COLIN STARES AT HER, PART confused, part horrified. âOkay?â he says, eyebrows slowly rising. Half of his mouth tilts in an unsure smile. This canât be happening. It canât. âDead, huh?â
He blinks, pressing his hands to his eyes. Heâs officially lost his mind.
âYeah.â She stands and walks a few steps toward the pond.
Colin watches her as she gazes at her reflection and wonders if a dead girl would even have one. âSo, when you said youâre here for me, you mean, you came back from the dead for me?â
He can see her nod even though she faces away from him. âThatâs what I mean.â
Dread, heavy and cold, settles between his ribs. No, please no. âBut if youâre dead, how can you open doors, orââhe points to the sweatshirt in her armsââhold my hoodie, or even wear the school uniform?â
She shrugs. âI donât know. Iâm pretty sure I look the same. Still tall and knobby. But Iâm less clumsy.â She looks over her shoulder and smiles at him sadly, then turns away again. âBut I think I feel different, less solid, less . . .â She trails off, shaking her head. âJust less. I remember dying, but Iâm here. Thatâs all I can tell you.â
Her long white-blond hair reaches the bottom hem of her blue shirt, and she looks so eerily beautiful in front of the pond with the perfectly sliced half-moon directly overhead. Suddenly the idea that heâs losing his mind doesnât seem so impossible. Colin wonders if Lucy is even really here.
âLucy, what color is your hair?â
She turns, a confused smile on her face. âBrown . . . ?â
With this, he drops his head into his hands and groans.
Lucy walks over, sitting beside him on the bench. âWhy did you ask me that?â
âItâs nothing.â
She reaches out and takes his hand, but he immediately drops it, shooting up from the bench and wiping his palms on his thighs. âWhat the hell?â
His hand tingles where it touched hers, the sensation slowly fading into buzzing warmth. She felt like static, like charged particles in the shape of a girl. Colin stares at her and then puffs his cheeks out as he exhales.
âWhat is going on?â he murmurs, looking beyond her and up at the sky. Heâs suddenly remembering every burnout kid thatâs come back from the woods with a story about something they saw. How his mom used to talk about . . . God, he canât start thinking about that. The idea that Lucy is a Walker is impossible. The idea that Walkers are real is even more impossible. But either scenario makes him nearly choke with panic. Because if Walkers arenât real, then he is insane. And if they are real . . . then maybe his mother wasnât crazy after all.
And right now, in every other way, he feels sane. He does. He remembered to grab a jacket before he came outside; heâs wearing shoes. He thinks heâs speaking coherently. When he looks around, he doesnât see anything amissâno spiders crawling up his body or stars weaving in the sky. Just a brown-haired girl who looks blond to him, says sheâs a ghost, and feels like static heat.
Thatâs it. Heâs insane.
âWhy didnât I think about it more?â
âThink about what?â
He waves a hand, blindly indicating the area around her head. âYour hair is blond, and Jay says itâs brown. And your eyes? Oh God. What is going on?â
âMy eyes? My hair?â Lucy bends to catch his gaze. âI look different to you?â
He shrugs stiffly. It feels like there is a stampede of horses galloping in his chest.
âI look different to you and it didnât freak you out before?â
âNot until now.â He groans. âI guess I didnât want to think about it. I donât ever want to think about it.â
âThink about what?â
âNothing. Forget it.â He shoves his hands into his hair, pulls.
âWhat did my hand feel like?â she asks, more insistent now.
âUm . . . ? Like . . .â He shakes his head, trying to find the right words. âEnergy . . . and buzzing . . .â
She offers her hand again. After staring at it for what feels like an eternity, he steps forward, breathing heavily, and takes it. In his grip, her touch snaps against his skin before settling into a warm, vibrant hum. His voice shakes when he says, âLike energy and air? Um . . .â The hum begins to fill him with a longing so intense he feels disoriented. He releases it again and steps back, shaking both hands at his sides like heâs flicking away water. âItâs crazy, Lucy. This is crazy.â
She steps toward him, but he takes another step back, needing space to breathe. He feels like the air is being sucked from his lungs when sheâs so close. As if reading his mind, she pulls her hands into the sleeves of her shirt.
But after a long moment, curiosity takes over. Reaching forward, he tugs at her sleeve, pulling her hand out and toward him. His fingertips run over her palm before he turns her hand and presses it to his. Snapping, crackling energy followed by a delicious warmth and the relief of a strange, deep ache. The shape of her is obvious, but he canât close his hand over hers. When he presses too hard, her energy almost seems to repel his touch.
Is it really his mind doing this?
âWild,â he breathes. She seems to pull back, as if his touch borders on painful for her. âAre you okay?â
âYeah,â she says. âItâs a lot to take. Your skin feels hot and so . . . alive? Itâs a little overwhelming for me.â
Colin winces, looking away as he drops her hand and mumbles an apology.
âItâs like I didnât exist, and then suddenly I was there on the trail,â she says, explaining. âAnd that dress I was wearing? The thin flowery one? The little-girl sandals?â She grows quiet, and he looks up at her, waiting. âI think thatâs what I was buried in.â
Sheâs afraid, he realizes. Her eyes are this rich, grinding violet, flecked with metallic red. Hope and fear, he thinks, but mostly fear. Colin squeezes his eyes shut. He can read her mood in her eyes.
âColin, are you okay?â
He presses the heel of his palms against his brows and grunts, not a yes, not a no. He is most definitely not okay.
She steps closer. âAfter I saw you, I mean, I felt like I was supposed to find you, and I realize how that sounds. It sounds creepy. Itâs why I ran away.â
âI almost went after you,â he mumbles, but immediately wishes he hadnât. This conversation feels the same as barreling headlong into a sharp turn in the dark, on a new trail. He doesnât know how to navigate it.
âAfter that first day, I felt drawn to the school. I would sit outside and . . .â Out of the corner of his eye, he sees her look up at him. âYou know when you hold your breath and everything gets tight and full and you wonder whatâs causing your chest to burn? I mean, itâs only oxygen and carbon dioxide not being let in and out of your lungs, but it burns, you know?â
His eyes widen and he nods, barely. He knows exactly what she means.
âSeeing you was like being able to exhale and then inhale again.â She searches his expression. âI know it sounds lame, but when Iâm with youâeven though nothing else makes senseâIâm glad Iâm back.â
Sheâs said too much, and Colin doesnât know how to tell her that itâs impossible sheâs dead, and this entire conversation is a figment of his imagination. But then again, if this is all in his head, should he even feel embarrassed for her that what she says canât possibly be true? How does one fight the spiral into insanity? His mother certainly didnât.
Rather, she fell into a depression so deep after his sister died that she wouldnât eat or move for days at a time. Finally, she insisted she saw her dead daughter walking around campus, lost her mind, and drove the living members of her family off a bridge.
He stares at her, feeling as if heâs about to throw up. Her eyes are liquid metal infused with color. Her hair is white-blond only to him. She tells him sheâs returned from the grave, that sheâs here for him. âI . . . I needââ
âThis sounds insane. You think Iâm insane. I totaââ
âIâm sorry. I have toââ
âPlease, Colin, believe me. I would neverââ
He stands as sheâs midsentence, turning woodenly and walking as fast as he can back to the dorm.