FOR ME,â SHE ANSWERS, REACHING to press a fingertip against the cool metal.
âWrap your hand around the pipes,â the teacher said. âThe cold and the warm together feel scorching.â
Lucy released the pipes with a surprised hiss, looking up at the teacher in shock.
âSome skin receptors sense cold, some heat. Both are sent to the brain, but the brain hears these mixed signals as powerful heat. Itâs a form of perception we call paradoxical warmth.â
Lucy gasps at the perfect memory and the intensity of the touch, pulling her finger back in surprise.
Colinâs lip ring was cold from the wind and his skin was warm with blood, and like the pipes, the feeling of his lip pressed to her fingertip was scorching. And although she understands the science behind the pipes experiment, there canât be any explanation in the world for what happened between them just now. For the brief contactâa few secondsâthe air incinerated.
Colin swallows, his eyes never leaving her mouth. He blinks a few times. Is he going to kiss her? Her skin warms at the thought, and the closer he leans, the more flooded she becomes with a strange, intoxicating relief. It overwhelms her like a head rush.
Lucy knows now that sheâs been kissed beforeâeven that sheâs not innocentâbut it felt nothing like this. Memories of those monochromatic touches pale next to the vibrancy of Colinâs skin. But this reaction turns sour in her thoughts, unsettling her. If the simple touch of his lip on her fingertip felt so intense, what would it feel like to actually kiss him? Sheâs afraid sheâd be unable to process so much sensation. And so she turns back to the trail, eyes closed for a moment as she savors the feel of the cold metal ring, the heat of his breath as he exhaled against her fingertip.
Sheâs taken a few steps before she hears Colin move to catch up with her. If heâs surprised by her reaction, he doesnât show it, and they continue to walk in silence. Every few steps, Colinâs hand brushes against hers. Eventually, he gives up pretense and wraps his fingers around hers again. So carefully, just like the first time.
He bends to meet her eyes. âStill okay?â he asks adorably, somehow managing to look both confident and completely unsure of himself. She can only nod, overwhelmed by his simple touch. His skin feels hot and alive, as if with each of his heartbeats she can sense the surge of blood in his veins.
He smiles widely. âSo, if you canât ever leave campus, where do you live?â
Lucy takes him to her little home and is impressed when he doesnât look shocked to find her living in an abandoned shed beside the school. She lights the small gas lamp in the corner before stretching out her arms, almost touching the wall on either side. âThis is home sweet home.â
He folds his long frame on an old crate and she sits on another and tells him everything she remembers. The fragmented pieces from her human life are random and meaningless, but he listens like each piece is a part of a larger, greater story. When she starts to tell him everything she remembers since waking on the trail, she sees a shadow flicker on his face for a brief moment, as if heâs sad that the story of her first life adds up to so little. But her memories from this life are so numerous in comparison, she treats them like gems. He watches and listens as he leans back against the dilapidated wall of the shed.
She tells him about sitting outside the school and watching students in their everyday routine and how she didnât feel even a single moment of envy; she simply felt as if she was waiting. She tells him that she didnât feel the need to find her parents even though they might still be alive and how that lack of compulsion worries her somehow. Wouldnât a girl want to join her peers? Wouldnât she go straight to her family?
She brings him up to the present moment with a simple, âI told you I died. You freaked. I wandered around and forced myself to stay away from the school and then . . . you came and found me. The end.â
He laughs. âI had no idea you could talk so much.â
âI havenât wanted to talk to anyone else.â
His smile fades, and he looks around, like heâs seeing the shed for the first time since he arrived. âDonât you want to be in a more comfortable place?â he asks. âItâs kind of weird that youâre alone out here.â
âI like it. It feels like mine now, and itâs clean and quiet and no one has ever come over here.â
He hesitates and then glances down at his phone. âI should go.â She watches him brush the leaves and pine needles from his pants. When he looks up, he tilts his head, wincing. âI canât leave you here.â
âIâve been here for almost three weeks now.â
âCome with me, just tonight.â He senses her hesitation and pushes on. âJust until we scare up some blankets and make this whole place less . . .â
âRustic?â she offers.
âI was going to say creepy. We should aim for rustic.â
We.
She follows him down the trail, unable even in her weightlessness to match his grace over logs and through the marshy bits. All of their talking seems to have emptied them of words, and they move through the moonlight in an easy silence until the hulking gray buildings of Saint Osannaâs appear above the tips of the trees. The idea of a dorm room, of a comforter, a rug, and walls that keep the elements at bay seems almost decadent.
Colinâs room screams âboy.â Muted earth tones, bike magazines, dirty laundry. Greasy bolts on his desk, a soda can, a row of trophies. She can see, beneath the layers, strong architectural bones: dark wood windowpanes, polished hardwood. The shelves built deep into the walls are now cluttered with papers and bike parts and small stacks of photographs.
âQuite a man lair,â she says. Colin flops down on his bed and groans a relaxed-happy noise, but Lucy doesnât want to sit down. She wants to go through his stuff. She has two school uniforms, a pair of boots, and a shed. Sheâs fascinated with all of his things.
âA brown comforter? How understated.â She smiles and runs her hand along the edge of his mattress.
âI like to imagine Iâm sleeping in the dirt,â he jokes. She feels him watching her while she studies a pile of clothing near the closet door. He throws an arm over his face and mumbles beneath it, âJay and I . . . weâre not so skilled with the cleaning.â
âYeah . . .â She pushes aside a pair of socks on a shelf so she can read what books he has stacked there.
âAt least my sheets are clean.â He immediately clears his throat, and she continues to stare at his books. Awkward settles like a thick gel into the room. âI didnât mean that. Yes, I mean, my sheets are clean but . . . for sleeping. Oh my God, never mind.â
Lucy is already laughing. âI donât sleep.â
âRight. Right.â Heâs quiet for several beats before asking, âWonât you get bored?â
âItâs nice to be near someone. I promise I wonât draw a mustache on you in your sleep.â
He yawns suddenly, widely. âWell, if you do, give me a Fu Manchu. Go big or go home.â He stretches as he stands, and a strip of bare stomach is exposed beneath his shirt. Heat pulses through her, and she wonders if itâs possible for him to notice the way her entire body seemed to ripple. Hooking a thumb over his shoulder, he says heâs going to go brush his teeth.
Without Colinâs eyes on her, she feels free to look around a little. Not to dig in his drawers or look under his mattress, but to take a closer look at the pictures on his desk, the trophies on his shelves.
Heâs won races and stunt contests. He snowboards, and from the looks of it, he used to play hockey. Ribbons and plaques line two shelves, and there are so many, she quickly stops trying to read each one.
On his desk thereâs a picture of a small boy with a man who looks like she imagines Colin will in his thirtiesâthick, wild, dark hair and bright eyes. Scattered on his desk are papers and Post-its and a few pay stubs from what she assumes is the dining hall. Tucked under his keyboard and sticky with spilled soda is a picture of Colin at a school dance with a short brunette. His hands are on her hips. Sheâs leaning back into him, and theyâre not just smiling tight, staged smiles. Theyâre laughing together.
A tight ball forms in her chest and expands into her throat. The way his hands rest on her hips is mesmerizing, as if she is firm and his and there. Lucy doesnât know how his touch will ever feel normal to her and whether sheâll ever be able to be close to him the way she imagines this girl was.
The skin on the back of her neck burns warm when she feels him return to the room, and she quickly puts the picture back where it was. She thinks he notices, but he doesnât say anything and neither does she. Itâs too soon for the conversation of what they are, let alone who that girl was. Even so, Lucy canât quite stop the jealous fire that licks at her insides at the image of Colin with someone else.
âI realize this is lame,â he says, âbut Iâm actually really tired.â
The clock reads two a.m. âGod. Of course you are. Sorry . . .â
With a small smile, he climbs under the covers and pats the mattress next to him. Lucy climbs onto the foot of the bed, careful to stay on top of the comforter, and sits cross-legged facing him.
âYouâre going to watch me?â
âUntil youâre asleep and I can sneak a permanent marker from your desk.â
He smiles and curls onto his side. âOkay. âNight, Lucy.â
Questions pulse in her mind in the blackness of the room, begging for answers. About her, about him. About why the universe sent her back here and why he seems to be the only thing that matters. â âNight, Colin.â
âHey there, new girl.â Jay grins, pulling out a chair next to his and patting the seat.
Colin ignores this, pulling a chair out for Lucy across the table from his friend. âLucy, Jay. Her name is Lucy.â
âLucy is a sweet name, but New Girl is better. Itâs mysterious. You can be whoever you want to be.â Leaning forward, Jay gives Lucy his best smoldering smile. âWho do you want to be, New Girl?â
Lucy shrugs, thinking. Sheâd never considered this aspect of being new, and untethered, and unknown. Everything sheâs done has been on instinct. She looks through the open doorway to the dining hall, where most students eat. All of the girls bleed together into a single, boring uniform.
âI play bass in an all-female band called the Raging Hussies, have a math fetish, and open beer bottles with my teeth.â She grins at him. âOne of those is true.â
Jayâs eyes narrow. âPlease tell me itâs the band one.â
âMy vote is teeth,â Colin says.
âSorry,â she says with mock sympathy. âMath.â
Jay shrugs, taking a bite of bacon. âThatâs also hot. I mean, whether or not you play the bass with a bunch of hussies, you like the lake. That makes you interesting.â
âWhatâs interesting about liking the lake?â Lucy turns and searches Colinâs face for explanation, as if trying to decipher if heâs told Jay her secret. âWhatâs not to like about it?â
âI love the lake,â Colin says with an easy smile, apparently enjoying the interaction. âTons of bike trails, and no one else ever goes out there.â With a wink, he adds, âIâm not afraid of whatâs out at the lake.â
âI donât care about the stories,â Jay says. âIt just looks creepy. In the summer, it gets so hot and muggy that everything in the air warps. In the winter, the glacial lake freezes and everything turns blue.â Jay spears a forkful of eggs and points them in Lucyâs direction. âYouâve heard about the Walkers, right?â
Lucy shakes her head, cold spreading from her fingertips up her arm. Instinctively, she shifts closer to Colin.
âPeople say Saint Oâs is haunted. And no one goes to the lake; some people around here claim theyâve seen a girl walking around under the water. Hell, this whole place is supposed to be haunted.â
Lucy shivers, but only Colin notices. He puts a gentle hand on her thigh below the table.
âBut if you want to know what I think,â Jay begins, and the eggs fall back onto his plate with a quiet smack. âPeople donât like walking all the way down there because theyâre a bunch of lazy asses whoâd rather sit in their rooms and open beer bottles with their teeth.â
âI see,â Lucy says. Jay watches her, expression unreadable.
âJay and I arenât scared of ghosts,â Colin says.
Jay laughs and shoves his plate away. âNo, dude. I donât believe in ghosts.â
When Lucy looks over at Colin, heâs watching her, grinning with their secret in his eyes.
Lucy creates a schedule built of classes with teachers who never take roll. Only one class is with Colinâhistoryâbut itâs in the middle of the day when she needs to see his reassuring half smile, his fingers tapping out an impatient rhythm on his desk, the fingers that she knows want to touch her.
Itâs harder than sheâd have imagined to be, well, nothing. She watches everyone constantly, wondering if some phrase, some small mannerism, will spark a memory or a hint of what she was and of how she can stay earthbound and leave the school someday with Colin.
She finds herself thinking back on what Jay said about the Walkers and the stories that surround the school. She knows she should have asked more questions, should ask them still, but the instinctual tug she feels to be near Colin builds like static in her ears, blocking everything else out. Her questions, her doubts, her purpose, seem secondary to the corporeal buzzing she feels beneath her skin in his presence. Sheâs as physically drawn toward Colin as she is repelled by the gate.
âLucy?â Her head snaps up at the sound of her name, all thoughts of Walkers gone. It takes a minute to remember where she isâFrench class, with Madame Barbare, who Lucy doesnât think has ever noticed her before. Like most teachers at Saint Osannaâs, Madame Barbare assumes that if youâve made it past the security gates and are wearing a uniform, you obviously belong in her class even if youâre not on her roll.
Her voice echoes in Lucyâs ears, reverberating up into her skull, where it bounces around uncomfortably. Itâs the first time in days someone other than Colin has said her name. âY-yes?â Only when Lucy looks up does the teacherâs attention move to her, and Lucy can tell sheâs called a name whose owner was a mystery to her.
âI have a slip here telling me to send you to the counselorâs office?â She phrases it like a question, and it feels like sheâs asking Lucy to confirm. She stands, painfully aware of the attention of the entire class, and takes the slip.
Send Lucy to Miss Proctorâs office.
Clearly someone has noticed the girl with the stolen uniform.
Lucy has seen Miss Proctor in the halls, speaking casually with students or calling out to wild, wrestling boys down the hall. Sheâs young and pretty, and the boys stare at her backside when she walks past. But the woman sitting in the counselorâs office isnât Miss Proctor.
This woman is short and squat, settled in a chair to the side of the desk, her eyes focused on a stack of papers in front of her. Her blue suit is the color of the springtime sky of Lucyâs memory, and it feels incongruous with the dark, shadowed office and the womanâs bulky, shapeless form.
The woman looks up, watching Lucy walk from the door to the chair.
âHi,â she says finally. âIâm Lucy?â
âIâm Adelaide Baldwin.â The womanâs voice is softer and more sultry than her appearance would ever suggest.
âHi,â Lucy says again.
âIâm the head of counseling services at Saint Osannaâs.â Ms. Baldwin sets some papers on the desk beside her and clasps her hands in her lap. âYouâve flown under the radar here, it seems.â She pauses. When Lucy offers no explanation, she continues. âI like to check in with the faculty every month or two, to find out if we have anyone . . . anything different on campus. This morning Ms. Polzweski mentioned that sheâd seen a girl around school who she didnât believe was enrolled. We generally like to handle these issues internally before bringing in any authorities.â
Lucy feels as if a brick has caught in her throat. âOh,â she whispers.
âWhere are your parents?â
Lucy doesnât have an answer. She can feel Ms. Baldwinâs eyes on her as she fidgets with a magnetic paper clip bowl on the desk in front of her. Itâs strange to be alone with someone other than Colin and be the object of such careful scrutiny.
âLucy, look at me.â Lucy looks up at the woman, meeting eyes filled with concern. âOh, honey.â
Something like hope unfurls inside Lucy when she registers that there are no secrets between them and that somehow Adelaide Baldwin knows Lucy isnât any ordinary student walking into this office. Lucy plays with the hem of her sleeve, asking, âYou know who I am?â She suspects that with this question, she has irrevocably shifted the conversation away from something official and related to enrolling her, to something unofficial and related to keeping her hidden.
âYou were a local star heading to Harvard before you were killed.â
Lucy has to swallow her fear of the answer in order to push the question out: âIf you know I died, why arenât you surprised to see me?â
Instead of answering, Mrs. Baldwin asks, âWhen did you come back to Saint Osannaâs?â
âA few weeks ago.â Lucy looks past her, at the kids leaving the building and walking toward the quad, or dorms, or dining hall. âI found classes where the teachers donât seem to notice me. Why is that?â she asks. âWhy is it that nobody sees me?â
âBecause they arenât looking. They donât need to see you, Lucy.â
âNeed to see me? I donât understand,â Lucy says. Does Colin need to see her? And for what? âSo there are others? Here, at the school? Jay said something about Walkers?â
âThatâs what some people call them, yes. They walk around the grounds, tied to this place for one reason or another and unable to leave. Itâs different for each of them.â Ms. Baldwin begins placing files and stacks of paperwork back into her bag. Apparently their conversation is over.
Panic begins to fill Lucy like a rising tide. âI donât know why Iâm here,â she says quickly. Will Ms. Baldwin report her to the authorities she mentioned? Are there some sort of ghost hunters that will send her back? âIt felt right to come here.â
âI know.â
âDo you know why Iâm here?â Lucy asks.
âNo,â she says. âYouâre not the first Iâve seen in my day.â
âWhere are the others? The Walkers? Is that what I am?â
Ms. Baldwin doesnât answer, simply gives a little shake of her head. Itâs as if sheâs already resigned to the reality that thereâs nothing to be done about the problem of Lucy.
âCan I stay here? At Saint Osannaâs?â
The social worker nods. âI donât think we have a choice. Exorcisms donât work. Nothing seems to work. We just have to wait for you to vanish.â She blinks away, dropping a pen into her bag and mumbling, âThankfully, most do.â
Lucyâs chest seizes and she turns to the window, staring out the filmy glass. Vanish? Where would she go? How can she stop it?
Ms. Baldwin pulls her out of her thoughts. âDo you have money?â
Lucy hasnât had a need for it yet, being confined to the campus and lucky enough to not need food or water. No one in the laundry facilities noticed a ghost girl sneaking out boots and socks and old uniforms. âNo.â
Ms. Baldwin reaches for her bag, pulls out an envelope, and removes several twenties. âI doubt anyone would notice, but I donât want you getting caught taking something. Where are you staying?â
Lucy takes the money and curls it into her fist. It feels warm from the purse and scratchy against her skin. âIn a shed.â
Ms. Baldwin nods again as if this is satisfactory. âDoes anyone else know about you?â
âA boy.â
The woman laughs and closes her eyes, but it isnât a happy laugh. Itâs an of-course-a-boy-knows laugh. A why-did-I-even-bother-asking laugh.
Ms. Baldwin nods resolutely as she stands. âTake care, honey.â She hitches her purse up and over her round shoulder.
âThanks.â
Adelaide Baldwin faces her and smiles a little before turning to the door. With her hand on the knob, she pauses, facing away so Lucy canât see her expression as she says, âThe other kids who are like you? They seem to want to take someone with them. Try not to, Lucy.â