My knee-jerk reaction is to yell or somehow run from him.
But Iâm logical enough to know that wonât deter him. If anything, it couldâand wouldâput me in danger.
However, if he thinks Iâm changing in front of him, he has another thing coming. He may be a terrifying monster, but I wonât be his willing prey.
I loosen the pins in my hair, then remove them and throw them on the dressing table beside him not so gently. Iâm sweaty from rehearsal and in desperate need of a shower, but that will have to wait because thereâs no way in hell this stranger and my naked body will exist in the same room.
My dark locks loosen, falling to my shoulders, and I resist the need to sigh in relief.
Heâs watching my every movement like he did when he sat in the audience. His gaze zeroes in on my actions instead of my body in a mechanical kind of way, and although he doesnât seem to be weighing me up sexually, Iâm suddenly self-conscious about my skirt that barely covers the crack of my ass and my leotard, which molds against the curve of my breasts.
I open my locker with unsteady hands and retrieve one of the dresses I keep here, then throw it on over my clothes. He raises a brow when the material falls to my knees. Itâs tight at the top with a full skirt.
I give him what Iâm sure appears to be a smug look as I reach back to close the zipper. The pervert mustâve believed heâd see me naked and even sat down for the show, but I just abolished his plan.
He stands and I jerk against the locker, my victory dance coming to a screeching halt.
âI thought you said you were going to change.â He stops a foot away.
Heâs so close, like that day when he held the gun to my forehead, and even though the weapon is currently absent, itâs as if its cold muzzle is there again.
My senses are so heightened that I feel every intake of air and the goosebumps breaking out over my bare arms. His smell shoots straight to my head and nothing prepares me for the subtle mixture of woods and leather. On the surface, itâs a harmless scent, but on him, itâs a translation of his lethality.
Despite my need to cower, I lift my chin. âI did change.â
âThat you did.â He grabs me by the shoulder and spins me around. Then he holds my hand thatâs still on the zipper, sending a shiver down my spine.
I expect him to pull it down and force me to get out of the dress, but he uses my fingers to zip it up. The sound reverberates in the silence of the room and I gulp as his lips lower to the shell of my ear. âItâd be wise to not provoke me. I dislike it and Iâll make sure you dislike it, too.â
He releases my hand and swiftly turns me back around to face him. Itâs completely unfair that a devil like him has such an intimidating physique and a handsome face to go with it.
âShall we?â He motions at the door.
After changing into flats, I grab my coat and bag, then follow him.
Thankfully, almost everyone has left. I donât want them to see me in the company of this stranger. But I need to know why the hell he was allowed entrance into our rehearsal. Only producers and their selected associates can attend. Not even our family and friends are allowed in.
Though he was sitting beside Matt, our executive producer. Does that mean he knows him?
I stay one step behind him, feeling like I need to watch him and get a read on when heâll make his next move.
He stops abruptly and I crash into him, my head colliding against a wall of muscle. I wince, taking a step back.
The stranger tilts his head to the side. âWalk beside me.â
When I donât make a move to comply, he continues, âOr I can hold you with an arm around your waist.â
âIâll do it,â I blurt, falling in step at his side. I donât look at him the entire way until we reach the parking lot.
A black Mercedes waits for us there. Itâs the spitting image of the one I saw that night, but there are no bullet holes anywhere.
The passenger door opens and the lean man with long hair steps out and opens the back door.
Seeing him brings back memories from last week and it takes everything in me not to give in to nausea.
âI have my car,â I whisper.
âGive me your keys and itâll be at your apartment building.â
âNo, thanks.â Thereâs no way in hell Iâm letting himâor his menânear me more than need be.
He watches me for a beat before he continues guiding me to his car. He gently ushers me inside and follows after me. The man with long hair slides into the front seat, and the other man, the bulky blond, Kolya, is behind the wheel.
Are they his guards or something? Just what type of man is he if he needs guards?
The car leaves the parking lot and I keep a careful eye on the city through the window, trying to memorize as many twists and turns as possible. If I somehow end up getting kidnapped, I need to know where the hell heâs taking me.
âHow come you havenât asked about my name?â
The strangerâs calmly spoken words pull me out of my observation. Heâs watching me with a particular interest that makes my skin crawl.
âDoes it make a difference whether I know it or not?â I try to keep the venom out of my voice.
âI suppose it doesnât, but Iâll tell you anyway. Itâs Adrian Volkov.â
I briefly close my eyes to rein in the pain. Now that I know his name, heâll never let me go. For some reason, I feel like Iâve signed my fate.
First, my death certificate, and now, my fate.
Just what more is he going to take from me?
The car comes to a halt in front of a cozy-looking diner. I donât know why I expected him to take me to some high-end restaurant with a waiting list. This is surprising, and not in a good way.
He gets out first and offers me his hand. Iâm about to ignore it, but he grabs my palm and pulls me out. We step into the restaurant, and the guards remain outside in the car.
The inside of the restaurant is as cozy as the exterior. The soft yellow lighting casts a warm hue on the red banquettes. The tables are dark wood and there are multiple creative quotes about eating for the soul hanging on the walls. A few people are scattered throughout, chatting joyfully. I wonder if theyâll help me if I say the man holding my clammy hand is a serial killer or if they will be killed themselves.
The stranger, Adrian, leads me to a back table thatâs separate from other people and away from doors and windows. I realize itâs on purpose when he pushes me to the end of the booth thatâs near the wall.
He settles opposite me, and when the waiter comes, he doesnât even touch the menu as he says, âAn unopened bottle of your best wine.â
âSalad,â I whisper, opting not to check the menu myself. The sooner Iâm out of here, the better.
âWhat type, miss?â
âThe simplest one you have.â
The waiter nods and leaves.
Iâm acutely aware of Adrian watching me, his fingers casually interlaced on the table. Theyâre lean, masculine, and have veins etched across the surface.
And now Iâm ogling them.
I canât believe Iâm ogling the same fingers that held a gun to my forehead. Or maybe Iâm watching them because of that fact. I know people like him exist, but Iâve always wondered how they could so easily end lives. Do they not feel, or have they become desensitized to it like I have to haters?
However, when I had that question, I never thought Iâd ever be this close to one of his kind.
Adrian taps his finger once against the wooden surface. âYou have an expressive face. Did you know that, Lia?â
âNo, I donât.â
âYes, you do. Maybe itâs not visible to others, but itâs almost impossible for you to hide your emotions.â
âIs that why you brought me here? To tell me I have an expressive face?â
âI told you why I brought you here. To talk.â
âThen talk.â
âI would rather you do the talking. Tell me more about yourself.â
âWhy would I do that?â
âBecause itâll determine whether you get to walk out of this restaurant breathing or not.â
My chest jolts and I bunch a napkin in my fists to stop my hands from shaking. âWhy are you doing this? You already let me go.â
The dark depth of his gray eyes is similar to deep cloudy skiesâblank, composed, and cold. âI only let you go until further notice. Now is the time for that notice. Are you going to tell me about yourself?â
Thereâs no winning with this asshole, is there? Heâs already come with a purpose and he wonât stop until itâs met.
âWhat do you want to know?â I snap so heâll get it over with and let me go.
âI donât want to know anything in that tone. Repeat the question without the anger part.â
âDo you enjoy this?â
âWhat?â
âBeing the Grim Reaper over othersâ lives.â
âNot if I can help it, no. Being the Grim Reaper doesnât actually give me answersâ¦just bodies.â
A lump rises in my throat and I stiffen at his unspoken threat.
The waiter returns with a bottle of wine and my salad. Adrian motions at him to leave when he opts to open the bottle.
As soon as the waiter is gone, he does it with sure movements. He doesnât hurry or get flustered, like a typical person whoâs confident about himself and his surroundings. While Iâm usually the same in my own world, I seem to lose all my confidence in his company.
Being held at gunpoint will do that, I guess.
Adrian pours me a glass and one for himself, and although I wasnât planning on drinking, I need some liquid courage right now.
I take a long sip, then sigh. âWhat do you want to know?â
âWhatâs your last name?â
âIâm sure you couldâve figured it out on your own. Itâs all over the rehearsal hall.â
âOr I could easily run a background check on you to find out everything.â
My head tips up at that. Heâs telling me without stating it that heâs powerful enough to figure out whatever he wants about me.
I take another sip of wine. âDoes that mean you havenât already?â
âIt wouldnât make a difference to you whether I have or not.â
âOf course it would.â
âNo, it wouldnât. It makes a difference to me because I would acquire information. You, however, have nothing to lose or gain.â
âI have everything to lose with you.â
He taps his forefinger against the table, lips twitching, but like the other time, he doesnât smile. âYouâre smart enough to recognize that. Continue being smart and answer my question.â
âMorelli.â I stab my fork into the salad and bring it to my mouth, chewing with aggressiveness.
âLia Morelli. Were you born in the States or in Italy?â
âItaly.â
âBoth parents Italian?â
âMom was American. Dad was Italian.â
âBoth dead?â
âYes,â I snap, gulping what remains in the glass in one go. âIs your questioning over?â
âThatâs one.â He takes a leisurely sip of his wine.
âOne?â
âOne strike. I told you not to speak to me in that tone.â
âWhat tone should I speak in then? Is there a fucking manual on how to talk to a murderer?â I hiss the last word under my breath.
âTwo. And while thereâs no manual, you ought to use that clever head of yours and not provoke me.â
I snatch the bottle and pour until the glass almost overflows. Some surrounding tables gawk at my lack of manners, but Iâm past the point of caring. Iâm fuming, and the more he probes about my past, the faster the wounds Iâve kept hidden sting, ripping at the stitches so Iâll set them free.
âHow did your parents die?â he asks ever so languidly, obviously not reading my mood. Or maybe he asks in spite of it.
Heâs probably taking pleasure in this.
Sighing, I say, âAn accident.â
âWhat type of accident?â
âGas asphyxiation.â The words leave my throat in a pained whisper. My fingers tremble around the wine glass as I bring it to my lips. I donât want to think about that time, but my demons swirl from the background, wrapping their tentacles tightly around my throat.
âBreathe, Lia.â A hand flattens against mine, pulling it and the glass down to rest on the table.
Thatâs when I realize Iâm balling my other hand and moisture is stinging my lids.
I stare at him, at the eternal calm thatâs in his eyes despite the chaos heâs inflicted with merely a few questions. âWhy are you doing this?â
âTo get to know you.â
âYou canât force someone to talk about their life. Thatâs not getting to know them.â
âIt is for me.â
âThen shouldnât I get to know you, too?â
He pulls his hand from mine. âIf you want.â
âDoes this mean I can ask you questions?â
âSure.â
âWhat do you do exactly?â I probably shouldnât try to find out more about him, but I already know his name. If I want to survive him, I need to look further into who he is and what he does.
âIâm a strategist.â
âA strategist who kills?â I lower my voice.
His lips curve in a small smirk as he tips his glass at me. âExactly.â
âA strategist for whom?â
âI donât think it would make a difference if you knew.â
âYou said I could ask questions.â
âI never said I would answer them all.â
âThatâs not fair.â
âFair is for weak people, Lia. Youâve been in a monstrous world long enough to realize fairness doesnât really exist.â
âIt does exist, even if people like you are doing their best to erase it.â
He lifts a brow as he swirls his wine. âPeople like me?â
âYou know.â
âNo, not really. Why donât you enlighten me?â
âCriminals.â
âCriminals. Interesting analogy.â
âItâs not an analogy when itâs true.â I push back against my faux leather seat, giving up on the salad and sipping the wine. Itâs helping to loosen the nerves that have been on high alert since I first met this man.
âAccording to you, perhaps.â
âAccording to the world. You killed people.â
âPeople like me, criminals per your words.â
âThat doesnât make you a hero.â
âA hero is the last thing I want to be. Selflessness has never been my thing.â
âSo you would rather be the villain?â
âA villain is the hero in his own story, so why not?â
âThe villain always loses.â
âIn Disney films. In your ballet performances, perhaps. In real life, however, the villain is the one who always wins.â
This man has absolutely no regard for morality or societal standards. While Iâm not shocked such people exist, Iâve only met them in ballet. The spiteful mean girlsâand boys. Iâve never met a person with a destructive mindset who wouldnât hesitate to use a gun.
It makes him even more dangerous.
I lift my chin. âBut wouldnât you eventually be killed by a villain just like yourself?â
âProbably. Until then, Iâll do what I do best.â
âWhich is?â
âNothing you should worry about. Yet. Now, back to you, prima ballerina, when did you come to the States?â
I empty half the glass, needing more loosening of my nerves. âWhen I was five.â
âWith whom?â
âMy grandmother raised me.â
âThe American one, I assume.â
âYes.â
âIs she still alive?â
âShe passed away a few years ago.â
âIâm sorry.â He doesnât sound sorry at all. Itâs more like those apathetic condolences people offer.
âIf you were sorry, youâd stop asking me these questions.â
âAny other family members?â he continues as if I said nothing.
âNone.â
âFriends?â
âNo.â I finish the wine, refusing to tell him about Luca. Thatâs my secret from the world.
He slides his glass across the table, and Iâm once again drawn to the masculine fingers and how they casually wrap around it, how his nonchalance is as breathtaking as his actions. âI understand now.â
I pour more wine to stop myself from ogling him. âUnderstand what?â
âThe loneliness in your eyes. You managed to transform it and translate it with your body language on the stage. That is very creative.â
âIâm not lonely.â My voice lowers at the end, betraying my defensiveness.
âIf you say so.â
âIâm not. I haveâ¦I have three million followers on Instagram.â
âWow. Impressive.â
âStop mocking me.â
âWasnât that the reaction you were hoping for? Validation by showcasing your fake followers?â
âTheyâre not fake. Theyâre real people.â
âWhat do they know about you aside from your pre-performance and workout selfies?â
âHave you been stalking me?â
âYour Instagram is public. There was no stalking involved. But yes, Lia, Iâve been through it, and I think itâs ratherâ¦dull.â
My blood boils, bubbling to the surface, but I mutter, âI donât care what you think.â
âBut you care about what others think. Thatâs why you keep that page. Be it because of the need for some sort of twisted validation or for attention. Though I donât think youâre consciously pursuing the latter.â
How does this man read so much into details? How does he go to depths even I havenât thought about? Consciously, at least.
âAre you trying to prove how much you have a hold on me? Is that it?â
âIâm not trying to prove anything. As I said, Iâm just getting to know you, Lia.â
âAnd then what? After you get to know me, what are you planning to do with me?â
âWhat makes you believe I plan to do something?
âIâm not an idiot. I know this is only a phase before you move on to the next step.â
He pauses with his glass of wine halfway to his lips. âWhat do you think Iâll do?â
âFuck me?â
âEventually.â
The single word, though calmly spoken, crashes my world and splinters it into a million bloody pieces. My stomach sinks with a mixture of feelings. Thereâs the sharp tang of disappointment, but thatâs not all. Malevolent butterflies claw at my skin with a dark sense of enthrallment.
All the nightmares I had after that night start to scroll through my mindâs eye. The shadowy, blurry images morph into two figures on a bed as one of them rams into the other.
I never wanted to identify them, but now, one of them is as clear as the face in front of me.
Him.
His strong body is pounding what seems to be both pleasure and pain into the person lying beneath him.
One of them is still faceless, and I desperately want it to be me.
âEven if I say no?â I murmur.
âIf I were a rapist, I wouldâve broken into your apartment in the middle of the night and taken what I wanted. I would not have asked you to dinner.â
âAm I supposed to appreciate the gesture?â Thereâs a slight slur at the end of my speech. This is probably my third glass of wine.
Shit.
In my attempt to loosen my nerves, I went ahead and got drunk in the company of a monster who wouldnât hesitate to use it against me.
This is the absolute worst. I not only have a low alcohol tolerance, but I also lose my inhibitions in all senses possible even when slightly intoxicated.
Adrian raises his glass to his mouth, barely sipping. He hasnât poured himself anything aside from his first. âItâs not obligatory, no.â
âIâ¦I want to go home.â I stand on unsteady feet, then fall back on the seat. Iâm still catching my breath when a large presence appears by my side.
He clutches my arm and gently pulls the glass of wine from my fingers. âI believe youâve had enough to drink for one night.â
âI want to leave.â
âThen letâs leave.â He places a few bills on the table and wraps a strong arm around my waist as he leads me out of the restaurant.
I donât know if itâs the alcohol or everything thatâs transpired tonight, but I feel like Iâm levitating. My nostrils fill with his masculine scent and his firm hold on me only heightens it.
But somewhere at the back of my mind, I still recognize that heâs dangerous. That heâs a monster hidden under a composed façade and gentlemenâs clothes.
I wiggle away from him. âI can walk on my own.â
He releases me, and before I can be relieved, I stumble. Adrian holds me by the elbow and pulls me to him so that my front is flat against his hard chest.
Iâm so small compared to him, barely reaching his broad shoulders. Iâm thin and tiny in contrast to his large physique and monstrous aura. As if the asshole could use another thing to intimidate me withâaside from my life.
Weâre standing at what I assume is the back entrance of the restaurant, because itâs not the same one we used when coming in. The place is empty except for a few cars in the parking lot.
Only a single streetlight is in view. Even in the semi-darkness, Adrianâs eyes are intense but have that sheen of utter calmness. I wonder what itâd take to disturb that look.
To disturb him.
âWhy did you wait a week to find me?â I murmur.
âI was busy.â
âBusy gathering information about me?â
âProbably. Why? Have you been thinking about me, Lenochka?â His voice drops with the last word.
I donât tell him heâs the only one Iâve been thinking about, in the most terrifying way possible, and that when I saw him again in the audience, something inside me unlocked. That I think I had my best performance yet, just because I knew he was there.
Instead, I say, âEveryone thinks about their Grim Reaper.â
He strokes a strand of hair behind my ear. The gesture is gentle, but the undertone is far from it. If anything, itâs charged, dark, stifling.
âThen donât make me into yours.â
âHowâ Mmmm.â My question is interrupted when he crashes his lips to mine.
His hand holds my face in place as his tongue forces its way inside my mouth. I place my palms on his chest, intent on pushing him, on slapping him, but instead, my fingers curl into his coat as a helpless sound escapes my throat. His tongue invades my mouth, conquering it, then swirls against mine with a feral need.
The man kisses as confidently as he walks and talks, but thereâs none of his calm behind it. Nothing to hold his stoic face in place. He gives as hard as he takes, tilting my head back so he can deepen the full invasion.
Iâm no virgin. But this kiss alone is more intense than any sex Iâve ever had.
More claiming, too.
When he pulls back, a desperate moan echoes in the air.
Mine.
Staring into his shadowed eyes in the dark, Iâm fully aware that things have shifted between us after that kiss.
I just signed away something else. No idea what, but itâs now in his hands and thereâs no way Iâll be able to get it back.
Just like my fate and my death.