I toss the comforter out of the way to get a better look at the mess at the foot of the bed. Smears of mud caked into the sheet. Dried. Pieces of it crack and roll away when I pull the sheet taut.
âIs thatâ¦â Charlie stops speaking and pulls the corner of the top sheet from my hand, tossing it away to get a better look at the fitted sheet beneath it. âIs that blood?â
I follow her eyes up the sheet, toward the head of the bed. Next to the pillow is a smeared ghost of a handprint. I immediately look down at my hands.
Nothing. No traces of blood or mud whatsoever.
I kneel down beside the bed and place my right hand over the handprint left on the mattress. Itâs a perfect match. Or imperfect, depending on how you look at it. I glance at Charlie and her eyes drift away, almost as if she doesnât want to know whether or not the handprint belongs to me. The fact that itâs mine only adds to the questions. We have so many questions piled up at this point, it feels as though the pile is about to collapse and bury us in everything but answers.
âItâs probably my own blood,â I say to her. Or maybe I say it to myself. I try to dismiss whatever thoughts I know are developing in her head. âI could have fallen outside last night.â
I feel like Iâm making excuses for someone who isnât me. I feel like Iâm making excuses for a friend of mine. This Silas guy. Someone who definitely isnât me.
âWhere were you last night?â
Itâs not a real question, just something weâre both thinking. I pull at the top sheet and comforter and spread them out over the bed to hide the mess. The evidence. The clues. Whatever it is, I just want to cover it up.
âWhat does this mean?â she asks, turning to face me. Sheâs holding a sheet of paper. I walk to her and take it out of her hands. It looks like itâs been folded and unfolded so many times, thereâs a small, worn hole forming in the very center of it. The sentence across the page reads, Never stop. Never forget.
I drop the sheet of paper on the desk, wanting it out of my hands. The paper feels like evidence, too. I donât want to touch it. âI donât know what it means.â
I need water. Itâs the only thing I remember the taste of. Maybe because water has no taste.
âDid you write it?â she demands.
âHow would I know?â I donât like the tone in my voice. I sound aggravated. I donât want her to think Iâm aggravated with her.
She turns and walks swiftly to her backpack. She digs around inside and pulls out a pen, then walks back to me, shoving it in my hand. âCopy it.â
Sheâs bossy. I look down at the pen, rolling it between my fingers. I run my thumb across the embossed words printed down the side of it.
WYNWOOD-NASH FINANCIAL GROUP.
âSee if your handwriting matches,â she says. She flips the page over to the blank side and pushes it toward me. I catch her eyes, fall into them a little. But then Iâm angry.
I hate that she thinks of this stuff first. I hold the pen in my right hand. It doesnât feel comfortable. I switch the pen to my left hand and it fits better. Iâm a leftie.
I write the words from memory, and after she gets a good look at my handwriting, I flip the page back over.
The handwriting is different. Mine is sharp, concise. The other is loose and uncaring. She takes the pen and rewrites the words.
Itâs a perfect match. We both stare quietly at the paper, unsure if it even means anything. It could mean nothing. It could mean everything. The dirt on my sheets could mean everything. The blood-smeared handprint could mean everything. The fact that we can remember basic things but not people could mean everything. The clothes Iâm wearing, the color of her nail polish, the camera on my desk, the photos on the wall, the clock above the door, the half-empty glass of water on the desk. Iâm turning, taking it all in. It could all mean everything.
Or it could all mean absolutely nothing.
I donât know what to catalog in my mind and what to ignore. Maybe if I just fall asleep, Iâll wake up tomorrow and be completely normal again.
âIâm hungry,â she says.
Sheâs watching me; strands of hair stand between me and a full view of her face. Sheâs beautiful, but in a shameful way. One Iâm not sure Iâm supposed to appreciate. Everything about her is captivating, like the aftermath of a storm. People arenât supposed to get pleasure out of the destruction Mother Nature is capable of, but we want to stare anyway. Charlie is the devastation left in the wake of a tornado.
How do I know that?
Right now she looks calculating, staring at me like this. I want to grab my camera and take a picture of her. Something twirls in my stomach like ribbons, and Iâm not sure if itâs nerves or hunger or my reaction to the girl standing next to me.
âLetâs go downstairs,â I tell her. I reach for her backpack and hand it to her. I grab the camera from the dresser. âWeâll eat while we search our things.â
She walks in front of me, pausing at every picture between my room and the bottom of the stairwell. With each picture we pass, she trails her finger over my face, and my face alone. I watch as she quietly tries to figure me out through the series of photographs. I want to tell her sheâs wasting her time. Whoever is in those pictures, it isnât me.
As soon as we reach the bottom of the stairs, our ears are assaulted by a short burst of a scream. Charlie comes to a sudden halt and I bump into the back of her. The scream belongs to a woman standing in the doorway of the kitchen.
Her eyes are wide, darting from me to Charlie, back and forth.
Sheâs clutching her heart, exhaling with relief.
Sheâs not from any of the photographs. Sheâs plump and older, maybe in her sixties. Sheâs wearing an apron that reads, âI put the âhorâ in Hors dâoeuvres.â
Her hair is pulled back, but she brushes away loose, grey strands as she blows out a calming breath. âJesus, Silas! You scared me half to death!â She spins and heads into the kitchen. âYou two better get back to school before your father finds out. Iâm not lying for you.â
Charlie is still frozen in front of me, so I place a hand against her lower back and nudge her forward. She glances at me over her shoulder. âDo you knowâ¦â
I shake my head, cutting off her question. Sheâs about to ask me if I know the woman in the kitchen. The answer is no. I donât know her, I donât know Charlie, I donât know the family in the photos.
What I do know is the camera in my hands. I look down at it, wondering how I can remember everything there is to know about operating this camera, but I canât remember how I learned any of those things. I know how to adjust the ISO. I know how to adjust shutter speed to give a waterfall the appearance of a soft stream, or make each individual drop of water stand on its own. This camera has the ability to put the smallest detail in focus, like the curve of Charlieâs hand, or the eyelashes lining her eyes, while everything else about her becomes a blur. I know that I somehow know the ins and outs of this camera better than I know what my own little brotherâs voice should sound like.
I wrap the strap around my neck and allow the camera to dangle against my chest as I follow Charlie toward the kitchen. Sheâs walking with purpose. So far, Iâve concluded that everything she does has a purpose. She wastes nothing. Every step she takes appears to be planned out before she takes it. Every word she says is necessary. Whenever her eyes land on something, she focuses on it with all of her senses, as though her eyes alone could determine how something tastes, smells, sounds and feels. And she only looks at things when thereâs a reason for it. Forget the floors, the curtains, the photographs in the hall that donât have my face in them. She doesnât waste time on things that arenât of use to her.
Which is why I follow her when she walks into the kitchen. Iâm not sure what her purpose is right now. Itâs either to find out more information from the housekeeper or sheâs on the hunt for food.
Charlie claims a seat at the massive bar and pulls out the chair next to her and pats it without looking up at me. I take the seat and set my camera down in front of me. She drops her backpack onto the counter and begins to unzip it. âEzra, Iâm starving. Is there anything to eat?â
My entire body swivels toward Charlieâs on the stool, but it feels like my stomach is somewhere on the floor beneath me. How does she know her name?
Charlie glances at me with a quick shake of her head. âCalm down,â she hisses. âItâs written right there.â She points at a noteâa shopping listâlying in front of us. Itâs a pink stationary pad, personalized, with kittens lining the bottom of the page. At the top of the personalized stationary it reads, âThings Ezra needs right meow.â
The woman closes a cabinet and faces Charlie. âDid you work up an appetite while you were upstairs? Because in case you werenât aware, they serve lunch at the school you should both be attending right now.â
âYou mean right meow,â I say without thinking. Charlie spatters laughter, and then Iâm laughing too. And it feels like someone finally let air into the room. Ezra, less amused, rolls her eyes. It makes me wonder if I used to be funny. I also smile, because the fact that she didnât appear confused by Charlie referring to her as Ezra means Charlie was right.
I reach over and run my hand along the back of Charlieâs neck. She flinches when I touch her, but relaxes almost immediately when she realizes itâs part of our act. Weâre in love, Charlie. Remember?
âCharlie hasnât been feeling well. I brought her here so she could nap, but she hasnât eaten today.â I return my attention to Ezra and smile. âDo you have anything to make my girl feel better? Some soup or crackers, maybe?â
Ezraâs expression softens when she sees the affection Iâm showing Charlie. She grabs a hand towel and tosses it over her shoulder. âIâll tell you what, Char. How about I make you my grilled cheese specialty? It was your favorite back when you used to visit.â
My hand stiffens against Charlieâs neck. Back when you used to visit? We both look at each other, more questions clouding our eyes. Charlie nods. âThank you, Ezra,â she says.
Ezra shuts the refrigerator door with her hip and begins dropping items onto the counter. Butter. Mayonnaise. Bread. Cheese. More cheese. Parmesan cheese. She lays a pan on the stove and ignites the flame. âIâll make you one, too, Silas,â Ezra says. âYou must have caught whatever bug Charlie has, because you havenât spoken to me this much since you hit puberty.â She chuckles after her comment.
âWhy donât I speak to you?â
Charlie nudges my leg and narrows her eyes. I shouldnât have asked that.
Ezra slides the knife into the butter and retrieves a slab of it. She smears it across the bread. âOh, you know,â she says, shrugging her shoulders. âLittle boys grow up. They become men. Housekeepers stop being Aunt Ezra and return to just being housekeepers.â Her voice is sad now.
I grimace, because I donât like learning about this side of myself. I donât want Charlie learning about this side of me.
My eyes fall to the camera in front of me. I power it on. Charlie begins rifling through her backpack, inspecting item after item.
âUh oh,â she says.
Sheâs holding a phone. I lean over her shoulder and look at the screen with her, just as she switches the ringer to the on position. There are seven missed calls and even more texts, all from âMom.â
She opens the latest text message, sent just three minutes ago.
You have three minutes to call me back.
I guess I didnât think about the ramifications of us ditching school. The ramifications of parents we donât even remember. âWe should go,â I say to her.
We both stand at the same time. She throws her backpack over her shoulder and I grab my camera.
âWait,â Ezra says. âThe first sandwich is almost done.â She walks to the refrigerator and grabs two cans of Sprite. âThis will help with her stomach.â She hands me both sodas and then wraps the grilled cheese in a paper towel. Charlie is already waiting at the front door. Just as Iâm about to walk away from Ezra, she squeezes my wrist. I face her again, and her eyes move from Charlie to me. âItâs good to see her back here,â Ezra says softly. âIâve been worried how everything between both your fathers might have affected the two of you. Youâve loved that girl since before you could walk.â
I stare at her, not sure how to process all the information I just received. âBefore I could walk, huh?â
She smiles like she has one of my secrets. I want it back.
âSilas,â Charlie says.
I shoot a quick smile at Ezra and head for Charlie. As soon as I reach the front door, the shrill ring on her phone startles her and it falls from her hands, straight to the floor. She kneels to pick it up. âItâs her,â she says, standing. âWhat should I do?â
I open the door and urge her outside by her elbow. Once the door is shut, I face her again. The phone is on its third ring. âYou should answer it.â
She stares at the phone, her fingers gripping tightly around it. She doesnât answer it, so I reach down and swipe right to answer. She crinkles up her nose and glares at me as she brings it to her ear. âHello?â
We begin walking to the car, but I listen quietly at the broken phrases coming through her phone: âYou know better,â and âSkip school,â and âHow could you?â The words continue to come out of her phone, until weâre both seated in my car with the doors shut. I start the car and the womanâs voice grows quiet for several seconds. Suddenly, the voice is blaring through the speakers of my car. Bluetooth. I remember what Bluetooth is.
I place the drinks and sandwich on the center console and begin to back out of the driveway. Charlie still hasnât had a chance to respond to her mother, but she rolls her eyes when I look at her.
âMom,â Charlie says flatly, attempting to interrupt her. âMom, Iâm on my way home. Silas is taking me to my car.â
Thereâs a long silence that follows Charlieâs words, and somehow her mother is much more intimidating when words arenât being yelled through the phone. When she does begin speaking again, her words come out slow and overenunciated. âPlease tell me you did not allow that family to buy you a car.â
Our eyes meet and Charlie mouths the word shit. âIâ¦no. No, I meant Silas is bringing me home. Be there in a few minutes.â Charlie fumbles with the phone in her hands, attempting to return to a screen that will allow her to end the call. I press the disconnect button on the steering wheel and end it for her.
She inhales slowly, turning to face her window. When she exhales, a small circle of fog appears against the window near her mouth. âSilas?â She faces me and arches a brow. âI think my mother may be a bitch.â
I laugh, but offer no reassurance. I agree with her.
Weâre both quiet for several miles. I repeat my brief conversation with Ezra over and over in my head. Iâm unable to push the scene out of my head, and sheâs not even my parent. I canât imagine what Charlie must be feeling right now after speaking to her actual mother. I think both of us have had the reassurance in the backs of our minds that once we came in contact with someone as close to us as our own parents, it would trigger our memory. I can tell by Charlieâs reaction that she didnât recognize a single thing about the woman she spoke to on the phone.
âI donât have a car,â she says quietly. I look over at her and sheâs drawing a cross with her fingertip on the fogged up window. âIâm seventeen. I wonder why I donât have a car.â
As soon as she mentions the car, I remember that Iâm still driving in the direction of the school, rather than wherever I need to be taking her. âDo you happen to know where you live, Charlie?â
Her eyes swing to mine, and in a split second the confusion on her face is overcome by clarity. Itâs fascinating how easily I can read her expressions now in comparison to earlier this morning. Her eyes are like two open books and I suddenly want to devour every page.
She pulls her wallet from her backpack and reads the address from her driverâs license. âIf you pull over we can put it in the GPS,â she says.
I push the navigation button. âThese cars are made in London. You donât have to idle to program an address into the GPS.â I begin to enter her street number and I feel her watching me. I donât even have to see her eyes to know theyâre overflowing with suspicion.
I shake my head before she even asks the question. âNo, I donât know how I knew that.â
Once the address is entered, I turn the car around and begin to head in the direction of her house. Weâre seven miles away. She opens both sodas and tears the sandwich in half, handing me part of it. We drive six miles without speaking. I want to reach over and grab her hand to comfort her. I want to say something reassuring to her. If this were yesterday, Iâm sure I would have done that without a second thought. But itâs not yesterday. Itâs today, and Charlie and I are complete strangers today.
On the seventh and final mile, she speaks, but all she says is, âThat was a really good grilled cheese. Make sure you tell Ezra I said so.â
I slow down. I drive well below the speed limit until we reach her street, and then I stop as soon as I turn onto the road. Sheâs staring out her window, taking in each and every house. Theyâre small. One-story houses, each with a one-car garage. Any one of these houses could fit inside my kitchen and weâd still have room to cook a meal.
âDo you want me to go inside with you?â
She shakes her head. âYou probably shouldnât. It doesnât sound like my mother likes you very much.â
Sheâs right. I wish I knew what her mother was referring to when she said that family. I wish I knew what Ezra was referring to when she mentioned our fathers.
âI think itâs that one,â she says, pointing to one a few houses down. I let off the gas and roll toward it. Itâs by far the nicest one on the street, but only because the yard was recently mowed and the paint on the window frames isnât peeling off in chunks.
My car slows and eventually comes to a stop in front of the house. We both stare at it, quietly taking in the vast separation between the lives we live. However, itâs nothing like the separation I feel knowing weâre about to have to split up for the rest of the night. Sheâs been a good buffer between myself and reality.
âDo me a favor,â I tell her as I put the car in park. âLook for my name in your caller ID. I want to see if I have a phone in here.â
She nods and begins scrolling through her contacts. She swipes her finger across the screen and brings her phone to her ear, pulling her bottom lip in with her teeth to hide what looks like a smile.
Right when I open my mouth to ask her what just made her smile, a muffled ring comes from the console. I flip it open and reach in until I find the phone. When I look at the screen, I read the contact.
Charlie baby
I guess that answers my question. She must also have a nickname for me. I swipe answer and bring the phone to my ear. âHey, Charlie baby.â
She laughs, and it comes at me twice. Once through my phoneand again from the seat next to me.
âIâm afraid we might have been a pretty cheesy couple, Silas baby,â she says.
âSeems like it.â I run the pad of my thumb around the steering wheel, waiting for her to speak again. She doesnât. Sheâs still staring at the unfamiliar house.
âCall me as soon as you get a chance, okay?â
âI will,â she says.
âYou might have kept a journal. Look for anything that could help us.â
âI will,â she says again.
Weâre both still holding our phones to our ears. Iâm not sure if sheâs hesitating to get out because sheâs scared of what sheâll find inside or because she doesnât want to leave the only other person who understands her situation.
âDo you think youâll tell anyone?â I ask.
She pulls the phone from her ear, swiping the end button. âI donât want anyone to think Iâm going crazy.â
âYouâre not going crazy,â I say. âNot if itâs happening to both of us.â
Her lips press into a tight, thin line. She gives her head the softest nod, as if itâs made from glass. âExactly. If I were going through this alone, it would be easy to just say Iâm going crazy. But Iâm not alone. Weâre both experiencing this, which means itâs something else entirely. And that scares me, Silas.â
She opens the door and steps out. I roll the window down as she closes the door behind her. She folds her arms over the windowsill and forces a smile as she gestures over her shoulder toward the house behind her. âI guess itâs safe to say I wonât have a housekeeper to cook me grilled cheese.â
I force a smile in return. âYou know my number. Just call if you need me to come rescue you.â
Her fake smile is swallowed up by a genuine frown. âLike a damsel in distress.â She rolls her eyes. She reaches through the window and grabs her backpack. âWish me luck, Silas baby.â Her endearment is full of sarcasm, and I kind of hate it.