my phone out and flip through my pictures.
Aside from a handful of targeted ads for murder mystery TV shows I wanted to remember to watch, there isnât much to get through before I make it to shots of my last few projects. A mug, two different vases, another bowl that doesnât really look butt-like at all. Or hardly, anyway.
I pass him my phone. He studies it, his tongue tracing over his bottom lip as he slowly flips through the pictures. Weâve done at least one full rotation on the Ferris wheel by the time he reaches the last one and starts flipping back the other way, pausing on each, zooming in to see the details of the glazes.
âThis one.â Heâs staring at the smaller of the vases, streaked with shades of green, blue, purple, and brown, a horizon of earthy colors.
My heart squeezes. âThat oneâs called Hank.â
He looks up, face open, with the expression that used to make me think of quicksand, a face that could pull you in and never let you go.
âYou named it?â he says. âAfter my dad?â
âIsnât that humiliating?â I try to pull my phone away.
He doesnât let go. âWhy would it be humiliating?â
âBecause Iâm not Michelangelo,â I say. âMy vases donât need names.â
He holds the phone up. âThis one needs a fucking name, and that name is Hank.â I reach for it again, but he yanks it out of reach, goes back to staring at the screen, creases rising from the insides of his brows. Quietly, he says, âIt looks like him.â
âYou donât have to say that, Wyn,â I reply. âItâs a vase, by an amateur.â
âIt looks like Montana,â he says. âThe colors are exactly right.â
âOr maybe youâre just really high,â I say.
âI am definitely really high,â he says. âBut Iâm also right.â
Our eyes snag, warmth gathering at my core. I hold my hand out. He sets my phone in it.
âDid you show this to my mom?â he asks.
I shake my head. âI was thinking about giving it to her.â
âLet me buy it,â he says.
I laugh. âWhat? Definitely not.â
âWhy not?â
âBecause itâs not worth anything,â I say.
âIt is to me,â he says.
âThen you can pay for shipping,â I say. âIt will be from both of us.â
âOkay. Iâll pay for shipping.â After a pause, he says, âHowâd you get into it?â
âCeramics?â
He nods.
I let out a breath. âIt was about a week after we broke up. I was walking home from a shift, and I was a couple blocks from ouâmy apartment.â I correct myself at the last second, but my face flames anyway.
I hadnât wanted to go home that day. Iâd scrubbed in on another rough surgery. The patient pulled through, but Iâd felt sick ever since.
All I wanted was to be wrapped up in Wynâs arms, and I knew if I walked into our apartment, thereâd be shadows of him everywhere but no trace of the real thing.
I swallow the lump burgeoning in my throat. âAnd I saw this shop. And it reminded me of being here, because, you know . . .â
âYou canât go four feet without hitting a ceramic nautilus shell vase?â he guesses.
âExactly,â I say. âAnd Iâve never been super interested in all those pottery shops while weâre , you know? But when I saw this place, I felt like . . . like it was a little piece of home. Or, you know, whatever the cottage is for us.â
âSo you just went in?â he asks.
âI just went in.â
A smile teases at the edges of his mouth. âThatâs not like you.â
âI know,â I say. âBut I was having a bad day. And there was an ice cream shop next door, so I got a scoop there, and by the time I was leaving, people were showing up at the studio for a beginnersâ class, and the alternative was to go home and watch more , so I just went in.â
Softly, he says, âAnd you liked it.â
âI really liked it,â I admit.
âYouâre good at it,â he says.
âNot really,â I say. âBut thatâs the thing. Nothingâs riding on it. If I mess it up, it doesnât matter. I can start over, and honestly, I donât even mind. Because when Iâm working on it, I feel good. Iâm not muscling through to see how it turns out. I like it. I donât have to stay hyperfocused. I donât have to do but stick my hands in some mud and be. I zone out and let my mind wander.â
He must see something in my expression, because he says, âWhat do you think about?â
My cheeks tingle. âI donât know. Places, mostly.â
âWhich places?â
I look down to the festival stretched out beneath us, watching a little boy and girl zigzag through the crowd with cotton candy bouquets twice as big as their heads. âAnywhere Iâve been happy,â I say.
Thereâs a long pause. âMontana?â
My throat twists. I nod.
âThat bowl that looked like a buttâI was thinking about the water here in Knottâs Harbor,â I say. âAbout the waves, and how weird it is that they donât really exist. Like the water is just the water, but the tide moves through them and the wind moves over them and they change shape, but theyâre always just water.â
âSo I guess,â he says, âsome things change stay the same.â
I know weâre high. I he hasnât actually said anything profound, but when his pale coyote eyes lift to mine, my heart seems to flip over, everything inside me turning a full one hundred and eighty degrees. Itâs like Iâve been upside down all this time, and the motion has finally righted me.
âIs there one that looks like us?â he asks.
, I think.
I shift on the bench. His fingertips graze my thigh. His focus homes in on the contact.
His lips knit together as he traces the fold of fabric, and while heâs not exactly touching me, the nerves along my hip still whir to life, heat, fizz.
âYou have to feel this, Harriet,â he says dreamily.
I break into giggles. âThat gummy was not tiny.â
âOn the plus side,â he says, âitâs making this fabric feel amazing.â
âYou mean amazing,â I say.
âLike red gummy,â he agrees, dropping his mouth toward my shoulder, running his parted lips over the strap. My breath catches. I set my hands against the lap bar, where I can be reasonably sure they wonât spontaneously climb up the inside of Wynâs shirt.
âIs this what silk is?â he asks, lifting his face, eyes sparkling earnestly beneath the flashing purple lights.
âSatin,â I tell him. âA poor manâs silk.â
âA poor but lucky manâs silk,â Wyn says. âIt feels like . . . damp skin. Here.â He takes my hand from the lap bar and brings it to my own thigh, watching for my reaction as he lets our hands drift over the hem until the very ends of our fingers are on skin. âSee?â
I nod, breathless.
His eyes darken, pure black now except the outermost edge of silvery green.
âDo you remember what you told me,â I say, âabout your brain?â
His hand pauses.
âYou said it felt like a Ferris wheel,â I say. âLike all your thoughts were constantly circling, and youâd reach out for one, but it was hard to stay on it for too long because they kept spinning.â
The lines of his face soften. His fingers curl, the backs of his nails pressing into my skin. âExcept with you. Youâre like gravity.â
I couldnât have pulled myself away from him then if heâd burst into flames.
âEverything keeps spinning,â he says in a low, hoarse voice. âBut my mindâs always got one hand on you.â
The night air warms between us until it crackles. Weâre about to break the rule. Weâre about to kiss with no one looking, and I donât care. Or I do care, in that I need it. I need gravity. I need his mouth and hips to pin me in place, to anchor me in this moment, to slow time even further, like he always has, until becomes my real life, and everything elseâthe shoebox apartment, the aching back and knees, the sweat pooling under my gown and mask, the nights staring up at a ceiling that has nothing to say to meâis the memory.
âHAR!â someone shouts above us. The moment snaps.
We both look up.
âCATCH!â
I donât see which of them shouts it. All I see is Kimmy and Cleoânow above us as weâre descending the back of the Ferris wheelâleaned out over their lap bar, laughing hysterically, and then something flamingo pink fluttering, flapping, twirling down toward us.
It lands squarely in my lap.
âHold on to that, would you?â Kimmy shouts. Cleo doubles over, her shoulders twitching with laughter.
Wyn takes hold of the pink thing and lifts it, spreading it out so the hot-pink bra cups jut from his chest.
Above us, Cleo and Kimmy are shrieking now.
âThis,â Wyn says, âis exactly why I hate getting clothes as presents. Nothing ever fits.â
âAt least itâs your color,â I say.
He tuts, laughing, and shakes his head. âThanks, Kim.â
Kimmy hurls herself forward, squawking something through her guffaws, but Cleo yanks her back against the bench.
âExcuse me, Wyn.â I pull the tiny bra out of his hands, holding it in front of me. âIn which universe does fit on Kimmyâs boobs?â
He gapes, looks up at Cleo and Kimmy, who are still falling all over each other in fits of laughter, then back at me. âDamn,â he says. âDidnât see that one coming.â
âMe neither,â I say. âI always assumed Cleo was die-hard Free the Nipple.â
âWhatâs going on up there?â Parth calls from below us.
Theyâre starting to level out on the loading platform. âWe have to act fast,â Wyn says, expecting me to read his mind.
I do. âYouâve got better aim than me.â
âIâm not even going to politely argue,â he says, and takes the bra.
We lean forward, and as Sabrina and Parth are about to dock, Wyn tosses the bra straight onto Sabrinaâs head.
âWHAT THEââ she screams, her words cut short when Parth pulls the bra off her head and holds it aloft for examination in the neon light, right as theyâre drawing to a stop beside the long-suffering Ferris wheel attendant.
Even from here, his grumble sounds like âmillennials,â which makes Wyn and me burst into laughter so forceful that tears are literally sliding off my chin.
âIt happened!â I squeal. âWeâve replaced our parents as the drunk-mom-on-vacation generation.â
âExcuse you,â he says, âI think you mean the high-dad-on-vacation generation.â
Below us, Sabrina climbs out of her seat, head held high and dignified. She hands the bra over to the attendant and, loudly and clearly enough for all of us and everyone in line to hear, says, âDo you have a lost and found? Someone seems to have dropped this on the ride.â
âAre we about to get kicked out of Lobster Fest?â I ask Wyn.
His head falls back with another wave of laughter. âIt was bound to happen eventually.â
âEnd of an era,â I say.
âNah.â His eyes slice sideways. âAnother beginning.â
â¢Â   â¢Â   â¢
WEâRE STILL GIGGLYÂ when we spill out of the Rover in front of the cottage, Sabrina leaning heavily on me, Kimmy leaning even more heavily on Wyn behind us. Weâre almost to the front steps when our fearless (braless) designated driver takes off toward the side of the house.
âWhere are you going?â Parth throws his arms out. âYou have the keys!â
Sabrina and I exchange a look, then take off after her, around the dark side of the house. Cleo throws the gate to the patio open, kicking her shoes off as she runs through, unbuttoning her pants.
Sabrina thumps my arm to get me to run faster, and we round the bend in time to see Cleo, now pantsless, leap into the pool. The others come around the bend, and Sabrina spins toward Parth, uses her full weight to shove him in.
Without hesitation, Kimmy cannonballs in after him, one shoe still on. Sabrina whirls on me. I shriek and swat her hands away. âWeâre too old!â I cry. âDonât make me do this!â
I get hold of her wrists. Her yelp turns into laughter as we struggle at the waterâs edge.
Iâm swept off my feet from behind. An arm tight around my rib cage, a clovey smell, as Iâm pitched off-balance.
We fall together, tangled, breathless. The water folds around us, and I open my eyes beneath the surface, turning in his arms. Everything is glitter, shimmering bits of silver blue at first, and then there he is, paled by the poolâs strange light. His hair waves out, dancing around his face, and bubbles slip from his nose and the corners of his mouth.
He catches my hands and draws me closer. I donât even think about holding myself back. Iâd like to blame the weed, but I canât. Itâs him and me.
My thighs skate over his, nesting loose against his hips. He brings my hands to the back of his neck, and we sink like that, descending from the glowing legs treading water. He pulls me flush to him, his heart pumping against my collarbone.
And then weâve reached the bottom of the pool. We canât go any deeper. He pushes off against the tile, sending us back to the surface.
Cold air, laughter, screeching from the edge of the pool, where Kimmy and Cleo have now teamed up to get Sabrina into the water.
And I donât feel young. I feel alive. Jolted awake. My skin, muscles, organs, bones, all somehow more concrete here. Wynâs face and eyelashes glisten, his shirt plastered to him. His fingers are gentle on my jaw, his thumb tracing over my bottom lip as his eyes watch it drop open, as if to breathe him into me. Our lungs expand, pushing into each other, and his gaze lifts to mine, and here, with everyone to see it, where the rule I set wonât be brokenâwhere I can like itâs an âI tip my mouth up under his.