WE SETTLE ONÂ the dance floor, in front of the stage. Stiffly, I ring my arms around his neck and let him draw me in close, partly because Cleoâs watching us and partly because at least this way, I donât have to look at his face.
âYouâre playing dirty,â I say.
âMe?â he replies. âYou just gave me a lap dance.â
âI did not,â I say, âand I will never.â
â
â he parrots in a breathy voice.
âI didnât say . When did I say ?â
âYou did the voice. I knew what you meant.â
I roll my eyes. âIâm playing my part.â
âWhat part is that? Marilyn Monroe singing âHappy birthday, Mr. Presidentâ?â
âThe part where Iâm supposed to be in love with you,â I say.
He stiffens slightly. âYeah, well, maybe you donât remember this all that well, but back when you in love with me, you didnât often straddle me in public.â
âWell, considering I havenât straddled you tonight either,â I say, âone can only assume youâre employing reverse psychology right now. Sorry, Wyn. Itâs not going to happen.â
He scoffs but has no comeback.
We angrily sway to the music for a few more seconds.
âWeâre really not going to talk about what happened in the cellar?â he says.
âNothing happened in the cellar,â I remind him.
âSo you donât have any thoughts about what happened.â
Something he said a long time ago pops into my mind. âTumbleweeds,â I say. âRolling through my brain.â
He shakes his head once, the side of his mouth brushing my temple.
âGraduationâ has ended. Someoneâs singing âWicked Gameâ now, someone who can actually sing. Not as well as Chris Isaak, but well enough to make the song appropriately devastating and inappropriately sexy. Itâs the kind of auditory hard-right turn common to karaoke nights but for these specific circumstances.
Kimmy and Cleo have moved onto the dance floor, only a few feet away from us. Wyn takes the opportunity to twirl me; I take the opportunity to get a deep breath of air that smells a less like his heady mix of pine and clove. Then he brings me back closer, stomach to stomach and chest to chest, so he can murmur in my ear: âSo. The heels, the dress, the Etsy-spell face, the new appreciation for facial hairâany other big changes I should be aware of?â
My fingers catch the ends of his hair, and once again, goose bumps rise up along his top few vertebrae. I thrill at having the power to stir at least reaction in him. He mightâve shaken me up in the cellarâand his life may be without me in itâbut that doesnât mean heâs any more immune to this thing between us than I am.
âThe coffee-table book,â I say evenly. âThe beard, the hair, the constant texting. Anything else should know?â
As soon as I say it, I want to take it back. I know how quickly he scrubbed me out of his life; I donât want to know how fast he got the shrapnel out of his heart.
His gaze darkens, prying into mine, searching for the answer to some unspoken question. His grip on my waist loosens, his palms gliding down a few inches to settle on my hips. His lips press together. âI guess not,â he says.
When the song ends, we stay locked together for a few seconds, unspeaking, unmoving. Finally, we let go.
â¢Â   â¢Â   â¢
WHEN WE GETÂ back to the table, Sabrina has claimed another chair. Before I can take it, Wyn sits and hauls me across his lap without hesitation.
The message is clear: if I keep upping the ante, heâll keep matching the bet.
Iâm in no mood to fold. I press myself against his chest and let my fingers find their way back into his silky hair.
He responds by sliding one hand up the outside of my thigh, the heat of his palm burning through the red chiffon. My pulse seems to drop straight down between my thighs. He nuzzles into the side of my neck, not quite kissing me but letting his lips drag over the sensitive skin on a slow inhale and exhale.
âCould I get a glass of white wine?â I yelp as our server appears with the six orders of fries Sabrina put in.
âSure thing,â he says, mostly avoiding looking at my and Wynâs ridiculous display before turning to scurry back toward the bar.
When he brings the wine back, I drink it in one go, because now slowing my brain down seems like the better of two fairly terrible options.
âYou all right there, Harriet?â Wyn asks in his own husky equivalent of the happy-birthday-Mr.-President voice.
I turn back toward him, leaning in until his firm chest meets mine and our mouths are close. My arms lock tight across the back of his neck, and his gaze slinks down me and back up, the muscles in his jaw flexing.
His deep breath presses us closer, his pulse thrumming against my breast. His hands move to my hips, adjusting me in his lap.
Drunk on the power, plus five months of repressed anger, plus one glass of wine, I lean even further into him, feeling my nipples pinch between us as I lower my mouth, like he did, to the spot beneath his ear. âNever better,â I say. His fingers unconsciously tighten against my hips, glide down the sides of my thighs until they pass the chiffon and reach bare skin.
We may be playing our parts, but thatâs not all this is. I can feel him stiffening beneath me. It makes every soft place on my body feel like magma: incendiary, volatile. But Iâm not going to be the one to back down.
âDartboardâs open,â Sabrina says from the far side of the table. âAnyone want to play?â
âIâm in,â Kimmy chirps, jumping up.
I hold Wynâs gaze, waiting for him to break. Finally he flicks a look toward Sabrina. âMaybe later.â His eyes come back to mine, hard and steely. âIâm pretty comfortable right now.â
â¢Â   â¢Â   â¢
SABRINA BEATS FOURÂ locals, plus Kimmy, at a game of darts, and Parth and Cleo get into a long conversation with the bachelorette party about gerrymandering and how Parthâs organization works to fight it.
The bachelorette partygoers are impressively accepting of the turn their night of debauchery has taken. No one knows how to hold court quite like Parth Nayak. Plus, Sabrina keeps having shots of Fireball sent over.
By the end of the night, both she Parth have exchanged literal, physical business cards (Who knew they even had these? Not me.) with a couple of people in the party, and Cleo, Wyn, and I have to basically mop the two of them and Kimmy out of the Lobster Hut and into the cab.
Still, Parth finds the wherewithal to play his traditional end-of-the-night soundtrack, the eerily beautiful Julee Cruise song from the opening of .
In the back seat, Sabrina slumps against me, half asleep, a domino effect that forces me into Wynâs chest. He holds on to my knee, and I wonder whether itâs his pulse or mine thundering between us.
Back at the cottage, the sober among us herd the others into the kitchen and ply them with water. Upstairs we hug each other good night, and then, with my heart clanging wildly in my throat, I trail Wyn into the bedroom. Iâm suddenly too nervous to close the door and be truly alone with him.
He reaches over my shoulder and shuts it himself. His hand stays there, to the left of my head.
Thereâs a foot of space between us, but it feels like friction. Like straddling him in a dark alcove under the stairs. Like draping myself across his lap in a crowded bar.
His eyes move back and forth over my face, and his tongue sweeps absently across his bottom lip. In a rasp, he asks, âAre we done yet?â
I lift my chin. âI donât know what youâre talking about.â
Somehow weâve gotten closer. The corner of his mouth hitches, but his eyes stay dark, focused. His breath feathers over my mouth. One more strong inhale, from him or me, would close the gap. âWhy are you punishing me?â
I try for an angry laugh. It doesnât come. He looks too earnest, too lost, like heâs desperately trying to understand.
Like he canât fathom that all my love for him didnât just vanish, the way his did for me. That it had to go , and funneling it into anger is how Iâve managed to make it through these last two days.
It makes me feel alone. It makes me feel defeated.
He swallows. âCanât we . . . call a truce?â he asks. âBe friends for the next few days?â
. The irony, the sterility of the word, stings. Itâs pouring alcohol over my wounded heart. But I canât quite grasp on to my anger.
âFine,â I say. âTruce.â
Wynâs hand slides clear of the door. He steps back and, after a moment, nods. âYou take the bed.â
I canât help but think he doesnât look any happier than I feel.