while I was getting ready for bed, I got a text. Ema:
Me:
Ema:
Now? I thought, but then again, when would it be a better time? We needed the cover of dark, I guess, because I wasnât sure we could approach the yard during the day without being seen. I threw on a pair of sweats, grabbed a flashlight, and headed for the front door.
When I reached for the knob, I heard a voice behind me say, âWhere are you going?â
It was Myron. âOut,â I said.
He made a production of looking at his watch. âItâs late.â
âI know.â
âAnd itâs a school night.â
I hated when my uncle tried to play parent. âThanks for the heads-up. I shouldnât be gone long.â
âI think you should tell me where youâre going.â
âIâm just meeting a friend,â I said, hoping that would end it. No such luck.
âIs it that Rachel girl who was here earlier?â my uncle asked.
I needed to nip this in the bud. âWe had a deal when I agreed to stay here,â I said. âPart of that was, you were going to stay out of my business.â
âI never agreed to let you go out at all hours.â
âYeah, you kind of did. Iâm just meeting a friend. Itâs not a big deal.â
I rushed out before he could argue. I knew that Myron was trying to do the right thing here, but man, he was the wrong guy to try. I found Ema about a block away from Bat Ladyâs house.
âHow do you get out so late?â I asked her.
âWhat?â
âYouâre fourteen years old and youâre out at all hours,â I said. âDonât your parents get mad?â
Ema frowned. âAre you writing my biography or something?â
I frowned right back. âGood one.â
âYeah, sorry, that was pretty lame.â
âWriting your biography.â
âI know,â she said. âI used to be funnier. I mean, before I hung out with you.â
We both slowly turned and looked down the street at Bat Ladyâs house. In a word: spooky. It was nearly midnight now. The house was totally dark, except for one light on, shining from an upstairs corner window. Her bedroom, I guessed. Shouldnât an old lady have all the lights out by now? What was Bat Lady doing up there at this hour? I imagined her alone, lying in bed, reading or casting spells or devouring small children.
Man, I had to get a grip.
âSo what did you want to check out?â I asked Ema.
âWhen I was hiding in the woods from that bald guy, I spotted something behind the garage.â
âWhat?â
âI donât know exactly.â She seemed to think about how to proceed. âIt looked like a garden or something. And I thought I saw . . .â Ema stopped, swallowed. âI thought maybe I saw a tombstone.â
The air was hot and humid tonight, but I suddenly felt a chill. âYou mean, a tombstone like in a grave?â
âI donât know. It might have just been a stone or something. Thatâs why I thought we should check it out.â
I agreed. I also wanted to check out the garage. What, I had been wondering, had that car been doing there anyway? If they were just visiting Bat Ladyâand I couldnât really fathom thatâwhy not just leave the car outside? Why go to the trouble of putting it in that small garage that barely had room for the one vehicle?
I flashed back to my last encounter with the shavedhead man:
Dang straight youâll talk. But I wasnât about to sit on my butt and wait for that. We started for the woods behind Bat Ladyâs house. The flashlights posed a dilemma. Use them and someone might see and call the cops. Donât use them and, well, we couldnât see. For now, Ema and I kept them off, figuring we could turn them on when we got closer.
The streetlights gave off enough illumination for us to reach the edge of the woods. Again I was stunned to see how close the trees came to Bat Ladyâs back door. The lights were off in her backyard too. I crept up to the kitchen door. Ema whispered, âWhat are you doing?â
Good question. I wasnât about to break in again, was I? Especially not at night. Still I was drawn to the area. I donât know why. I bent down low and checked the basement windows. Again it was pitch black. Not only that, every shade was pulled down tight. I couldnât see a thing.
I thought about the last time I was hereâinside Bat Ladyâs house. I thought about that old photograph, that same butterfly I saw on the placard by my fatherâs grave. I thought about the light going on in the basement.
What, I wondered, was down there? For that matter, what was upstairs, in that room where the light was still on?
âMickey?â
It was Ema. âWhereâs this garden?â I whispered.
âBehind the garage. This way.â
We took two steps into the trees and stopped. It was simply too dark. I could barely see my hand in front of my face. We had to risk it. I took out my flashlight and kept the beam low. When we reached the garage, I tried to look inside but there were no windows.
âItâs back here,â Ema whispered.
I took a quick glance behind me. From the back, all the lights were still out at Bat Ladyâs house. I wondered if that upstairs bedroom light remained on. Maybe Bat Lady had fallen asleep. Maybe she had fallen asleep hours ago and just forgot to turn off the light. Or maybe she had died and that was why the light was still on.
Nice thought, Mickey!
Ema and I hugged the side of the garage as we felt our way. When we reached the back corner, I shined the flashlight in front of me.
What the . . . ?
Ema had been right. There was a garden. I donât know much about plants or flowers, but I could see this one was well kept and rather stunning. Here, in this mostly green wilderness, was a burst of well-tended color. A foot-high fence surrounded an area that was maybe fifteen feet by fifteen feet. There was a path right down the middle, gorgeous flowers blossoming on either side. And there, at the end of the path, was what definitely looked like a tombstone.
For a moment Ema and I didnât move. Behind me I thought I could hear music now. Faint. Rock music. I looked at Ema. She heard it too. We slowly pivoted toward the Bat Ladyâs house. The lights were still out. But the music was definitely coming from there.
Ema turned back to the tombstone. âThe grave,â she said. âItâs probably for a pet, right?â
âRight,â I said too quickly.
âWe should probably take a closer look, though.â
âRight,â I said again. I could actually feel my legs quaking now. I took the lead. We started toward the little fence and stepped over it. We made our way down the narrow path and stopped in front of the tombstone. I bent down. Ema followed. The music was still faint, but now I was able to make out some lyrics:
Rock music. The voice sounded familiarâGabriel Wire from HorsePower maybe?âbut Iâd never heard the song before. I shook it off and shined the flashlight onto the worn gray tombstone. For a secondâjust a split secondâI had the weirdest thought that I would see Ashleyâs name on the tombstone, that someone had killed her and buried her here, and that this was the end of my search. Like I said, the thought only lasted a split second. But it sent shivers everywhere.
The beam from the flashlight hit the top of the tombstone. First observation: the tombstone was old and worn. If it had been for a pet, that animal had died long ago.
I inched the beam down. The second thing I spotted on the tombstone were, well, words. An epitaph, I figured. I read it once, then a second time, and I still wasnât sure what to make of it:
LET US LABOR TO MAKE THE HEART GROW LARGER, AS WE BECOME OLDER, AS SPREADING OAK GIVES MORE SHELTER.
âDo you get it?â Ema asked.
The word was all in caps. Why? Once again, I thought about my father. I thought about that retirement letter from the Abeona . . .
Shelter.
Coincidence?
I scanned the flashlight lower:
HERE LIES E.S.
A CHILDHOOD LOST FOR CHILDREN â âA childhood lost for children,ââ Ema read out loud. âWhat the heck does that mean?â
âI donât know.â
âWhoâs E.S.?â
I shook my head again. âMaybe itâs her dog or something.â
âA dog whose childhood was lost for children?â
Good point. She was right. That made no sense. I lowered the flashlight a little more, almost to the ground. And there in small print:
A30432 I felt my blood go cold.
âHow do I know that number?â Ema asked.
âThe license plate of the black car.â
âOh. Right.â Then she shook her head. âWhy the heck is that here?â
I had no idea. âMaybe itâs a date,â I said.
âA date that starts with the letter ?â
âThe numbers. Three could stand for March. Fourth day. Nineteen thirty-two.â
Ema frowned. âYou think?â
In truth, no, I didnât. I stood there baffled while Ema moved around the tombstone, using the light from her cell phone to see. The music still came from the house. It was past midnight.
What kind of old lady plays rock music after midnight?
One who still plays old vinyl records. One who keeps a weird tombstone in her wooded backyard. One who has strange visitors in a black car with a license plate number engraved on that same weird tombstone. One who told a teenage boy that his dead father was still alive.
âWhatâs this?â Ema asked.
I snapped back to the present. âWhat?â
âBehind here.â She was pointing to the back of the tombstone. âThereâs something carved into the back.â
I walked over slowly, but I knew. I just knew. And when I reached the back of the tombstone and shined the light on it, I was barely surprised.
A butterfly with animal eyes on its wings.
Ema gasped. The music in the house stopped. Just like that. Like someone had flicked the off switch the moment my eyes found that dang symbol.
Ema looked up at my face and saw something troubling. âMickey?â
Nope, there was no surprise. Not anymore. There was rage now. I wanted answers. I was going to get them, no matter what. I wasnât going to wait for Mr. Shaved Head with the British accent to contact me. I wasnât going to wait for Bat Lady to fly down and leave me another cryptic clue. Heck, I wasnât even going to wait until tomorrow.
I was going to find out now.
âMickey?â
âGo home, Ema.â
âWhat? Youâre kidding, right?â
I turned and stormed my way back to the house. I pulled out my wallet and started searching for my thin card to open the lock again.
Behind me, Ema asked, âWhere are you going?â
âInside.â
âYou canât just . . . Mickey?â
I didnât stop. Yes, I was going to break into this house again. I was going to poke around and search that basementâand if I had to climb those stairs and break into Bat Ladyâs bedroom to get answers, well, I would do that too.
âMickey, slow down.â
âI canât.â
Ema grabbed hold of my arm. I turned. âJust take a breath, okay?â
I gently shook off her hold. âThat butterfly or whatever the heck it is? It was on a photograph in Bat Ladyâs houseâa photograph that must have been forty or fifty years old. It was on a placard on my fatherâs grave. Iâm not waiting, Ema. I need to get some answers now.â
I reached the back door and prepared my credit card. I tried to slide it in the crack, just like last time.
No go.
There was a new lock, new doorknob, and what looked like steel enforcements in the door. I looked back at Ema.
âThat was fast,â she said. âNow what?â
âNow you leave,â I said.
She faked a yawn. âNo, I donât think thatâs going to happen.â
I shrugged. âOkay. You asked for it.â
When I knocked on the door, Ema actually gasped out loud and took two steps back.
There was no answer. I pressed my ear against the door and listened. No sound. I pounded harder. No answer. I pounded harder still, and now I added a shout.
âHello? Bat Lady? Open up! Open up right now!â
Ema tried to stop me. âMickey?â
I ignored her. I kicked the door. I hit it again with my fists. I didnât care. Add all the steel enforcements you liked. I was getting inside and I was getting answers.
Then a giant beam of light hit me from the side.
I know beams donât âhitâ you, but thatâs how it felt. The light was so sudden and bright that I actually jumped back, raising my arms like I was warding off an intruder. I heard a to my right and realized that Ema was running away.
A voice shouted, âDonât move!â
I didnât. I didnât know what to do. I wondered if it was my guy with the shaved head, but no, there was no British accent. The light came closer. I heard footsteps behind it. There was more than one guyâmaybe two or three.
âUh, could you lower the beam?â I asked.
The light stayed right on my face, moving closer and closer. I shut my eyes. I wondered whether I should just run. I didnât know who this was. I was fast. I could get away, right? But then I thought about Ema. If I ran, whoever this is might have heard her and take chase. They might catch her. This way, with him focusing solely on me, Ema would be safest.
âDonât move,â he said again, only a few yards away now.
As he took another step, I heard the sound of a radio or walkie-talkie. There was static. Then two men talking. I heard more of the radios behind him. Another light shone on me.
âWell, well,â the voice said. âLook what we got here. Is this another attempted break-in, Mickey?â
I recognized the voice now. Police Chief Taylor. Troyâs father.
âI wasnât breaking in,â I said. âI was knocking.â
âSure you were. And whatâs the card in your hand?â
Uh-oh.
Another cop came over to him. âNeed help, Chief?â
âOh, I think I got this one under control. Turn around and put your hands behind your back.â
I did as he asked. I guess I should have been expecting it, but suddenly I felt the snap of handcuffs on me. Chief Taylor leaned in close and whispered, âHeard you jumped my boy when he wasnât looking.â
âYou heard wrong,â I said. âHe just got his butt kicked for picking on the wrong underclassman.â
Chief Taylor pulled on my arms a little too hard. Pain shot up my shoulders. He led me around front. I saw two cop cars. We started toward them. The back door opened. Chief Taylor put his hand on my head and pushed me in. I looked back at Bat Ladyâs house, up at the window where the bedroom light still shone.
The curtain movedâand suddenly, Bat Ladyâs face appeared.
I almost screamed out loud.
Somehow, even from this distance, even through the back window of the police cruiser, I could see that she was looking directly at me, directly into my eyes. Her mouth was moving. She kept saying the same thing over and over again, like a mantra. I watched her while Chief Taylor got in the front seat of the cruiser. Bat Lady kept mouthing the same words to me. I tried to make them out.
The car started up. We pulled away from the curb. Bat Ladyâs mouthing got more urgent now, as if she was trying to reach me before I vanished from sight. And as she did, as she mouthed the two words yet again, I thought that maybe I had figured out those two words, the two words that Bat Lady was trying so desperately to tell me:
âSave Ashley.â
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