Weâve walked two blocks and she hasnât let go of my hand yet. I donât know if itâs because she likes holding it, or if itâs because Bourbon Street isâ¦wellâ¦
âOh, God,â she says, turning toward me. She fists my shirt in her hand and presses her forehead against my arm. âThat guy just flashed me,â she says, laughing into the sleeve of my shirt. âSilas, I just saw my first penis!â
I laugh as I continue steering her through the inebriated crowd of Bourbon Street. After walking a ways, she peeks up again. Weâre now approaching an even larger group of belligerent men, all without shirts. In the place of shirts are mounds of beads draped around their necks. Theyâre all laughing and screaming at the people perched on the balconies above us. She squeezes my hand tighter until weâve successfully navigated through them. She relaxes and puts more space between us.
âWhatâs with the beads?â she asks. âWhy would anyone spend money on such tacky jewelry?â
âItâs part of the Mardi Gras tradition,â I tell her. âI read about it when I was researching Bourbon Street. It started as a celebration for the last Tuesday before Lent, but I guess itâs turned into a year-round thing.â I pull her against my side and point down to the sidewalk in front of her. She sidesteps around what looks like puke.
âIâm hungry,â she says.
I laugh. âStepping over vomit made you hungry?â
âNo, vomit made me think of food and food made my stomach growl. Feed me.â She points to a restaurant up the street. The sign is flashing in red neon. âLetâs go there.â
She steps ahead of me, still gripping my hand. I glance down at my phone and follow her lead. I have three missed calls. One from âCoach,â one from my brother, and one from âMom.â
Itâs the first time Iâve thought about my mother. I wonder what sheâs like. I wonder why I havenât met her yet.
My whole body crashes into the back of Charlieâs after she stops short to let a vehicle pass. Her hand flies up to the back of her head where my chin smashed against it. âOuch,â she says, rubbing her head.
I rub my chin and watch from behind her as she pushes her hair forward, over her shoulder. My eyes fall to the tip of what appears to be a tattoo peeking out from the back of her shirt.
She begins walking again, but I grab her shoulder. âWait,â I tell her. My fingers trail to the collar of her shirt and I pull it down a couple of inches. Right below the nape of her neck is a small silhouette of trees in black ink. I run my fingers over their outline. âYou have a tattoo.â
Her hand flies to the spot Iâm touching. âWhat?!â she shrieks. She spins around and looks up at me. âI do not.â
âYou do.â I turn her back around and pull the shirt down again. âHere,â I say as I trace the trees again. This time I notice as chills break out on her neck. I follow the line of tiny bumps with my eyes, running over her shoulder and hiding beneath her shirt. I look back at the tattoo again, because her fingers are now attempting to feel what Iâm feeling. I take two of them and press them against her skin. âA silhouette of trees,â I tell her. âRight here.â
âTrees?â she says, cocking her head to the side. âWhy would I have trees?â She turns around. âI want to see it. Take a picture with your phone.â
I pull her shirt down enough so that she can see the entire tattoo, even though itâs no more than three inches wide. I brush her hair over her shoulder again, not for the sake of the picture, but because Iâve really been wanting to do that. I also reposition her hand so that itâs coming across the front of her body, draping over her shoulder.
âSilas,â she grumbles. âJust take the damn picture. This isnât art class.â
I grin and wonder if Iâm always like thisâif I refuse to take a simple picture, knowing it only takes a little bit more effort to make it exceptional. I bring the phone up and snap the picture, then look at the screen, admiring how good the tattoo looks on her. She spins around and takes the phone from my hands.
She looks down at the picture and gasps. âOh my God.â
âItâs a very nice tattoo,â I tell her. She hands me back my phone and rolls her eyes, walking again in the direction of the restaurant.
She can roll her eyes all she wants. It doesnât change how she reacted to my fingers trailing across the back of her neck.
I watch her walk toward the restaurant, and realize that I have her figured out already. The more she likes me, the more closed off she becomes. The more sarcasm she inflicts on me. Vulnerability makes her feel weak, so sheâs pretending to be tougher than she really is. I think the old Silas knew this about her, too. Which is why he loved her, because apparently he liked the game they played.
Apparently I do too, because once again, Iâm following her.
We walk through the door of the restaurant and Charlie says, âTwo people, booth please,â before the hostess even has a chance to ask. At least she said please.
âRight this way,â the woman says.
The restaurant is quiet and dark, a stark contrast to the noise and neon lights of Bourbon Street. We both breathe a collective sigh of relief once weâre seated. The waitress hands us our menus and takes our drink order. Every now and then, Charlie lifts a hand to the back of her neck as if she can feel the outline of the tattoo.
âWhat do you think it means?â she says, still staring at the menu in front of her.
I shrug. âI donât know. Maybe you liked forests?â I glance up at her. âThese fairy tales you talked about. Did they all take place in forests? Maybe the man who needs to break your spell with a kiss is a strapping lumberjack, living in the woods.â
Her eyes meet mine and I can tell my jokes are aggravating her. Or maybe sheâs aggravated because she thinks Iâm funny. âStop making fun of me,â she says. âWe woke up without our memories at the exact same time, Silas. Nothing is more absurd than that. Even fairy tales with lumberjacks.â
I smile innocently and look down at my hand. âI have callouses,â I tell her, lifting my hand and pointing at the rough skin of my palm. âI could be your lumberjack.â
She rolls her eyes again, but laughs this time. âYou probably have callouses from jerking off too much.â
I hold up my right hand. âBut theyâre on both hands, not just my left.â
âAmbidextrous,â she deadpans.
We both grin as our drinks are placed in front of us. âReady to order?â the waitress asks.
Charlie quickly scans the menu and says, âI hate that we canât remember what we like.â She looks up at the waitress. âIâll take a grilled cheese,â she says. âItâs safe.â
âBurger and fries, no mayo,â I tell her. We hand her back our menus and I refocus on Charlie. âYou arenât eighteen yet. How could you get a tattoo?â
âBourbon Street doesnât seem to be a stickler for the rules,â she says. âI probably have a fake ID hidden somewhere.â
I open the search engine on my phone. âIâll try to figure out what it means. Iâve gotten pretty good at this Google thing.â I spend the next few minutes searching every possible meaning of trees and forests and clusters of trees. Just when I think Iâm on to something, she pulls my phone away and sets it on the table.
âGet up,â she says as she stands. âWeâre going to the bathroom.â She grabs my hand and pulls me out of the booth.
âTogether?â
She nods. âYep.â
I look at the back of her head as she walks away from me, then back at the empty booth. What theâ¦
âCome on,â she says over her shoulder.
I follow her to the hallway that leads to the restrooms. She pushes open the womenâs and peeks inside, then pulls her head out. âItâs a single stall. Itâs empty,â she says, holding the door open for me.
I pause and look at the menâs restroom, which looks perfectly fine, so I donât know why sheâsâ
âSilas!â She grabs my arm and pulls me inside the restroom. Once weâre inside, I half expect her to wrap her arms around my neck and kiss me becauseâ¦why else would we be in here together?
âTake off your shirt.â
I look down at my shirt.
I look back up at her. âAre weâ¦are we about to make out? Because I didnât picture it going down like this.â
She groans and reaches forward, pulling at the hem of my shirt. I help her pull it over my head when she says, âI want to see if you have any tattoos, dumbass.â
I deflate.
I feel like an eighteen-year-old whoâs just been blue-balled. I guess I kind of amâ¦
She turns me around and, when I face the mirror, she gasps. Her eyes are fixated on my back. My muscles tense beneath her touch as her fingertips meet my right shoulder blade. She traces a circle, spanning a radius of several inches. I squeeze my eyes shut and try to control my pulse. I suddenly feel drunker than everyone on Bourbon Street combined. Iâm gripping the counter in front of me because her fingersâ¦my skin.
âJesus,â I groan, dropping my head between my shoulders. Focus, Silas.
âWhatâs wrong?â she asks, pausing her inspection of my tattoo. âIt doesnât hurt does it?â
I release a laugh, because her hands on me are the opposite of pain. âNo, Charlie. It doesnât hurt.â
My eyes meet hers in the mirror and she stares at me for several seconds. When what sheâs doing to me finally registers, she glances away and pulls her hand from my back. Her cheeks flush.
âPut your shirt on and go wait for our food,â she demands. âI have to pee.â
I release my grip on the counter and inhale deeply as I pull my shirt back over my head. On my walk back to our table, I realize I never even asked her what the tattoo was.
âA strand of pearls,â she says as she slides into the booth. âBlack pearls. Itâs about six inches in diameter.â
âPearls?â
She nods.
âLike aâ¦necklace?â
She nods again and takes a sip of her drink. âYou have a tattoo of a womanâs necklace on your back, Silas.â Sheâs smiling now. âVery lumberjack-esque.â
Sheâs enjoying this. âYeah, well. You have trees on your back. Not much to brag about. Youâll probably get termites.â
She laughs out loud and it makes me laugh, too. She moves the straw around in her drink and looks down at her glass. âKnowing meâ¦,â she pauses. âKnowing Charlie, she wouldnât have gotten a tattoo unless it really meant something to her. It had to be something she knew she would never grow tired of. Never stop loving.â
Two familiar words stick out in her sentence. âNever never,â I whisper.
She looks up at me, recognizing the phrase we repeated to each other in the video. She tilts her head to the side. âYou think it had something to do with you? With Silas?â She shakes her head, silently disagreeing with my suggestion, but I begin scrolling through my phone. âCharlie wouldnât be that stupid,â she adds. âShe wouldnât ink something into her skin that was related to a guy. Besides, what would trees have to do with you?â
I find exactly what Iâm looking for and, as much as Iâm trying to keep a straight face, I canât stop the smile. I know itâs a smug smile and I probably should not be looking at her like this, but I canât help it. I hand her the phone and she looks down at the screen and reads out loud.
âFrom a Greek name meaning forests or woods.â She looks up at me. âSo itâs the meaning of a name?â
I nod. Still smug. âScroll up.â
She scrolls up the screen with a swipe of her finger and her lips part with a gasp. âDerived from the Greek termâSilas.â Her mouth clamps shut and her jaw hardens. She hands me back the phone and closes her eyes. Her head moves slowly back and forth. âShe got a tattoo of the meaning of your name?â
As expected, sheâs pretending to be disappointed in herself.
As expected, I feel triumphant.
âYou got a tattoo,â I tell her, pointing my finger in her direction. âItâs on you. Your skin. My name.â I canât stop with the stupid smile plastered across my face. She rolls her eyes again, just as our food is laid in front of us.
I push mine aside and search the meaning for the name Charlie. I donât pull anything up that could mean pearls. After a few minutes, she finally sighs and says, âTry Margaret. My middle name.â
I search the name Margaret and read the results out loud.
âMargaret, from the Greek term meaning pearl.â
I set my phone down. I donât know why it seems like Iâve just won a bet, but I feel victorious.
âItâs a good thing youâre giving me a new name,â she says, matter of fact.
A new name my ass.
I pull my plate in front of me and pick up a french fry. I point it at her and wink. âWeâre branded. You and me. We are so in love, Charlie. You feeling it yet? Do I make your heart go pitter patter?â
âThese arenât our tattoos,â she says.
I shake my head. âBranded,â I repeat. I raise my index finger as if Iâm gesturing over her shoulder. âRight there. Permanently. Forever.â
âGod,â she groans. âShut up and eat your damn burger.â
I eat it. I eat the entire thing with a shit-eating grin.
âWhat now?â I ask, leaning back in my seat. Sheâs barely touched her food and Iâm pretty sure I just broke a record with how fast I ate mine.
She looks up at me and I can see by the trepidation in her expression that she already knows what she wants to do next, she just doesnât want to bring it up.
âWhat is it?â
Her eyes narrow. âI donât want you to make a smart-ass comment in response to what Iâm about to suggest.â
âNo, Charlie,â I say immediately. âWe arenât eloping tonight. The tattoos are enough commitment for now.â
She doesnât roll her eyes at my joke this time. She sighs, defeated, and leans back in her seat.
I hate her reaction. I like it a whole lot more when she rolls her eyes at me.
I reach across the table and cover her hand with mine, rubbing my thumb over hers. âIâm sorry,â I say. âSarcasm just makes this whole thing feel a little less frightening.â I remove my hand from hers. âWhat did you want to say? Iâm listening. Promise. Lumberjackâs honor.â
She laughs with a small roll of her eyes and Iâm relieved. She glances up at me and shifts in her seat, then begins playing with her straw again. âWe passed a fewâ¦tarot shops. I think maybe we should get a reading.â
I donât even start at her comment. I just nod and pull my wallet out of my pocket. I lay enough money on the table to cover our bill and then I stand up. âI agree,â I tell her, reaching out for her hand.
I actually donât agree, but I feel bad. These last two days have been exhausting and I know sheâs tired. The least I can do is make this easier for her, despite knowing this hocus pocus bullshit isnât going to enlighten us in any way.
We pass a few tarot shops during our search, but Charlie shakes her head each time I point one out. Iâm not sure what sheâs looking for, but I actually like walking the streets with her, so Iâm not complaining. Sheâs holding my hand, and sometimes I put my arm around her and pull her against me when the paths become too narrow. I donât know if sheâs noticed, but Iâve been leading us through a lot of these narrow paths unnecessarily. Any time I see a big crowd, I aim for it. After all, sheâs still my back-up plan.
After about half an hour longer of walking, it looks like weâre reaching the end of the French quarter. The crowds are dwindling, giving me fewer excuses to pull her to me. Some of the shops weâre passing have already closed. We make it to St. Philip Street when she pauses in front of an art gallery window.
I stand next to her and stare at the displays illuminated inside the building. There are plastic body parts suspended from the ceiling, and giant, metal sea life clinging to the walls. The main display, which is directly in front of us, just happens to be a small corpseâwearing a strand of pearls.
She taps her finger against the glass, pointing at the corpse. âLook,â she says. âItâs me.â She laughs and moves her attention to somewhere else inside the store.
Iâm not looking at the corpse anymore. Iâm not looking inside the store anymore.
Iâm looking at her.
The lights from inside the gallery are illuminating her skin, giving her a glow that really does make her look like an angel. I want to run my hand across her back and feel for actual wings.
Her eyes move from one object to another as she studies everything beyond the window. Sheâs looking at each piece with bewilderment. I make a mental note to bring her back here when theyâre actually open. I canât imagine what sheâd look like actually being able to touch one of the pieces.
She stares into the window a few minutes longer and I continue to stare at her, only now Iâve taken two steps and Iâm standing directly behind her. I want to see her tattoo again, now that I know what it means. I wrap my hand around her hair and brush it forward, over her shoulder. I half expect her to reach behind her and slap my hand away, but instead, she sucks in a quick rush of air and looks down at her feet.
I smile, remembering what it felt like when she ran her fingers over my tattoo. I donât know if I make her feel the same, but sheâs standing still, allowing my fingers to slip inside the collar of her shirt again.
I swallow what feels like three entire heartbeats. I wonder if sheâs always had this effect on me.
I pull her shirt down, revealing her tattoo. A pang shoots through my stomach, because I hate that we donât have this memory. I want to remember the discussion we had when we decided to make such a permanent decision. I want to remember who brought the idea up first. I want to remember what she looked like as the needle pierced her skin for the first time. I want to remember how we felt when it was over.
I run my thumb over the silhouette of trees while curving the rest of my hand over her shoulderâover skin covered in chills again. She tilts her head to the side and the tiniest of whimpers escapes her throat.
I squeeze my eyes shut. âCharlie?â My voice is like sandpaper. I clear my throat to smooth it out. âI changed my mind,â I say quietly. âI donât want to give you a new name. I kind of love your old one now.â
I wait.
I wait for her snarky response. For her laughter.
I wait for her to push my hand away from the nape of her neck.
I get no reaction from her. Nothing. Which means I get everything.
I keep my hand on her back as I slowly step around her. Iâm standing between her and the window now, but she keeps her eyes focused on the ground. She doesnât look up at me, because I know she doesnât like to feel weak. And right now, Iâm making her weak. I bring my free hand to her chin and graze my fingers up her jaw, tilting her face to mine.
When we lock eyes, I feel like Iâm meeting a brand new side of her. A side of her without resolve. A vulnerable side. A side thatâs allowing herself to feel something. I want to grin and ask her how it feels to be in love, but I know teasing her in this moment would piss her off and sheâd walk away and I canât let that happen. Not right now. Not when I finally get to catalog an actual memory with all the numerous fantasies Iâve had about her mouth.
Her tongue slides across her bottom lip, causing jealousy to flutter through me, because I really wanted to be the one to do that to her lip.
In factâ¦I think I will.
I begin to dip my head, just as she presses her hands against my forearms. âLook,â she says, pointing at the building next door. The flickering light has stolen her attention and I want to curse the universe for the simple fact that a light bulb just interfered with what was about to become my absolute favorite of very few memories.
I follow her gaze to a sign that doesnât look any different from all of the other Tarot signs weâve passed. The only thing different about this one is it just completely ruined my moment. And dammit, it was a good moment. A great one. One I know Charlie was also feeling, and I donât know how long itâll take me to get back to that.
Sheâs walking in the direction of the shop now. I follow behind her like a lovesick puppy.
The building is unmarked and it makes me wonder what it was about the unreliable, asshole-lighting that drew her away from my mouth. The only words indicating this is even a store are the âNo Camerasâ signs plastered on every blackened window.
Charlie puts her hands on the door and pushes it open. I follow her inside and weâre soon standing in what looks like the center of a touristy voodoo gift shop. Thereâs a man standing behind a register and a few people browsing the aisles.
I try to take everything in as I follow Charlie through the store. She fingers everything, touching the stones, the bones, the jars of miniature voodoo dolls. We silently make our way down each aisle until we reach the back wall. Charlie stops short, grabs my hand and points at a picture on the wall. âThat gate,â she says. âYou took a picture of that gate. Itâs the one hanging on my wall.â
âCan I help you?â
We both spin around and a largeâreally largeâman with gauged ears and a lip ring is staring down at us.
I kind of want to apologize to him and leave as fast as we can, but Charlie has other plans. âDo you know what this gate is guarding? The one in the picture?â Charlie asks him, pointing over her shoulder. The manâs eyes lift to the picture frame. He shrugs.
âMust be new,â he says. âIâve never noticed it before.â He looks at me, arching an eyebrow adorned with multiple piercings. One being a smallâ¦bone?Is that a bone sticking through his eyebrow? âYou two looking for anything in particular?â
I shake my head and begin to respond, but my words are cut off by someone elseâs.
âTheyâre here to see me.â A hand reaches through a beaded curtain to our right. A woman steps out, and Charlie immediately sidles against me. I wrap my arm around her. I donât know why sheâs allowing this place to freak her out. She doesnât seem like the type to believe in this sort of thing, but Iâm not complaining. A frightened Charlie means a very lucky Silas.
âThis way,â the woman says, motioning for us to follow her. I start to object, but then remind myself that places like thisâ¦theyâre all about theatrics. Itâs Halloween 365 days a year. Sheâs just playing a part. Sheâs no different than Charlie and me, pretending to be two people we arenât.
Charlie glances up at me, silently asking for permission to follow her. I nod and we follow the woman through the curtain ofâI touch one of the beads and take a closer lookâplastic skulls. Nice touch.
The room is small and every wall is covered with thick, velvet black curtains. There are candles lit around the room, flickers of light licking the walls, the floor, us. The woman takes a seat at a small table in the center of the room for us to sit in the two chairs across from her. I keep Charlieâs hand wrapped tightly in mine as we both sit.
The woman begins to slowly shuffle a deck of tarot cards. âA joint reading, I assume?â she asks.
We both nod. She hands Charlie the deck and asks her to hold them. Charlie takes them from her and clasps her hands around them. The woman nudges her head toward me. âBoth of you. Hold them.â
I want to roll my eyes, but instead I reach my hand across Charlie and place it on the deck with her.
âYou need to want the same thing out of this reading. Multiple readings can sometimes overlap when there isnât cohesiveness. Itâs important your goal is the same.â
Charlie nods. âThey are. It is.â
I hate the desperation in her voice, like weâre actually going to get an answer. Surely she doesnât believe this.
The woman reaches across to take the cards from our hands. Her fingers brush mine and theyâre ice cold. I pull my hand back and grab Charlieâs, moving it onto my lap.
She begins laying cards out on the table, one by one. Theyâre all facedown. When sheâs finished, she asks me to pull a card from the deck. When I hand her the card, she sets it apart from the others. She points at it. âThis card will give you your answer, but the other cards explain the path to your question.â
She puts her fingers on the card in the middle. âThis position represents your current situation.â She flips it over.
âDeath?â Charlie whispers. Her hand tightens around mine.
The woman looks at Charlie and tilts her head. âIt isnât necessarily a bad thing,â she says. âThe death card represents a major change. A reformation. The two of you have experienced a loss of sorts.â
She touches another card. âThis position represents the immediate past.â She flips it over and before I look down at the card, I can see the womanâs eyes narrow. My eyes fall to the card. The Devil.
âThis indicates something or someone was enslaving you in the past. It could represent a number of things close to you. Parental influence. An unhealthy relationship.â Her eyes meet mine. âInverted cards reflect a negative influence, and although it represents the past, it can also signify something youâre currently transitioning through.â
Her fingers fall to another card. âThis card represents your immediate future.â She slides the card toward her and flips it over. A quiet gasp falls from her mouth and I feel Charlie flinch. I glance down at her and sheâs staring intently at the woman, waiting for an explanation. She looks terrified.
I donât know what kind of game this woman is playing, but itâs beginning to piss me offâ¦
âThe Tower card?â Charlie says. âWhat does it mean?â
The woman flips the card back over as if itâs the worst card in the deck. She closes her eyes and blows out a long breath. Her eyes pop open again and sheâs staring right at Charlie. âIt meansâ¦destruction.â
I roll my eyes and push back from the table. âCharlie, letâs get out of here.â
Charlie looks at me pleadingly. âWeâre almost finished,â she says.
I relent and scoot back toward the table.
The woman flips over two more cards, explaining them to Charlie, but I donât hear a single word she says. My eyes wander around the room as I try to remain patient and let her finish, but I feel like weâre wasting time.
Charlieâs hand begins squeezing the life out of mine, so I return my attention to the reading. The womanâs eyes are closed tight and her lips are moving. Sheâs mumbling words I canât decipher.
Charlie scoots closer to me, and I instinctively wrap my arm around her. âCharlie,â I whisper, making her look up at me. âItâs theatrics. She gets paid to do this. Donât be scared.â
My voice must have broken the woman out of her conveniently timed trance. Sheâs tapping the table, trying to get our attention as if she wasnât off in la-la land for the last minute and a half.
Her fingers fall to the card I pulled out of the deck. Her eyes meet mine, and then they move to Charlieâs. âThis card,â she says slowly. âIs your outcome card. Combined with the other cards in the reading, this gives you the answer to why you are here.â She flips the card over.
The woman doesnât move. Her eyes are locked on the card beneath her fingertips. The rooms grows eerily quiet, and as if on cue, one of the candles loses its flame. Another nice touch, I think.
I look down at the outcome card. There arenât any words on it. No title. No picture.
The card is blank.
I can feel Charlie stiffen in my arms as she stares at the blank card on the table. I shove back from the table and pull Charlie up. âThis is ridiculous,â I say loudly, accidentally knocking my chair over.
Iâm not pissed that the woman is trying to scare us. Itâs her job. Iâm pissed because sheâs actually scaring Charlie, yet sheâs keeping up this ridiculous façade.
I take Charlieâs face in my hands and look her in the eyes. âShe planted that card to scare you, Charlie. This is all bullshit.â I take both her hands and begin to turn her toward the exit.
âThere are no blank cards in my tarot deck,â the woman says.
I pause in my tracks and turn around to face her. Not because of what she said, but because of the way she said it. She sounded scared.
Scared for us?
I close my eyes and exhale. Sheâs an actress, Silas.Calm your shit.
I push open the door and pull Charlie outside. I donât stop walking until weâre around the building and on another street. When weâre away from the store and away from the damn flickering of the sign, I stop walking and pull her against me. She wraps her arms around my waist and buries her head against my chest.
âForget all of that,â I say, rubbing my hand in reassuring circles over her back. âFortune-telling, tarot readingsâ¦itâs ridiculous, Charlie.â
She pulls her face from my shirt and looks up at me. âYeah. Ridiculous like the both of us waking up at school with no memory of who we are?â
I close my eyes and pull away from her. I run my hands through my hair, the frustration from the day catching up to me. I can make light of it all with my jokes. I can dismiss her theoriesâfrom tarot readings to fairy talesâsimply because it doesnât make sense to me. But sheâs right. None of this makes sense. And the more we try to uncover the mystery, the more I feel like weâre wasting our damn time.