âWe captured three, killed the rest,â Vito explains as he hurries to keep pace with me through the garden. âAnyone of importance had been removed from the manor within the hour after you called, so the only people who were here were security.â
âAny casualties on our side?â
âOne. Francis took a shotgun blast to the face.â
âFrancis?â
âTall guy, skinny, with the tight blond curls?â Vito mimics the style with his fingers. âBeat that guy to death with a golf club for running his daughter over a few years ago?â
âOh, hit and run Francis. I remember. His familyâ ââ
âWill be taken care of,â Vito interrupts quickly. âWeâve covered the funeral costs and once his wife is ready to speak to us, weâll make sure theyâre taken care of for life.â
âGood.â
It pains me that we lost one of our own. Itâs always expected in this line of work, but Iâve trained my men to exceptional levels which makes it hurt a little more when we actually lose one. Part of my manor is shrouded in darkness from where the firefight took place the other night. One casualty is not bad for a surprise attack based on a gut feeling.
âThe three you captured,â I say as we close in on the garage where theyâre being held. âWhat can you tell me about them?â
âTheyâre Irish,â Vito says with a growl of disgust.
âIrish. Again?â The Irish attacked my brothel but went strangely quiet when I tried to confront anyone involved. Iâd entertained the idea that it was just some bad luck on their part that theyâd wandered into the wrong brothel, but twice? Thatâs more than a coincidence.
âSame clan too,â Vito says, passing me a photograph of their tattoos. âOâBrien. Weâve been letting them stew in the dark for a few days.â
âThe fuck did I do to piss the Irish off?â
Vito smirks darkly. âExist?â
âMaybe.â I pass the photo back as we reach the door to the garage where one of my guards hauls it open.
Inside, three men sit bound, gagged, and blindfolded to chairs. They show visible signs of a heavy beating, likely at Vitoâs hands, and oneâs head is sagging lower than the othersâ. Vito remains in the doorway while I walk in and unholster my gun.
I shoot the first through the skull, making the other two jump and flinch at the sound. His body falls limply to the side and then topples the chair to the floor with a loud clatter. I shoot the second in the same place. He slumps backward with his head hanging awkwardly off the chair.
The third growls behind his gag and shakes his head back and forth. I press the hot barrel of my gun to his forehead, and he tries to flinch away from the pain, but I donât let him. The blindfold unfurls under my second hand, and I toss it aside, coming face to face with a pair of furious green eyes.
âYouâre from the OâBrien clan. Funny how we keep running into one another. First you attack one of my places of work, and Iâm kind enough to send a warning. Now, your filthy paws are all over my home. Thatâs a bold fucking move, isnât it?â
âAn act of war,â says Vito from behind me.
âAn act of war,â I repeat.
The Irishman doesnât make a sound, merely glaring up at me with hatred in his eyes. Hatred that Iâm not sure I even deserve.
I lower the gun, and the Irishmanâs shoulders sag slightly. âHold him down.â
His eyes widen as Vito and the other guard move around him and grip him tightly in their arms, holding him still on the chair. With a nod, Vito and the guard force the man to double over which puts painful strain on the bindings attaching his wrists to the chair.
âIâm not a forgiving man,â I say as I holster my weapon and pull a switchblade from my pocket. âThis is my home. I could have been here. My girl could have been here. Considering you chose that night to attack, the very same night I returned to the States, well⦠Some might say thatâs one hell of a coincidence. Or a well thought out plan.â
The man grunts and struggles briefly against his forced position, but Vito is relentless in pinning him down.
The Irishman has a tattoo on his back, a fancy hat bearing a four-leaf clover insignia with a ribbon of striped tartan over two crossed blades. The mark of Clan OâBrien.
He screams through his gag as I stab my knife into his back just to the side of his tattoo. âOne of my men died. Did you know? I donât care if you killed him or one of your Irish cronies killed him. The point is, heâs dead. Youâve taken something from me. So Iâm taking something from you.â
The man screams himself hoarse as I saw the blade through the thick, muscular flesh of his back, following a rough outline of the tattoo. Blood pours like a river down his back and a coppery stink fills the air. Each time he struggles against the agony, my blade slips and my attempts at a smooth outline are hindered.
I swiftly carve along the outline of his tattoo and when the lines meet, I tilt my knife horizontally and start splitting skin from muscle. The Irishmanâs screams turn from agony to terror as I skin his back, cutting his precious tattoo from his body. Iâm aware of how symbolic these tattoos are for the Irish, and Iâm glad it hurts.
This fucker could have hurt Adelina if I hadnât made the snap decision to stay at a hotel that night.
Whatever the reason for the OâBriens to make a move like this, it no longer matters.
Iâm going to kill them all.
Skin separates from flesh with a wet schluck sound, leaving the Irishman sobbing and trembling in his chair. It hangs like soaked leather in my hand, and I walk around to the front of him as Vito and the guard haul him upright.
He canât hold my gaze this time.
âYou come into my home. You threaten my family. You kill my people. OâBrien might not have wanted a war by trying to take me out quietly. But heâs fucking got one now.â
I shoot the last Irishman between the eyes and watch his body slump like a rock to the side. The flap of skin containing his tattoo is placed down on the nearest surface. âSend that to Hector,â I order quietly. âAnd I want eyes on him. I need to know exactly how he reacts.â
âOn it, Boss.â The guard nods quickly, and I leave the garage, wiping the blood off my hands with a rag and with Vito by my side.
âDo you think we have a rat?â Vito asks in a low voice when weâre far away from the garage.
âMaybe. Iâm not going to commit to anything like that just yet, but if Hector calls anyone, I want to know about it. Maybe heâll call whoever told him I was back in the States.â
âAbout that.â Vito puts out a hand to stop me as we near the manor. âI have some news about Carlos.â
Adelinaâs ex-fiancé. The main reason she hates me. âTell me.â
âCarlos Giordana. He was related to the Giordanas we killed, but not directly. He was the nephew of the man leading the family we killed. His own family was small, two siblings who ended up dead. One of an overdose, and one was shot in a drug bust.â
âExplains why heâd move on to his extended family to keep himself relevant,â I murmur.
âExactly. Uncle takes him in to marry him off to someone higher for security, while Carlos gets time with his family and a chance to control the drugs that killed his siblings. Probably why they were stealing from us. Dude saw an opportunity and with fresh blood adding some boldness, bit off more than they could chew.â
âAnd yet I donât remember him from that night,â I say, studying Vitoâs face as if he holds the answers.
âThatâs not all, though.â Vito digs into his pocket and pulls out a crumpled sheet of paper, then unfurls and offers it to me. âA couple of weeks before his death, he started calling Pascal almost every night. The calls were brief, but I did some digging into Carlosâ GPS. I thought if I could find out where he was when he was making those calls, I could get an idea of how he was when he made them.â
âAnd?â I press, my pulse quickening in anticipation.
âHe sent a bunch of cryptic texts, and Pascal told him to come meet him. He had one hell of a screaming match with Pascal in broad daylight in one of the car dealerships Pascal uses to ship his counterfeit goods.â
âNot what youâd expect from the man about to marry Adelina.â
âExactly. I could only get the CCTV from across the street, but it was one hell of an explosive fight. And thatâs not all.â Vito steps closer. âA week before that fight, Carlos had several long calls with a state official. And an email exchange thatâs been deleted.â
âThe fuck?â We slowly resume walking toward the house. âWhat the fuck was Carlos doing wrapped up with state officials? And whatâs that got to do with Pascal?â
âNo clue.â Vito sighs. âIâd have more, butâ¦â He gestures to the rapid repairs occurring at the manor and the three additional bodies now in the garage.
âI want to know who it was.â Reaching the door, I pause with my hand on the wood. âWhatever was going on was enough for Carlos to get into screaming matches with Pascal. Find me that official. I want to know what he knows.â