Two days later, I stood in the doorway of Polinaâs abandoned studio.
Gone were the boarded-up windows, the drooping cobwebs. Only open space remained, clean and wide.
I was still gaping when Ressina found me, halting on her path down the street, no doubt coming from her own studio. âHappy Solstice, my lady,â she said, smiling brightly.
I didnât return the smile as I stared and stared at the open door. The space beyond.
Ressina laid a hand on my arm. âIs something wrong?â
My fingers curled at my sides, wrapping around the brass key in my palm. âItâs mine,â I said quietly.
Ressinaâs smile began to grow again. âIs it, now?â
âTheyâher family gave it to me.â
It had happened this morning. Iâd winnowed to Polinaâs family farm, somehow surprising no one when Iâd appeared. As if theyâd been waiting.
Ressina angled her head. âSo why the face?â
âThey gave it to me.â I splayed my arms. âI tried to buy it. I offered her family money.â I shook my head, still reeling. I hadnât even been back to the town house. Hadnât even told Rhys. Iâd woken at dawn, Rhys already off to meet with Az and Cassian at Devlonâs camp, and decided to hell with waiting. Putting life off didnât make a lick of sense. I knew what I wanted. There was no reason to delay. âThey handed me the deed, told me to sign my name to it, and gave me the key.â I rubbed my face. âThey refused my money.â
Ressina let out a long whistle. âIâm not surprised.â
âPolinaâs sister, though,â I said, my voice shaking as I pocketed the key in my overcoat, âsuggested I use the money for something else. That if I wanted to give it away, I should donate it to the Brush and Chisel. Do you know what that is?â
Iâd been too stunned to ask, to do anything other than nod and say I would.
Ressinaâs ochre eyes softened. âItâs a charity for artists in need of financial helpâto provide them and their families with money for food or rent or clothes. So they neednât go hungry or want for anything while they create.â
I couldnât stop the tears that blurred my vision. Couldnât stop myself from remembering those years in that cottage, the hollow ache of hunger. The image of those three little containers of paint that Iâd savored.
âI didnât know it existed,â I managed to whisper. Even with all the committees that I volunteered to help, they had not mentioned it.
I didnât know that there was a place, a world, where artists might be valued. Taken care of. Iâd never dreamed of such a thing.
A warm, slender hand landed on my shoulder, gently squeezing.
Ressina asked, âSo what are you going to do with it? The studio.â
I surveyed the empty space before me. Not emptyâwaiting.
And from far away, as if it was carried on the cold wind, I heard the Surielâs voice.
Feyre Archeron, a request. Leave this world a better place than how you found it.
I swallowed down my tears, and brushed a stray strand of my hair back into my braid before I turned to the faerie. âYou wouldnât be looking for a wholly inexperienced business partner, would you?â